The Dramatic Works of Gerhart Hauptmann, Volume I
Chapter 12
Let's hope you've brought some of it to us.--Are we to have a drop to drink your health in?
JAEGER
Of course you are, father Baumert. And when this bottle's done, we'll send for more.
[_He flings a coin on the table._
ANSORGE
[_Open mouthed with amusement._] Oh my! Oh my! What goings on to be sure! Roast meat frizzlin' in the oven! A bottle o' brandy on the table! [_He drinks out of the bottle._] Here's to you, Moritz!--Well, well, well!
[_The bottle circulates freely after this._
OLD BAUMERT
If we could any way have a bit o' meat on Sundays and holidays, instead o' never seein' the sight of it from year's end to year's end! Now we'll have to wait till another poor little dog finds its way into the house like this one did four weeks gone by--an' that's not likely to happen soon again.
ANSORGE
Have you killed the little dog?
OLD BAUMERT
We had to do that or starve.
ANSORGE
Well, well! That's so!
MOTHER BAUMERT
A nice, kind little beast he was, too!
JAEGER
Are you as keen as ever on roast dog hereabouts?
OLD BAUMERT
Lord, if we could only get enough of it!
MOTHER BAUMERT
A nice little bit o' meat like that does you a lot o' good.
OLD BAUMERT
Have you lost the taste for it, Moritz? Stay with us a bit, and it'll soon come back to you.
ANSORGE
[_Sniffing._] Yes, yes! That will be a tasty bite--what a good smell it has!
OLD BAUMERT
[_Sniffing._] Fine as spice, you might say.
ANSORGE
Come, then, Moritz, tell us your opinion, you that's been out and seen the world. Is things at all like to improve for us weavers, eh?
JAEGER
They would need to.
ANSORGE
We're in an awful state here. It's not livin' an' it's not dyin'. A man fights to the bitter end, but he's bound to be beat at last--to be left without a roof over his head, you may say without ground under his feet. As long as he can work at the loom he can earn some sort o poor, miserable livin'. But it's many a day since I've been able to get that sort o' job. Now I tries to put a bite into my mouth with this here basket-mak-in'. I sits at it late into the night, and by the time I tumbles into bed I've earned three-halfpence. I puts it to you as knows things, if a man can live on that, when everything's so dear? Nine shillin' goes in one lump for house tax, three shillin' for land tax, nine shillin' for mortgage interest--that makes one pound one. I may reckon my year's earnin' at just double that money, and that leaves me twenty-one shillin' for a whole year's food, an' fire, an' clothes, an' shoes; and I've got to keep up some sort of a place to live in. An' there's odds an' ends. Is it a wonder if I'm behindhand with my interest payments?
OLD BAUMERT
Some one would need to go to Berlin an' tell the King how hard put to it we are.
JAEGER
Little good that would do, father Baumert. There's been plenty written about it in the news-papers. But the rich people, they can turn and twist things round ... as cunning as the devil himself.
OLD BAUMERT
[_Shaking his head._] To think they've no more sense than that in Berlin.
ANSORGE
And is it really true, Moritz? Is there no law to help us? If a man hasn't been able to scrape together enough to pay his mortgage interest, though he's worked the very skin off his hands, must his house be taken from him? The peasant that's lent the money on it, he wants his rights--what else can you look for from him? But what's to be the end of it all, I don't know.--If I'm put out o' the house ... [_In a voice choked by tears._] I was born here, and here my father sat at his loom for more than forty year. Many was the time he said to mother: Mother, when I'm gone, keep hold o' the house. I've worked hard for it. Every nail means a night's weavin', every plank a year's dry bread. A man would think that ...
JAEGER
They're just as like to take the last bite out of your mouth--that's what they are.
ANSORGE
Well, well, well! I would rather be carried out than have to walk out now in my old days. Who minds dyin'? My father, he was glad to die. At the very end he got frightened, but I crept into bed beside him, an' he quieted down again. Think of it; I was a lad of thirteen then. I was tired and fell asleep beside him--I knew no better--and when I woke he was quite cold.
MOTHER BAUMERT
[_After a pause._] Give Ansorge his soup out o' the oven, Bertha.
BERTHA
Here, father Ansorge, it'll do you good.
ANSORGE
[_Eating and shedding tears._] Well, well, well!
[_OLD BAUMERT has begun to eat the meat out of the saucepan._
MOTHER BAUMERT
Father, father, can't you have patience an' let Bertha serve it up properly?
