Part 1

THE EMBLEMS OF FIDELITY

A Comedy in Letters

BY

JAMES LANE ALLEN

AUTHOR OF "THE KENTUCKY CARDINAL," "THE KENTUCKY WARBLER," ETC.

There is nothing so ill-bred as audible laughter.... I am sure that since I have had the full use of my reason nobody has ever heard me laugh. --Lord Chesterfield's Letters to his Son.

GARDEN CITY NEW YORK DOUBLEDAY, PAGE & COMPANY 1919

COPYRIGHT, 1919, BY DOUBLEDAY, PAGE & COMPANY ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN

To THE SPIRIT OF COMEDY

INCOMPARABLE ALLY OF VICTORY

LIST OF CHARACTERS

EDWARD BLACKTHORNE...............Famous elderly English novelist

BEVERLEY SANDS....................Rising young American novelist

BENJAMIN DOOLITTLE....Practical lawyer, friend of Beverley Sands

GEORGE MARIGOLD............................Fashionable physician

CLAUDE MULLEN............Fashionable nerve-specialist, friend of George Marigold

RUFUS KENT.......................Long-winded president of a club

NOAH CHAMBERLAIN......Very learned, very absent-minded professor

PHILLIPS AND FAULDS.....................................Florists

BURNS AND BRUCE.........................................Florists

JUDD AND JUDD...........................................Florists

ANDY PETERS..............................................Florist

HODGE......................Stupid gardener of Edward Blackthorne

TILLY SNOWDEN.............Dangerous sweetheart of Beverley Sands

POLLY BOLES..........Dangerous sweetheart of Benjamin Doolittle, friend of Tilly Snowden

CLARA LOUISE CHAMBERLAIN......Very devoted, very proud sensitive daughter of Noah Chamberlain

ANNE RAEBURN..........Protective secretary of Edward Blackthorne

CONTENTS

PART SECOND

PART THIRD

THE EMBLEMS OF FIDELITY

EDWARD BLACKTHORNE TO BEVERLEY SANDS

_King Alfred's Wood, Warwickshire, England, May 1, 1910._

MY DEAR MR. SANDS:

I have just read to the end of your latest novel and under the outdoor influence of that Kentucky story have sat here at my windows with my eyes on the English landscape of the first of May: on as much of the landscape, at least, as lies within the grey, ivy-tumbled, rose-besprinkled wall of a companionable old Warwickshire garden.

You may or you may not know that I, too, am a novelist. The fact, however negligible otherwise, may help to disarm you of some very natural hostility at the approach of this letter from a stranger; for you probably agree with me that the writing of novels--not, of course, the mere odious manufacture of novels--results in the making of friendly, brotherly men across the barriers of nations, and that we may often do as fellow-craftsmen what we could do less well or not do at all as fellow-creatures.

I shall not loiter at the threshold of this letter to fatigue your ear with particulars regarding the several parts of your story most enjoyed, though I do pause there long enough to say that no admirable human being has ever yet succeeded in wearying my own ears by any such desirable procedure. In England, and I presume in the United States, novelists have long noses for incense [poets, too, though of course only in their inferior way]. I repeat that we English novelists are a species of greyhound for running down on the most distant horizon any scampering, half-terrified rabbit of a compliment. But I freely confess that nature loaded me beyond the tendency of being a mere greyhound. I am a veritable elephant in the matter, being marvelously equipped with a huge, flexible proboscis which is not only adapted to admit praise but is quite capable of actively reaching around in every direction to procure it. Even the greyhound cannot run forever; but an elephant, if he once possess it, will wave such a proboscis till he dies.

There are likely to be in any very readable book a few pages which the reader feels tempted to tear out for the contrary reason, perhaps, that he cannot tear them out of his tenderness. Some haunting picture of the book-gallery that he would cut from the frame. Should you be displeased by the discrimination, I shall trust that you may be pleased nevertheless by the avowal that there is a scene in your novel which has peculiarly ensnared my affections.

