Part 37
The day before Easter-day is in some parts called “Holy Saturday.” On the evening of this day, in the middle districts of Ireland, great preparations are made for the finishing of Lent. Many a fat hen and dainty piece of bacon is put in the pot by the cotter’s wife about eight or nine o’clock, and woe be to the person who should taste it before the cock crows. At twelve is heard the clapping of hands, and the joyous laugh, mixed with “_Shidth or mogh or corries_,” i. e. _out with the Lent_: all is merriment for a few hours, when they retire, and rise about four o’clock _to see the sun dance_ in honour of the resurrection. This ignorant custom is not confined to the humble labourer and his family, but is scrupulously observed by many highly respectable and wealthy families, different members of whom I have heard assert positively that they had seen the sun dance on Easter morning.[67]
It is inquired in Dunton’s “Athenian Oracle,” “Why does the sun at his rising play more on Easter-day than Whit-Sunday?” The question is answered thus:--“The matter of fact is an old, weak, superstitious error, and the sun neither plays nor works on Easter-day more than any other. It is true, it may sometimes happen to shine brighter that morning than any other; but, if it does, it is purely accidental. In some parts of England they call it the lamb-playing, which they look for, as soon as the sun rises, in some clear or spring water, and is nothing but the pretty reflection it makes from the water, which they may find at any time, if the sun rises clear, and they themselves early, and unprejudiced with fancy.” The folly is kept up by the fact, that no one can view the sun steadily at any hour, and those who choose to look at it, or at its reflection in water, see it apparently move, as they would on any other day. Brand points out an allusion to this vulgar notion in an old ballad:--
But, Dick, she _dances_ such away! No _sun_ upon an _Easter day_ Is half so fine a sight.
Again, from the “British Apollo,” a presumed question to the sun himself upon the subject, elicits a suitable answer:
_Q._ Old wives, Phœbus, say That on Easter-day To the music o’ th’ spheres you do caper; If the fact, sir, be true, Pray let’s the cause know, When you have any room in your paper.
_A_. The old wives get merry With spic’d ale or sherry, On Easter, which makes them romance; And whilst in a rout Their brains whirl about, They fancy we caper and dance.
A bit of smoked glass, such as boys use to view an eclipse with, would put this matter steady to every eye but that of wilful self-deception, which, after all, superstition always chooses to see through.
_Lifting._
Mr. Ellis inserts, in his edition of Mr. Brand’s “Popular Antiquities,” a letter from Mr. Thomas Loggan of Basinghall-street, from whence the following extract is made: Mr. Loggan says, “I was sitting alone last Easter Tuesday, at breakfast, at the Talbot in Shrewsbury, when I was surprised by the entrance of all the female servants of the house handing in an arm-chair, lined with white, and decorated with ribbons and favours of different colours. I asked them what they wanted, their answer was, they came to _heave_ me; it was the custom of the place on that morning, and they hoped I would take a seat in their chair. It was impossible not to comply with a request very modestly made, and to a set of nymphs in their best apparel, and several of them under twenty. I wished to see all the ceremony, and seated myself accordingly. The group then lifted me from the ground, turned the chair about, and I had the felicity of a salute from each. I told them, I supposed there was a fee due upon the occasion, and was answered in the affirmative; and, having satisfied the damsels in this respect, they withdrew to heave others. At this time I had never heard of such a custom; but, on inquiry, I found that on Easter Monday, between nine and twelve, the men heave the women in the same manner as on the Tuesday, between the same hours, the women heave the men.”
In Lancashire, Staffordshire, Warwickshire, and some other parts of England there prevails this custom of _heaving_ or _lifting_ at Easter-tide. This is performed mostly in the open street, though sometimes it is insisted on and submitted to within the house. People form into parties of eight or a dozen or even more for the purpose, and from every one _lifted_ or _heaved_ they extort a contribution. The late Mr. Lysons read to the Society of Antiquaries an extract from a roll in his custody, as keeper of the records in the tower of London, which contains a payment to certain ladies and maids of honour for taking king Edward I. in his bed at Easter; from whence it has been presumed that he was _lifted_ on the authority of that custom, which is said to have prevailed among all ranks throughout the kingdom. The usage is a vulgar commemoration of the resurrection which the festival of Easter celebrates.
_Lifting_ or _heaving_ differs a little in different places. In some parts the person is laid horizontally, in others placed in a sitting position on the bearers’ hands. Usually, when the _lifting_ or _heaving_ is within doors, a chair is produced, but in all cases the ceremony is incomplete without three distinct elevations.
