The Dramatic Works of Gerhart Hauptmann, Volume I
Chapter 8
_He crosses the yard and disappears between the house and the stables. HOFFMANN and HELEN come from the house. HELEN is pale and carries an empty glass in her hand._
HOFFMANN
[_To HELEN._] Entertain him a bit! You understand? Don't let him go. I should hate to have him.--Injured vanity like that!... Good-bye!... Oh, maybe I oughtn't to go at all? How is Martha doing?--I've got a queer kind of feeling as if pretty soon.... Nonsense!--Good-bye! ... awful hurry!... [_Calls out._] Franz! Give the horses their heads!
[_Leaves rapidly through the main gate._
_HELEN goes to the pump, fills her glass and empties it at one draught. She empties half of another glass. She then sets the glass on the pump and then strolls slowly, looking backward from time to time, through the gate-may. BAER emerges from between the house and the stables and stops with his waggon before the house door, where MIELE takes some sand from him. In the meantime KAHL has become visible at the right, beyond the dividing fence. He is in conversation with MRS. SPILLER, who is on the hither side of the fence and therefore close to the entrance of the yard. As the conversation proceeds, both walk slowly along the fence._
MRS. SPILLER
[_Mildly agonised._] Ah yes--m--Mr. Kahl! I have--m--many a time thought of--m--you when ... when our--m--dear Miss Helen ... She is so to--m--speak betrothed to you and so--m--ah! I--m--must say ... in my time...!
KAHL
[_Mounts a rustic bench under the oak-tree and fastens a bird trap to the lowest branch._] When is th-that b-beast of a doctor goin' to git out o' here? Ha?
MRS. SPILLER
Ah, Mr. Kahl! I don't--m--think so very soon.--Ah, Mr. Kahl, I--m--have, so to speak, come--m--down in the world, but I--m--know--m--what refinement is. In this respect, Mr. Kahl, I--must say--dear Miss Helen isn't--m--acting quite right toward you. No--m--in that respect, so to speak--m--I've never had anything with which to--m--reproach myself--m--my conscience, dear Mr. Kahl, is as pure in that--m--respect--so to speak, as new-fallen snow.
_BAER has finished the sale of his sand and, at this moment, passes by KAHL in order to leave the yard._
KAHL
[_Discovers BAER and calls out._] Heres hopping Baer! Hop a bit!
_BAER takes a, huge leap._
KAHL
[_Bellowing with laughter._] Here, hopping Baer! Hop again!
MRS. SPILLER
Well--m--Mr. Kahl, what I want to say is--m--I have the best--m--intentions toward you. You ought to observe very--m--carefully. Something--m--is going on between our young lady and--m--
KAHL
If I could j-jist git my d-dogs on that son of a--... Jist once!
MRS. SPILLER
[_Mysteriously._] And I'm afraid you--m--don't know what kind of an individual that--m--is. Oh, I am so--m--truly sorry for our dear young lady. The wife of the bailiff--she has it straight from the office, I think. He is said to be a--m--really dangerous person. The woman said her husband had--m--orders, just think! actually--m--to keep his eye on him.
_LOTH comes from the house and looks about._
MRS. SPILLER
You see, now he is going--m--after our young lady. Oh, it's _too_ sad--m--for anything.
KAHL
Aw! You wait an' see!
[_Exit._
_MRS. SPILLER goes to the door of the house. In passing LOTH she makes a deep bow. Then she disappears into the house._
_LOTH disappears slowly through the gateway. The coachman's wife, an emaciated, worried, starved woman, emerges from between the house and the stables. She carries a large pot hidden under her apron and slinks off toward the cow-shed, looking about fearfully at every moment. She disappears into the door of the stable. The two MAIDS, each before her a wheel-barrow laden with clover, enter by the gate. BEIPST, his pipe in his mouth and his scythe across his shoulder, follows them, LIESE has wheeled her barrow in front of the left, AUGUSTE hers in front of the right door of the barn, and both begin to carry great armfuls of clover into the building._
LIESE
[_Coming back out of the stable._] Guste! D'ye know, Marie is gone.
