Part 14

Atheism, modern, 202. " " tries to dispense with the sun, 104.

Athena, power of, 196, and _n._ " protects Ulysses, 75. " typical of what, 224.

Atlantic, Ulysses in the, 75.

αὐταρχεία, 80.

Author: (1) _Generally_, (2) _Teaching_, (3) _Books, &c._

1. _Generally_:-- drawings by, his own pleasure in them, 84. " leaf-outlines, 217. early boyhood, its tendencies, 41. feeling of increasing age, 104. life of, progressive from his childish pleasures, 83. love of art, its foundation and growth, 41. " " and of nature combined, 42. story of a serpent and, 101. study of Tuscan art begun (1846), 46. success and failure, effect on, 31. various movements of:-- at Crystal Palace, 93. Düsseldorf, 88. Hincksey, Oxford, 217. Iffley Church, 118. London, watching traffic, 59. Lucerne, rowing. 215. Verona (1870), 125. Wallingford, 240. Westminster (watching clouds), 130. See s. _Acland_, _Frou-frou_, _Helps_, _Mineralogy_, _Sight_, _Water-Colour Exhibition_. 2. _Teaching of:_-- cannot follow modern science, 134. despairs of return to simplicity, 94. feeling for Norman art, 92. his abuse of modernism, 34. " reverence for mythology, 95. on Luini, his position shown (1860), 46. " study of the S. Catherine, 226. on Turner, his defence of him, 128. result of his teaching on his early disciples, 42. Ritualism, not deceived by, 73. teaches only what he knows, 123. work at Oxford, thought spent in preparing his lectures, _pref._, 2, 217. assistants, 31. audiences, 1. plan for lectures, 236.

3. _Books, Lectures, &c.:_-- constant appeals to physical science in, 128. fine writing in, 3 paradoxes in, 89. _Quoted or referred to:_-- Aratra Pantalici, (12), 62. " " (88-9), 240. " " (142), 39. Ariadne Florentina, (141) _pref._ viii. Arrows of the Chace (ii. 178), 212. Eagle's Nest--pains of writing, _pref._ vii. " teaching of, needed, 172. Fors Clavigera (Letter v., p. 4), 88. Giotto and his Works in Padua (p. 25), 204. Lecturer on Art (60), 18. " " (66), 18. " Landscape (1871), 62. Munera Pulveris (106), 212. Modern painters, incomplete, 129. " " tone of Vol. I., 42. Queen of the Air (135), 52. " " (162 _seq._), 229. Sesame and Lilies (97), 3. Stones of Venice (iii. 2, 23 _seq._), 159.

Authority, heraldic sign of, 235, 1.

Autolycus and Philammon, myths of, 189.

Bacon, quoted on venomous knowledge, 20. _New Atlantis_, ref. to, 120.

Bardi, the, 209.

Barry, classical paintings of, 63.

Beauty, Greek love of, 167.

Bee, wisdom of the, 193-196.

Behaviour, knowledge of right, essential to art, 161.

Belfry, 93.

Bellini, jewel painting of, 218.

Bend, the heraldic, 235.

Benvenue, 199.

Bergamo, Duomo of, 86.

Berne, gas works at, 102. " carving at, 88.

Beverley, lesser egret last seen in England at, 174.

