Part 13

He bowed without a word, and stood watching them as they walked down the lane.

“I think, Ada, that he’s the most detestable man I’ve ever met,” remarked Lady Cynthia furiously, as they turned into the main road.

And Ada Laverton said nothing, but wondered the more.

III

She saw him as soon as she got into the ballroom. It was the last day but one of the local cricket week, and the room was crowded. A large number of the men she knew—men she had danced with in London who had come down to play—and within half a minute she was surrounded. It was a chance of getting a dance with her which was not to be missed; in London she generally danced with one or at the most two men for the whole evening—men who were absolutely perfect performers. For dancing was a part of Lady Cynthia’s life—and a big part.

The humour of the situation had struck her that day. For this dog-breeding crank to presume to judge her powers of dancing seemed too sublimely funny for annoyance. But he deserved to be taught a very considerable lesson. And she proposed to teach him. After that she proposed to dismiss him completely from her mind.

She gave him a cool nod as he came up, and frowned slightly as she noticed the faint glint of laughter in his eyes. Really Mr. Desmond Brooke was a little above himself. So much the worse for him.

“I don’t know whether you’ll find one or not,” she remarked carelessly, handing him her programme.

He glanced at it without a word, and quietly erased someone’s name.

“I’ve made special arrangements with the band for Number 9, Lady Cynthia,” he remarked coolly. “A lot of people will be in at supper then, so we ought to have the floor more to ourselves.”

The next instant he had bowed and disappeared, leaving her staring speechlessly at her programme.

“A breezy customer,” murmured a man beside her. “Who is he?”

“A gentleman who is going to have the biggest lesson of his life,” she answered ominously, and the man laughed. He knew Lady Cynthia—and he knew Lady Cynthia’s temper when it was roused. But for once he was wrong in his diagnosis; the outward and visible were there all right—the inward and mental state of affairs in keeping with them was not. For the first time in her life Lady Cynthia felt at a loss. Her partners found her _distraite_ and silent; as a matter of fact she was barely conscious of their existence. And the more she lashed at herself mentally, the more confused did she get.

It was preposterous, impossible. Why should she cut Tubby Dawlish to dance with a crank who kept dogs? A crank, moreover, who openly avowed that his object was to see if she could dance. Every now and then she saw him lounging by the door watching her. She knew he was watching her, though she gave no sign of being aware of his existence. And all the while Number 9 grew inexorably nearer.

Dance indeed! She would show him how she could dance. And as a result she fell into the deadly fault of trying. No perfect dancer ever _tries_ to dance; they just dance. And Lady Cynthia knew that better than most people. Which made her fury rise still more against the man standing just outside the door smoking a cigarette. A thousand times—no; she would not cut Tubby.

And then she realised that people were moving in to supper; that the 8 was being taken down from the band platform—that 9 was being put up. And she realised that Desmond Brooke the Hermit was crossing the room towards her; was standing by her side while Tubby—like an outraged terrier—was glaring at him across her.

“This is mine, old thing,” spluttered Tubby. “Number 9.”

“I think not,” said the Hermit quietly. “I fixed Number 9 especially with Lady Cynthia yesterday.”

She hesitated—and was lost.

“I’m sorry, Tubby,” she said a little weakly. “I forgot.”

Not a trace of triumph showed on the Hermit’s face, as he gravely watched the indignant back of his rival retreating towards the door: not a trace of expression showed on his face as he turned to the girl.

“You’ve been trying to-night, Lady Cynthia,” he said gravely. “Please don’t—this time. It’s a wonderful tune this—half waltz, half tango. It was lucky finding Lopez conducting: he has played for me before. And I want you just to forget everything except the smell of the passion flowers coming in through the open windows, and the thrumming of the guitars played by the natives under the palm-trees.” His eyes were looking into hers, and suddenly she drew a deep breath. Things had got beyond her.

It was marked as a fox-trot on the programme, and several of the more enthusiastic performers were waiting to get off on the stroke of time. But as the first haunting notes of the dance wailed out—they paused and hesitated. This was no fox-trot; this was—but what matter what it was? For after the first bar no one moved in the room: they stood motionless watching one couple—Lady Cynthia Stockdale and an unknown man.