OLD BAUMERT
[_Chewing._] It's two years now since I took the sacrament. I went straight after that an' sold my Sunday coat, an' we bought a good bit o' pork, an' since then never a mouthful of meat has passed my lips till to-night.
JAEGER
_We_ don't need no meat! The manufacturers eats it for us. It's the fat o' the land _they_ lives on. Whoever don't believe that has only to go down to Bielau and Peterswaldau. He'll see fine things there--palace upon palace, with towers and iron railings and plate-glass windows. Who do they all belong to? Why, of course, the manufacturers! No signs of bad times there! Baked and boiled and fried--horses and carriages and governesses--they've money to pay for all that and goodness knows how much more. They're swelled out to burstin' with pride and good livin'.
ANSORGE
Things was different in my young days. Then the manufacturers let the weaver have his share. Now they keeps everything to theirselves. An' would you like to know what's at the bottom of it all? It's that the fine folks nowadays believes neither in God nor devil. What do they care about commandments or punishments? And so they steals our last scrap o' bread, an' leaves us no chance of earnin' the barest living. For it's their fault. If our manufacturers was good men, there would be no bad times for us.
JAEGER
Listen, then, and I'll read you something that will please you. [_He takes one or two loose papers from his pocket._] I say, August, run and fetch another quart from the public-house. Eh, boy, do you laugh all day long?
MOTHER BAUMERT
No one knows why, but our August's always happy--grins an' laughs, come what may. Off with you then, quick! [_Exit AUGUST with the empty brandy-bottle._] You've got something good now, eh, father?
OLD BAUMERT
[_Still chewing; his spirits are rising from the effect of food and drink._] Moritz, you're the very man we want. You can read an' write. You understand the weavin' trade, and you've a heart to feel for the poor weavers' sufferin's. You should stand up for us here.
JAEGER
I'd do that quick enough! There's nothing I'd like better than to give the manufacturers round here a bit of a fright--dogs that they are! I'm an easy-goin' fellow, but let me once get worked up into a real rage, and I'll take Dreissiger in the one hand and Dittrich in the other, and knock their heads together till the sparks fly out o' their eyes.--If we could only arrange all to join together, we'd soon give the manufacturers a proper lesson ... we wouldn't need no King an' no Government ... all we'd have to do would be to say: We wants this and that, and we don't want the other thing. There would be a change of days then. As soon as they see that there's some pluck in us, they'll cave in. I know the rascals; they're a pack o' cowardly hounds.
MOTHER BAUMERT
There's some truth in what you say. I'm not a bad woman. I've always been the one to say as how there must be rich folks as well as poor. But when things come to such a pass as this ...
JAEGER
The devil may take them all, for what I care. It would be no more than they deserves.
[_OLD BAUMERT has quietly gone out._
BERTHA
Where's father?
MOTHER BAUMERT
I don't know where he can have gone.
BERTHA
Do you think he's not been able to stomach the meat, with not gettin' none for so long?
MOTHER BAUMERT
[_In distress, crying._] There now, there! He's not even able to keep it down when he's got it. Up it comes again, the only bite o' good food as he's tasted this many a day.
_Re-enter OLD BAUMERT, crying with rage._
OLD BAUMERT
It's no good! I'm too far gone! Now that I've at last got hold of somethin' with a taste in it, my stomach won't keep it.
[_He sits down on the bench by the stove crying._
JAEGER
[_With a sudden violent ebullition of rage._] An' yet there's people not far from here, justices they call themselves too, over-fed brutes, that have nothing to do all the year round but invent new ways of wastin' their time. An' these people say that the weavers would be quite well off if only they wasn't so lazy.
ANSORGE
The men as says that are no men at all, they're monsters.
JAEGER
Never mind, father Ansorge; we're makin' the place hot for 'em. Becker and I have been and given Dreissiger a piece of our mind, and before we came away we sang him "Bloody Justice."
ANSORGE
Good Lord! Is that the song?
JAEGER
Yes; I have it here.
ANSORGE
They calls it Dreissiger's song, don't they?
JAEGER
I'll read it to you,
MOTHER BAUMERT
Who wrote it?
JAEGER
That's what nobody knows. Now listen.
[_He reads, hesitating like a schoolboy, with incorrect accentuation, but unmistakably strong feeling. Despair, suffering, rage, hatred, thirst for revenge, all find utterance._
The justice to us weavers dealt Is bloody, cruel, and hateful; Our life's one torture, long drawn out: For Lynch law we'd be grateful.