Bible, statements of mental condition in the, 69. Quoted or referred to:-- Gen. i. 3. Let there be light, 99. " ii. 19. Brought to Adam to see what he would call them, 150. " iii. 21. Unto Adam also and his wife ... coats of skin, 223. Exod. xx. 12. Long in the land the Lord ... giveth thee, 240. " xxv. 5. Rams' skins dyed red, 226. Deut. xxxii. 11. An eagle ... fluttereth over her young, 63. Judges v. 30. Divers colours of needlework, 225. Job xix. 26. _After_ my flesh shall I see God, 121. Ps. xiv. 1. The fool hath said in his heart, 104. " xxvii. 1. The Lord is my light ... whom shall I fear, 104-120. Ps. xlviii. 13. Mark well her bulwarks, consider her palaces, 240. " xcvii. 2. Clouds and darkness are round about him, 7. " ciii. 1-5. Bless the Lord ... youth renewed like the eagle's, 63-4. " cxxxvi. 8. The sun to rule the day, 100. Prov. iii. 15. She is more precious than rubies, 19. " iv. 13. Take fast hold on instruction, 19. " viii. 30-31. I was daily His delight ... rejoicing ... with the sons of men, 19, 64. Eccl. i. 18. He that increaseth knowledge increaseth sorrow, 80. Malachi iv. 2. Sun of _justice_ ... with healing in his wings, 115. Matt. v. 8. Blessed the pure in heart ... shall see God, 121, 176. " vi. 22-23. The light of the body is the eye, 106, 108, 110. " viii. 20. Son of Man hath not where to lay his head, 205. " x. 16. Wise as serpents, 103-105. " xi. 7. A reed shaken with the wind, 203. " xii. 31-32. Blasphemy against the Holy Ghost, 169. " xv. 14. Blind ... fall into the ditch, 106. " xxiv. 28. Where the carcase is, etc., 36. Mark v. 3. Dwelling among the tombs, 69. " v. 15. Clothed and in his right mind, 69. " x. 15. Receive the Kingdom as a little child, 81. John i. 9. Light that lighteth every man, 115, 116, 120. 1 Cor. viii. 1. Knowledge puffeth up, 29. " xiii. 5. Charity ... thinketh no evil, 152. " " 6. Rejoiceth not in iniquity, 210. " " 11. Put away childish things, 81. 2 Cor. iii. 6. The letter Killeth, 4. " v. 1. Houses not built by hands, 205. 1 Peter i. 12. Things the angels desire to look into, 54.

Birds, builders and singers, 48. " classifications of (raptores, rasores, &c.), 187-9. " English temper towards, illustrated 174-5. " praising God, 61. " rare, becoming extinct, 34. " shooting them, the first idea of English gentlemen, 178. See s. _Æthuia_, _Bullfinch_, _Clematis_, _Cuvier_, _Egret_, _Gould_, _Gull_, _Halcyon_, _Hawk_, _Heron_, _Kingfisher_, _Laros_, _Nest_, _Nightingale_, _Ornithology_, _Peacock_, _Pheasant_, _Skylark_.

Blake, Wm., as painter and as poet, 21. " quoted, "The Book of Thel," "Doth the eagle know," &c., 21, 22, 63.

Blindness of mind and body, 106.

Boat race, 212.

Boats, loved by all boys, 41.

Books, children's, 61.

Botanic gardens at Oxford, 160.

Botticelli, as an engraver, _pref._ vii.

" his study of face and limb, _pref._ viii.

Bottle, science of the formation of a, 135.

Brutes, man's relation to the, 30. See s. _Animals_.

Briareus, 183.

British Museum, Greek Vase, "Anacreon and his dog" at, 151.

Bruges, 93.

Bubble, soap, unexplained, 132, 134.

Bullfinch's nest, 48.

Bustle, Dr. Acland's dog, author's delight in, 151, 154.

California, 70.

Camarina, 229.

Cambridge wranglers, value of art to, 96.

Canton, the heraldic, 235.

Carlyle, T., "Shooting Niagara," 70.

Carrion and game, choice of, 11, 36.

Cassell's _Educator_, 202.

Cassiopeia, 124.

Cat, its power and use of sight, 110. " "may look at a king," _ib._

Ceyx, son of the Morning Star, 198.

Chærephon, in Lucian's dialogue on the Halcyon, 194.

Châlet, education needed to build a Swiss, 202.

Chamouni, Turner's drawing of, 147.

Chance, and design in nature, 182, seq.

Change, and living change, how wrought, 208-9.

Chapel, attendance at, in Oxford, 169.

Character, evidenced by dress, 220.

Chariot, use of Greek, 231.

Charity, true, more reverent than pitiful, 211.

Charlemagne's treaty with Scotland, 235.

Chartism, story of a Chartist herald (Sir A. Helps, quoted), 208.