“Why, it’s the fellow who breeds dogs,” muttered someone to his partner, but there was no reply. She was too engrossed in watching.

And as for Lady Cynthia, from the moment she felt Desmond Brooke’s arm round her, the world had become merely movement—such movement as she had never thought of before. To say that he was a perfect dancer would be idle: he was dancing itself. And the band, playing as men possessed, played for them and them only. Everything was forgotten: nothing in the world mattered save that they should go on and on and on—dancing. She was utterly unconscious of the crowd of onlookers: she didn’t know that people had left the supper-room and were thronging in at the door: she knew nothing save that she had never danced before. Dimly she realised at last that the music had stopped: dimly she heard a great roar of applause—but only dimly. It seemed to come from far away—the shouts of “Encore” seemed hazy and dream-like. They had left the ballroom, though she was hardly conscious of where he was taking her, and when he turned to her and said, “Get a wrap or something: I want to talk to you out in God’s fresh air,” she obeyed him without a word. He was waiting for her when she returned, standing motionless where she had left him. And still in silence he led the way to his car which had been left apart from all the others, almost as if he had expected to want it before the end. For a moment she hesitated, for Lady Cynthia, though utterly unconventional, was no fool.

“Will you come with me?” he said gravely.

“Where to?” she asked.

“Up to the cliffs beyond my house. It will take ten minutes—and I want to talk to you with the sound of the sea below us.”

“You had the car in readiness?” she said quietly.

“For both of us—or for me alone,” he answered. “If you won’t come, then I go home. Will you come with me?” he repeated.

“Yes; I will come.”

He helped her into the car and wrapped a rug round her; then he climbed in beside her. And as they swung out of the little square, the strains of the next dance followed them from the open windows of the Town Hall.

He drove as he danced—perfectly; and in the dim light the girl watched his clear-cut profile as he stared ahead into the glare of the headlights. Away to the right his farm flashed by, the last house before they reached the top of the cliffs. And gradually, above the thrumming of the engine, she heard the lazy boom of the big Atlantic swell on the rocks ahead. At last he stopped where the road ran parallel to the top of the cliff, and switched off the lights.

“Well,” she said, a little mockingly, “is the new image correct or a pose?”

“You dance divinely,” he answered gravely. “More divinely than any woman I have ever danced with, and I have danced with those who are reputed to be the show dancers of the world. But I didn’t ask you to come here to talk about dancing; I asked you to come here in order that I might first apologise, and then say Good-bye.”

The girl gave a little start, but said nothing.

“I talked a good deal of rot to you yesterday,” he went on, after a moment. “You were justified in calling me a ranting tub-thumper. But I was angry with myself, and when one is angry with oneself one does foolish things. I know as well as you do just how little society photographs mean: that was only a peg to hang my inexcusable tirade on. You see, when one has fallen in love with an ideal—as I fell in love with that picture of you, all in white in the garden at your father’s place—and you treasure that ideal for three years, it jolts one to find that the ideal is different to what you thought. I fell in love with a girl in white, and sometimes in the wilds I’ve seen visions and dreamed dreams. And then I found her a lovely being in Paquin’s most expensive frocks; a social celebrity: a household name. And then I met her, and knew my girl in white had gone. What matter that it was the inexorable rule of Nature that she must go: what matter that she had changed into an incredibly lovely woman? She had gone: my dream girl had vanished. In her place stood Lady Cynthia Stockdale—the well-known society beauty. Reality had come—and I was angry with you for having killed my dream—angry with myself for having to wake up.