At this point I think I can see you throw down my letter with more insight into human nature than patience with its foibles. You toss it aside and exclaim: "What does this Englishman drive at? Why does he not at once say what he wants?" You are right. My letter is perhaps no better than strangers' letters commonly are: coins, one side of which is stamped with your image and the other side with their image, especially theirs.

I might as well, therefore, present to you my side of the coin with the selfish image. Or, in terms of your blue-grass country life, you are the horse in an open pasture and I am the stableman who schemes to catch you: to do this, I approach, calling to you affectionately and shaking a bundle of oats behind which is coiled a halter. You are thinking that if I once clutch you by the mane you will get no oats. But, my dear sir, you have from the very first word of this letter already been nibbling the oats. And now you are my animal!

There is, then, in your novel a remarkable description of a noonday woodland scene somewhere on your enchanted Kentucky uplands--a cool, moist forest spot. Into this scene you introduced some rare, beautiful Kentucky ferns. I can _see_ the ferns! I can see the sunlight striking through the waving treetops down upon them! Now, as it happens, in the old garden under my windows, loving the shade and moisture of its trees and its wall, I have a bank of ferns. They are a marvelous company, in their way as good as Wordsworth's flock of daffodils; for they have been collected out of England's best and from other countries.

Here, then, is literally the root of this letter: Will you send me the root-stocks of some of those Kentucky ferns to grow and wave on my Warwickshire fern bank?

Do not suppose that my garden is on a small scale a public park or exhibition, made as we have created Kensington Gardens. Everything in it is, on the contrary, enriched with some personal association. I began it when a young man in the following way:

At that period I was much under the influence of the Barbizon painters, and I sometimes entertained myself in the forests where masters of that school had worked by hunting up what I supposed were the scenes of some of Corot's masterpieces.

Corot, if my eyes tell me the truth, painted trees as though he were looking at enormous ferns. His ferns spring out of the soil and some rise higher than others as trees; his trees descend through the air and are lost lower down as ferns. One day I dug up some Corot ferns for my good Warwickshire loam. Another winter Christine Nilsson was singing at Covent Garden. I spent several evenings with her. When I bade her good-bye, I asked her to send me some ferns from Norway in memory of Balzac and _Seraphita_. Yet another winter, being still a young man and he, alas! a much older one, I passed an evening in Paris with Turgenieff. I would persist in talking about his novels and I remember quoting these lines from one of them: "It was a splendid clear morning; tiny mottled cloudlets hung like snipe in the clear pale azure; a fine dew was sprinkled on the leaves and grass and glistened like silver on the spiders' webs; the moist dark earth seemed still to retain the rosy traces of the dawn; the songs of larks showered down from all over the sky."

He sat looking at me in surprised, touched silence.

"But you left out something!" I suggested, with the bumptiousness of a beginner in letters. He laughed slightly to himself--and perhaps more at me--as he replied: "I must have left out a great deal"--he, fiction's greatest master of compression. After a moment he inquired with a kind of vast patient condescension: "What is it that you definitely missed?" "Ferns," I replied. "Ferns were growing thereabouts." He smiled reminiscently. "So there were," he replied, smiling reminiscently. "If I knew where the spot was," I said, "I should travel to it for some ferns." A mystical look came into his eyes as he muttered rather to himself than for my ear: "That spot! Where is that spot? That spot is all Russia!" In his exile, the whole of Russia was to him one scene, one fatherland, one pain, one passion. Sometime afterwards there reached me at home a hamper of Russian fern-roots with Turgenieff's card.

I tell you all this as I make the request, which is the body of this letter and, I hope, its wings, in order that you may intimately understand. I desire the ferns not only because you have interested me in your Kentucky by making it a living, lovely reality, but because I have become interested in your art and in you. While I read your book I believed that I saw the hand of youth joyously at work, creating where no hand had created before; or if on its chosen scene it found a ruin, then joyously trying to re-create reality from that ruin. But to create where no hand has created before, or to create them again where human things lie in decay--that to me is the true energy of literature.