A Warwickshire correspondent, L. S., says, Easter Monday and Easter Tuesday were known by the name of _heaving-day_, because on the former day it was customary for the men to heave and kiss the women, and on the latter for the women to retaliate upon the men. The women’s _heaving-day_ was the most amusing. Many a time have I passed along the streets inhabited by the lower orders of people, and seen parties of jolly matrons assembled round tables on which stood a foaming tankard of ale. There they sat in all the pride of absolute sovereignty, and woe to the luckless man that dared to invade their prerogatives!--as sure as he was seen he was pursued--as sure as he was pursued he was taken--and as sure as he was taken he was heaved and kissed, and compelled to pay sixpence for “leave and license” to depart.
Conducted as _lifting_ appears to have been by the blooming lasses of Shrewsbury, and acquitted as all who are actors in the usage any where must be, of even the slightest knowledge that this practice is an absurd performance of the resurrection, still it must strike the reflective mind as at least an absurd custom, “more honored i’ the breach than the observance.” It has been handed down to us from the bewildering ceremonies of the Romish church, and may easily be discountenanced into disuse by opportune and mild persuasion. If the children of ignorant persons be properly taught, they will perceive in adult years the gross follies of their parentage, and so instruct their own offspring, that not a hand or voice shall be lifted or heard from the sons of labour, in support of a superstition that darkened and dismayed man, until the printing-press and the reformation ensured his final enlightenment and emancipation.
_Easter Eggs._
Another relic of the ancient times, are the eggs which pass about at Easter week under the name of _pask_, _paste_, or _pace_ eggs. A communication introduces the subject at once.
_To the Editor of the Every-Day Book._
Sir,
19th March, 1825.
A perusal of the _Every-Day Book_ induces me to communicate the particulars of a custom still prevalent in some parts of Cumberland, although not as generally attended to as it was twenty or thirty years ago. I allude to the practice of sending reciprocal presents of eggs, at Easter, to the children of families respectively, betwixt whom any intimacy subsists. For some weeks preceding Good Friday the price of eggs advances considerably, from the great demand occasioned by the custom referred to.
The modes adopted to prepare the eggs for presentation are the following: there may be others which have escaped my recollection.
The eggs being immersed in hot water for a few moments, the end of a common tallow-candle is made use of to inscribe the names of individuals, dates of particular events, &c. The warmth of the egg renders this a very easy process. Thus inscribed, the egg is placed in a pan of hot water, saturated with cochineal, or other dye-woods; the part over which the tallow has been passed is impervious to the operation of the dye; and consequently when the egg is removed from the pan, there appears no discolouration of the egg where the inscription has been traced, but the egg presents a white inscription on a coloured ground. The colour of course depends upon the taste of the person who prepared the egg; but usually much variety of colour is made use of.
Another method of ornamenting “pace eggs” is, however, much neater, although more laborious, than that with the tallow-candle. The egg being dyed, it may be decorated in a very pretty manner, by means of a penknife, with which the dye may be scraped off, leaving the design white, on a coloured ground. An egg is frequently divided into compartments, which are filled up according to the taste and skill of the designer. Generally one compartment contains the name and (being young and unsophisticated) also the age of the party for whom the egg is intended. In another is, perhaps, a landscape; and sometimes a cupid is found lurking in a third: so that these “pace eggs” become very useful auxiliaries to the missives of St. Valentine. Nothing was more common in the childhood of the writer, than to see a number of these eggs preserved very carefully in the corner-cupboard; each egg being the occupant of a deep, long-stemmed ale-glass, through which the inscription could be read without removing it. Probably many of these eggs now remain in Cumberland, which would afford as good evidence of dates in a court of justice, as a tombstone or a family-bible.
It will be readily supposed that the majority of pace eggs are simply dyed; or dotted with tallow to present a piebald or bird’s-eye appearance. These are designed for the junior boys who have not begun to participate in the pleasures of “a bended bow and quiver full of arrows;”--a flaming torch, or a heart and a true-lover’s knot. These plainer specimens are seldom promoted to the dignity of the ale-glass or the corner-cupboard. Instead of being handed down to posterity they are hurled to swift destruction. In the process of dying they are boiled pretty hard--so as to prevent inconvenience if crushed in the hand or the pocket. But the strength of the shell constitutes the chief glory of a pace egg, whose owner aspires only to the conquest of a rival youth. Holding his egg in his hand he challenges a companion to give blow for blow. One of the eggs is sure to be broken, and its shattered remains are the spoil of the conqueror: who is instantly invested with the title of “a cock of one, two, three,” &c. in proportion as it may have fractured his antagonist’s eggs in the conflict. A successful egg, in a contest with one which had previously gained honours, adds to its number the reckoning of its vanquished foe. An egg which is a “cock” of ten or a dozen, is frequently challenged. A modern pugilist would call this a set-to for the championship. Such on the borders of the Solway Frith were the youthful amusements of Easter Monday.
Your very proper precaution, which requires the names of correspondents who transmit notices of local customs, is complied with by the addition of my name and address below. In publication I prefer to appear only as your constant reader.
