Category: History - Other

The decline of the West

original; if, as is hoped, this translation is completed later by the issue of the second volume, a list of the necessary adjustments of page references will be issued with it. The reader will notice that translator’s foot-notes are scattered fairly freely over the pages of th...

Chapters

1. Volume II are, for the present, necessarily to the pages of the German

original; if, as is hoped, this translation is completed later by the issue of the second volume, a list of the necessary adjustments of page references will be issued with it....

2. CHAPTER I. INTRODUCTION 1

Scope of the work, p. 3. Morphology of World-History, a new philosophy, p. 5. For whom is History? p. 8. Classical and Indian mankind ahistorical, p. 9. The Egyptian mummy and t...

3. CHAPTER II. THE MEANING OF NUMBERS 51

Fundamental notions, p. 53. Numbers as the sign of delimitation, p. 56. Every Culture has its own Mathematic, p. 59. Number as magnitude in the Classical world, p. 64. Aristarch...

4. CHAPTER III. THE PROBLEM OF WORLD-HISTORY. (1) PHYSIOGNOMIC AND

Copernican methods, p. 93. History and Nature, p. 94. Form and Law, p. 97. Physiognomic and Systematic, p. 100. Cultures as organisms, p. 104. Inner form, tempo, duration, p. 10...

5. CHAPTER IV. THE PROBLEM OF WORLD-HISTORY. (2) THE DESTINY-IDEA

Logic, organic and inorganic, p. 117. Time and Destiny, p. 119. Space and Causality, p. 119. The problem of Time, p. 121. Time a counter-conception to Space, p. 126. The symbols...

6. CHAPTER V. MAKROKOSMOS. (1) THE SYMBOLISM OF THE WORLD-PICTURE

The Macrocosm as the sum total of symbols referred to a Soul, p. 163. Space and Death, p. 165. “Alles vergängliche ist nur ein Gleichnis,” p. 167. The space problem (only Depth...

7. CHAPTER VI. MAKROKOSMOS. (2) APOLLINIAN, FAUSTIAN, AND MAGIAN

Prime symbol, architecture, divinities, p. 183. The Egyptian prime symbol of the path, p. 188. Expression-language of art: Ornamentation and Imitation, p. 191. Ornament and earl...

8. CHAPTER VII. MUSIC AND PLASTIC. (1) THE ARTS OF FORM 217

Music one of the arts of form, p. 219. Classification of the arts impossible except from the historical standpoint, p. 221. The choice of particular arts itself an expression-me...

9. CHAPTER VIII. MUSIC AND PLASTIC. (2) ACT AND PORTRAIT 257

Kinds of human representation, p. 259. Portraiture, Contrition, Syntax, p. 261. The heads of Classical statuary, p. 264. Portrayal of children and women, p. 266. Hellenistic por...

10. CHAPTER IX. SOUL-IMAGE AND LIFE-FEELING. (1) ON THE FORM OF THE

Soul-image as function of World-image, p. 299. Psychology of a counter-physics, p. 302. Apollinian, Magian and Faustian soul- image, p. 305. The “Will” in Gothic space, p. 308....

11. CHAPTER X. SOUL-IMAGE AND LIFE-FEELING. (2) BUDDHISM, STOICISM,

The Faustian morale purely dynamic, p. 341. Every Culture has a form of morale proper to itself, p. 345. Posture-morale and will- morale, p. 347. Buddha, Socrates, Rousseau as p...

12. CHAPTER XI. FAUSTIAN AND APOLLINIAN NATURE-KNOWLEDGE 375

Theory as Myth, p. 377. Every Natural Science depends upon a preceding Religion, p. 391. Statics, Alchemy, Dynamics as the theories of three Cultures, p. 382. The Atomic theory,...

13. CHAPTER I

In this book is attempted for the first time the venture of predetermining history, of following the still untravelled stages in the destiny of a Culture, and specifically of th...

14. CHAPTER II

It is necessary to begin by drawing attention to certain basic terms which, as used in this work, carry strict and in some cases novel connotations. Though the metaphysical cont...

15. CHAPTER III

Now, at last, it is possible to take the decisive step of sketching an image of history that is independent of the accident of standpoint, of the period in which this or that ob...

16. CHAPTER IV

17. CHAPTER IV

Following out this train of thought to the end, we come into the presence of an opposition in which we perceive the key—the only key— wherewith to approach, and (so far as the w...

18. CHAPTER V

19. CHAPTER V

The notion of a world-history of physiognomic type expands itself therefore into the wider idea of an _all-embracing symbolism_. Historical research, in the sense that we postul...

20. CHAPTER VI

Henceforth we shall designate the soul of the Classical Culture, which chose the sensuously-present individual body as the ideal type of the extended, by the name (familiarized...

21. CHAPTER VII

The clearest type of symbolic expression that the world-feeling of higher mankind has found for itself is (if we except the mathematical- scientific domain of presentation and t...

22. CHAPTER VIII

The Classical has been characterized as a culture of the Body and the Northern as a culture of the Spirit, and not without a certain _arrière- pensée_ of disprizing the one in f...

23. CHAPTER IX

24. CHAPTER IX

Every professed philosopher is forced to believe, without serious examination, in the existence of a Something that in his opinion is capable of being handled by the reason, for...

25. CHAPTER X

We are now at last in a position to approach the phenomenon of _Morale_,[424] the intellectual interpretation of Life by itself, to ascend the height from which it is possible t...

26. CHAPTER XI

Helmholtz observed, in a lecture of 1869 that has become famous, that “the final aim of Natural Science is to discover the motions underlying all alteration, and the motive forc...