AUGUSTE
Aw, don' tell me!
LIESE
Go in there'n ask the coachman's wife. She's gittin' her a drop o' milk.
BEIPST
[_Hangs up his scythe on the wall._] Ye'd better not let that Spiller creature get wind o' it.
AUGUSTE
Oh, Lord, no! Who'd think o' it!
LIESE
A poor woman like that with eight--
AUGUSTE
Eight little brats. They wants to be fed!
LIESE
An' they wouldn't give her a drop o' milk even. It's low, that's what I calls it.
AUGUSTE
Where is she milkin'?
LIESE
Way back there.
BEIPST
[_Fills his pipe. Holding his tobacco-pouch with his teeth he mumbles._] Ye say Marie's gone?
LIESE
Yes, it's true an' certain. The parson's hired man slept with her.
BEIPST
[_Replacing the tobacco-pouch in his pocket._] Everybody feels that way sometimes--even a woman. [_He lights his pipe and disappears through the gateway. In going:_] I'm goin' fer a bit o' breakfast.
THE COACHMAN'S WIFE
[_Hiding the pot full of milk carefully under her apron, sticks her head out of the stable door._] Anybody in sight?
LIESE
Ye c'n come if ye'll hurry. There ain't nobody. Come! Hurry!
THE COACHMAN'S WIFE
[_Passing by the maids._] It's fer the nursin' baby.
LIESE
[_Calling out after her._] Hurry! Some one's comin'.
_THE COACHMAN'S WIFE disappears between the house and the stable._
AUGUSTE
It's only the young Miss.
_The maids now finish unloading their wheelbarrows and then thrust them under the doorway. They both go into the cow-shed._
_HELEN and LOTH enter by the gate._
LOTH
A disgusting fellow--this Kahl--an insolent sneak.
HELEN
I think in the arbour in front--[_They pass through the small gate into the little garden by the house and into the arbour._] It's my favourite place, I'm less disturbed there than anywhere if, sometimes, I want to read something.
LOTH
It's a pretty place.--Really. [_Both sit down in the arbour, consciously keeping at some distance from one another. An interval of silence. Then LOTH._] You have very beautiful and abundant hair.
HELEN
Yes, my brother-in-law says so too. He thought he had scarcely seen anyone with so much--not even in the city ... The braid at the top is as thick as my wrist ... When I let it down, it reaches to my knees. Feel it. It's like silk, isn't it?
LOTH
It is like silk.
[_A tremour passes through him. He bends down and kisses her hair._
HELEN
[_Frightened._] Ah, don't. If ...
LOTH
Helen! Were you in earnest a while ago?
HELEN
Oh, I am so ashamed--so deeply ashamed. What have I done? Why, I've thrown myself at you. That's what I've done. I wonder what you take me for?
LOTH
[_Draws nearer to her and takes her hand in his._] Ah, you mustn't let _that_ trouble you.
HELEN
[_Sighing._] Oh, if Sister Schmittgen knew of that--I dare not imagine it.
LOTH
Who is Sister Schmittgen?
HELEN
One of my teachers at boarding-school.
LOTH
How can you worry about Sister Schmittgen!
HELEN
She was very good.
[_Laughing heartily to herself suddenly._
LOTH
Why do you laugh all at once?
HELEN
[_Half between respect and jest._] Oh, when she stood in the choir and sang--she had only one long tooth left--then she was supposed to sing: "Trouble yourselves not, my people!"--and it always sounded like: "'Rouble, 'rouble yourselves not, my people!" It was too funny. And we always had to laugh so ... when it sounded through the chapel: "'Rouble, 'rouble!" [_She laughs more and more heartily. LOTH becomes infected by her mirth. She seems so sweet to him at this moment that he wants to take the opportunity to put his arms about her. HELEN wards him off._] An, no! no! Just think! I threw myself at you!
LOTH
Oh, don't say such things!
HELEN
But it isn't my fault; you have only yourself to blame for it. Why do you demand ...