Stretched on the rack day after day, Hearts sick and bodies aching, Our heavy sighs their witness bear To spirit slowly breaking.
[_The words of the song make a strong impression on OLD BAUMERT. Deeply agitated, he struggles against the temptation to interrupt JAEGER. At last he can keep quiet no longer._
OLD BAUMERT [_To his wife, half laughing, half crying, stammering._] Stretched on the rack day after day. Whoever wrote that, mother, wrote the truth. You can bear witness ... eh, how does it go? "Our heavy sighs their witness bear" ... What's the rest?
JAEGER
"To spirit slowly breaking."
OLD BAUMERT
You know the way we sigh, mother, day and night, sleepin' and wakin'.
[_ANSORGE had stopped working, and cowers on the floor, strongly agitated. MOTHER BAUMERT and BERTHA wipe their eyes frequently during the course of the reading._
JAEGER
[_Continues to read._]
The Dreissigers true hangmen are, Servants no whit behind them; Masters and men with one accord Set on the poor to grind them.
You villains all, you brood of hell ...
OLD BAUMERT
[_Trembling with rage, stamping on the floor._] Yes, brood of hell!!!
JAEGER
[_Reads._]
You fiends in fashion human, A curse will fall on all like you, Who prey on man and woman.
ANSORGE
Yes, yes, a curse upon them!
OLD BAUMERT
[_Clenching his fist, threateningly._] You prey on man and woman.
JAEGER
[_Reads._]
The suppliant knows he asks in vain, Vain every word that's spoken. "If not content, then go and starve-- Our rules cannot be broken."
OLD BAUMERT
What is it? "The suppliant knows he asks in vain"? Every word of it's true ... every word ... as true as the Bible. He knows he asks in vain.
ANSORGE
Yes, yes! It's all no good.
JAEGER
[_Reads._]
Then think of all our woe and want, O ye who hear this ditty! Our struggle vain for daily bread Hard hearts would move to pity.
But pity's what _you've_ never known, You'd take both skin and clothing, You cannibals, whose cruel deeds Fill all good men with loathing.
OLD BAUMERT
[_Jumps up, beside himself with excitement._] Both skin and clothing. It's true, it's all true! Here I stands, Robert Baumert, master-weaver of Kaschbach. Who can bring up anything against me?... I've been an honest, hard-workin' man all my life long, an' look at me now! What have I to show for it? Look at me! See what they've made of me! Stretched on the rack day after day, [_He holds out his arms._] Feel that! Skin and bone! "You villains all, you brood of hell!!"
[_He sinks down on a chair, weeping with rage and despair._
ANSORGE
[_Flings his basket from him into a corner, rises, his whole body trembling with rage, gasps._] An' the time's come now for a change, I say. We'll stand it no longer! We'll stand it no longer! Come what may!
END OF THE SECOND ACT
THE THIRD ACT
_The common-room of the principal public-house in Peterswaldau. A large room with a raftered roof supported by a central wooden pillar, round which a table runs. In the back mall, a little to the right of the pillar, is the entrance-door, through the opening of which the spacious lobby or outer room is seen, with barrels and brewing utensils. To the right of this door, in the corner, is the bar--a high wooden counter with receptacles for beer-mugs, glasses, etc.; a cupboard with rows of brandy and liqueur bottles on the wall behind, and between counter and cupboard a narrow space for the barkeeper. In front of the bar stands a table with a gay-coloured cover, a pretty lamp hanging above it, and several cane chairs placed around it. Not far off, in the right wall, is a door with the inscription: Bar Parlour. Nearer the front on the same side an old eight-day clock stands ticking. At the back, to the left of the entrance-door, is a table with bottles and glasses, and beyond this, in the corner, is the great tile-oven. In the left wall there are three small windows. Below them runs a long bench; and in front of each stands a large oblong wooden table, with the end towards the wall. There are benches with backs along the sides of these tables, and at the end of each facing the window stands a wooden chair. The walls are washed blue and decorated with advertisements, coloured prints and oleographs, among the latter a portrait of Frederick William IV._
_WELZEL, the publican, a good-natured giant, upwards of fifty, stands behind the counter, letting beer run from a barrel into a glass._
_MRS. WELZEL is ironing by the stove. She is a handsome, tidily dressed woman in her thirty-fifth year._
_ANNA WELZEL, a good-looking girl of seventeen, with a quantity of beautiful, fair, reddish hair, sits, neatly dressed, with her embroidery, at the table with the coloured cover. She looks up from her work for a moment and listens, as the sound of a funeral hymn sung by school-children is heard in the distance._
_WIEGAND, the joiner, in his working clothes, is sitting at the same table, with a glass of Bavarian beer before him. His face shows that he understands what the world requires of a man if he is to attain his ends--namely, craftiness, swiftness, and relentless pushing forward._
_A COMMERCIAL TRAVELLER is seated at the pillar-table, vigorously masticating a beef-steak. He is of middle height, stout and thriving-looking, inclined to jocosity, lively, and impudent. He is dressed in the fashion of the day, and his portmanteau, pattern-case, umbrella, overcoat, and travelling rug lie on chairs beside him._
WELZEL
[_Carrying a glass of beer to the TRAVELLER, but addressing WIEGAND._] The devil's broke loose in Peterswaldau to-day.
