Part 12

We are now come to that government in writing which was under sound, reason and custom jointly, and which proceeded in this way. Reason, as he is naturally the principal director of all the best doings, and not of writing alone, began to play the master, but yet wisely and with great modesty. For considering the disposition of his two companions, first of sound, which the letters were to express in duty, being devised for that purpose, and then of custom, which was to confirm and pave the way to general approval, he established this for a general law in the province of writing--that as the first founders and devisers of the letters used their own liberty, in assigning by voluntary choice a particular character for the eye, to a particular sound in the voice, so it should be lawful for the said founders and their posterity, according as the necessity of their use and the dispatch in their pen did seem to require it, either to increase the number of letters, if the supply seemed not to satisfy the variety in sound, or to apply one and the same letter to diverse uses, if it could be done with some nice distinction, in order to avoid a multitude of characters, as we apply words, which are limited in number, to things which are without limit; and generally, like absolute lords in a tenancy at mere will, to make their own need the test of all letters, of all writing, of all speaking, to chop, to change, to alter, to transfer, to enlarge, to lessen, to make, to mar, to begin, to end, to give authority to this, to take it from that, as they themselves should think good. This decree being penned by reason, both sound and custom at once approved--sound, because there was no remedy, though his heart longed still for his former monarchy, which was now eclipsed; custom, because that served his turn best. For if necessary use and dispatch in the pen could have authority, which was given them in law, by consent of the men who were successors to those that first founded the letter (which were men of the most learned and wisest sort), then were custom indeed, having reason for a friend, and sound no foe, a very great prince in the whole province in both writing and speaking. And good reason why. For custom is not that which men do or speak commonly or most, upon whatsoever occasion, but only that which is grounded at the first upon the best and fittest reason, and is therefore to be used because it is the fittest. If this take place according to the first appointment, then is custom in his right; if not, then abuse in fact seems to usurp upon custom in name. So that I take custom to build upon the cause, and not to make the cause.

After reason had brought both sound to this order, and custom to this authority, then was there nothing admitted in writing but that only, which was signed by all their three hands. If the sound alone served, yet reason and custom must needs confirm sound; if reason must have place, both sound and custom must needs approve reason; if custom would be credited, he could not pass unless both sound supported him and reason ratified him.

During the combined government of these three, the matter of all our precepts that concern writing first grew to strength; then rules were established and exceptions laid down, when reason and custom perceived sufficient cause. But none of all these were as yet commended to art and set down in writing; they were only held in the memory and observation of writers, having sufficient matter to furnish the body of an art, but lacking in method, which came next in place, and joined itself with the other three for this purpose.

All this time, while reason and custom governed the pen as well as sound, the discontented friends of sound never rested, but always sought means to supplant the other two, ever buzzing into ignorant ears the authority of sound and his right to his own expression; and the same errors that troubled the pen while sound alone was the judge, began to creep in again, and cause a new trouble, inasmuch as all of the more ignorant sort were clearly of opinion that the very sternness of sound was simply to be accepted without all exception, though those of learning and wisdom, who had first set up reason and custom as companions to sound, and still continued of the same mind, could very well distinguish usurpation from inheritance, and right from wrong.

Reason therefore, finding by the creeping in of this error both that he himself was being injured by senseless time, and his good custom sorely assailed by counterfeit corruption, perceived the fault to lie in the want of a good notary, and a strong obligation, by which to set in everlasting authority, by right rule and true writing, what he and custom both, by the consent of sound, had continued in use, though not put down in writing. This would ever be in danger of continual revolt from the best to the worst, by the uncertainty of time and the elvishness of error, unless it were set down in writing, and the conditions subscribed by all their consents, for a perpetual evidence against the repiner. For this is the difference between a reasonable custom and an artificial method, that the first does the thing for the second to confirm, and the second confirms by observing the first.

While nothing was set down in writing, sound and his accomplices were in hopes of some recovery, but this hope was cut off when the writings were made, and the conditions settled. The notary who was to cut off all these controversies and breed a perpetual quiet in the matter of writing, was Art, which gathering into one body all those random rules that Custom had beaten out, disposed them so in writing, that everyone knew his own limits, Reason his, Custom his, Sound his. Now when Reason, Custom, and Sound were brought into order, and driven to certainty by the means of art and method, then began the third, the last, and the best assurance in writing.

