Chapter 16

These thoughts were in her mind when, a day or two before sailing, she came out of the Washington Square house with her boy. It was a late spring afternoon, and she and Paul had lingered on till long past the hour sacred to his grandfather's nap. Now, as she came out into the square she saw that, however well Mr. Dagonet had borne their protracted romp, it had left his playmate flushed and sleepy; and she lifted Paul in her arms to carry him to the nearest cab-stand.

As she raised herself she saw a thick-set figure approaching her across the square; and a moment later she was shaking hands with Elmer Moffatt. In the bright spring air he looked seasonably glossy and prosperous; and she noticed that he wore a bunch of violets in his buttonhole. His small black eyes twinkled with approval as they rested on her, and Undine reflected that, with Paul's arms about her neck, and his little flushed face against her own, she must present a not unpleasing image of young motherhood.

"That the heir apparent?" Moffatt asked; adding "Happy to make your acquaintance, sir," as the boy, at Undine's bidding, held out a fist sticky with sugarplums.

"He's been spending the afternoon with his grandfather, and they played so hard that he's sleepy," she explained. Little Paul, at that stage in his career, had a peculiar grace of wide-gazing deep-lashed eyes and arched cherubic lips, and Undine saw that Moffatt was not insensible to the picture she and her son composed. She did not dislike his admiration, for she no longer felt any shrinking from him--she would even have been glad to thank him for the service he had done her husband if she had known how to allude to it without awkwardness. Moffatt seemed equally pleased at the meeting, and they looked at each other almost intimately over Paul's tumbled curls.

"He's a mighty fine fellow and no mistake--but isn't he rather an armful for you?" Moffatt asked, his eyes lingering with real kindliness on the child's face.

"Oh, we haven't far to go. I'll pick up a cab at the corner."

"Well, let me carry him that far anyhow," said Moffatt.

Undine was glad to be relieved of her burden, for she was unused to the child's weight, and disliked to feel that her skirt was dragging on the pavement. "Go to the gentleman, Pauly--he'll carry you better than mother," she said.

The little boy's first movement was one of recoil from the ruddy sharp-eyed countenance that was so unlike his father's delicate face; but he was an obedient child, and after a moment's hesitation he wound his arms trustfully about the red gentleman's neck.

"That's a good fellow--sit tight and I'll give you a ride," Moffatt cried, hoisting the boy to his shoulder.

Paul was not used to being perched at such a height, and his nature was hospitable to new impressions. "Oh, I like it up here--you're higher than father!" he exclaimed; and Moffatt hugged him with a laugh.

"It must feel mighty good to come uptown to a fellow like you in the evenings," he said, addressing the child but looking at Undine, who also laughed a little.

"Oh, they're a dreadful nuisance, you know; but Paul's a very good boy."

"I wonder if he knows what a friend I've been to him lately," Moffatt went on, as they turned into Fifth Avenue.

Undine smiled: she was glad he should have given her an opening. "He shall be told as soon as he's old enough to thank you. I'm so glad you came to Ralph about that business."

"Oh I gave him a leg up, and I guess he's given me one too. Queer the way things come round--he's fairly put me in the way of a fresh start."

Their eyes met in a silence which Undine was the first to break. "It's been awfully nice of you to do what you've done--right along. And this last thing has made a lot of difference to us."

"Well, I'm glad you feel that way. I never wanted to be anything but 'nice,' as you call it." Moffatt paused a moment and then added: "If you're less scared of me than your father is I'd be glad to call round and see you once in a while."

The quick blood rushed to her cheeks. There was nothing challenging, demanding in his tone--she guessed at once that if he made the request it was simply for the pleasure of being with her, and she liked the magnanimity implied. Nevertheless she was not sorry to have to answer: "Of course I'll always be glad to see you--only, as it happens, I'm just sailing for Europe."

"For Europe?" The word brought Moffatt to a stand so abruptly that little Paul lurched on his shoulder.