WIEGAND
[_In a sharp, shrill voice._] That's because it's delivery day at Dreissiger's.
MRS. WELZEL
But they don't generally make such an awful row.
WIEGAND
It's may be because of the two hundred new weavers that he's going to take on.
MRS. WELZEL
[_At her ironing._] Yes, yes, that'll be it. If he wants two hundred, six hundred's sure to have come. There's no lack of _them_.
WIEGAND
No, they'll last. There's no fear of their dying out, let them be ever so badly off. They bring more children into the world than we know what to do with. [_The strains of the funeral hymn are suddenly heard more distinctly._] There's a funeral to-day too. Weaver Nentwich is dead, you know.
WELZEL
He's been long enough about it. He's been goin' about like a livin' ghost this many a long day.
WIEGAND
You never saw such a little coffin, Welzel; it was the tiniest, miserablest little thing I ever glued together. And what a corpse! It didn't weigh ninety pounds.
TRAVELLER
[_His mouth full._] What I don't understand's this.... Take up whatever paper you like and you'll find the most heartrending accounts of the destitution among the weavers. You get the impression that three-quarters of the people in this neighbourhood are starving. Then you come and see a funeral like what's going on just now. I met it as I came into the village. Brass band, schoolmaster, school children, pastor, and such a procession behind them that you would think it was the Emperor of China that was getting buried. If the people have money to spend on this sort of thing, well...! [_He takes a drink of beer; puts down the glass; suddenly and jocosely._] What do you say to it, Miss? Don't you agree with me?
[ANNA _gives an embarrassed laugh, and goes on working busily._
TRAVELLER
Now, I'll take a bet that these are slippers for papa.
WELZEL
You're wrong, then; I wouldn't put such things on my feet.
TRAVELLER
You don't say so! Now, I would give half of what I'm worth if these slippers were for me.
MRS. WELZEL
Oh, he don't know nothing about such things.
WIEGAND
[_Has coughed once or twice, moved his chair, and prepared himself to speak._] You were sayin', sir, that you wondered to see such a funeral as this. I tell you, and Mrs. Welzel here will bear me out, that it's quite a small funeral.
TRAVELLER
But, my good man ... what a monstrous lot of money it must cost! Where does all that come from?
WIEGAND
If you'll excuse me for saying so, sir, there's a deal of foolishness among the poorer working people hereabouts. They have a kind of inordinate idea, if I may say so, of the respect an' duty an' honour they're bound to show to such as is taken from their midst. And when it comes to be a case of parents, then there's no bounds whatever to their superstitiousness. The children and the nearest family scrapes together every farthing they can call their own, an' what's still wanting, that they borrow from some rich man. They run themselves into debt over head and ears; they're owing money to the pastor, to the sexton, and to all concerned. Then there's the victuals, an' the drink, an' such like. No, sir, I'm far from speaking against dutifulness to parents; but it's too much when it goes the length of the mourners having to bear the weight of it for the rest of their lives.
TRAVELLER
But surely the pastor might reason them out of such foolishness.
WIEGAND
Begging your pardon, sir, but I must mention that every little place hereabouts has its church an' its reverend pastor to support. These honourable gentlemen has their advantages from big funerals. The larger the attendance is, the larger the offertory is bound to be. Whoever knows the circumstances connected with the working classes here, sir, will assure you that the pastors are strong against quiet funerals.