_LOTH puts his arm about her once more and draws her closer to him. At first she resists a little, then she yields and gazes, with frank blessedness, into the joyous face of LOTH which bends above her. Involuntarily, in the awkwardness of her very timidity, she kisses his mouth. Both grow red; then LOTH returns her kiss. His caress is long and heartfelt. A giving and taking of kisses--silent and eloquent at once--is, for a time, all that passes between them. LOTH is the first to speak._
LOTH
Nellie, dearest! Nellie is your name, isn't it?
HELEN
[_Kisses him._] Call me something else ... call me what you like best ...
LOTH
Dearest!...
_The exchange of kisses and of mutual contemplation is repeated._
HELEN
[_Held tight in LOTH'S arms, resting her head on his shoulder, looking up at him with dim, happy eyes, whispers ecstatically._] Oh, how beautiful! How beautiful!
LOTH
To die with you--thus ...
HELEN
[_Passionately._] To live!... [_She disengages herself from his embrace._] Why die now?... now ...
LOTH
Yon must not misunderstand me. Always, in happy moments, it has come over me with a sense of intoxication--the consciousness of the fact that it is in our power, in my power, to embrace--you understand?
HELEN
To embrace death, if you desired it?
LOTH
[_Quite devoid of sentimentality._] Yes! And the thought of death has nothing horrible in it for me. On the contrary, it seems like the thought of a friend. One calls and knows surely that death will come. And so one can rise above so many, many things--above one's past, above one's future fate ... [_Looking at HELEN'S hand._] What a lovely hand you have.
[_He caresses it._
HELEN
Ah, yes!--so!...
[_She nestles anew in his arms._
LOTH
No, do you know, I haven't really lived--until now!
HELEN
Do you think I have?... And I feel faint--faint with happiness. Dear God, how suddenly it all came ...
LOTH
Yes, it came all at once ...
HELEN
Listen, I feel this way: all the days of my life are like one day; but yesterday and to-day are like a year--a whole year!
LOTH
Didn't I come till yesterday?
HELEN
Of course not! Naturally! That's just it!... Oh, and you don't even know it!
LOTH
And surely it seems to me ...
HELEN
Doesn't it? Like a whole, long year! Doesn't it? [_Half jumping up._] Wait...! Don't you hear ... [_They move away from each other._] Oh, but I don't care one bit! I am so full of courage now.
[_She remains seated and invites LOTH with her eyes to move nearer, which he does._
HELEN
[_In LOTH'S arms._] Dear, what are we going to do first?
LOTH
Your step-mother, I suppose, would send me packing.
HELEN
Oh, my step-mother ... that won't matter ... it doesn't even concern her! I do as I please! I have my mother's fortune, you must know.
LOTH
Did you think on that account ...
HELEN
I am of age; father will have to give me my share.
LOTH
You are not, then, on good terms with everyone here?--Where has your father gone to?
HELEN
Gone? You have?... Oh, you haven't seen my father yet?
LOTH
No; Hoffmann told me....
HELEN
Surely, you saw him once.
LOTH
Not that I know of. Where, dearest?
HELEN
I.... [_She bursts into tears._] No, I can't. I can't tell you ... it's too, too fearful!
LOTH
So fearful? But, Helen, is anything wrong with your father?
HELEN
Oh, don't ask me! Not now, at least! Some time...!
LOTH
I will not urge you to tell me anything, dear, that you don't voluntarily speak of. And, look, as far as the money is concerned ... if the worst came ... though I don't exactly earn superfluous cash with my articles--still, in the end, we could both manage to exist on it.
HELEN
And I wouldn't be idle either, would I? But the other way is better. My inheritance Is more than enough.--And there's your life work ... no, you're not to give that up under any circumstances ... now less than ever ...! Now you're to have your real chance to pursue it!
LOTH
[_Kissing her tenderly._] Dearest, best ...
HELEN
Oh, do you truly care...? Truly? Truly?
LOTH
Truly.
HELEN
You must say truly a hundred times.
LOTH
Truly and truly and truthfully.
HELEN
Oh, now, you're not playing fair!