“Such is my apology,” he continued gravely. “Perhaps you will understand: I think you will understand. And just because I was angry with you, I made you dance with me to-night. I said to myself: ‘I will show Lady Cynthia Stockdale that the man who loved the girl in white can meet her successor on her own ground.’ That’s the idea I started with, but things went wrong half-way through the dance. The anger died; in its place there came something else. Even my love for the girl in white seemed to become a bit hazy; I found that the successor had supplanted her more completely than I realised. And since the successor has the world at her feet—why, the breeder of dogs will efface himself, for his own peace of mind. So, good-bye, Lady Cynthia—and the very best of luck. If it won’t bore you I may say that I’m not really a breeder of dogs by profession. This is just an interlude; a bit of rest spent with the most wonderful pals in the world. I’m getting back to harness soon: voluntary harness, I’m glad to say, as the shekels don’t matter. But anything one can do towards greasing the wheels, and helping those priceless fellows who gave everything without a murmur during the war, and who are up against it now—is worth doing.”

And still she said nothing, while he backed the car on to the grass beside the road, and turned it the way they had come. A jumble of strange thoughts were in her mind; a jumble out of which there stuck one dominant thing—the brown tanned face of the man beside her. And when he stopped the car by his own farm and left her without a word of apology, she sat quite motionless staring at the white streak of road in front. At last she heard his footsteps coming back along the drive, and suddenly a warm wriggling bundle was placed in her lap—a bundle which slobbered joyfully and then fell on the floor with an indignant yelp.

“The puppy,” he said quietly. “Please take him.” And very softly under his breath he added: “The best to the best.”

But she heard him, and even as she stooped to lift the puppy on to her knees, her heart began to beat madly. She knew: at last, she knew.

“I’ll take you back to the dance,” he was saying, “and afterwards I’ll deposit that young rascal at Mrs. Laverton’s house.”

And then for the first time she spoke.

“Please go to Ada’s house first. Afterwards we’ll see about the dance.”

He bowed and swung the car left-handed through the lodge gates.

“Will you wait for me?” she said, as he pulled up at the front door.

“As long as you like,” he answered courteously.

“Because I may be some time,” she continued a little unevenly. “And don’t wait for me here: wait for me where the drive runs through that little copse, half-way down to the lodge.”

The next instant she had disappeared into the house, with the puppy in her arms. Why by the little copse? wondered the man as he slowly drove the car down the drive. The butler had seen them already, so what did it matter? He pulled up the car in the shadow of a big oak tree, and lit a cigarette. Then, with his arms resting on the steering wheel, he sat staring in front of him. He had done a mad thing, and she’d taken it wonderfully well. He always had done mad things all his life; he was made that way. But this was the maddest he had ever done. With a grim smile he pictured her infuriated partners, waiting in serried rows by the door, cursing him by all their gods. And then the smile faded, and he sighed, while his knuckles gleamed white on the wheel. If only she wasn’t so gloriously pretty; if only she wasn’t so utterly alive and wonderful. Well—it was the penalty of playing with fire; and it had been worth it. Yes; it had been worth it—even if the wound never quite healed.

“_A fool there was, and he made his prayer. . . ._”

He pitched his cigarette away, and suddenly he stiffened and sat motionless, while something seemed to rise in his throat and choke him, and the blood hammered hotly at his temples. A girl in white was standing not five feet from him on the fringe of the little wood: a girl holding a puppy in her arms. And then he heard her speaking.

“It’s not the same frock—but it’s the nearest I can do.”

She came up to the car, and once again over the head of the puppy their eyes met.

“I’ve been looking,” she said steadily, “for the real thing. I don’t _think_ I’ve found it—I _know_ I have.”

“My dear!” he stammered hoarsely. “Oh! my dear dream girl.”

“Take me back to the cliff, Desmond,” she whispered. “Take me back to our cliff.”

And an outraged puppy, bouncing off the running-board on to a stray fir-cone, viewed the proceedings of the next five minutes with silent displeasure.

_XI_ _A Glass of Whisky_

“IT’S as easy as shelling peas to be a detective in fiction,” grunted the Barrister. “He’s merely the author of the yarn disguised as a character, and he knows the solution before he starts.”

“But the reader doesn’t, if the story is told well,” objected the Doctor. “And that’s all that matters.”