_Enter HORNIG, the rag dealer, a little bandy-legged old man, with a strap round his chest._
HORNIG
Good-mornin', ladies and gentlemen! A glass o' schnapps, if you please, Mr. Welzel. Has the young mistress anything for me to-day? I've got beautiful ribbons in my cart, Miss Anna, an' tapes, an' garters, an' the very best of pins an' hairpins an' hooks an' eyes. An' all in exchange for a few rags. [_In a changed voice._] An'out of them rags fine white paper's to be made, for your sweetheart to write you a letter on.
ANNA
Thank you, but I've nothing to do with sweethearts.
MRS. WELZEL
[_Putting a bolt into her iron._] No, she's not that kind. She'll not hear of marrying.
TRAVELLER
[_Jumps up, affecting delighted surprise, goes forward to ANNA'S table, and holds out his hand to her across it._] That's sensible, Miss. You and I think alike in this matter. Give me your hand on it. We'll both remain single.
ANNA
[_Blushing scarlet, gives him her hand._] But you are married already!
TRAVELLER
Not a bit of it. I only pretend to be. You think so because I wear a ring. I only have it on my finger to protect my charms against shameless attacks. I'm not afraid of you, though. [_He puts the ring into his pocket._] But tell me, truly, Miss, are you quite determined never, never, never, to marry?
ANNA
[_Shakes her head._] Oh, get along with you!
MRS. WELZEL
You may trust her to remain single unless something very extra good turns up.
TRAVELLER
And why shouldn't it? I know of a rich Silesian proprietor who married his mother's lady's maid. And there's Dreissiger, the rich manufacturer, his wife is an innkeeper's daughter too, and not half so pretty as you, Miss, though she rides in her carriage now, with servants in livery. And why not? [_He marches about, stretching himself, and stamping his feet._] Let me have a cup of coffee, please.
_Enter ANSORGE and OLD BAUMERT, each with a bundle. They seat themselves meekly and silently beside HORNIG, at the front table to the left._
WELZEL
How are you, father Ansorge? Glad to see you once again.
HORNIG
Yes, it's not often as you crawl down from that smoky old nest.
ANSORGE
[_Visibly embarrassed, mumbles._] I've been fetchin' myself a web again.
BAUMER
He's goin' to work at a shilling the web.
ANSORGE
I wouldn't ha' done it, but there's no more to be made now by basket-weaving'.
WIEGAND
It's always better than nothin'. He does it only to give you employment. I know Dreissiger very well. When I was up there takin' out his double windows last week we were talkin' about it, him and me. It's out of pity that he does it.
ANSORGE
Well, well, well! That may be so.
WELZEL
[_Setting a glass of schnapps on the table before each of the weavers._] Here you are, then. I say, Ansorge, how long is it since you had a shave? The gentleman over there would like to know.
TRAVELLER
[_Calls across._] Now, Mr. Welzel, you know I didn't say that. I was only struck by the venerable appearance of the master-weaver. It isn't often one sees such a gigantic figure.
ANSORGE
[_Scratching his head, embarrassed._] Well, well!
TRAVELLER
Such specimens of primitive strength are rare nowadays. We're all rubbed smooth by civilisation ... but I can still take pleasure in nature untampered with.... These bushy eyebrows! That tangled length of beard!
HORNIG
Let me tell you, sir, that them people haven't the money to pay a barber, and as to a razor for themselves, that's altogether beyond them. What grows, grows. They haven't nothing to throw away on their outsides.
TRAVELLER
My good friend, you surely don't imagine that I would ... [_Aside to WELZEL._] Do you think I might offer the hairy one a glass of beer?
WELZEL
No, no; you mustn't do that. He wouldn't take it. He's got some queer ideas in that head o' his.
TRAVELLER
All right, then, I won't. With your permission, Miss. [_He seats himself at ANNA'S table._] I declare, Miss, that I've not been able to take my eyes off your hair since I came in--such glossy softness, such a splendid quantity! [_Ecstatically kisses his finger-tips._] And what a colour!... like ripe wheat. Come to Berlin with that hair and you'll create no end of a sensation. On my honour, with hair like that you may go to Court.... [_Leans back, looking at it._] Glorious, simply glorious!
WIEGAND
They've given her a fine name because of it.
TRAVELLER
And what may that be?
ANNA
[_Laughing quietly to herself._] Oh, don't listen to that!
HORNIG
The chestnut filly, isn't it?
WELZEL
Come now, we've had enough o' this. I'm not goin' to have the girl's head turned altogether. She's had a-plenty of silly notions put into it already. She'll hear of nothing under a count today, and to-morrow it'll be a prince.
MRS. WELZEL