Art, being herself in place, perceived the direction of the whole tongue to be an infinitely hard task--nay to be scarcely possible in general, considering the diverse properties of the three rulers, reason, custom, and sound, which alter always with time. For what people can be sure of their own tongue any long while? Does not speech alter sometimes for the better, if the State where it is used itself continue and grow to better countenance, either for great learning, or for any other matter, which may help to refine a language? And does it not sometimes change to the more corrupt, if the State where it is used chance to be overthrown, and a master-tongue coming in as conqueror, command both the people, and the people’s speech also? In consideration of this uncertainty, Art betook herself to some one period in the tongue, when it was of most account, and therefore fittest to be made a pattern for others to follow, and pleasantest for herself to work and toil in. Upon this period she bestowed all those notes, which she perceived by observation (the secretary to reason) to be in the common use of speech and pen, either clear in sound, or suitable to reason, or liked by custom, but always supported by them all.

Such a period in the Greek tongue was the time when Demosthenes lived, and that learned race of the father-philosophers: such a period in the Latin tongue was the time when Cicero lived, and those of that age: such a period in the English tongue I take this to be in our own day, both for the pen and for speech.

Art choosing such a period in the primitive tongue, and having all the material gathered into notes, wherewith to set up her whole frame and building of method, distributed them in such a way that there was not any one thing necessary for correct writing, but she had it in writing, saving some particulars which will be always impatient of rule, and make fresh matter for another period in speech; though that which is now made so sure by means of art can never be in danger of any alteration, but will always be held for a precedent to others, being most perfect in itself. For a tongue once enrolled by the benefit of art, and grown to good credit, is established in such assurance that its right cannot be denied, and opposition would be soon espied, however it should wrangle; then it is made a common example for the refining of other languages, which have material for such a method, and desire to be so refined.

This course was kept by the first tongue that ever was refined, from the first invention of any letters, until corruption which had slily crept in, but had been wisely perceived, made a reform necessary. This reform grew again to corruption, in the nature of a relapse, because, though it was soundly made, yet it was not armed with sufficient security against the festering evil of error and corruption. Therefore, when it felt the want of such an assurance, it begged aid from art, which, like a beaten lawyer, handled the matter with such forethought in the penning of his books, that each of those who were in any way interested was taught to know what was his own. Other tongues besides the first to be refined, on marking this current of events, applied the same to their own writing, and were very glad to use the benefit of those men’s labour, who wrestled with the difficulties of sound, error, corruption, and the residue of that ill-humoured tribe.

This original precedent in the first, and transferred pattern in the rest, I mean to follow in finding out our correct English writing, and whether it will prove to be fashioned accordingly and framed like the pattern, shall appear when the thing itself shall come forth in her own natural hue, though in artificial habit.

Before I deal further with this matter, I must examine two principal points in our tongue, of which one is, whether it has material in it for art to build on, because I said that art dealt where she found sufficient matter for her labour. The other is, whether our writing is justly challenged for those infirmities with which it is charged in our time, because I said that this period of our own time seems to be the most perfect period in our English tongue, and that our custom has already beaten out its own rules, ready for the method and framework of art. These two points are necessarily to be considered. For if there be either no material for art owing to the extreme confusion, or if our custom be not yet ripe enough to be reduced to rule, then that perfect period in our tongue is not yet come, and I have entered upon this subject while it is yet too green. However, I hope it will not prove premature, and therefore I will first show that there is in our tongue great and sufficient stuff for art to work upon; then that there is no such infirmity in our writing as is pretended, but that our custom has become fit to receive this framing by art by the method which I have laid down, without any outside help, and by those rules only which may be gathered out of our own ordinary writing.

It must needs be that our English tongue has matter enough in her own writing to direct her own practice, if it be reduced to definite precepts and rules of art. The causes why this has not as yet been thoroughly perceived are the hope and despair of those who have either thought upon it and not dealt with it, or have dealt with it but not rightly thought upon it.

For some, considering the great difficulty which they found to be in the writing of our language, almost every letter being deputed to many and various--even well-nigh contrary--sounds and uses, and almost every word either wanting letters for its necessary sound, or having more than necessity demands, began to despair in the midst of such a confusion of ever finding out any sure direction on which art might be firmly grounded. Perhaps either they did not seek, or did not know how to seek, the right form of method for art to adopt. But whether difficulty in the search, or infirmity in the searchers, gave cause for this, the parties themselves gave over the thing, as in a desperate case, and by not meddling through despair they fail to help the right.