I should not omit to tell you that some of our most tight-islanded, hard-headed reviewers have been praising your work as of the best that reaches us from America. It was one such reviewer that first guided me to your latest book. Now I myself have written to some of our critics and have thrown my influence in favour of your fresh, beautiful art, which can only come from a fresh, beautiful nature.

Should you decide to bestow any notice upon this rather amazing letter, you will bear in mind of course that there will be pounds sterling for plants. Whatever character my deed or misdeed may later assume, it must first and at least have the nature of a transaction of the market-place.

So, turn out as it may, or not turn out at all,

I am,

Gratefully yours, EDWARD BLACKTHORNE.

BEVERLEY SANDS TO EDWARD BLACKTHORNE

_Cathedral Heights, New York, May 12, 1910._

MY DEAR MR. BLACKTHORNE:

Your letter is as unreal to me as if I had, in some modern Æsop's Fables, read how a whale, at ease in the depths of the sea, had taken the trouble to turn entirely round to encourage a puffing young porpoise; or of how a black oak, majestic dome of a forest, had on some fine spring day looked down and complimented a small dogwood tree upon its size and the purity of its blossoms. And yet, while thus unreal, your letter is in its way the most encouragingly real thing that has ever come into my life. Before I go further I should like to say that I have read every book you have written and have bought your books and given them away with such zeal and zest that your American publishers should feel more interest in me than can possibly be felt by the gentlemen who publish mine.

It is too late to tell you this now. Too late, in bad taste. A man's praise of another may not follow upon that man's praise of him. Our virtues have their hour. If they do not act then, they are not like clocks which may be set forward but resemble fruits which lose their flavour when they pass into ripeness. Still, what I have said is honest. You may remember that I am yet moving amid life's uncertainties as a beginner, while you walk in quietness the world's highway of a great career. My praise could have borne little to you; yours brings everything to me. And you must reflect also that it is just a little easier for any Englishman to write to an American in this way. The American could but fear that his letter might seriously disturb the repose of a gentleman who was reclining with his head in Shakespeare's bosom; and Shakespeare's entire bosom in this regard, as you know, Mr. Blackthorne, does stay in England.

It will give me genuine pleasure to arrange for the shipment of the ferns. A good many years have passed since I lived in Kentucky and I am no longer in close touch with people and things down there. But without doubt the matter can be managed through correspondence and all that I await from you now is express instructions. The ferns described in my book are not known to me by name. I have procured and have mailed to you along with this, lest you may not have any, some illustrated catalogues of American ferns, Kentucky ferns included. You have but to send me a list of those you want. With that in hand I shall know exactly how to proceed.

You cannot possibly understand how happy I am that my work has the approval of the English reviews, which still remain the best in the world. To know that my Kentucky stories are liked in England--England which, remaining true to so many great traditions, holds fast to the classic tradition in her literature.

The putting forth of your own personal influence in my behalf is a source of joy and pride; and your wish to have Kentucky ferns growing in your garden in token of me is the most inspiring event yet to mark my life.

I am,

Sincerely yours, BEVERLEY SANDS.

EDWARD BLACKTHORNE TO BEVERLEY SANDS

_King Alfred's Wood, Warwickshire, England, May 22, 1910._

MY DEAR SANDS:

Your letter was brought out to me as I was hanging an old gate in a clover-field canopied with skylarks. When I cannot make headway against some obstruction in the development of a story, for instance, putting the hinges of the narrative where the reader will not see any hinges, I let the book alone and go out and do some piece of work, surrounded by the creatures which succeed in all they undertake through zest and joy. By the time I get back, the hinges of the book have usually hung themselves without my knowing when or how. Hence the paradox: we achieve the impossible by doing the possible; we climb our mountain of troubles by walking away from it.

