Part 5
The whole of this collection of creatures was certainly at no period visible at the same time and from the same point of view. The level on which the Ishtar Gate stood was repeatedly raised by artificial means. The traces of the two last heightenings can be seen between the 10th and 11th and the 8th and 9th rows. The traces of a pavement between the 6th and 7th rows are not clear. It is possible that when the gate was first built the roadway lay at the same level as the surrounding plain, but there is no proof of this. It may also be surmised that, for some time at least, the lower part of the gate was used as such, but in any case with the successive heightenings of the road the lower part of the building gradually disappeared below the surface. The filling up shows the existence of great foresight, and of most scrupulous care expended on the work. The reliefs were carefully smeared over with mud, and those of the 8th row were actually covered with a fine clean white stucco. On the irregular surface of this covering the marks of the smearing hands are clearly visible. The white plaster so catches the eye that at first I imagined it to be the remains of a coating intended to be painted and to ensure a more perfect moulding of the form and outline of the animal; the obvious roughness of the work, however, precluded any such conclusion.
Below the 8th row, that is below the older roadway, an unusual neglect of the wall surface appears. The bricks are often reversed and laid irregularly backwards or forwards, and thus in places the reliefs are not fitted together (Figs. 26, 27). The asphalt often protrudes from the joints and has run in thick black streaks over ground and figures alike. None of these defects occur in the 9th course. The field of the reliefs, on the contrary, is carefully smoothed to a fine surface with some polishing instrument, and the animal figures are worked over with a rasp. This seems to point to the conclusion that the lower rows were not intended to stand out free and meet the eye, at any rate not for any considerable length of time; and this also shows that when the gate was built, it was intended from the first that the Procession Street and the level of the old pavement should be raised. Even in the lowest courses we find the 3–lined stamp that is characteristic of the latter half of Nebuchadnezzar’s reign. No traces have been found of an earlier building, though Nebuchadnezzar speaks of one.
In the great _Steinplatten_ inscription, col. 5 and 6, the king says: “... Ištar-sâkipat-têbiša of Imgur-Bel and Nimitti-Bel—both entrances of the town gates had become too low owing to the filling up of the street (sulû) of Babil. I dug out that town gate, I grounded its foundations facing the water strong with bitumen and baked bricks, and caused it to be finely set forth with baked bricks of blue enamel, on which wild oxen and dragons (sir-ruš) were pictured. I caused mighty cedars to be laid lengthways for its ceiling. Door leaves of cedar covered with copper, thresholds and hinges of bronze I fitted into its gates. Lusty (?) wild oxen of bronze and raging (?) dragons I placed at the thresholds. The same town gateways I caused to be made glorious for the amazement of all peoples” (trans. by Delitzsch).
Between the two doorways, at the level of the topmost pavement, a great block of limestone was found bearing the consecration inscription of the Ishtar Gate (Fig. 28) which, with another lying by it, must have belonged either to the jambs or the soffit of the door. The inscription runs thus: “(Nebuchadnezzar, King of Babylon, son of) Nabopolassar (King of Babylon am I). The gate of Nana (Ishtar ... I built) with (blue) enamelled bricks ... for Marduk my lord. Lusty bulls of bronze and mighty figures of serpents I placed at their thresholds, with slabs (?) of limestone (and ...) of stone I ... the enclosure of the bulls (...?) Marduk, exalted lord ... eternal life ... give as a gift” (trans. by Messerschmidt).
The expression “uknû,” which here and in other inscriptions is used for enamelled brick, properly denotes _lapis lazuli_. It corresponds in fact, and possibly in derivation, with the Greek “kyanos.” The technique of the enamel, the reference marks of the bricks, and the varied colourings are precisely the same as we have already observed with the lions (Figs. 29, 30).
The lion, the animal of Ishtar, was so favourite a subject at all times in Babylonian art that its rich and lavish employment at the main gate of Babylon, the Ishtar Gate, is by no means abnormal. With the bull, and still more with the sirrush, the case is different. The bull is the sacred animal of Ramman, the weather god. A pair of walking bulls often form the base on which his statue stands, or his emblem the lightning is frequently placed on the back of a recumbent bull. Similar representations point to the sirrush as the sacred animal both of Marduk and of Nabû. In the Babylonian pantheon of Nebuchadnezzar’s time, Marduk occupied a very prominent position. To him belonged Esagila, the principal temple of Babylon, and to him Nebuchadnezzar consecrated the Procession Street and the Ishtar Gate itself. His animal, the sirrush, frequently appears on carvings of this period, such as the seals and boundary stones. This “dragon of Babylon” was the far-famed animal of Babylon, and fits in admirably with the well-known story in the Apocrypha of Bel and the Dragon. One may easily surmise that the priests of Esagila kept some reptile, probably an arval, which is found in this neighbourhood, and exhibited it in the semi-darkness of a temple chamber as a living sirrush. In this case there would be small cause for wonder that the creature did not survive the concoction of hair and bitumen administered to it by Daniel.