Again some others, bearing a good affection to their natural tongue, and being resolved to burst through the midst of all these difficulties, which offered such resistance, devised a new means, in which they placed their hope of bringing the thing about. Whereupon some of them who were of great place and good learning, set forth in print particular treatises with these newly conceived means, showing how we ought to write, and so to write correctly. But their good hope, by reason of their strange means, had the same result that the despair of the others had, either from their misconceiving the things at first, or from their diffidence at the last.

The causes why their plans did not take effect, and thus in part hindered the thing, by making many think the case more desperate than it really was, were these. The despair of those who thought that the tongue was incapable of any direction, came of a wrong cause, the fault arising indeed not from the thing which they condemned as altogether rude and incapable of rule, but from the parties themselves, who mistook their way. For the thing itself will soon be put into order, though it requires some diligence and careful consideration in him that must find it out. But when a writer takes a wrong principle quite contrary to common practice, where trial must be the touchstone, and practice must confirm the means which he conceives, is it any marvel if the use of a tongue resist such a means, which is not in conformity with it? From this proceeded the despair of hitting aright, because they missed their intention, whereas in reality they should have changed their intention, in order to hit upon the right, which is in the thing and will soon be found out, if it be rightly sought for.

Again, the hope of the others deceived them too quite as much. For they did not consider that whereas common reason and common custom have been long engaged in seeking out their own course, they themselves will be councillors, and will never yield to any private conception, which shall seem evidently either to force them or cross them, in acting as they themselves do, never giving any precept how to write correctly, till they have railed at custom as a most pernicious enemy to truth and right, even in the things where custom has most right, if it has right in any. Therefore when they proceeded in an argument of custom, with the enmity of him who is Lord of the soil, was it any wonder if they failed of their purpose, and hindered the finding out of our correct writing, which must needs be compassed by the consent of custom and the friendship of reason? So in the meantime, while despair deceives the one, and hope beguiles the other, the one missing his way, the other making a foe, and both going astray, they both lose their labour, and hinder the finding out of the best mode of writing, because the true method of finding out such a thing has another course, as I have shown before.

Yet notwithstanding all this, it is very manifest, that the tongue itself has matter in it to furnish out an art, and that the same means which has been used in reducing other tongues to their best form, will serve this of ours, both for generality of precept and for certainty of foundation, as may be easily proved on those four grounds--the antiquity of our tongue, the people’s intelligence, their learning, and their experience. For how can it be but that a tongue which has continued for many hundreds of years not only a tongue, but one of good account, both in speech and pen, should have grown in all that time to some refinement and assurance of itself, by so long and so general a use, the people that have used it being none of the dullest, and labouring continually in all exercises that concern learning, and in all practices that procure experience, either in peace or in war, either in public or private, either at home or abroad?

As for the antiquity of our speech, whether it be measured by the ancient Teutonic, whence it originally comes, or even but by the latest terms which it borrows daily from foreign tongues, either out of pure necessity in new matters, or out of mere bravery to garnish itself with, it cannot be young--unless the German himself be young, who claims a prerogative for the age of his speech, of an infinite prescription; unless the Latin and Greek be young, whose words we enfranchise to our own use, though not always immediately from themselves, but mostly through the Italian, French, and Spanish; unless other tongues, which are neither Greek nor Latin, nor any of the forenamed, from which we have something, as they have from ours, will for company’s sake be content to be young, that ours may not be old. But I am well assured that every one of these will strive for antiquity, and rather grant it to us than forgo it themselves. So that if the very newest words we use savour of great antiquity, and the ground of our speech is most ancient, it must needs then follow that our whole tongue was weaned long ago, as having all her teeth.

As for the importance of our tongue, both in pen and speech, no man will have any doubt who is able to judge what those things are that make any tongue to be of account, which things I take to be three--the authority of the people who speak it, the subject-matter with which the speech deals, and the manifold uses which it serves. For all these three our tongue need not give place to any of her peers.

