Chapter 4

“And what do you call the fulness of life?” the Spirit asked again.

“Oh, I can’t tell you, if you don’t know,” she said, almost reproachfully. “Many words are supposed to define it--love and sympathy are those in commonest use, but I am not even sure that they are the right ones, and so few people really know what they mean.”

“You were married,” said the Spirit, “yet you did not find the fulness of life in your marriage?”

“Oh, dear, no,” she replied, with an indulgent scorn, “my marriage was a very incomplete affair.”

“And yet you were fond of your husband?”

“You have hit upon the exact word; I was fond of him, yes, just as I was fond of my grandmother, and the house that I was born in, and my old nurse. Oh, I was fond of him, and we were counted a very happy couple. But I have sometimes thought that a woman’s nature is like a great house full of rooms: there is the hall, through which everyone passes in going in and out; the drawing-room, where one receives formal visits; the sitting-room, where the members of the family come and go as they list; but beyond that, far beyond, are other rooms, the handles of whose doors perhaps are never turned; no one knows the way to them, no one knows whither they lead; and in the innermost room, the holy of holies, the soul sits alone and waits for a footstep that never comes.”

“And your husband,” asked the Spirit, after a pause, “never got beyond the family sitting-room?”

“Never,” she returned, impatiently; “and the worst of it was that he was quite content to remain there. He thought it perfectly beautiful, and sometimes, when he was admiring its commonplace furniture, insignificant as the chairs and tables of a hotel parlor, I felt like crying out to him: ‘Fool, will you never guess that close at hand are rooms full of treasures and wonders, such as the eye of man hath not seen, rooms that no step has crossed, but that might be yours to live in, could you but find the handle of the door?’”

“Then,” the Spirit continued, “those moments of which you lately spoke, which seemed to come to you like scattered hints of the fulness of life, were not shared with your husband?”

“Oh, no--never. He was different. His boots creaked, and he always slammed the door when he went out, and he never read anything but railway novels and the sporting advertisements in the papers--and--and, in short, we never understood each other in the least.”

“To what influence, then, did you owe those exquisite sensations?”

“I can hardly tell. Sometimes to the perfume of a flower; sometimes to a verse of Dante or of Shakespeare; sometimes to a picture or a sunset, or to one of those calm days at sea, when one seems to be lying in the hollow of a blue pearl; sometimes, but rarely, to a word spoken by someone who chanced to give utterance, at the right moment, to what I felt but could not express.”

“Someone whom you loved?” asked the Spirit.

“I never loved anyone, in that way,” she said, rather sadly, “nor was I thinking of any one person when I spoke, but of two or three who, by touching for an instant upon a certain chord of my being, had called forth a single note of that strange melody which seemed sleeping in my soul. It has seldom happened, however, that I have owed such feelings to people; and no one ever gave me a moment of such happiness as it was my lot to feel one evening in the Church of Or San Michele, in Florence.”

“Tell me about it,” said the Spirit.

“It was near sunset on a rainy spring afternoon in Easter week. The clouds had vanished, dispersed by a sudden wind, and as we entered the church the fiery panes of the high windows shone out like lamps through the dusk. A priest was at the high altar, his white cope a livid spot in the incense-laden obscurity, the light of the candles flickering up and down like fireflies about his head; a few people knelt near by. We stole behind them and sat down on a bench close to the tabernacle of Orcagna.

“Strange to say, though Florence was not new to me, I had never been in the church before; and in that magical light I saw for the first time the inlaid steps, the fluted columns, the sculptured bas-reliefs and canopy of the marvellous shrine. The marble, worn and mellowed by the subtle hand of time, took on an unspeakable rosy hue, suggestive in some remote way of the honey-colored columns of the Parthenon, but more mystic, more complex, a color not born of the sun’s inveterate kiss, but made up of cryptal twilight, and the flame of candles upon martyrs’ tombs, and gleams of sunset through symbolic panes of chrysoprase and ruby; such a light as illumines the missals in the library of Siena, or burns like a hidden fire through the Madonna of Gian Bellini in the Church of the Redeemer, at Venice; the light of the Middle Ages, richer, more solemn, more significant than the limpid sunshine of Greece.