The artistic conception of the sirrush (Figs. 31 and 32) differs very considerably from that of the other fabulous creatures in which Babylonian art is so exceedingly rich. Although not free from impossibilities, it is far less fantastic and unnatural than the winged bulls with human heads, or the bearded men with birds’ bodies and scorpions’ tails, and similar absurdities.
As indicated by the Babylonian name it is a “walking serpent.” A striking feature is the scaly coat and the great tail of a serpent’s body. The head with the forked tongue is purely that of a serpent, and is in fact that of the horned viper, so common in Arabia, which bears the two erect horns, of which, as in the case of the bulls, only one is visible in the purely profile attitude. Behind lie two spiral combs similar to those so generously bestowed on the heads of the frequently represented Chinese dragon. The tail ends in a small curved sting. The legs are those of some high-stepping feline animal, probably a cheetah. The hinder feet are those of a strong raptorial bird (Fig. 33) with powerful claws and great horny scales. But the tarsal joint is not that of a bird but of a quadruped, and the metatarsals are not anchylosed, or only very slightly at the distal end. It is remarkable that, in spite of the scales, the animal possesses hair. Three corkscrew ringlets fall over the head near the ears, and on the neck, where a lizard’s comb would be, is a long row of curls.
This conjunction of scales and hair, as well as the marked difference between the front and hinder extremities, is very characteristic of the prehistoric dinosaur. Also the small size of the head in comparison with the rest of the body, the carriage and disproportionate length of the neck, all correspond with the distinctive features of this extinct lizard. The sirrush is a proof of an unmistakable self-creative genius in this ancient art and far exceeds all other fantastic creatures in the uniformity of its physiological conceptions. If only the forelegs were not so emphatically and characteristically feline, such an animal might actually have existed. The hind feet of a lizard are often very similar to those of birds.
VIII THE PROCESSION STREET SOUTH OF THE ISHTAR GATE
The street pavement extended through the Ishtar Gate, and in the southern gateway court the older pavement is still in place. Here there are three layers of bricks set in asphalt, which curve upward near the walls, forming a shallow trough (visible in Fig. 19). Its purpose must have been to prevent the collected water soaking into the joints of the walls. Similar curves in other places are the result of the unequal settling of the lighter material of the filling below the pavement and of the unyielding walls of baked brick, while a curve in the opposite sense can often be remarked on the flooring of buildings of crude brick, because the closely compressed mud wall settled with greater force than the slightly compressed filling under the pavement.
On leaving the Ishtar Gate we cross the substructure of the threshold, which rested on many layers of brick and must itself have been of stone. On the south of the gate some later insignificant buildings, perhaps Parthian, have clustered round it. These leave the entrance free, and Nebuchadnezzar’s great paving-blocks of the upper roadway, over which Nebuchadnezzar, Daniel, and Darius must frequently have passed, are still in position. Farther on only the lower pavement remains. It extends parallel with the east front of the Southern Citadel as far as the end of the mound, where it surrounds an altar (?) of mud brick.
A branch of the street leads to the principal entrance of the Southern Citadel. A great number of limestone and turminabanda paving-stones found in the southern portion originally formed part of the destroyed upper pavement. It appears that during the Greek or Parthian periods balls for projectiles were made out of this limestone, as many have been found here. They divide into groups of various weights (Fig. 34). Some measure 27.5 centimetres in diameter, and weigh 20.20–20.25 kilos; others 19 centimetres, and 7–7.75 kilos; and others again 16 centimetres, and 4–4.5 kilos.
South of the Citadel the street crosses a watercourse, which apparently varied at different periods both in width and in name. In the time of Nebuchadnezzar it was perhaps the canal “Libil-ḫigalla,” while in Persian and Greek times it was the Euphrates itself that flowed here. We dug a ditch here that extended from the mound to the recommencement of the street, and which clearly showed the stratum to have been formed by the deposit of water. The strata contain no ruins with the exception of a canal, which in places is barely 3 metres broad. This canal is constructed in later fashion with the ancient bricks of Nebuchadnezzar, the best outside, the fragments inside, and all laid in mud. To the east it soon comes to an end and disappears in the banked-up watercourse. To the west it first widens out into a basin of three times its breadth, where narrow steps lead down the embankments to the level of the water (Fig. 35), and then once more narrows to its ordinary width. Farther to the west we know nothing of it. At the narrow portions, at about the height of the ancient water-level, courses of squared limestone of considerable size were laid. In the western part the northern bank contained a square opening many brick courses deep. The whole conveys the impression of a kind of sluice, which perhaps served to connect a watercourse in the east, of high water-level, with another in the west of lower level. This construction may date from the time of Neriglissar, when throwing a bridge across the canal to carry the Procession Street presented no difficulty. In earlier times the street appears to have been carried on a dam with walled embankments, which latter still exist below the walls of the canal.