"For Europe?" he repeated. "Why, I thought you said the other evening you expected to stay on in town till July. Didn't you think of going to the Adirondacks?"

Flattered by his evident disappointment, she became high and careless in her triumph. "Oh, yes,--but that's all changed. Ralph and the boy are going, but I sail on Saturday to join some friends in Paris--and later I may do some motoring in Switzerland an Italy."

She laughed a little in the mere enjoyment of putting her plans into words and Moffatt laughed too, but with an edge of sarcasm.

"I see--I see: everything's changed, as you say, and your husband can blow you off to the trip. Well, I hope you'll have a first-class time."

Their glances crossed again, and something in his cool scrutiny impelled Undine to say, with a burst of candour: "If I do, you know, I shall owe it all to you!"

"Well, I always told you I meant to act white by you," he answered.

They walked on in silence, and presently he began again in his usual joking strain: "See what one of the Apex girls has been up to?"

Apex was too remote for her to understand the reference, and he went on: "Why, Millard Binch's wife--Indiana Frusk that was. Didn't you see in the papers that Indiana'd fixed it up with James J. Rolliver to marry her? They say it was easy enough squaring Millard Binch--you'd know it WOULD be--but it cost Roliver near a million to mislay Mrs. R. and the children. Well, Indiana's pulled it off, anyhow; she always WAS a bright girl. But she never came up to you."

"Oh--" she stammered with a laugh, astonished and agitated by his news. Indiana Frusk and Rolliver! It showed how easily the thing could be done. If only her father had listened to her! If a girl like Indiana Frusk could gain her end so easily, what might not Undine have accomplished? She knew Moffatt was right in saying that Indiana had never come up to her...She wondered how the marriage would strike Van Degen...

She signalled to a cab and they walked toward it without speaking. Undine was recalling with intensity that one of Indiana's shoulders was higher than the other, and that people in Apex had thought her lucky to catch Millard Binch, the druggist's clerk, when Undine herself had cast him off after a lingering engagement. And now Indiana Frusk was to be Mrs. James J. Rolliver!

Undine got into the cab and bent forward to take little Paul.

Moffatt lowered his charge with exaggerated care, and a "Steady there, steady," that made the child laugh; then, stooping over, he put a kiss on Paul's lips before handing him over to his mother.

XIX

"The Parisian Diamond Company--Anglo-American branch."

Charles Bowen, seated, one rainy evening of the Paris season, in a corner of the great Nouveau Luxe restaurant, was lazily trying to resolve his impressions of the scene into the phrases of a letter to his old friend Mrs. Henley Fairford.

The long habit of unwritten communion with this lady--in no way conditioned by the short rare letters they actually exchanged--usually caused his notations, in absence, to fall into such terms when the subject was of a kind to strike an answering flash from her. And who but Mrs. Fairford would see, from his own precise angle, the fantastic improbability, the layers on layers of unsubstantialness, on which the seemingly solid scene before him rested?

The dining-room of the Nouveau Luxe was at its fullest, and, having contracted on the garden side through stress of weather, had even overflowed to the farther end of the long hall beyond; so that Bowen, from his corner, surveyed a seemingly endless perspective of plumed and jewelled heads, of shoulders bare or black-coated, encircling the close-packed tables. He had come half an hour before the time he had named to his expected guest, so that he might have the undisturbed amusement of watching the picture compose itself again before his eyes. During some forty years' perpetual exercise of his perceptions he had never come across anything that gave them the special titillation produced by the sight of the dinner-hour at the Nouveau Luxe: the same sense of putting his hand on human nature's passion for the factitious, its incorrigible habit of imitating the imitation.