Charybdis, 75.

Chaucer, quoted, "Cuckoo and Nightingale," 37 (motto), 56.

Chemistry, a modern God, 202. " modern progress in, 33. " of little use to art, 96.

Cherwell, the, 179.

Chevron, the heraldic, 235.

Chiefe, the heraldic, 235.

Child and dog, pictures by Titian and Reynolds, 151.

Childhood, pleasures and retrospect of, 82.

Children's books, 61.

Chivalry, Christian and Greek, 219. " " history of, to be learnt by gentlemen, 216. " conception of, as an influence in education, 239. " European, its basis, 236. " leaders of, 240.

Christ, heraldic symbol of, in Italy, 229.

Christian chivalry. See s. _Chivalry_.

Christianity, early traces of in heathen literature (Lucian), 194. " idea of God as Light, 116. " its statements of mental health, 69.

Chromo-lithotints, style of, 69-71.

Church of England, 73.

Cid, The, 240.

Civilization, false, 94.

Civil Service, the, and Orissa, 35.

Classification, scientific, 186-7.

Cleanliness and art, 95.

Clematis, a bird's nest of, 48.

Clouds, 129-30. " effect of storm-clouds on scientist, artist, and scholar, 7. " forms of, unexplained by science, 131.

Coins, English "angels," 117. " engravings of, 157. See s. _Angels_, _Sovereign_.

Colonization, Englishmen likely to be colonists, 94.

Colour, connection of with health, 113. " design in, on Gothic shields, 233. " gloomy, in art, 69. " in dress, originates in the skins of animals, 226-7. " love of light, 113, 116, 117. " perception of, a spiritual and moral power, 122. " pure, delight in, 113, 115. " school of shade and of crystalline colour, 114. " temperance of, 71.

Common-sense in the English, 24, 25. See s. _Aristotle_.

Competition in art, 88. " in education, 177, 212.

Conceit of science, 22.

Conceptions, range of dignity of, and literature, 7-8. " reason and, 11.

Consideration for others demands imagination, 27.

Contentment and advance in knowledge, 81.

Copiapo, 83.

Copley Fielding, 41.

"Coronis," Pindar's, 189.

Correggio, use of orange for red by, 226.

Corruptibility of art, 11, 13.

Cottages, who should build peasants', and how, 201.

Courtesy, instance of modern, 240.

Covetousness in art, 81.

Coxe, Mr. (Bodleian Library, Oxford), 157.

Crane, legs of a, 162.

Creation, man's relation to the brute, 30.

Creatures, different knowledge fit for different, 21.

Creed, Apostles', its first three clauses, 169.

Crest, heraldic meaning of the, 228. " personal, but becomes hereditary, 230.

Cross, heraldic, 235. " heraldic quartering and the, 236.

Crystal Palace, toy at the, 93.

Cuirass, earliest form of, 224.

Cup, forms of, 139.

Cuvier, classification of birds, 188.

Daisy, Wordsworth on a, 51.

Dancing, fair and foul, 13, 14.

Dante, quoted or referred to-- " " _De remi, facemmo ale al folle volo_, 79. " " on Pisa's cruelty, 35. " " on the sight of Beatrice, 177. " " on Ulysses, 75.

Darwin, account of peacock's feather, 185.

Darwinism, 153-155, 207.

Death, connection with the myth of the Halcyon, 199. " love of, by modern art, 69.

Decency and art, 95.

Deeds, taught by art, 8.

Defence, heraldic sign of, 235. (s.).

Delights, man's best, 212.

Dependence, 77.

Derivative beauty in modern art, 219.

Design in nature, 152, seq.

Desires, man's best, 212.

Devices on Greek and Gothic shields, 233.

Devil, personality of the, 69. " truth of the expression, "the Devil in him," _ib._

Dictionaries, contain "Tout ce qu'il y a de plus beau," 100.

Dinner, derivation of word, 235.

Diomed, 168.

Dionysus' cup, 139. " nebris, 225.

Disc or disk, 235.

