Chapter 2

There's bulls on the street, so we cut through the back and over the fences. Tiny don't like that. He tells me, "Cow. What's to leave this cat here? He must weigh eighteen tons." "You're bringing him," I tell him, so he shuts up. That's how it is in the Boomer Dukes. When Cow talks, them other flunkies shut up fast.

We get him in the loft over the R. and I. Social Club. Damn, but it's cold up there. I can hear the pool balls clicking down below so I pass the word to keep quiet. Then I give this guy the foot and pretty soon he wakes up.

As soon as I talk to him a little bit I figure we had luck riding with us when we see them Leopards. This cat's got real bad stuff. Yeah, I never hear of anything like it. But what it takes to make a fight he's got. I take my old pistol and give it to Tiny. Hell, it makes him happy and what's it cost me? Because what this cat's got makes that pistol look like something for babies.

* * * * *

First he don't want to talk. "Stomp him," I tell Angel, but he's scared. He says, "Nay. This is a real weird cat, Cow. I'm for cutting out of here."

"Stomp him," I tell him again, pretty quiet, but he does it. He don't have to tell me this cat's weird, but when the cat gets the foot a couple of times he's willing to talk. Yeah, he talks real funny, but that don't matter to me. We take all the loot out of his bag, and I make this cat tell me what it's to do. Damn, I don't know what he's talking about one time out of six, but I know enough. Even Tiny catches on after a while, because I see him put down that funky old pistol I gave him that he's been loving up.

I'm feeling pretty good. I wish a couple of them chicken Leopards would turn up so I could show them what they missed out on. Yeah, I'll take on them, and the Black Dogs, and all the cops in the world all at once--that's how good I'm feeling. I feel so good that I don't even like it when Angel lets out a yell and comes up with a wad of loot. It's like I want to prime the U.S. Mint for chickenfeed, I don't want it to come so easy.

But money's on hand, so I take it off Angel and count it. This cat was really loaded; there must be a thousand dollars here.

I take a handful of it and hand it over to Angel real cool. "Get us some charge," I tell him. "There's much to do and I'm feeling ready for some charge to do it with."

"How many sticks you want me to get?" he asks, holding on to that money like he never saw any before.

I tell him: "Sticks? Nay. I'm for real stuff tonight. You find Four-Eye and get us some horse." Yeah, he digs me then. He looks like he's pretty scared and I know he is, because this punk hasn't had anything bigger than reefers in his life. But I'm for busting a couple of caps of H, and what I do he's going to do. He takes off to find Four-Eye and the rest of us get busy on this cat with the funny artillery until he gets back.

* * * * *

It's like I'm a million miles down Dream Street. Hell, I don't want to wake up.

But the H is wearing off and I'm feeling mean. Damn, I'll stomp my mother if she talks big to me right then.

I'm the first one on my feet and I'm looking for trouble. The whole place is full now. Angel must have passed the word to everybody in the Dukes, but I don't even remember them coming in. There's eight or ten cats lying around on the floor now, not even moving. This won't do, I decide.

If I'm on my feet, they're all going to be on their feet. I start to give them the foot and they begin to move. Even the weirdie must've had some H. I'm guessing that somebody slipped him some to see what would happen, because he's off on Cloud Number Nine. Yeah, they're feeling real mean when they wake up, but I handle them cool. Even that little flunky Sailor starts to go up against me but I look at him cool and he chickens. Angel and Pete are real sick, with the shakes and the heaves, but I ain't waiting for them to feel good. "Give me that loot," I tell Tiny, and he hands over the stuff we took off the weirdie. I start to pass out the stuff.

"What's to do with this stuff?" Tiny asks me, looking at what I'm giving him.

I tell him, "Point it and shoot it." He isn't listening when the weirdie's telling me what the stuff is. He wants to know what it does, but I don't know that. I just tell him, "Point it and shoot it, man." I've sent one of the cats out for drinks and smokes and he's back by then, and we're all beginning to feel a little better, only still pretty mean. They begin to dig me.

"Yeah, it sounds like a rumble," one of them says, after a while.

I give him the nod, cool. "You're calling it," I tell him. "There's much fighting tonight. The Boomer Dukes is taking on the world!"

IV

Sandy Van Pelt

The front office thought the radio car would give us a break in spot news coverage, and I guessed as wrong as they did. I had been covering City Hall long enough, and that's no place to build a career--the Press Association is very tight there, there's not much chance of getting any kind of exclusive story because of the sharing agreements. So I put in for the radio car. It meant taking the night shift, but I got it.