As he sat watching the familiar faces swept toward him on the rising tide of arrival--for it was one of the joys of the scene that the type was always the same even when the individual was not--he hailed with renewed appreciation this costly expression of a social ideal. The dining-room at the Nouveau Luxe represented, on such a spring evening, what unbounded material power had devised for the delusion of its leisure: a phantom "society," with all the rules, smirks, gestures of its model, but evoked out of promiscuity and incoherence while the other had been the product of continuity and choice. And the instinct which had driven a new class of world-compellers to bind themselves to slavish imitation of the superseded, and their prompt and reverent faith in the reality of the sham they had created, seemed to Bowen the most satisfying proof of human permanence.

With this thought in his mind he looked up to greet his guest. The Comte Raymond de Chelles, straight, slim and gravely smiling, came toward him with frequent pauses of salutation at the crowded tables; saying, as he seated himself and turned his pleasant eyes on the scene: "Il n'y a pas a dire, my dear Bowen, it's charming and sympathetic and original--we owe America a debt of gratitude for inventing it!"

Bowen felt a last touch of satisfaction: they were the very words to complete his thought.

"My dear fellow, it's really you and your kind who are responsible. It's the direct creation of feudalism, like all the great social upheavals!"

Raymond de Chelles stroked his handsome brown moustache. "I should have said, on the contrary, that one enjoyed it for the contrast. It's such a refreshing change from our institutions--which are, nevertheless, the necessary foundations of society. But just as one may have an infinite admiration for one's wife, and yet occasionally--" he waved a light hand toward the spectacle. "This, in the social order, is the diversion, the permitted diversion, that your original race has devised: a kind of superior Bohemia, where one may be respectable without being bored."

Bowen laughed. "You've put it in a nutshell: the ideal of the American woman is to be respectable without being bored; and from that point of view this world they've invented has more originality than I gave it credit for."

Chelles thoughtfully unfolded his napkin. "My impression's a superficial one, of course--for as to what goes on underneath--!" He looked across the room. "If I married I shouldn't care to have my wife come here too often."

Bowen laughed again. "She'd be as safe as in a bank! Nothing ever goes on! Nothing that ever happens here is real."

"Ah, quant a cela--" the Frenchman murmured, inserting a fork into his melon. Bowen looked at him with enjoyment--he was such a precious foot-note to the page! The two men, accidentally thrown together some years previously during a trip up the Nile, always met again with pleasure when Bowen returned to France. Raymond de Chelles, who came of a family of moderate fortune, lived for the greater part of the year on his father's estates in Burgundy; but he came up every spring to the entresol of the old Marquis's hotel for a two months' study of human nature, applying to the pursuit the discriminating taste and transient ardour that give the finest bloom to pleasure. Bowen liked him as a companion and admired him as a charming specimen of the Frenchman of his class, embodying in his lean, fatigued and finished person that happy mean of simplicity and intelligence of which no other race has found the secret. If Raymond de Chelles had been English he would have been a mere fox-hunting animal, with appetites but without tastes; but in his lighter Gallic clay the wholesome territorial savour, the inherited passion for sport and agriculture, were blent with an openness to finer sensations, a sense of the come-and-go of ideas, under which one felt the tight hold of two or three inherited notions, religious, political, and domestic, in total contradiction to his surface attitude. That the inherited notions would in the end prevail, everything in his appearance declared from the distinguished slant of his nose to the narrow forehead under his thinning hair; he was the kind of man who would inevitably "revert" when he married. But meanwhile the surface he presented to the play of life was broad enough to take in the fantastic spectacle of the Nouveau Luxe; and to see its gestures reflected in a Latin consciousness was an endless entertainment to Bowen.

The tone of his guest's last words made him take them up. "But is the lady you allude to more than a hypothesis? Surely you're not thinking of getting married?"

Chelles raised his eye-brows ironically. "When hasn't one to think of it, in my situation? One hears of nothing else at home--one knows that, like death, it has to come." His glance, which was still mustering the room, came to a sudden pause and kindled.

"Who's the lady over there--fair-haired, in white--the one who's just come in with the red-faced man? They seem to be with a party of your compatriots."