“The church was silent, but for the wail of the priest and the occasional scraping of a chair against the floor, and as I sat there, bathed in that light, absorbed in rapt contemplation of the marble miracle which rose before me, cunningly wrought as a casket of ivory and enriched with jewel-like incrustations and tarnished gleams of gold, I felt myself borne onward along a mighty current, whose source seemed to be in the very beginning of things, and whose tremendous waters gathered as they went all the mingled streams of human passion and endeavor. Life in all its varied manifestations of beauty and strangeness seemed weaving a rhythmical dance around me as I moved, and wherever the spirit of man had passed I knew that my foot had once been familiar.

“As I gazed the mediaeval bosses of the tabernacle of Orcagna seemed to melt and flow into their primal forms so that the folded lotus of the Nile and the Greek acanthus were braided with the runic knots and fish-tailed monsters of the North, and all the plastic terror and beauty born of man’s hand from the Ganges to the Baltic quivered and mingled in Orcagna’s apotheosis of Mary. And so the river bore me on, past the alien face of antique civilizations and the familiar wonders of Greece, till I swam upon the fiercely rushing tide of the Middle Ages, with its swirling eddies of passion, its heaven-reflecting pools of poetry and art; I heard the rhythmic blow of the craftsmen’s hammers in the goldsmiths’ workshops and on the walls of churches, the party-cries of armed factions in the narrow streets, the organ-roll of Dante’s verse, the crackle of the fagots around Arnold of Brescia, the twitter of the swallows to which St. Francis preached, the laughter of the ladies listening on the hillside to the quips of the Decameron, while plague-struck Florence howled beneath them--all this and much more I heard, joined in strange unison with voices earlier and more remote, fierce, passionate, or tender, yet subdued to such awful harmony that I thought of the song that the morning stars sang together and felt as though it were sounding in my ears. My heart beat to suffocation, the tears burned my lids, the joy, the mystery of it seemed too intolerable to be borne. I could not understand even then the words of the song; but I knew that if there had been someone at my side who could have heard it with me, we might have found the key to it together.

“I turned to my husband, who was sitting beside me in an attitude of patient dejection, gazing into the bottom of his hat; but at that moment he rose, and stretching his stiffened legs, said, mildly: ‘Hadn’t we better be going? There doesn’t seem to be much to see here, and you know the table d’hote dinner is at half-past six o’clock.”

Her recital ended, there was an interval of silence; then the Spirit of Life said: “There is a compensation in store for such needs as you have expressed.”

“Oh, then you DO understand?” she exclaimed. “Tell me what compensation, I entreat you!”

“It is ordained,” the Spirit answered, “that every soul which seeks in vain on earth for a kindred soul to whom it can lay bare its inmost being shall find that soul here and be united to it for eternity.”

A glad cry broke from her lips. “Ah, shall I find him at last?” she cried, exultant.

“He is here,” said the Spirit of Life.

She looked up and saw that a man stood near whose soul (for in that unwonted light she seemed to see his soul more clearly than his face) drew her toward him with an invincible force.

“Are you really he?” she murmured.

“I am he,” he answered.

She laid her hand in his and drew him toward the parapet which overhung the valley.

“Shall we go down together,” she asked him, “into that marvellous country; shall we see it together, as if with the self-same eyes, and tell each other in the same words all that we think and feel?”

“So,” he replied, “have I hoped and dreamed.”

“What?” she asked, with rising joy. “Then you, too, have looked for me?”

“All my life.”

“How wonderful! And did you never, never find anyone in the other world who understood you?”

“Not wholly--not as you and I understand each other.”

“Then you feel it, too? Oh, I am happy,” she sighed.

They stood, hand in hand, looking down over the parapet upon the shimmering landscape which stretched forth beneath them into sapphirine space, and the Spirit of Life, who kept watch near the threshold, heard now and then a floating fragment of their talk blown backward like the stray swallows which the wind sometimes separates from their migratory tribe.

“Did you never feel at sunset--”

“Ah, yes; but I never heard anyone else say so. Did you?”

“Do you remember that line in the third canto of the ‘Inferno?’”

“Ah, that line--my favorite always. Is it possible--”

“You know the stooping Victory in the frieze of the Nike Apteros?”

