Category: Plays/Films/Dramas

The English Stage: Being an Account of the Victorian Drama

A Glance back--From 1820 to 1830--Kean and Macready--The Strolling Player--The Critics--Sheridan Knowles and _Virginius_--Douglas Jerrold--His Comedies--_The Rent Day_--_The Prisoner of War_--_Black-Eyed Susan_--Collapse of the Privileged Theatres--Men of Letters come to the R...

Chapters

14. CHAPTER I

A Glance back--From 1820 to 1830--Kean and Macready--The Strolling Player--The Critics--Sheridan Knowles and _Virginius_--Douglas Jerrold--His Comedies--_The Rent Day_--_The Pri...

13. CHAPTER XIII

G. R. Sims--R. C. Carton--Haddon Chambers--The Independent Theatre and Matinee Performance--The Drama of To-morrow--A "Report of Progress"--The Public and the Actors-- Actor-Man...

27. CHAPTER XIII

G. R. Sims--R. C. Carton--Haddon Chambers--The Independent Theatre and Matinee Performances--The Drama of To-morrow--A "Report of Progress"--The Public and the Actors--Actor-Man...

17. CHAPTER IV

First Performance of _Society_--Success of _Ours_, _Caste_, and _School_--How Robertson turned to account the Talent of his Actors, John Hare, Bancroft, and Mrs. Bancroft--Progr...

26. CHAPTER XII

Ibsen made known to the English Public by Mr. Edmund Gosse--The First Translations--Ibsen acted in London--The Performers and the Public--Encounters between the Critics--Mr. Arc...

22. CHAPTER IX

The Three Principal Dramatists of To-day--Sydney Grundy; his First Efforts--Adaptations: _The Snowball_, _In Honour Bound_, _A Pair of Spectacles_, _The Bunch of Violets_--His O...

16. CHAPTER III

The Vogue of Burlesque--Burnand's _Ixion_--H. J. Byron--The Influence of Burlesque upon the Moral Tone of the Stage--Marie Wilton's _debut_--A Letter from Dickens--Founding of t...

23. CHAPTER X

Henry Arthur Jones; his First Works--His Melodramas--_Saints and Sinners_--The Puritans and the Theatre--The Two Deacons; The Character of Fletcher--_Judah_--_The Crusaders_; Ch...

15. CHAPTER II

Macready's Withdrawal from the Stage--The Enemies of the Drama in 1850: Puritanism; the Opera; the Pantomime; the "Hippodrama"--French Plays and French Players in England--Actor...

20. CHAPTER VII

Is it well to imitate Shakespeare?--The Death of the Classical Drama--Herman Merivale and the _White Pilgrim_--Wills and his Plays: _Charles the First_, _Claudian_--Tennyson as...

21. CHAPTER VIII

The Three Publics--The Disappearance of Burlesque and Decadence of Pantomime--Increasing Vogue of Farce and Melodrama--Improvement in Acting--The Influence of our French Actors-...

19. CHAPTER VI

Shakespeare again--From Macready to Irving; Phelps, Fechter, Ryder, Adelaide Neilson--Irving's _Debut_--His Career in the Provinces, and Visit to Paris--The Role of Digby Grant-...

18. CHAPTER V

When Marie Wilton's company, during their first holiday, went on tour to Liverpool, they happened upon the autumn assizes. The young London barristers who followed the circuit m...

24. CHAPTER XI

Two Portraits--Mr. Pinero's Career as an Actor--His Early Works--_The Squire_, _Lords and Commons_--The Pieces which followed, half Comedy, half Farce--_The Profligate_; its Suc...

25. part I require nothing more.

But Paula! What a complex character is hers, and how true in all its aspects! How important to the delineation of this character, and how suggestive, is everything she says--eve...

4. CHAPTER IV

First Performance of _Society_--Success of _Ours_, _Caste_, and _School_--How Robertson turned to account the Talent of his Actors, John Hare, Bancroft, and Mrs. Bancroft--Progr...

6. CHAPTER VI

Shakespeare again--From Macready to Irving; Phelps, Fechter, Ryder, Adelaide Neilson--Irving's Debut--His Career in the Provinces, and Visit to Paris--The role of Digby Grand--T...

12. CHAPTER XII

Ibsen made known to the English Public by Mr. Edmund Gosse-- The First Translations--Ibsen acted in London--The Performers and the Public--Encounters between the Critics--Mr. Ar...

2. CHAPTER II

Macready's Withdrawal from the Stage--The Enemies of the Drama in 1850: Puritanism; the Opera; the Pantomime; the "Hippodrama"--French Plays and French Players in England-- Acto...

8. CHAPTER VIII

The Three Publics--The Disappearance of Burlesque and Decadence of Pantomime--Increasing Vogue of Farce and Melodrama-- Improvement in Acting--The Influence of our French Actors...

10. CHAPTER X

Henry Arthur Jones; his First Works--His Melodramas--_Saints and Sinners_--The Puritans and the Theatre--The Two Deacons: the Character of Fletcher--_Judah_--_The Crusaders_: Ch...

3. CHAPTER III

The Vogue of Burlesque--Burnand's _Ixion_--H. J. Byron--The Influence of Burlesque upon the Moral Tone of the Stage--Marie Wilton's Debut--A Letter from Dickens--Founding of the...

1. CHAPTER I

A Glance back--From 1820 to 1830--Kean and Macready--The Strolling Player--The Critics--Sheridan Knowles and _Virginius_--Douglas Jerrold--His Comedies--_The Rent Day_--_The Pri...

7. CHAPTER VII

Is it well to imitate Shakespeare?--The Death of the Classical Drama--Herman Merivale and the _White Pilgrim_--Wills and his Plays: _Charles the First_, _Claudian_--Tennyson as...

9. CHAPTER IX

The Three Principal Dramatists of To-day--Sydney Grundy; his First Efforts--Adaptations: _The Snowball_, _In Honour Bound_, _A Pair of Spectacles_, _The Bunch of Violets_--His O...

11. CHAPTER XI

Two Portraits--Mr. Pinero's Career as an Actor--His Early Works--_The Squire, Lords and Commons_--The Pieces which followed, Half-Comedy, Half-Farce--_The Profligate_; its Succe...

5. CHAPTER V