Bowen followed his glance to a neighbouring table, where, at the moment, Undine Marvell was seating herself at Peter Van Degen's side, in the company of the Harvey Shallums, the beautiful Mrs. Beringer and a dozen other New York figures.

She was so placed that as she took her seat she recognized Bowen and sent him a smile across the tables. She was more simply dressed than usual, and the pink lights, warming her cheeks and striking gleams from her hair, gave her face a dewy freshness that was new to Bowen. He had always thought her beauty too obvious, too bathed in the bright publicity of the American air; but to-night she seemed to have been brushed by the wing of poetry, and its shadow lingered in her eyes.

Chelles' gaze made it evident that he had received the same impression.

"One is sometimes inclined to deny your compatriots actual beauty--to charge them with producing the effect without having the features; but in this case--you say you know the lady?"

"Yes: she's the wife of an old friend."

"The wife? She's married? There, again, it's so puzzling! Your young girls look so experienced, and your married women sometimes so--unmarried."

"Well, they often are--in these days of divorce!"

The other's interest quickened. "Your friend's divorced?"

"Oh, no; heaven forbid! Mrs. Marvell hasn't been long married; and it was a love-match of the good old kind."

"Ah--and the husband? Which is he?"

"He's not here--he's in New York."

"Feverishly adding to a fortune already monstrous?"

"No; not precisely monstrous. The Marvells are not well off," said Bowen, amused by his friend's interrogations.

"And he allows an exquisite being like that to come to Paris without him--and in company with the red-faced gentleman who seems so alive to his advantages?"

"We don't 'allow' our women this or that; I don't think we set much store by the compulsory virtues."

His companion received this with amusement. "If: you're as detached as that, why does the obsolete institution of marriage survive with you?"

"Oh, it still has its uses. One couldn't be divorced without it."

Chelles laughed again; but his straying eye still followed the same direction, and Bowen noticed that the fact was not unremarked by the object of his contemplation. Undine's party was one of the liveliest in the room: the American laugh rose above the din of the orchestra as the American toilets dominated the less daring effects at the other tables. Undine, on entering, had seemed to be in the same mood as her companions; but Bowen saw that, as she became conscious of his friend's observation, she isolated herself in a kind of soft abstraction; and he admired the adaptability which enabled her to draw from such surroundings the contrasting graces of reserve.

They had greeted each other with all the outer signs of cordiality, but Bowen fancied she would not care to have him speak to her. She was evidently dining with Van Degen, and Van Degen's proximity was the last fact she would wish to have transmitted to the critics in Washington Square. Bowen was therefore surprised when, as he rose to leave the restaurant, he heard himself hailed by Peter.

"Hallo--hold on! When did you come over? Mrs. Marvell's dying for the last news about the old homestead."

Undine's smile confirmed the appeal. She wanted to know how lately Bowen had left New York, and pressed him to tell her when he had last seen her boy, how he was looking, and whether Ralph had been persuaded to go down to Clare's on Saturdays and get a little riding and tennis? And dear Laura--was she well too, and was Paul with her, or still with his grandmother? They were all dreadfully bad correspondents, and so was she. Undine laughingly admitted; and when Ralph had last written her these questions had still been undecided.

As she smiled up at Bowen he saw her glance stray to the spot where his companion hovered; and when the diners rose to move toward the garden for coffee she said, with a sweet note and a detaining smile: "Do come with us--I haven't half finished."