The eastern canal, Libil-ḫigalla, was restored by Nebuchadnezzar, according to _K.B._ iii. 2, p. 61: “Libil-ḫigalla, the eastern canal of Babylon, which a long time previously had been choked (?) with downfallen earth (?), and filled with rubbish, I sought out its place, and I laid its bed with baked bricks and bitumen from the banks of the Euphrates up to Ai-ibur-šabû. At Ai-ibur-šabû, the street of Babylon, I added a canal bridge and made the way broad for the procession of the great lord Marduk” (trans. by Winckler and Delitzsch). Neriglissar also says of himself (_K.B._ i. 1, p. 75): “The eastern arm, which an earlier king (indeed) dug, but had not constructed its bed, (this) arm I dug (again) and constructed its bed with bricks and kiln bricks; beneficent, inexhaustible water I led to the land” (trans. by Winckler).
To the north of the Citadel there is a similar canal constructed after the same fashion, of which the vaulting still exists. My opinion is that this canal conveyed to the east the water of the Euphrates, which was probably still called “Arachtu” there, and that possibly it flowed round the Kasr in somewhat irregular fashion, even in the Neo-Babylonian period. This easterly body of water would then return to the Euphrates by means of the canal just described. At the south-west corner of the Kasr buildings, where they joined the wall of Nabonidus, the openings through which the water escaped are still preserved in this wall.
To the south of our water-channel the street appears once more, but at a much lower level. It is paved with brick, plastered with asphalt, and is of the same breadth as the southern Kasr Street. It passes between the houses of Merkes and the sacred peribolos of Etemenanki, keeping close to the latter, but at a sufficient distance from the secular dwellings of the Babylonians. The first part of the street, as far as the great gate of Etemenanki, had a flooring of kiln bricks overlaid with paving-stones of turminabanda, which still lie undisturbed on the branch leading to the gate (Fig. 36). They bear the same dedicatory inscription as that on the Kasr: some of them, however, have in addition on the underside the name of Sennacherib, the bloodthirsty Assyrian who while still well disposed to the city often beautified it, only at last to destroy it utterly, as he emphatically states in his Bavian inscription.
Nebuchadnezzar makes no reference to this work of one of his predecessors, he only refers to that of his father Nabopolassar (_Steinplatten_ inscription, col. 5, 12): “From Du-azag, the place of the deciding of fates, the chamber of fate, to Aiburšabu, the street of Babylon, opposite the ‘Lady’ Gate, he (Nabopolassar) had paved the Procession Street of the great lord Marduk splendidly with paving-stones of breccia” (trans. by Delitzsch). Of these paving-stones of Nabopolassar there are certainly no remains that can be identified with certainty. Just as Nebuchadnezzar made use of the blocks of Sennacherib for his new building, so doubtless he would appropriate those of his father.
In addition to digging out the street on the east side of the peribolos we also excavated a portion of it on the south side. Here we could trace it between the peribolos and Esagila as far as the (Urash?) gate in the Nabonidus wall and the Euphrates bridge there. In this whole length, several superimposed pavements of baked brick, separated from each other by shallow layers of earth, occurred rather frequently; all the upper ones bear the stamp of Nebuchadnezzar, the bricks of the lowest pavement are unstamped and smaller (32 centimetres): these may date from Nabopolassar, but not necessarily. North of the Ishtar Gate we only find Nebuchadnezzar’s brick stamps. Consequently the above-quoted passage seems to refer to the section of the street between Esagila and the Kasr. If so, the “Lady” Gate (bâb bilti) must be sought on the eastern front of the Kasr, and Du-azag either in Esagila or in the peribolos of Etemenanki. The Procession Street on the Kasr was called Aibur-shabu. To this latter section only the above-quoted passage applies (_Steinplatten_ inscription, col. 5, 38).
We found a brick, although not _in situ_ (Fig. 37), with an inscription that refers to the construction of the street by Nebuchadnezzar, with a number of fragments of similar content: “Nebuchadnezzar, King of Babylon, he who made Esagila and Ezida glorious, son of Nabopolassar, King of Babylon. The streets of Babylon, the Procession Streets of Nabû and Marduk my lords, which Nabopolassar, King of Babylon, the father who begat me, had made a road glistening with asphalt and burnt bricks: I, the wise suppliant who fears their lordship, placed above the bitumen and burnt bricks a mighty superstructure of shining dust, made them strong within with bitumen and burnt bricks as a high-lying road. Nabû and Marduk, when you traverse these streets in joy, may benefits for me rest upon your lips; life for distant days and well-being for the body. Before you will I advance (?) upon them (?). May I attain eternal age” (trans. by Weissbach).