I suppose the front office got their money's worth, because they played up every lousy auto smash the radio car covered as though it were the story of the Second Coming, and maybe it helped circulation. But I had been on it for four months and, wouldn't you know it, there wasn't a decent murder, or sewer explosion, or running gun fight between six P.M. and six A.M. any night I was on duty in those whole four months. What made it worse, the kid they gave me as photographer--Sol Detweiler, his name was--couldn't drive worth a damn, so I was stuck with chauffeuring us around.

We had just been out to LaGuardia to see if it was true that Marilyn Monroe was sneaking into town with Aly Khan on a night plane--it wasn't--and we were coming across the Triborough Bridge, heading south toward the East River Drive, when the office called. I pulled over and parked and answered the radiophone.

* * * * *

It was Harrison, the night City Editor. "Listen, Sandy, there's a gang fight in East Harlem. Where are you now?"

It didn't sound like much to me, I admit. "There's always a gang fight in East Harlem, Harrison. I'm cold and I'm on my way down to Night Court, where there may or may not be a story; but at least I can get my feet warm."

"_Where are you now?_" Harrison wasn't fooling. I looked at Sol, on the seat next to me; I thought I had heard him snicker. He began to fiddle with his camera without looking at me. I pushed the "talk" button and told Harrison where I was. It pleased him very much; I wasn't more than six blocks from where this big rumble was going on, he told me, and he made it very clear that I was to get on over there immediately.

I pulled away from the curb, wondering why I had ever wanted to be a newspaperman; I could have made five times as much money for half as much work in an ad agency. To make it worse, I heard Sol chuckle again. The reason he was so amused was that when we first teamed up I made the mistake of telling him what a hot reporter I was, and I had been visibly cooling off before his eyes for a better than four straight months.

Believe me, I was at the very bottom of my career that night. For five cents cash I would have parked the car, thrown the keys in the East River, and taken the first bus out of town. I was absolutely positive that the story would be a bust and all I would get out of it would be a bad cold from walking around in the snow.

And if that doesn't show you what a hot newspaperman I really am, nothing will.

* * * * *

Sol began to act interested as we reached the corner Harrison had told us to go to. "That's Chris's," he said, pointing at a little candy store. "And that must be the pool hall where the Leopards hang out."

"You know this place?"

He nodded. "I know a man named Walter Hutner. He and I went to school together, until he dropped out, couple weeks ago. He quit college to go to the Police Academy. He wanted to be a cop."

I looked at him. "You're going to college?"

"Sure, Mr. Van Pelt. Wally Hutner was a sociology major--I'm journalism--but we had a couple of classes together. He had a part-time job with a neighborhood council up here, acting as a sort of adult adviser for one of the gangs."

"They need advice on how to be gangs?"

"No, that's not it, Mr. Van Pelt. The councils try to get their workers accepted enough to bring the kids in to the social centers, that's all. They try to get them off the streets. Wally was working with a bunch called the Leopards."

I shut him up. "Tell me about it later!" I stopped the car and rolled down a window, listening.

* * * * *

Yes, there was something going on all right. Not at the corner Harrison had mentioned--there wasn't a soul in sight in any direction. But I could hear what sounded like gunfire and yelling, and, my God, even bombs going off! And it wasn't too far away. There were sirens, too--squad cars, no doubt.

"It's over that way!" Sol yelled, pointing. He looked as though he was having the time of his life, all keyed up and delighted. He didn't have to tell me where the noise was coming from, I could hear for myself. It sounded like D-Day at Normandy, and I didn't like the sound of it.

I made a quick decision and slammed on the brakes, then backed the car back the way we had come. Sol looked at me. "What--"

"Local color," I explained quickly. "This the place you were talking about? Chris's? Let's go in and see if we can find some of these hoodlums."

"But, Mr. Van Pelt, all the pictures are over where the fight's going on!"

"Pictures, shmictures! Come on!" I got out in front of the candy store, and the only thing he could do was follow me.

Whatever they were doing, they were making the devil's own racket about it. Now that I looked a little more closely I could see that they must have come this way; the candy store's windows were broken; every other street light was smashed; and what had at first looked like a flight of steps in front of a tenement across the street wasn't anything of the kind--it was a pile of bricks and stone from the false-front cornice on the roof! How in the world they had managed to knock that down I had no idea; but it sort of convinced me that, after all, Harrison had been right about this being a _big_ fight. Over where the noise was coming from there were queer flashing lights in the clouds overhead--reflecting exploding flares, I thought.

* * * * *

No, I didn't want to go over where the pictures were. I like living. If it had been a normal Harlem rumble with broken bottles and knives, or maybe even home-made zip guns--I might have taken a chance on it, but this was for real.