“You mean the one who is tying her sandal? Then you have noticed, too, that all Botticelli and Mantegna are dormant in those flying folds of her drapery?”

“After a storm in autumn have you never seen--”

“Yes, it is curious how certain flowers suggest certain painters--the perfume of the incarnation, Leonardo; that of the rose, Titian; the tuberose, Crivelli--”

“I never supposed that anyone else had noticed it.”

“Have you never thought--”

“Oh, yes, often and often; but I never dreamed that anyone else had.”

“But surely you must have felt--”

“Oh, yes, yes; and you, too--”

“How beautiful! How strange--”

Their voices rose and fell, like the murmur of two fountains answering each other across a garden full of flowers. At length, with a certain tender impatience, he turned to her and said: “Love, why should we linger here? All eternity lies before us. Let us go down into that beautiful country together and make a home for ourselves on some blue hill above the shining river.”

As he spoke, the hand she had forgotten in his was suddenly withdrawn, and he felt that a cloud was passing over the radiance of her soul.

“A home,” she repeated, slowly, “a home for you and me to live in for all eternity?”

“Why not, love? Am I not the soul that yours has sought?”

“Y-yes--yes, I know--but, don’t you see, home would not be like home to me, unless--”

“Unless?” he wonderingly repeated.

She did not answer, but she thought to herself, with an impulse of whimsical inconsistency, “Unless you slammed the door and wore creaking boots.”

But he had recovered his hold upon her hand, and by imperceptible degrees was leading her toward the shining steps which descended to the valley.

“Come, O my soul’s soul,” he passionately implored; “why delay a moment? Surely you feel, as I do, that eternity itself is too short to hold such bliss as ours. It seems to me that I can see our home already. Have I not always seem it in my dreams? It is white, love, is it not, with polished columns, and a sculptured cornice against the blue? Groves of laurel and oleander and thickets of roses surround it; but from the terrace where we walk at sunset, the eye looks out over woodlands and cool meadows where, deep-bowered under ancient boughs, a stream goes delicately toward the river. Indoors our favorite pictures hang upon the walls and the rooms are lined with books. Think, dear, at last we shall have time to read them all. With which shall we begin? Come, help me to choose. Shall it be ‘Faust’ or the ‘Vita Nuova,’ the ‘Tempest’ or ‘Les Caprices de Marianne,’ or the thirty-first canto of the ‘Paradise,’ or ‘Epipsychidion’ or ‘Lycidas’? Tell me, dear, which one?”

As he spoke he saw the answer trembling joyously upon her lips; but it died in the ensuing silence, and she stood motionless, resisting the persuasion of his hand.

“What is it?” he entreated.

“Wait a moment,” she said, with a strange hesitation in her voice. “Tell me first, are you quite sure of yourself? Is there no one on earth whom you sometimes remember?”

“Not since I have seen you,” he replied; for, being a man, he had indeed forgotten.

Still she stood motionless, and he saw that the shadow deepened on her soul.

“Surely, love,” he rebuked her, “it was not that which troubled you? For my part I have walked through Lethe. The past has melted like a cloud before the moon. I never lived until I saw you.”

She made no answer to his pleadings, but at length, rousing herself with a visible effort, she turned away from him and moved toward the Spirit of Life, who still stood near the threshold.

“I want to ask you a question,” she said, in a troubled voice.

“Ask,” said the Spirit.

“A little while ago,” she began, slowly, “you told me that every soul which has not found a kindred soul on earth is destined to find one here.”

“And have you not found one?” asked the Spirit.

“Yes; but will it be so with my husband’s soul also?”

“No,” answered the Spirit of Life, “for your husband imagined that he had found his soul’s mate on earth in you; and for such delusions eternity itself contains no cure.”

She gave a little cry. Was it of disappointment or triumph?

“Then--then what will happen to him when he comes here?”

“That I cannot tell you. Some field of activity and happiness he will doubtless find, in due measure to his capacity for being active and happy.”

She interrupted, almost angrily: “He will never be happy without me.”

“Do not be too sure of that,” said the Spirit.

She took no notice of this, and the Spirit continued: “He will not understand you here any better than he did on earth.”