J. B.
A _notice_ below, the editor hopes will be read and taken by the reader, for whose advantage it is introduced, in good part.[68]
_Pasch eggs_ are to be found at Easter in different parts of the kingdom. A Liverpool gentleman informs the editor, that in that town and neighbourhood they are still common, and called _paste_ eggs. One of his children brought to him a _paste_ egg at Easter, 1824, beautifully mottled with brown. It had been purposely prepared for the child by the servant, by being boiled hard within the coat of an onion, which imparted to the shell the admired colour. Hard boiling is a chief requisite in preparing the _pasch_ egg. In some parts they are variously coloured with the juices of different herbs, and played with by boys, who roll them on the grass, or toss them up for balls. Their more elegant preparation is already described by our obliging correspondent, J. B.
The terms _pace_, _paste_, or _pasch_, are derived from _paschal_, which is a name given to Easter from its being the _paschal_ season. Four hundred eggs were bought for eighteen-pence in the time of Edward I., as appears by a royal roll in the tower; from whence it also appears they were purchased for the purpose of being boiled and stained, or covered with leaf gold, and afterwards distributed to the royal household at Easter. They were formerly consecrated, and the ritual of pope Paul V. for the use of England, Scotland, and Ireland, contains the form of consecration.[69] On Easter eve and Easter day, the heads of families sent to the church large chargers, filled with the hard boiled eggs, and there the “creature of eggs” became sacred by virtue of holy water, crossing, and so on.
_Ball. Bacon. Tansy Puddings._
Eating of _tansy pudding_ is another custom at Easter derived from the Romish church. Tansy symbolized the bitter herbs used by the Jews at their paschal; but that the people might show a proper abhorrence of Jews, they ate from a gammon of bacon at Easter, as many still do in several country places, at this season, without knowing from whence this practice is derived. Then we have Easter _ball-play_, another ecclesiastical device, the meaning of which cannot be quite so clearly traced; but it is certain that the Romish clergy abroad played at ball in the church, as part of the service; and we find an archbishop joining in the sport. “A ball, not of size to be grasped by one hand only, being given out at Easter, the dean and his representatives began an antiphone, suited to Easter-day; then taking the ball in his left hand, he commenced a dance to the tune of the antiphone, the others dancing round hand in hand. At intervals, the ball was bandied or passed to each of the choristers. The organ played according to the dance and sport. The dancing and antiphone being concluded, the choir went to take refreshment. It was the privilege of the lord, or his _locum tenens_, to throw the ball; even the archbishop did it.”[70] Whether the dignified clergy had this amusement in the English churches is not authenticated; but it seems that “boys used to claim hard _eggs_, or small money, at Easter, in exchange for the ball-play before mentioned.”[71] Brand cites the mention of a lay amusement at this season, wherein both tansy and ball-play is referred to.
_Stool-ball._
At stool-ball, Lucia, let us play, For sugar, cakes, or wine. Or for a tansy let us pay, The loss be thine or mine. If thou, my dear, a winner be At trundling of the ball, The wager thou shall have, and me And my misfortunes all.
1679.
Also, from “Poor Robin’s Almanack” for 1677, this Easter verse, denoting the sport at that season:
Young men and maids, Now very brisk, At barley-break and Stool-ball frisk.
A _ball_ custom now prevails annually at Bury St. Edmund’s, Suffolk. On Shrove Tuesday, Easter Monday, and the Whitsuntide festivals, twelve old women side off for a game at trap-and-ball, which is kept up with the greatest spirit and vigour until sunset. One old lady, named Gill, upwards of sixty years of age, has been celebrated as the “mistress of the sport” for a number of years past; and it affords much of the good old humour to flow round, whilst the merry combatants dexterously hurl the giddy ball to and fro. Afterwards they retire to their homes, where
“Voice, fiddle, or flute, No longer is mute,”
and close the day with apportioned mirth and merriment.[72]
Corporations formerly went forth to play at ball at Easter. Both then and at Whitsuntide, the mayor, aldermen, and sheriff of Newcastle-upon-Tyne, with a great number of the burgesses, went yearly to the Forth, or little mall of the town, with the mace, sword, and cap of maintenance, carried before them, and patronised the playing at hand-ball, dancing, and other amusements, and sometimes joined in the ball-play, and at others joined hands with the ladies.
There is a Cheshire proverb, “When the daughter is stolen, shut the Pepper-gate.” This is founded on the fact that the mayor of Chester had his daughter stolen as she was playing at ball with other maidens in Pepper-street; the young man who carried her off, came through the Pepper-gate, and the mayor wisely ordered the gate to be shut up:[73] agreeable to the old saying, and present custom agreeable thereto, “When the steed’s stolen, shut the stable-door.” Hereafter it will be seen that persons quite as dignified and magisterial as mayors and aldermen, could compass a holiday’s sport and a merry-go-round, as well as their more humble fellow subjects.