LOTH
I am, though. That truthfully is equal to a hundred trulys.
HELEN
Oh? Is that the custom in Berlin?
LOTH
No, but it is here in Witzdorf.
HELEN
Oh! But now, look at my little finger and don't laugh.
LOTH
Gladly.
HELEN
Did you ever love any one before your first betrothed? Oh, now you _are_ laughing!
LOTH
I will tell you in all seriousness, dearest; indeed, I think it is my duty.... In the course of my life a considerable number of women....
HELEN
[_With a quick and violent start, pressing her hand over his mouth._] For the love of.... Tell me that some day, later, when we are old, when the years have passed, when I shall say to you: "now!" Do you hear! Not before!
LOTH
Just as you will.
HELEN
Rather tell me something sweet now!... Listen: repeat after me:
LOTH
What?
HELEN
I have loved--
LOTH
I have loved--
HELEN
Always you only--
LOTH
Always you only--
HELEN
All the days of my life--
LOTH
All the days of my life--
HELEN
And will love you only as long as I live--
LOTH
And will love you only as long as I live--and that is true so surely as I am an honest man.
HELEN
[_Joyfully._] I didn't add that!
LOTH
But I did.
[_They kiss each other._
HELEN
[_Hums very softly._] "Thou in my heart art lying ..."
LOTH
But now you must confess too.
HELEN
Anything you like.
LOTH
Confess now! Am I the first?
HELEN
No.
LOTH
Who?
HELEN
[_Laughing out in the fullness of her joy._] Willy Kahl!
LOTH
[_Laughing._] Who else?
HELEN
Oh, no, there's no one else really. You must believe me ... Truly there wasn't. Why should I tell you a falsehood?
LOTH
So there _was_ someone else?
HELEN
[_Passionately._] Oh, please, please, please, don't ask me now.
[_She hides her face in her hands and weeps apparently without any reason._
LOTH
But ... but Nellie! I'm not insistent; I don't want to ...
HELEN
Later ... I'll tell you later ... not now!
LOTH
As I said before, dearest.
HELEN
There was some one--I want you to know--whom I ... because ... because among wicked people he seemed the least wicked. Oh, it is so different now. [_Weeping against LOTH'S neck: stormily._] Ah, if I only didn't have to leave you at all any more! Oh, if I could only go away with you right here on the spot!
LOTH
I suppose you have a very unhappy time in the house here?
HELEN
Oh, dear!--It's just frightful--the things that happen here. It's a life like--that ... like that of the beasts of the field--Oh, I would have died without you. I shudder to think of it!
LOTH
I believe it would calm you, dearest, if you would tell me everything quite openly.
HELEN
Yes, to be sure. But I don't think I can bear to. Not now, at least, not yet. And I'm really afraid to.
LOTH
You were at boarding-school, weren't you?
HELEN
My mother decided that I be sent--on her death-bed.
LOTH
Was your sister there with you?
HELEN
No, she was always at home ... And so when, four years ago, I came back from school, I found a father--who ... a step-mother--who ... a sister ... guess, can't you guess what I mean!
LOTH
I suppose your step-mother is quarrelsome? Perhaps jealous? unloving?
HELEN
My father...?
LOTH
Well, in all probability he dances to her music. Perhaps she tyrannises over him?
HELEN
Oh, if it were nothing else?... No! It is too frightful!--You can't possibly guess that _that_ ... my father ... that it was _my_ father whom you ...
LOTH
Don't weep, Nellie!... Look, you almost make me feel as though I ought to insist that you tell ...
HELEN
No, no, it isn't possible. I haven't the strength!--not yet!
LOTH
But you're wearing yourself out this way!
HELEN
But I'm so ashamed, so boundlessly ashamed! Why, you will drive me from you in horror...! It's beyond anything...! It's loathsome!
LOTH
Nellie, dear, you don't know me if you can think such things of me! Repulse you! Drive you from me! Do I seem such a brute to you?
HELEN
My brother-in-law said that you would quite calmly ... But no, no, you wouldn't? Would you?--You wouldn't just ruthlessly walk over me? Oh! you won't! You mustn't! I don't know what _would_ become of me!