Discovery of one age, the common knowledge of the next, 34. " science and, 65, 66. " vain passion for, 74. " value of, in itself, 33.

Divinity, Humanity, Animalism, 30.

Doctor, Helps' story of a, in Chartist riots, 208.

Dog, Anacreon and his (Greek vase), 151. " carved by boy, 88. " Dr. Acland's dog "Bustle," 151. " meaning of its introduction in portraits, 151. " by Titian and Reynolds, their pictures of children and, _ib._

Doing, knowing, and talking, 2, 3, 4.

Domestic love, in peace, 168. " " its place and influence, 199.

Doncaster, Mr. Reed, bird-stuffer of, 174.

Drake, Sir Francis, arms of, 235.

Drapery, effect of gentleness gained by, 235. " its laws, 141, seq. " on persons and statues, 143.

Drawing, a vital part of education, and why, 179. " rules of, use of sight and science in, 148. " "draw for your subject, not your picture," 163.

Dress, a sign of character, 220. " earliest forms of, 223-4. " Eastern, 225. " form and colour of, originates in skins of animals, 226-7. " heraldic, 222, 225. " national, should be the same in life and art, 166. " squalor of, a sign of national decay, 221.

Drummond armorial bearings, 235.

Du Cange, on St. Etheldreda, 235. " " on the orle quoted, 235.

Dürer, 217. " anatomy in pictures of, 155; influence of anatomy on, _pref._ viii. " animals introduced by, 151. " beautiful faces rare in, _pref._ viii. " engraving of, _pref._ vii. " his "Sir, it cannot be better done," 52. " love of grotesque in, 151. works of:-- " Knight and Death, _pref._ viii. " Melancholia, " " St. Hubert, " " St. Jerome, "

Düsseldorf, art at, 88.

Eagle, the, 184. " characteristics of, 156-7. " sight and scent of, 111.

_Eagles Nest, The._ See s. _Author_. (3) _Books_.

Ease of great work, 85.

Eastern dress, 225.

Eccelin of Padua, 35.

Ecu, derivation of, 230.

Edify, meaning of word in "Charity edifieth," 30.

Education, aim of, morality not knowledge, 212. " a matter of feeling, not of knowledge, 179. " competition in, 212. " conception of chivalry as an influence in, 239. " means power of true sight, animals, man, God, 175-6. " modern architecture and, 202. " modern, 120. " " its error and toilsomeness, _ib._ " national, 94. " science as an instrument of, 65. " sympathy essential to learning, 236. " true, brings delight in seeing things, 177. " " summed in enjoyment, _ib._

Effort in study, how far necessary, 2.

Egeri, lakes of, 199.

Egret, the leper, 174.

Egyptian leopard, of what typical, 125. " plagues, 118.

Elgin marbles, as models for students, 162.

Elis, coins of, 157.

Elizabeth, Queen, arms given to Sir F. Drake by, 235.

Embassy, heraldic sign of, 235, 2.

Emerson, on distinctive class dress, 221, _n._

Emulation in art, 90.

England, and America, relations of, 79. " chivalry of, led by Richard Cœur de Lion, 240. " Church of, 73. " colonisation by, 94. " glory and power of old, 203. " misery of modern, its fallen temper, 203. " power of help in, 36. " prudence of the English as a nation, 24. " schools of, the, 6.

Engraving, lines in, representative of colour, 152.

Enjoyment and Achievement, 85.

ἐπιστήμη, 8.

Erie, Lake, 70.

Ermine, the, 225.

Etheldreda's, St., "bend" (heraldic), 235.

Ethics and art, 18. See s. _Actions_, _Aims_, _Amusement_, _Behaviour_, _Character_, _Chivalry_, _Dancing_, _Education_, _Evil_, _Imagination_, _Intemperance_, _Passions_.

Etruscan helmet derived from horse's head, 227.

Euclid quoted, 124.

Evil correlative with good, 17.

Examinations, frequent, an error of modern education, 177.

Experiments in art, 123.

Eye, "if thine eye be evil," 106.

Eyes, different kinds of, 107. " noble and ignoble, 122. " not telescopes, 99.

