Category: Architecture

The Decoration of Houses

Rooms may be decorated in two ways: by a superficial application of ornament totally independent of structure, or by means of those architectural features which are part of the organism of every house, inside as well as out.

Chapters

1. Part 1

Rooms may be decorated in two ways: by a superficial application of ornament totally independent of structure, or by means of those architectural features which are part of the...

2. Part 2

Italy, in short, returned instinctively to the Roman ideal of civic life: the life of the street, the forum and the baths. These very conditions, though approaching so much near...

3. Part 3

[6] It must not be forgotten that the so-called "styles" of Louis XIV, Louis XV and Louis XVI were, in fact, only the gradual development of one organic style, and hence differe...

4. Part 4

Where the walls are covered with tapestry, or hung with a large number of pictures, or, in short, are so treated that they present a variety of colors, it is best that curtains,...

5. Part 5

As regards panelling, it has already been said that if the effect produced be satisfactory to the eye, the substance used is a matter of indifference. Stone-panelling has the me...

6. Part 6

The mortise-lock now in use in England and America first made its appearance toward the end of the eighteenth century in England, where it displaced the brass or iron box-lock;...

7. Part 7

Sash-windows have the disadvantage of not opening more than half-way, a serious drawback in our hot summer climate. It is often said that French windows cannot be opened wide wi...

8. Part 8

People are beginning to see that the ugliness of the marble mantel-pieces of 1840-60 does not prove that wood is the more suitable material to employ. There is indeed something...

9. Part 9

The same general principles of composition suggested for the treatment of walls may be applied to ceiling-decoration. Thus it is essential that where there is a division of part...

10. Part 10

The spiral staircase, soon discarded by Italian architects save as a means of secret communication or for the use of servants, held its own in France throughout the Renaissance....

11. Part 11

The "with-drawing-room" of mediæval England, to which the lady and her maidens retired from the boisterous festivities of the hall, seems at first to have been merely a part of...

12. Part 12

A gala room is never meant to be seen except when crowded: the crowd takes the place of furniture. Occupied by a small number of people, such a room looks out of proportion, sti...

13. Part 13

In either case, instead of being detached pieces of furniture, the bookcases formed an organic part of the wall-decoration. Any study of old French works on house-decoration and...

14. Part 14

As a rule, the bedrooms of the Renaissance and of the seventeenth century were very richly furnished. The fashion of raising the bed on a dais separated from the rest of the roo...

15. Part 15

The daily intercourse with poor pictures, trashy "ornaments," and badly designed furniture may, indeed, be fittingly compared with a mental diet of silly and ungrammatical story...

16. Part 16

It is of no less importance to observe the scale of appropriateness. A bronze Pallas Athene or a cowled mediæval _pleureur_ would be obviously out of harmony with the spirit of...

17. Part 17

Stairs, 106; development of, in Italy, 107; in the Palladian period, 108; in the XVII and XVIII centuries, 108; spiral, 109; in hall, in England, 111; construction of, in Italy,...