“No matter,” she said; “I shall be the only sufferer, for he always thought that he understood me.”

“His boots will creak just as much as ever--”

“No matter.”

“And he will slam the door--”

“Very likely.”

“And continue to read railway novels--”

She interposed, impatiently: “Many men do worse than that.”

“But you said just now,” said the Spirit, “that you did not love him.”

“True,” she answered, simply; “but don’t you understand that I shouldn’t feel at home without him? It is all very well for a week or two--but for eternity! After all, I never minded the creaking of his boots, except when my head ached, and I don’t suppose it will ache HERE; and he was always so sorry when he had slammed the door, only he never COULD remember not to. Besides, no one else would know how to look after him, he is so helpless. His inkstand would never be filled, and he would always be out of stamps and visiting-cards. He would never remember to have his umbrella re-covered, or to ask the price of anything before he bought it. Why, he wouldn’t even know what novels to read. I always had to choose the kind he liked, with a murder or a forgery and a successful detective.”

She turned abruptly to her kindred soul, who stood listening with a mien of wonder and dismay.

“Don’t you see,” she said, “that I can’t possibly go with you?”

“But what do you intend to do?” asked the Spirit of Life.

“What do I intend to do?” she returned, indignantly. “Why, I mean to wait for my husband, of course. If he had come here first HE would have waited for me for years and years; and it would break his heart not to find me here when he comes.” She pointed with a contemptuous gesture to the magic vision of hill and vale sloping away to the translucent mountains. “He wouldn’t give a fig for all that,” she said, “if he didn’t find me here.”

“But consider,” warned the Spirit, “that you are now choosing for eternity. It is a solemn moment.”

“Choosing!” she said, with a half-sad smile. “Do you still keep up here that old fiction about choosing? I should have thought that YOU knew better than that. How can I help myself? He will expect to find me here when he comes, and he would never believe you if you told him that I had gone away with someone else--never, never.”

“So be it,” said the Spirit. “Here, as on earth, each one must decide for himself.”

She turned to her kindred soul and looked at him gently, almost wistfully. “I am sorry,” she said. “I should have liked to talk with you again; but you will understand, I know, and I dare say you will find someone else a great deal cleverer--”

And without pausing to hear his answer she waved him a swift farewell and turned back toward the threshold.

“Will my husband come soon?” she asked the Spirit of Life.

“That you are not destined to know,” the Spirit replied.

“No matter,” she said, cheerfully; “I have all eternity to wait in.”

And still seated alone on the threshold, she listens for the creaking of his boots.

The End of The Fulness of Life

A VENETIAN NIGHT’S ENTERTAINMENT

December 1903

This is the story that, in the dining-room of the old Beacon Street house (now the Aldebaran Club), Judge Anthony Bracknell, of the famous East India firm of Bracknell & Saulsbee, when the ladies had withdrawn to the oval parlour (and Maria’s harp was throwing its gauzy web of sound across the Common), used to relate to his grandsons, about the year that Buonaparte marched upon Moscow.

I

“Him Venice!” said the Lascar with the big earrings; and Tony Bracknell, leaning on the high gunwale of his father’s East Indiaman, the Hepzibah B., saw far off, across the morning sea, a faint vision of towers and domes dissolved in golden air.