Faculties of art, science and literature, in extreme, 10.

Failure, effect of, on author, 31.

Faith, heraldic sign of, 235, 2.

Famine, in Persia, 36.

Fascia, origin of fesse, 235.

Fesse, the heraldic, 235.

"Fiat lux, fiat anima," 97-8.

Fields, in London, 72.

Film, nature of, a difficult study, 134.

Flasque, the heraldic, 235.

Fleet Street, 61.

Florence, the Duomo of, 138. " schools of, 159.

Flowers, loss of rare, nowadays, 34.

Fog, in England, 130.

Folly, in art, Lect. i., and ii. " in science, 20, _seq._ " vanity of, 40.

Forgiveness, the sin for which there is no, 169.

Fortification, heraldic sign of, 235, 9.

Fortitude, her shield, 230.

France, chivalry of, led by Roland, 240. " Germany and, their relations, 79.

French art, dexterity in, effect of, 89. " use of colour, in art schools, deadly, 96, 114.

French plays. See s. _Frou-frou_.

Fresco-painting, 226.

Frogs at Iffley, 118.

_Frou-frou_, play of, its effect on author, 72. " statement as to, by a French lady, 72.

Furres, heraldic meaning of, 225.

Gaiety Theatre, dancing at, 14.

Game and carrion, choice of, 11, 36.

Gaslight, work done by, 104.

Gentiles, meaning of the word, 170.

Gentleness and kindness, alike in derivation, 170.

Geology, Silurian and Permian systems of, 160.

Geometry and art, 96. " meaning of the word, _ibid._

George III., portrait of daughter of, by Reynolds, 151.

German erudition, effect on art of, 89.

Germany and France, relations of, 79.

Ghent, workmen at, 93.

Ghirlandajo, read in his frescoes, 226.

Giesbach, author at the, (1870), 101.

Giotto, "paint me my arms" anecdote, 209. " simplicity of, _pref._ vii.

Gladstone (W. E.), at Nat. Assoc. for Soc. Science, 63.

Glass, painting on, a lost art, 33. " " orange _v._ purple in, 226. " " at Iffley, 118.

God, birds' praise of, 61. " man's honouring of, 55. " " relation to, 30. " universal idea of, as Light, 116.

Goethe, Faust quoted, 62.

Good and evil, in art, 17.

Gothic art, modern imitations of, purposely wrong to nature, 145. " " its scientific side and basis, 137. " " its sense of strength, 137. " shield, 230.

Gould, Mr., the ornithologist, 48. " " his account of the lesser egret, 174.

Grallatores, birds called, 187.

Great men, their greatness in their aim, not their actions, 214.

Greece, sources and nature of her power, 167-8.

" Switzerland and, a district of each compared, 109.

Greek armour, 231. " " helmet = horse's head, 227. " " shield, 230. " classification of birds, 189. " idea of God as Light, 116. " mythology, 95. " patronymics, meaning of, 168. " vase, dog painting on a, 151. " vases, Sir Wm. Hamilton on, 139.

Gremium, the, of Christ and the Madonna in art, 235.

"Greta and Tees," Turner's, 69, 70.

Guillim's "Heraldry" quoted, 234, n.

Guillotine and mitrailleuse, 34.

Gules, 226.

Gull, the "swimmer" of birds, 188.

Gun-cotton, 33.

Gyron, the heraldic, 235.

Halcyon days, meaning of, 192.

---- the, its feathers, 185. " " Greek notices of, 190 seq. " " myth of, and death, 199. " " Scholiasts' description of, 197. " " story of, 172 seq.

Hamilton, Sir W., on Greek verses, 139.

Happiness, in Aristotle, 19.

Hawk, the "snatcher" of birds, 188.

Health, "mens sana, &c.," 68. " of heart, _ibid._

Heat, a mode of motion, 100.

Helen, in the "Iliad," 168.

Helmet, earliest idea of the, 224. " Greek and Etruscan, derived from horse's head, 227.

Helps, Sir A., his "War and Culture" quoted, 208.