Van Degen echoed the request, and Bowen, amused by Undine's arts, was presently introducing Chelles, and joining with him in the party's transit to the terrace. The rain had ceased, and under the clear evening sky the restaurant garden opened green depths that skilfully hid its narrow boundaries. Van Degen's company was large enough to surround two of the tables on the terrace, and Bowen noted the skill with which Undine, leaving him to Mrs. Shallum's care, contrived to draw Raymond de Chelles to the other table. Still more noticeable was the effect of this stratagem on Van Degen, who also found himself relegated to Mrs. Shallum's group. Poor Peter's state was betrayed by the irascibility which wreaked itself on a jostling waiter, and found cause for loud remonstrance in the coldness of the coffee and the badness of the cigars; and Bowen, with something more than the curiosity of the looker-on, wondered whether this were the real clue to Undine's conduct. He had always smiled at Mrs. Fairford's fears for Ralph's domestic peace. He thought Undine too clear-headed to forfeit the advantages of her marriage; but it now struck him that she might have had a glimpse of larger opportunities. Bowen, at the thought, felt the pang of the sociologist over the individual havoc wrought by every social readjustment: it had so long been clear to him that poor Ralph was a survival, and destined, as such, to go down in any conflict with the rising forces.

XX

Some six weeks later. Undine Marvell stood at the window smiling down on her recovered Paris.

Her hotel sitting-room had, as usual, been flowered, cushioned and lamp-shaded into a delusive semblance of stability; and she had really felt, for the last few weeks, that the life she was leading there must be going to last--it seemed so perfect an answer to all her wants!

As she looked out at the thronged street, on which the summer light lay like a blush of pleasure, she felt herself naturally akin to all the bright and careless freedom of the scene. She had been away from Paris for two days, and the spectacle before her seemed more rich and suggestive after her brief absence from it. Her senses luxuriated in all its material details: the thronging motors, the brilliant shops, the novelty and daring of the women's dresses, the piled-up colours of the ambulant flower-carts, the appetizing expanse of the fruiterers' windows, even the chromatic effects of the petits fours behind the plate-glass of the pastry-cooks: all the surface-sparkle and variety of the inexhaustible streets of Paris.

The scene before her typified to Undine her first real taste of life. How meagre and starved the past appeared in comparison with this abundant present! The noise, the crowd, the promiscuity beneath her eyes symbolized the glare and movement of her life. Every moment of her days was packed with excitement and exhilaration. Everything amused her: the long hours of bargaining and debate with dress-makers and jewellers, the crowded lunches at fashionable restaurants, the perfunctory dash through a picture-show or the lingering visit to the last new milliner; the afternoon motor-rush to some leafy suburb, where tea and musics and sunset were hastily absorbed on a crowded terrace above the Seine; the whirl home through the Bois to dress for dinner and start again on the round of evening diversions; the dinner at the Nouveau Luxe or the Cafe de Paris, and the little play at the Capucines or the Varietes, followed, because the night was "too lovely," and it was a shame to waste it, by a breathless flight back to the Bois, with supper in one of its lamp-hung restaurants, or, if the weather forbade, a tumultuous progress through the midnight haunts where "ladies" were not supposed to show themselves, and might consequently taste the thrill of being occasionally taken for their opposites.

As the varied vision unrolled itself, Undine contrasted it with the pale monotony of her previous summers. The one she most resented was the first after her marriage, the European summer out of whose joys she had been cheated by her own ignorance and Ralph's perversity. They had been free then, there had been no child to hamper their movements, their money anxieties had hardly begun, the face of life had been fresh and radiant, and she had been doomed to waste such opportunities on a succession of ill-smelling Italian towns. She still felt it to be her deepest grievance against her husband; and now that, after four years of petty household worries, another chance of escape had come, he already wanted to drag her back to bondage!

This fit of retrospection had been provoked by two letters which had come that morning. One was from Ralph, who began by reminding her that he had not heard from her for weeks, and went on to point out, in his usual tone of good-humoured remonstrance, that since her departure the drain on her letter of credit had been deep and constant. "I wanted you," he wrote, "to get all the fun you could out of the money I made last spring; but I didn't think you'd get through it quite so fast. Try to come home without leaving too many bills behind you. Your illness and Paul's cost more than I expected, and Lipscomb has had a bad knock in Wall Street, and hasn't yet paid his first quarter..."