_Clipping the Church at Easter._
L. S., a Warwickshire correspondent, communicates this Easter custom to the _Every-Day Book_:
“When I was a child, as sure as Easter Monday came, I was taken ‘_to see the children clip the churches_.’ This ceremony was performed, amid crowds of people and shouts of joy, by the children of the different charity-schools, who at a certain hour flocked together for the purpose. The first comers placed themselves hand in hand with their backs against the church, and were joined by their companions, who gradually increased in number, till at last the chain was of sufficient length completely to surround the sacred edifice. As soon as the hand of the last of the train had grasped that of the first, the party broke up, and walked in procession to the other church, (for in those days Birmingham boasted but of two,) where the ceremony was repeated.”
_Old Easter Customs in Church._
In the celebration of this festival, the Romish church amused our forefathers by theatrical representations, and extraordinary dramatic worship, with appropriate scenery, machinery, dresses, and decorations. The exhibitions at Durham appear to have been conducted with great effect. In that cathedral, over our lady of Bolton’s altar, there was a marvellous, lively, and beautiful image of the picture of our lady, called the lady of Bolton, which picture was made to open with _gimmes_, (or linked fastenings,) from the breast downward; and within the said image was wrought and pictured the image of our saviour marvellously finely gilt, holding up his hands, and betwixt his hands was a large fair crucifix of Christ, all of gold; the which crucifix was ordained to be taken forth every _Good Friday_, and every man did _creep_ unto it that was in the church at that time; and afterwards it was hung up again within the said image. Every principal day the said image of our lady of Bolton, was opened, that every man might see pictured within her, the Father, the Son, and the Holy Ghost, most curiously and finely gilt; and both the sides within her were very finely varnished with green varnish, and flowers of gold, which was a goodly sight for all the beholders thereof. On _Good Friday_, there was marvellous solemn service, in which service time, after the _Passion_ was sung, two of the ancient monks took a goodly large crucifix, all of gold, of the picture of our saviour Christ nailed upon the cross, laying it upon a velvet cushion, having St. Cuthbert’s arms upon it, all embroidered with gold, bringing it betwixt them upon the cushion to the lowest steps in the choir, and there betwixt them did hold the said picture of our saviour, sitting on either side of it. And then one of the said monks did rise, and went a pretty space from it, and setting himself upon his knees with his shoes put off, very reverently he _crept upon his knees_ unto the said cross, and most reverently did kiss it; and after him the other monk did so likewise; and then they sate down on either side of the said cross, holding it betwixt them. Afterward, the prior came forth of his stall, and did sit him down upon his knees with his shoes off in like sort, and did _creep_ also unto the said cross, and all the monks after him did _creep_ one after another in the same manner and order; in the mean time, the whole choir singing a hymn. The service being ended, the said two monks carried the cross to the _sepulchre_ with great reverence.[74]
The _sepulchre_ was erected in the church near the altar, to represent the tomb wherein the body of Christ was laid for burial. At this tomb there was a grand performance on Easter-day. In some churches it was ordained, that Mary Magdalen, Mary of Bethany, and Mary of Naim, should be represented by three deacons clothed in dalmaticks and amesses, with their heads in the manner of women, and holding a vase in their hands. These performers came through the middle of the choir, and hastening towards the sepulchre, with downcast looks, said together this verse, “Who will remove the stone for us?” Upon this a boy, clothed like an angel, in albs, and holding a wheat ear in his hand, before the sepulchre, said, “Whom do you seek in the sepulchre?” The Maries answered, “Jesus of Nazareth who was crucified.” The boy-angel answered, “He is not here, but is risen;” and pointed to the place with his finger. The boy-angel departed very quickly, and two priests in tunics, sitting without the sepulchre, said, “Woman, whom do ye mourn for? Whom do ye seek?” The middle one of the women said, “Sir, if you have taken him away, say so.” The priest, showing the cross, said, “They have taken away the Lord.” The two sitting priests said, “Whom do ye seek, women?” The Maries, kissing the place, afterwards went from the sepulchre. In the mean time a priest, in the character of Christ, in an alb, with a stole, holding a cross, met them on the _left_ horn of the altar, and said, “Mary!” Upon hearing this, the mock Mary threw herself at his feet, and, with a loud voice, cried _Cabboin_. The priest representing Christ replied, nodding, “_Noli me tangere_,” _touch me not_. This being finished, he again appeared at the _right_ horn of the altar, and said to them as they passed before the altar, “Hail! do not fear.” This being finished, he concealed himself; and the women-priests, as though joyful at hearing this, bowed to the altar, and turning to the choir, sung “Alleluia, the Lord is risen.” This was the signal for the bishop or priest before the altar, with the censer, to begin and sing aloud, _Te Deum_.[75]