“Oh! I grant you that,” said the Barrister, lighting a cigar. “I’m not inveighing against the detective story—I love ’em. All I’m saying is that in life a detective’s job is a very different matter to—well, take the illustrious example—to that of Sherlock Holmes. He’s got to make the crime fit to the clues, not the clues fit into the crime. It’s not so terribly difficult to reconstruct the murder of the Prime Minister from a piece of charred paper discovered in the railway refreshment-room at Bath—in fiction; it’s altogether a different matter in reality.”

The Soldier thoughtfully filled his pipe.

“And yet there have been many cases when the reconstruction has been made on some clue almost equally ‘flimsy,’” he murmured.

“A few,” conceded the Barrister. “But nine out of ten are built up with laborious care. The structure does not rest on any one fact—but on a whole lot of apparently unimportant and trivial ones. Of course it’s more spectacular to bring a man to the gallows because half a brick was found lying on the front door-step, but in practice it doesn’t happen.”

“It does—sometimes,” remarked a quiet, sandy-haired man who was helping himself to a whisky-and-soda. “It does sometimes, you man of law. Your remarks coupled with my present occupation remind me of just such a case.”

“Your present occupation appears to be drinking whisky,” said the Doctor, curiously.

“Precisely,” returned the other. “Almost as prosaic a thing as our legal luminary’s half-brick.” He settled himself comfortably in a chair, and the others leaned forward expectantly. “And yet on that very ordinary pastime hinged an extremely interesting case: one in which I was lucky enough to play a principal part.”

“The night is yet young, old man,” said the Barrister. “It’s up to you to prove your words, and duly confound me.”

The sandy-haired man took a sip of his drink: then he put the glass on the table beside him and began.

“Well, if it won’t bore you, I’m agreeable. I’ll tell you the whole thing exactly as it took place, only altering the names of the people involved. It happened before the war—in that hot summer of 1911, to be exact. I’d been working pretty hard in London, and about the end of July I got an invitation to go down and stop with some people in Devonshire. I will call them the Marleys, and they lived just outside a small village on the north coast. The family consisted of old Marley, who was a man rising sixty, and his two daughters, Joan and Hilda. There was also Jack Fairfax, through whom, as a matter of fact, I had first got to know them.

“Jack was about my own age—thirty odd, and we’d been up at Cambridge together. He was no relation to old Marley, but he was an orphan, and Marley was his guardian, or had been when Jack was a youngster. And from the very first Jack and the old man had not got on.

“Marley was not everybody’s meat, by a long way—rather a queer-tempered, secretive blighter; and Jack Fairfax had the devil of a temper at times. When he was a boy he had no alternative except to do as his guardian told him, but even in those early days, as I gathered subsequently, there had been frequent storms. And when he came down from Cambridge there were two or three most unholy rows which culminated in Jack leaving the house for good.

“It was apparently this severance from the two girls, whom he had more or less regarded as sisters, which caused the next bust-up. And this one, according to Jack, was in the nature of a volcanic eruption. The two girls had come up to London to go through the season with some aunt, and Jack had seen a good deal of them with the net result that he and Joan had fallen in love with each other. Then the fat was in the fire. Jack straightway had gone down to Devonshire to ask old Marley’s consent: old Marley had replied in terms which, judging from Jack’s account of the interview, had contained a positive profusion of un-Parliamentary epithets. Jack had lost his temper properly—and, well, you know, the usual thing. At any rate, the long and the short of it was that old Marley had recalled both his daughters from London, and had sworn that if he ever saw Jack near the house again he’d pepper him with a shot-gun. To which Jack had replied that only his grey hairs and his gout saved Mr. Marley from the biggest hiding he’d ever had in his life—even if not the biggest he deserved. With which genial exchange of playful badinage I gathered the interview ended. And that was how matters stood when I went down in July, 1911.

“For some peculiar reason the old man liked me, even though I was a friend of Jack’s. And in many ways I quite liked him, though there was always something about him which defeated me. Of course, he had a foul temper—but it wasn’t altogether that. He seemed to me at times to be in fear of something or somebody; and yet, though I say that now, I don’t know that I went as far as thinking so at the time. It was an almost indefinable impression—vague and yet very real.