First, to say something of the people that use the tongue, the English nation has always been of good credit and great estimation, ever since credit and estimation in the course of history came over to this side of the Alps, which appears to be true--even by foreign chronicles (not to use our own in a case that affects ourselves), which would never have said so much of the people if it had been obscure, and unworthy of a perpetual history.

Next, as to the matter with which it deals, whether private or public, it may compare with some others that think very well of themselves. For not to touch upon ordinary affairs of common life, will matters of learning in any kind of argument make a tongue of account? Our nation then, I think, will hardly be proved to have been unlearned at any time, in any kind of learning, not to use any stronger terms. Therefore, having learning by confession of all men, and uttering that learning in their own tongue for their own use, they could not but enrich the tongue, and bring it consideration.

Will matters of war, whether civil or foreign, make a tongue of account? Neighbouring nations will not deny our people to be very warlike, and our own country will confess it, though loth to feel it, both on account of remembering the suffering, and of fearing to gall our friends by vaunting ourselves. Now, in offering material for speech, war is such a breeder that, though it is opposed to learning because it is an enemy to the Muses, yet it dares compare with any department of learning for the multitude of its discourses, though these are not commonly so certain or useful as learned subjects. For war (besides the many grave and serious considerations about it) as sometimes it sends us true reports, either privately in the form of projects and devices that are intended, or publicly in events which are blazed abroad because they have occurred, so mostly it gives out--I dare not say lies, but--very incredible news, because it can hatch these at will, being in no danger of control, and commonly free from witnesses. Every man, moreover, seeks both to praise himself and to harm his enemy, besides procuring some courteous entertainment by telling what is not true to those that love to hear it. All these tales about stratagems and engines of war and many other such things, give matter for speech and occasion for new words, and by making the language so ready, make it of renown.

Will all kinds of trade, and all sorts of traffic, make a tongue of account? If the spreading sea and the spacious land could use any speech, they would both show you where and in how many strange places they have seen our people, and also let you know that they deal in as much, and in as great a variety of matters, as any other people, whether at home or abroad. This is the reason why our tongue serves so many uses, because it is conversant with so many people, and so well acquainted with so many matters, in such various kinds of dealing. Now all this variety of matter and diversity of trade, both make material for our speech, and afford the means of enlarging it. For he who is so practised will utter what he practises in his natural tongue, and if the strangeness of the matter requires it, he who is to utter, will rather than stick in his utterance, use the foreign term, explaining that the people of the country call it so, and by that means make a foreign word an English denizen.

All these reasons concerning the tongue and its importance being put together, not only prove the nation’s exercise in learning, and their practice in other dealings, but seem to infer--to say the least--no base-witted people, because it is not the part of fools to be so learned, so warlike, and so well-practised in affairs. I shall not need to prove any of these positions, either from foreign or home history, as my readers who are strangers will not urge me for them, and those of my own nation will not, I think, gainsay me in them, since they know them to be true, and may use them for their honour.

Therefore I may well conclude my first position, that if use and custom, having the advantage of such length of time to refine our tongue, of so great learning and experience to furnish material for the refining, and of so good intelligence and judgment to direct it, have attained nothing which they refuse to let go in the correct manner of our writing, then our tongue has no certainty to trust to, but writes all at random. But the antecedent is, in my opinion, altogether impossible; therefore the consequent is a great deal more than probable, which is that our tongue has in her own possession very good evidence to prove her own correct writing; and though no man as yet, to judge by any public writing of his, seems to have seen this, yet the tongue itself is ready to show it to anyone who is able to read it, and to judge what evidence is trustworthy in regard to the standard of writing. Therefore, seeing I have proved sufficiently in my own opinion that there is great cause why our tongue should have some good standard in her own writing, and consider myself to have had the sight of that evidence by which such a standard appears most capable of justification, and am not altogether ignorant of how to give a decision upon it, I will do my best, according to the course which I said was kept in the first general refining of any speech, and has also been transferred to every secondary and particular tongue, to set forth some standard for English writing. This I will base upon those notes which I have observed in the tongue itself, the best and finest therein, which by comparison with themselves offer the means of correcting the worse, without either introducing any innovation, as those do who set forth new devices, or mistaking my way, as those do who despair that our tongue can be brought to any certainty without some marvellous foreign help. Thus much for the material fit for art in our tongue; now for the objections which charge it with infirmities.