Helps, Sir A., his "War and Culture," dedicated to author, _ib._

Hera, 190.

Heraldry, a despised science, 173. " aim of, 207. " author's drawings of, 112. " distinct meaning of crest and arms, 228. " dress and, 225. " function of, 210. " Greek and Gothic, 230 _seq._ " importance to art of, 173. " natural types in, 229. " power of, 47. " teaching of, 171. " the heraldic ordinaries, Lect. x., 235. " their symbolism, 236. " use in teaching colour, 114. See s. _Armorial bearings_, _Bend_, _Chevron_, _Chief_, _Crest_, _Cross_, _Drummond_, _Embassy_, _Fesse_, _Furres_, _Guillim_, _Gules_, _Gyron_, _Helmet_, _Ordinaries_, _Orle_, _Quartering_, _Red_, _Varie_, _Verrey_.

Hercules, 75. " his death, 199. " lion's skin, and, 229. " the, of Switzerland, 199. " type of what, 224.

Hereditary skill to be cherished, 94.

Heron, the stilt-walker of birds, 188.

Hincksey, author walking back from, 217.

History, art as an end to, 47. " art and, 207 seq. " how to read, 214. " probable view of the Nineteenth Century in, 35. " should separate the ideal and the real, 215, 216. " true, defined, 214. " what it has been and should be, 207.

Historical painting, its function, 210.

Holbein, 217. " as an engraver, _pref._ vii. " study of face and limb by, _pref._ viii.

Holy Ghost, the sin against the, 169.

Home, the true, for which to seek, 206.

Homer, Odyssey vi., quoted, 74, 75, 78. " passage on the Sirens, quoted, 100. See s. _Iliad_, _Odyssey_.

Honour, power of, 212.

Horse's head, gives rise to helmet-form, 227.

Hôtel de Ville, architecture of an, 201.

Hubert, Dürer's St., _pref._ viii.

Hughes, Tom, 63.

Human form and art. See s. _Anatomy_, _Nude_.

Humanity, Animalism, Divinity, 30.

Hunt, Alfred, his rainbow, 129 _n._

Hunt, Holman, his "Light of the World," 115.

Hyginus, quoted on the Halcyon, 190.

Idealism, 95.

Ideal, the, and real in history to be distinguished, 215-216.

Iffley church, author at, 118.

Ignorance, how far essential to art, 88.

Iliad, moral of the, 168.

Imagination, 95. " condition of modern, 69. " history of the, best part of man's history, 214. " implied in consideration for others, 27. " its precious value, 215. " self-command and, 26.

Independence, in pursuit of art and science, 76, 77.

Indolence in art, 81.

Insanity, author's use of the word, 69 _n._

Inscription on house in Alsace, 86.

Insessores, birds, 187.

Intemperance, distinct from passion, 72.

Invention, artistic, excels science, 140.

Inventions of the age, 33. " vanity of pride in, 34.

Isis, the, 179.

Isle of Dogs, starvation at, 63.

Jerome, Dürer's St., _pref._ viii.

Judgment, a Latin word, 7.

κακία in art, how evidenced, 40.

κάνθαρος, Greek, 139.

κανθόs, use of, by Aristotle, 235.

Kennington, 208.

Kensington, art schools of, 6. " education at, 202. " museum, statue of dog in, 88. " " studies of the nude in, 166.

Kindness, derivation of the word, 170.

King-fisher, power of sight of, 112. " See s. _Halcyon_.

Knight, armour of, 231-2. " and Death, Dürer's, _pref._ viii.

Knowing, doing, talking, 2-4.

Knowledge, art the shadow of, 68. " charity and, 29. " limits of human, 80. " perception, and their places in art, 126. " Pope on, quoted, 20. " "science" and, 37. " taught by science, 8. " tenderness the basis of high, 77. " various kinds for various creatures, 21-2. " venomous, quoted by Bacon, 29. " what, good for an artist, 123-4.

"Know thyself," a law to man, 22-3.

Lago di Garda, sunset at, 125.

Lake Erie, 70. " Ontario, 70.