"Come on," I yelled to Sol, and we pushed the door open to the candy store.

At first there didn't seem to be anyone in, but after we called a couple times a kid of about sixteen, coffee-colored and scared-looking, stuck his head up above the counter.

"You. What's going on here?" I demanded. He looked at me as if I was some kind of a two-headed monster. "Come on, kid. Tell us what happened."

"Excuse me, Mr. Van Pelt." Sol cut in ahead of me and began talking to the kid in Spanish. It got a rise out of him; at least Sol got an answer. My Spanish is only a little bit better than my Swahili, so I missed what was going on, except for an occasional word. But Sol was getting it all. He reported: "He knows Walt; that's what's bothering him. He says Walt and some of the Leopards are in a basement down the street, and there's something wrong with them. I can't exactly figure out what, but--"

"The hell with them. What about _that_?"

"You mean the fight? Oh, it's a big one all right, Mr. Van Pelt. It's a gang called the Boomer Dukes. They've got hold of some real guns somewhere--I can't exactly understand what kind of guns he means, but it sounds like something serious. He says they shot that parapet down across the street. Gosh, Mr. Van Pelt, you'd think it'd take a cannon for something like that. But it has something to do with Walt Hutner and all the Leopards, too."

I said enthusiastically, "Very good, Sol. That's fine. Find out where the cellar is, and we'll go interview Hutner."

"But Mr. Van Pelt, the pictures--"

"Sorry. I have to call the office." I turned my back on him and headed for the car.

* * * * *

The noise was louder, and the flashes in the sky brighter--it looked as though they were moving this way. Well, I didn't have any money tied up in the car, so I wasn't worried about leaving it in the street. And somebody's cellar seemed like a very good place to be. I called the office and started to tell Harrison what we'd found out; but he stopped me short. "Sandy, where've you been? I've been trying to call you for--Listen, we got a call from Fordham. They've detected radiation coming from the East Side--it's got to be what's going on up there! Radiation, do you hear me? That means atomic weapons! Now, you get th--"

Silence.

"Hello?" I cried, and then remembered to push the talk button. "Hello? Harrison, you there?"

Silence. The two-way radio was dead.

I got out of the car; and maybe I understood what had happened to the radio and maybe I didn't. Anyway, there was something new shining in the sky. It hung below the clouds in parts, and I could see it through the bottom of the clouds in the middle; it was a silvery teacup upside down, a hemisphere over everything.

It hadn't been there two minutes before.

* * * * *

I heard firing coming closer and closer. Around a corner a bunch of cops came, running, turning, firing; running, turning and firing again. It was like the retreat from Caporetto in miniature. And what was chasing them? In a minute I saw. Coming around the corner was a kid with a lightning-blue satin jacket and two funny-looking guns in his hand; there was a silvery aura around him, the same color as the lights in the sky; and I swear I saw those cops' guns hit him twenty times in twenty seconds, but he didn't seem to notice.

Sol and the kid from the candy store were right beside me. We took another look at the one-man army that was coming down the street toward us, laughing and prancing and firing those odd-looking guns. And then the three of us got out of there, heading for the cellar. Any cellar.

V

Priam's Maw

My occupation was "short-order cook", as it is called. I practiced it in a locus entitled "The White Heaven," established at Fifth Avenue, Newyork, between 1949 and 1962 C.E. I had created rapport with several of the aboriginals, who addressed me as Bessie, and presumed to approve the manner in which I heated specimens of minced ruminant quadruped flesh (deceased to be sure). It was a satisfactory guise, although tiring.

Using approved techniques, I was compiling anthropometric data while "I" was, as they say, "brewing coffee." I deem the probability nearly conclusive that it was the double duty, plus the datum that, as stated, "I" was physically tired, which caused me to overlook the first signal from my portatron. Indeed, I might have overlooked the second as well except that the aboriginal named Lester stated: "Hey, Bessie. Ya got an alarm clock in ya pocketbook?" He had related the annunciator signal of the portatron to the only significant datum in his own experience which it resembled, the ringing of a bell.

I annotated his dossier to provide for his removal in case it eventuated that he had made an undesirable intuit (this proved unnecessary) and retired to the back of the "store" with my carry-all. On identifying myself to the portatron, I received information that it was attuned to a Bailey's Beam, identified as Foraminifera 9-Hart, who had refused treatment for systemic weltschmerz and instead sought to relieve his boredom by adventuring into this era.