It is splendid news that I am to get the Kentucky ferns. Thank you for the catalogues. A list of those I most covet is enclosed. The cost, shipping expenses included, will not, I fear, exceed five pounds. Of course it would be a pleasure to pay fifty guineas, but I suppose I must restrict myself to the despicable market price. Shamefully cheap many of the dearest things in this world are; and what exorbitant prices we pay for the worthless!

A draft will be forwarded in advance upon receipt of the American shipper's address. Or I could send it forthwith to you. Meantime from now on I shall be remembering with impatience how many miles it is across the Atlantic Ocean and at what a snail's pace American ferns travel. These will be awaited like guests whom one goes to the gate to meet.

You do not know the names of those you describe so wonderfully! I am glad. I abhor the names of my own. Of course, as they are bought, memoranda must be depended upon by which to buy them. These data, verified by catalogue, are inked on little wooden slabs as fern headstones. When each fern is planted, into the soil beside it is stuck its headstone, which, like that for a human being, tells the name, not the nature, of what it memorialises.

Hodge is the fellow who knows the ferns according to the slabs. It is time you should know Hodge by his slab. No such being can yet be found in the United States: your civilisation is too young. Hodge is my British-Empire gardener; and as he now looks out for every birthday much as for any total solar eclipse of the year--with a kind of growing solicitude lest the sun or the birthday should finally, as it passes, bowl him over for good--he announced to me with visible relief the other day that he had successfully passed another total natal eclipse; that he was fifty-eight. But Hodge is not fifty-eight years old. The battle of Hastings was fought in 1066 and Hodge without knowing it was beginning to be a well-grown lout then. For Hodge is English landscape gardening in human shape. He is the benevolent spirit of the English turf, a malign spirit to English weeds. He is wall ivy, a root, a bulb, a rake, a wheelbarrow of spring manure, a pile of autumn leaves, a crocus. In a distant future mythology of our English rural life he will perhaps rank where he belongs--as a luminary next in importance to the sun: a two-legged god be-earthed in old clothes, with a stiff back, a stiff temper, the jaw of the mastiff and the eye of a prophet.

It is Hodge who does the slabs. He would not allow anything to come into the garden without mastering that thing. For the sake of his own authority he must subdue as much of the Latin language as invades his territory along with the ferns. But I think nothing comparable to such a struggle against overwhelming odds--Hodge's brain pitted against the Latin names of the ferns--nothing comparable to the dull fury of that onset is to be found in the history of man unless it be England's war on Napoleon for twenty years. England did conquer Napoleon and finally shut him up in a desolate, rocky place; and Hodge has finally conquered the names of the ferns and shut them up in a desolate, rocky place--his skull, his personal promontory.

Nowadays you should see him meet me in a garden path when I come down early some morning. You should see him plant himself before me and, taking off his cap and scratching the back of his neck with the back of his muddy thumb, make this announcement: "The _Asplenium filix-faemina_ put up two new shoots last night, sir. Bishop's crooks, I believe you calls 'em, sir." As though I were a farmer and my shepherd should notify me that one of the ewes had dropped twin lambs at three A.M. Hodge's tone implies more yet: the honour of the shoots--a questionable honour--goes to Hodge as their botanical sire!

When I receive visitors by reason of my books--and strangers do sometimes make pilgrimages to me on account of my grove of "Black Oaks"--if the day is pleasant, we have tea in the garden. While the strangers drink tea, I begin to wave the well-known proboscis over the company for any praise they may have brought along. Should this seem adequate, I later reward them with a stroll. That is Hodge's hour and opportunity. Unexpectedly, as it would appear, but invariably, he steps out from some bush and takes his place behind me as we move.

When we reach the fern bank, the visitors regularly begin to inquire: "What is the name of this fern?" I turn helplessly to Hodge much as a drum-major, if asked by a by-stander what the music was that the band had just been playing, might wheel in dismay to the nearest horn. Hodge steps forward: now comes the reward of all his toil. "That is the _Polydactulum cruciato-cristatum_, sir." "And what is this one?" "That is the _Polypodium elegantissimum_, mum." Then you would understand what it sometimes means to attain scholarship without Oxford or Cambridge; what upon occasion it is to be a Roman orator and a garden ass.