Here and there on the street, and also below the procession pavement, are Babylonian graves. The adults are in large jars, the children in shallow elliptical bowls of pottery. We have observed no traces of monuments above ground, nor could we expect to find any in such a position on the street, nor yet in the other usual places of burial—the streets and squares of the city, on the fortification walls, and in the ruins of fallen houses.
IX THE TEMPLE OF NINMACH
Passing out of the Ishtar Gate, we find ourselves on a high open space before the east front of the Southern Citadel, where stood its great portal. Like the street and the palace itself, it is raised to the same level as the rest of the Citadel by means of artificial piling up of materials in several distinct stages. In the north-east corner stands the temple of Ninmach, “the great mother” (Fig. 38). Its entrance façade faces the north, immediately opposite one wing of the Ishtar Gate, to which it is joined by a short wall containing a doorway. At the south-east corner a mud brick wall begins, which also has a gate, and which probably was intended to form the boundary of the temple square, but of which only a short piece now remains. In this manner the secular area was entirely excluded from the sacred precincts.
Immediately in front of the temple entrance was a small altar of mud brick surrounded by an area of kiln brick, the edge of which was defined by tilted bricks fixed edgeways in the ground.
The temple, like all others hitherto found by us, is composed of mud brick, but we must not judge of its original appearance by the present condition of the ruins; its walls were covered with a white plaster that gave it the appearance of marble. The designs employed in laying out this temple were borrowed from military architecture. Towers in close proximity to each other are placed on the walls and especially beside the gateways. None of their upper portions now exist, but we believe we have sufficient evidence to prove that, like those of fortifications, they were crowned with the usual stepped battlements. In addition, these sacred buildings possessed a very characteristic form of decoration which is absent in fortresses and other secular buildings. This consists of vertical grooves carried from top to bottom of the walls, either rectangular in section or stepped, as here in the temple of Ninmach. In other temples, as at Borsippa or the earliest Esagila, in place of the grooves there are semicircular fillets. Cornices, friezes, and the like, as well as columns or entablatures, are entirely absent in Babylonia.
In the gateway the three upper floorings lie superimposed and separated from each other by layers of earth. They are very instructive and show that they pertain to the last three raisings of the temple-level. That the temple was raised twice previously we learn from the cella. Under each pavement at the gate there is a channel which carried off the rain-water from the building, and on each side of the entrance, also under the pavement, is one of those remarkable structures formed of six bricks placed together which we found in connection with almost every doorway of any importance in the temples. One of these was empty, but in the eastern one was deposited a bird in earthenware, and with it a fragment of pottery with an almost illegible inscription. Such deposits may probably be termed offerings, and every one of these small caskets which is now empty certainly contained gifts which in course of time have perished and disappeared. The exact significance attached to them by the Babylonians we do not know; the inscriptions found on some of the clay figures on other sites do not make this clear.
The entrance was fitted with double doors. The base of the doorposts stood in a bronze ferrule (Fig. 39), and turned in stone sockets of considerable dimensions. The brick cavities in which these sockets were inserted are well preserved, the stone sockets themselves have disappeared, as in most other cases. The two blocks of brickwork by which the old pivot sockets were partially covered were in some way which cannot now be clearly recognised used as foundations for the stone sockets of the later, higher pavement. The door could be very strongly barricaded, apart from the bolts which we may safely take for granted, by a beam that was propped against it from the inside. For the admission of this beam there was a slight depression in the pavement and also a stone which rose slightly above its level exactly as at the Urash Gate, and at the Citadel gateway at Sendjirli. The usual method of fastening was undoubtedly by beams which could be drawn out of the wall, as we shall see them in the ancient gate of the Southern Citadel. The prop was intended merely to strengthen the fastenings in troubled times and enable the priests of Emach to defend their sanctuary as a stronghold. The towers and parapets of the external walls may also have helped in this case.
When we leave the vestibule, as we may well name the first chamber at the gateway, we find ourselves in the court, which was proportionately large and certainly open to the sky, and which gave more or less direct access to the remaining chambers. Immediately opposite lies the entrance to the cella (Fig. 40), indicated by towers decorated with grooves. From here it must have been possible to behold through the open cella-doors beyond, in the mystic twilight of the Holy of Holies, the cultus image on its pedestal. To the right was a brick-lined well which must have played an important part in the service of the cult. Immediately in front of the entrance to the cella, in the asphalt covering of the pavement, three circular depressions may be observed, in which metal vases, now lost, appear to have stood. Similar cavities may also be seen near the centre of the court. One would expect incense-burners, thymiateria, here, but of these we have no knowledge.