I thereupon compiled two recommendations which are attached: 2, a proposal for reprimand to the Keeper of the Learning Lodge for failure to properly annotate a volume entitled _U.S.A. Confidential_ and, 1, a proposal for reprimand to the Transport Executive, for permitting Bailey's Beam-class personnel access to temporal transport. Meanwhile, I left the "store" by a rear exit and directed myself toward the locus of the transmitting portatron.

* * * * *

I had proximately left when I received an additional information, namely that developed weapons were being employed in the area toward which I was directing. This provoked that I abandon guise entirely. I went transparent and quickly examined all aboriginals within view, to determine if any required removal; but none had observed this. I rose to perhaps seventy-five meters and sped at full atmospheric driving speed toward the source of the alarm. As I crossed a "park" I detected the drive of another Adjuster, whom I determined to be Alephplex Priam's Maw--that is, my father. He bespoke me as follows: "Hurry, Besplex Priam's Maw. That crazy Foraminifera has been captured by aboriginals and they have taken his weapons away from him." "Weapons?" I inquired. "Yes, weapons," he stated, "for Foraminifera 9-Hart brought with him more than forty-three kilograms of weapons, ranging up to and including electronic."

I recorded this datum and we landed, went opaque in the shelter of a doorway and examined our percepts. "Quarantine?" asked my father, and I had to agree. "Quarantine," I voted, and he opened his carry-all and set-up a quarantine shield on the console. At once appeared the silvery quarantine dome, and the first step of our adjustment was completed. Now to isolate, remove, replace.

Queried Alephplex: "An Adjuster?" I observed the phenomenon to which he was referring. A young, dark aboriginal was coming toward us on the "street," driving a group of police aboriginals before him. He was armed, it appeared, with a fission-throwing weapon in one hand and some sort of tranquilizer--I deem it to have been a Stollgratz 16--in the other; moreover, he wore an invulnerability belt. The police aboriginals were attempting to strike him with missile weapons, which the belt deflected. I neutralized his shield, collapsed him and stored him in my carry-all. "Not an Adjuster," I asserted my father, but he had already perceived that this was so. I left him to neutralize and collapse the police aboriginals while I zeroed in on the portatron. I did not envy him his job with the police aboriginals, for many of them were "dead," as they say. It required the most delicate adjustments.

* * * * *

The portatron developed to be in a "cellar" and with it were some nine or eleven aboriginals which it had immobilized pending my arrival. One spoke to me thus: "Young lady, please call the cops! We're stuck here, and--" I did not wait to hear what he wished to say further, but neutralized and collapsed him with the other aboriginals. The portatron apologized for having caused me inconvenience; but of course it was not its fault, so I did not neutralize it. Using it for d-f, I quickly located the culprit, Foraminifera 9-Hart Bailey's Beam, nearby. He spoke despairingly in the dialect of the locus, "Besplex Priam's Maw, for God's sake get me out of this!" "Out!" I spoke to him, "you'll wish you never were 'born,' as they say!" I neutralized but did not collapse him, pending instructions from the Central Authority. The aboriginals who were with him, however, I did collapse.

Presently arrived Alephplex, along with four other Adjusters who had arrived before the quarantine shield made it not possible for anyone else to enter the disturbed area. Each one of us had had to abandon guise, so that this locus of Newyork 1939-1986 must require new Adjusters to replace us--a matter to be charged against the guilt of Foraminifera 9-Hart Bailey's Beam, I deem.

* * * * *

This concluded Steps 3 and 2 of our Adjustment, the removal and the isolation of the disturbed specimens. We are transmitting same disturbed specimens to you under separate cover herewith, in neutralized and collapsed state, for the manufacture of simulacra thereof. One regrets to say that they number three thousand eight hundred forty-six, comprising all aboriginals within the quarantined area who had first-hand knowledge of the anachronisms caused by Foraminifera's importation of contemporary weapons into this locus.

Alephplex and the four other Adjusters are at present reconstructing such physical damage as was caused by the use of said weapons. Simultaneously, while I am preparing this report, "I" am maintaining the quarantine shield which cuts off this locus, both physically and temporally, from the remainder of its environment. I deem that if replacements for the attached aboriginals can be fabricated quickly enough, there will be no significant outside percept of the shield itself, or of the happenings within it--that is, by maintaining a quasi-stasis of time while the repairs are being made, an outside aboriginal observer will see, at most, a mere flicker of silver in the sky. All Adjusters here present are working as rapidly as we can to make sure the shield can be withdrawn, before so many aboriginals have observed it as to make it necessary to replace the entire city with simulacra. We do not wish a repetition of the California incident, after all.

Transcriber's Note

This etext was produced from _Future Science Fiction_ No. 30 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note.

End of Project Gutenberg's The Day of the Boomer Dukes, by Frederik Pohl