You will be wondering why I am telling you this about Hodge. For the very particular reason that Hodge will play a part, I know not what part, in the pleasant business that has come up between us. He looms as the danger between me and the American ferns after the ferns shall have arrived here. It is a fact that very few foreign ferns have ever done well in my garden, watch over them as closely as I may: especially those planted in more recent years. Could you believe it possible of human nature to refuse to water a fern, to deny a little earth to the root of a fern? Actually to scrape the soil away from it when there was nobody near to observe the deed, to jab at it with a sharp trowel? I shall not press the matter further, for I instinctively turn away from it. Perhaps each of us has within himself some incomprehensible little terrible spot and I feel that this is Hodge's spot. It is murder; Hodge is an assassin: he will kill what he hates, if he dares. I have been so aroused to defend his faithful character that I have devised two pleadings: first, Hodge is the essence of British parliaments, the sum total of British institutions; therefore he patriotically believes that things British should be good enough for the British--of course, their own ferns. At other times I am rather inclined to surmise that his malice and murderous resentment are due to his inability to take on any more Latin, least of all imported Latin. Hodge without doubt now defends himself against any more Latin as a man with his back to the wall fights for his life: the personal promontory will hold no more.

You have written me an irresistible letter, though frankly I made no effort to resist it. Your praise of my books instantly endeared you to me.

Since a first plunge into ferns, then, has already brought results so agreeable and surprising, I am resolved to be bolder and to plunge a second time and more deeply.

Is there--how could there help being!--a _Mrs._ Beverley Sands? Mrs. Blackthorne wishes to know. I read your letter to Mrs. Blackthorne. Mrs. Blackthorne was charmed with it. Mrs. Blackthorne is charmed with _you_. Mr. Blackthorne is charmed with you. And Mr. and Mrs. Blackthorne would like to know whether there is a Mrs. Beverley Sands and, if so, whether she and you will not some time follow the ferns and come and take possession for a while of our English garden.

You and I can go off to ourselves and discuss our "dogwoods" and "black oaks"; and Mrs. Sands and Mrs. Blackthorne, at their tea across the garden, can exchange copies of their highly illuminated and privately circulated little masterpieces about their husbands. (The husbands should always edit the masterpieces!)

Both of you, will you come?

Finally, as to your generous propaganda in behalf of my books and as to the favourable reports which my publishers send me from time to time in the guise of New World royalties, you may think of the proboscis as now being leveled straight and rigid like a gun-barrel toward the shores of the United States, whence blow gales scented with so glorious a fragrance. I begin to feel that Columbus was not mistaken: America is turning out to be a place worth while.

Your deeply interested, EDWARD BLACKTHORNE.

BEVERLEY SANDS TO TILLY SNOWDEN

_June 3._

DEAR TILLY:

Crown me with some kind of chaplet--nothing classic, nothing sentimental, but something American and practical--say with twigs of Kentucky sassafras or, better, with the leaves of that forest favourite which in boyhood so fascinated me and lubricated me with its inner bark--entwine me, O Tilly, with a garland of slippery elm for the virtue of always making haste to share with you my slippery pleasures! I write at full speed now to empty into your lap, a wonderfully receptive lap, tidings of the fittest joy that has ever come to me as your favourite author--and favourite young husband to be.

The great English novelist Blackthorne, many of whose books we have read together (whenever you listened), recently stumbled over one of my obstructive tales; one of my awkwardly placed literary hurdles on the world's race-course of readers. As a result of his fall he got up, dusted himself thoroughly of his surprise, and actually despatched to me an acknowledgment of his thanks for the happy accident. I replied with a volley of my own thanks, with salvos of praise for him. Now he has written again, throwing wide open his house and his heart, both of which appear to be large and admirably suited to entertain suitable guests.