“The two girls were perfectly charming, though they were both a little afraid of their father. How long it would have taken Joan to overcome this timidity, and go to Jack without her father’s consent, I don’t know. And incidentally, as our legislators say, the question did not arise. Fate held the ace of trumps, and proceeded to deal it during my visit.”

The sandy-haired man leant back in his chair and crossed his legs deliberately.

“I think it was about the fourth day after I arrived (he went on, after a while) that the tragedy happened. We were sitting in the drawing-room after dinner—a couple of men whose names I forget, and a girl friend of Hilda’s. Hilda herself was there, and Joan, who seemed very preoccupied, had come in about a quarter of an hour previously. I had noticed that Hilda had looked at her sister inquiringly as she entered, and that Joan had shrugged her shoulders. But nothing had been said, and naturally I asked no questions with the others there, though from the air of suppressed excitement on Joan’s face I knew there was something in the wind.

“Old Marley himself was not with us: he was in his study at the other end of the house. The fact was not at all unusual: he frequently retired to his own den after dinner, sometimes joining the rest of the party for a few minutes before going to bed, more often not appearing again till the following morning. And so we all sat there talking idly, with the windows wide open and the light shining out on to the lawn. It must have been somewhere about ten to a quarter past when suddenly Hilda gave a little scream.

“‘What do you want?’ she cried. ‘Who are you?’

“I swung round in my chair, to find a man standing on the lawn outside, in the centre of the light. He was facing us, and as we stared at him he came nearer till he was almost in the room. And the first thing that struck me was that he looked a little agitated.

“‘You will excuse me appearing like this,’ he said, ‘but——’ He broke off and looked at me. ‘Might I have a word with you alone, sir?’

“I glanced at the others: obviously he was a stranger. No trace of recognition appeared on anyone’s face, and I began to feel a little suspicious.

“‘What is it?’ I cried. ‘What can you possibly want to speak to me about that you can’t say now?’

“He shrugged his shoulders slightly. ‘As you will,’ he answered. ‘My idea was to avoid frightening the ladies. In the room at the other end of the house a man has been murdered.’

“For a moment everyone was too thunderstruck to reply; then Hilda gave a choking cry.

“‘What sort of a man?’ she said, breathlessly.

“‘An elderly man of, I should think, about sixty,’ returned the other, gravely, and Hilda buried her face in her hands.

“‘I will come with, you at once, sir,’ I said, hurriedly, and the two other men rose. Instinctively, I think, we all knew it must be old Marley: there was no one else it could be. But the sudden shock of it had dazed us all. I glanced at Joan. She was staring at the man like a girl bereft of her senses, and I put my hand reassuringly on her shoulder. And then she looked up at me, and the expression in her eyes pulled me together. It was like a cold douche, and it acted instantaneously. Because it wasn’t horror or dazed stupefaction that I read on her face: it was terror—agonised terror. And suddenly I remembered her air of suppressed excitement earlier in the evening.”

Once again the sandy-haired man paused while the others waited in silence for him to continue.

“It was old Marley right enough (he went on quietly). We walked round the front of the house until we came to the window of his study, and there instinctively we paused. The window was open, and he was sitting at his desk quite motionless. His head had fallen forward, and on his face was a look of dreadful fear.

“For a while none of us moved. Then, with an effort, I threw my leg over the window-sill and entered.

“‘He’s quite dead,’ I said, and I felt my voice was shaking. ‘We’d better send for the police.’

“The others nodded, and in silence I picked up the telephone.

“‘Mr. Marley’s been killed,’ I heard myself saying. ‘Will you send someone up at once?’

“And then for the first time I noticed the poker lying beside the chair, and saw the back of the old man’s head. It wasn’t a pretty sight, and one of the other men staying in the house—a youngster—turned very white, and went to the window.

“‘Pretty obvious how it was done,’ said the stranger, quietly. ‘Well, gentlemen, nothing ought to be touched in this room until the police arrive. I suggest that we should draw the curtains and go somewhere else to wait for them.’