LOTH
But, dear, it's senseless to talk so. There's no earthly reason!
HELEN
But if there were a reason, it might happen!
LOTH
No! Not at all!
HELEN
But if you could think of a reason?
LOTH
There are reasons, to be sure; but they're not in question.
HELEN
And what kind of reasons?
LOTH
I would have to be ruthless only toward some one who would make me betray my own most ideal self.
HELEN
And surely, I wouldn't want to do that! And yet I can't rid myself of the feeling--
LOTH
What feeling, dearest?
HELEN
Perhaps it's just because I'm nothing but a silly girl. There's so little to me--Why, I don't even know what it is--to have principles! Isn't that frightful? But I just simply love you so! And you're so good, and so great, and so very wise! I'm so afraid that you might, sometime, discover--when I say something foolish, or do something--that it's all a mistake, that I'm much too silly for you ... I'm really as worthless and as silly as I can be!
LOTH
What shall I say to all that? You're everything to me, just everything in the whole world. I can't say more!
HELEN
And I'm very strong and healthy, too ...
LOTH
Tell me, are your parents in good health?
HELEN
Indeed they are. That is, mother died in childbirth. But father is still well; in fact he must have a very strong constitution. But ...
LOTH
Well, you see. Everything is ...
HELEN
But if my parents were not strong--;
LOTH
[_Kissing HELEN._] But then, they are, dear.
HELEN
But suppose they were not--?
_MRS. KRAUSE pushes open a window in the house and calls out into the yard._
MRS. KRAUSE
Hey! Girls! Gi--rls!
LIESE
[_From within the cow-shed._] Yes, Missis?
MRS. KRAUSE
Run to Mueller's! It's startin'!
LIESE
What! To the midwife, ye mean?
MRS. KRAUSE
Are ye standin' on your ear?
[_She slams the window._
_LIESE runs out of the cow-shed with a little shawl over her head and then out of the yard._
MRS. SPILLER
[_Calls._] Miss Helen! Oh, Miss Helen!
HELEN
What do you suppose is--?
MRS. SPILLER
[_Approaching the arbour._] Miss Helen!
HELEN
Oh, I know. It's my sister who--You must go, 'round that way!
[_LOTH withdraws rapidly by the right foreground. HELEN steps out from the arbour._
MRS. SPILLER
Oh, Miss, there you are at last!
HELEN
What is it?
MRS. SPILLER
Ah--m--your sister.
[_She whispers into HELEN'S ear._
HELEN
My brother-in-law ordered that the doctor be sent for at any sign of--
MRS. SPILLER
Oh--m--dear Miss Helen--m--she doesn't really want a doctor. These doctors--m--oh, these doctors--m--with God's help ...
_MIELE comes from the house._
HELEN
Miele, go at once for Dr. Schimmelpfennig!
MRS. KRAUSE
[_From the window, arrogantly._] Miele! You come up here!
HELEN
[_In a tone of command._] Miele, you go for the doctor! [_MIELE withdraws into the house._] Well, then I must go myself ...
[_She goes into the house and comes back out at once carrying her straw hat._
MRS. SPILLER
It'll go wrong--m--If you call the doctor, dear Miss Helen,--m--it will surely go wrong!
_HELEN passes her by. MRS. SPILLER withdraws into the house, shaking her head. As HELEN turns at the driveway KAHL is standing at the boundary fence._
KAHL
[_Calls out to HELEN._] What's the matter over at your place?
_HELEN does not stop, nor does she deign to notice or answer KAHL._
KAHL
[_Laughing._] I guess ye got a pig killin'?
CURTAIN
THE FIFTH ACT
_The same room, as in the first act. Time: toward two o'clock in the morning. The room is in complete darkness. Through the open middle door light penetrates into it from the illuminated hall. The light also falls clearly upon the wooden stairway that leads to the upper floor. The conversation in this act--with very few exceptions--is carried on in a muffled tone._
_EDWARD enters through the middle door, carrying a light. He lights the hanging lamp (it is a gas lamp) over the corner table. While he is thus employed, LOTH _also enters by the middle door._
EDWARD
O Lord! Such goin's on! It'd take a monster to be able to close a eye here!