It was a rare February day of the year 1760, and a young Tony, newly of age, and bound on the grand tour aboard the crack merchantman of old Bracknell’s fleet, felt his heart leap up as the distant city trembled into shape. VENICE! The name, since childhood, had been a magician’s wand to him. In the hall of the old Bracknell house at Salem there hung a series of yellowing prints which Uncle Richard Saulsbee had brought home from one of his long voyages: views of heathen mosques and palaces, of the Grand Turk’s Seraglio, of St. Peter’s Church in Rome; and, in a corner--the corner nearest the rack where the old flintlocks hung--a busy merry populous scene, entitled: ST. MARK’S SQUARE IN VENICE. This picture, from the first, had singularly taken little Tony’s fancy. His unformulated criticism on the others was that they lacked action. True, in the view of St. Peter’s an experienced-looking gentleman in a full-bottomed wig was pointing out the fairly obvious monument to a bashful companion, who had presumably not ventured to raise his eyes to it; while, at the doors of the Seraglio, a group of turbaned infidels observed with less hesitancy the approach of a veiled lady on a camel. But in Venice so many things were happening at once--more, Tony was sure, than had ever happened in Boston in a twelve-month or in Salem in a long lifetime. For here, by their garb, were people of every nation on earth, Chinamen, Turks, Spaniards, and many more, mixed with a parti-coloured throng of gentry, lacqueys, chapmen, hucksters, and tall personages in parsons’ gowns who stalked through the crowd with an air of mastery, a string of parasites at their heels. And all these people seemed to be diverting themselves hugely, chaffering with the hucksters, watching the antics of trained dogs and monkeys, distributing doles to maimed beggars or having their pockets picked by slippery-looking fellows in black--the whole with such an air of ease and good-humour that one felt the cut-purses to be as much a part of the show as the tumbling acrobats and animals.

As Tony advanced in years and experience this childish mumming lost its magic; but not so the early imaginings it had excited. For the old picture had been but the spring-board of fancy, the first step of a cloud-ladder leading to a land of dreams. With these dreams the name of Venice remained associated; and all that observation or report subsequently brought him concerning the place seemed, on a sober warranty of fact, to confirm its claim to stand midway between reality and illusion. There was, for instance, a slender Venice glass, gold-powdered as with lily-pollen or the dust of sunbeams, that, standing in the corner cabinet betwixt two Lowestoft caddies, seemed, among its lifeless neighbours, to palpitate like an impaled butterfly. There was, farther, a gold chain of his mother’s, spun of that same sun-pollen, so thread-like, impalpable, that it slipped through the fingers like light, yet so strong that it carried a heavy pendant which seemed held in air as if by magic. MAGIC! That was the word which the thought of Venice evoked. It was the kind of place, Tony felt, in which things elsewhere impossible might naturally happen, in which two and two might make five, a paradox elope with a syllogism, and a conclusion give the lie to its own premiss. Was there ever a young heart that did not, once and again, long to get away into such a world as that? Tony, at least, had felt the longing from the first hour when the axioms in his horn-book had brought home to him his heavy responsibilities as a Christian and a sinner. And now here was his wish taking shape before him, as the distant haze of gold shaped itself into towers and domes across the morning sea!

The Reverend Ozias Mounce, Tony’s governor and bear-leader, was just putting a hand to the third clause of the fourth part of a sermon on Free-Will and Predestination as the Hepzibah B.’s anchor rattled overboard. Tony, in his haste to be ashore, would have made one plunge with the anchor; but the Reverend Ozias, on being roused from his lucubrations, earnestly protested against leaving his argument in suspense. What was the trifle of an arrival at some Papistical foreign city, where the very churches wore turbans like so many Moslem idolators, to the important fact of Mr. Mounce’s summing up his conclusions before the Muse of Theology took flight? He should be happy, he said, if the tide served, to visit Venice with Mr. Bracknell the next morning.

The next morning, ha!--Tony murmured a submissive “Yes, sir,” winked at the subjugated captain, buckled on his sword, pressed his hat down with a flourish, and before the Reverend Ozias had arrived at his next deduction, was skimming merrily shoreward in the Hepzibah’s gig.

A moment more and he was in the thick of it! Here was the very world of the old print, only suffused with sunlight and colour, and bubbling with merry noises. What a scene it was! A square enclosed in fantastic painted buildings, and peopled with a throng as fantastic: a bawling, laughing, jostling, sweating mob, parti-coloured, parti-speeched, crackling and sputtering under the hot sun like a dish of fritters over a kitchen fire. Tony, agape, shouldered his way through the press, aware at once that, spite of the tumult, the shrillness, the gesticulation, there was no undercurrent of clownishness, no tendency to horse-play, as in such crowds on market-day at home, but a kind of facetious suavity which seemed to include everybody in the circumference of one huge joke. In such an air the sense of strangeness soon wore off, and Tony was beginning to feel himself vastly at home, when a lift of the tide bore him against a droll-looking bell-ringing fellow who carried above his head a tall metal tree hung with sherbet-glasses.