LOTH
I didn't even try to sleep. I have been writing.
EDWARD
You don't say! [_He succeeds in lighting the lamp._] There! Well, sure, I guess it's hard enough, too ... Maybe you'd like to have paper and ink, sir?
LOTH
Perhaps that would be ... If you would be so good, then, Mr. Edward?
EDWARD
[_Placing pen and ink on the table._] I'm always thinkin' that any honest fellow has got to get all the work there's in every bone for every dirty penny. You can't even get your rest o' nights. [_More and more confidentially._] But this crew here! They don't do one thing--a lazy, worthless crew, a--... I suppose, sir, that you've got to be at it early and late too, like all honest folks, for your bit o' bread.
LOTH
I wish I didn't have to.
EDWARD
Me too, you betcher.
LOTH
I suppose Miss Helen is with her sister?
EDWARD
Yes, sir, an', honestly, she's a good girl, she is; hasn't budged since it started.
LOTH
[_Looking at his watch._] The pains began at eleven o'clock in the morning. So they've already lasted fifteen hours--fifteen long hours--!
EDWARD
Lord, yes!--And that's what they calls the weaker sex. But she's just barely gaspin'.
LOTH
And is Mr. Hoffmann upstairs, too?
EDWARD
Yes, an' I can tell you, he's goin' on like a woman.
LOTH
Well, I suppose it isn't very easy to have to watch that.
EDWARD
You're right there, indeed. Dr. Schimmelpfennig came just now. There's a man for you: rough as rough can be--but sugar ain't nothing to his real feelings. But just tell me what's become of little, old Berlin in all this ...
[_He interrupts himself with a_ Gee-rusa-lem! _as HOFFMANN and the DOCTOR are seen coming down the stairs._
_HOFFMANN and DR. SCHIMMELPFENNIG enter._
HOFFMANN
Surely--you will stay with us from now on.
DR. SCHIMMELPFENNIG
Yes, I suppose I will stay now.
HOFFMANN
That's a very, very great consolation to me.--Will you have a glass of wine? Surely you'll drink a glass of wine, Doctor?
DR. SCHIMMELPFENNIG
If you want to do something for me, have a cup of coffee prepared.
HOFFMANN
With pleasure. Edward! Coffee for the doctor! [_EDWARD withdraws._] Are you...? Are you satisfied with the way things are going?
DR. SCHIMMELPFENNIG
So long as your wife's strength keeps up there is, at all events, no direct danger. But why didn't you call in the young midwife? I remember having recommended her to you.
HOFFMANN
My mother-in-law...! What is one to do? And, to be frank with you, my wife has no confidence in the young woman either.
DR. SCHIMMELPFENNIG
But your ladies place confidence in this old fossil? Well, I hope they'll ... And I suppose you would like to go back upstairs?
HOFFMANN
Yes, honestly, I can't get much rest down here.
DR. SCHIMMELPFENNIG
It would be better undoubtedly if you were to go somewhere--out of the house.
HOFFMANN
With the best will in the world, I--. [_LOTH arises from the sofa in the dim foreground and approaches the two._] Hallo, Loth, there you are too!
DR. SCHIMMELPFENNIG
[_Surprised in the extreme._] Well, I'll be--!
LOTH
I heard that you were here. I would have looked you up to-morrow without fail.
[_They shake hands cordially. HOFFMANN takes the opportunity to mash down a glass of brandy at the side-board and then to creep back upstairs on tiptoe._
DR. SCHIMMELPFENNIG
So you've evidently forgotten--ha, ha, ha--that ridiculous old affair?
[_He lays aside his hat and cane._
LOTH
Long ago, Schimmel!
DR. SCHIMMELPFENNIG
Well, so have I, as you can well imagine. [_They shake hands once more._] I've had so few pleasant surprises in this hole, that this one seems positively queer to me. And it is strange that we should meet just here. It _is_.
LOTH