The Crystal Palace

Part 3

Chapter 33,852 wordsPublic domain

"Part II. of the Report contains what I suppose is to be taken as the best exposition of the merits of contributors that the Committee can give, which commences by stating, in a tone of commendation, that, 'not confining themselves to SUGGESTIONS ONLY, which were invited by the PROGRAMME, a large proportion of them are remarkable for elaboration of thought and elegance of execution.' This, I would contend, is clearly a breach of the specified conditions, viz., that SUGGESTIONS ONLY were to be given--that the plan or drawing sent in was to be A MERE OUTLINE SKETCH, upon a SINGLE SHEET; and the Committee even recommended that it would be most convenient merely to trace it upon the common paper on which the 'plan of site' was supplied to the public, a space being left upon the sheet for SKETCHING any sections or elevations that might be necessary to illustrate the design; and that a written description, limited also to 'a single sheet,' was all the exposition of their ideas that authors would be allowed to give. The Report goes on to state, that 'our illustrious continental neighbours have especially distinguished themselves [in designing a temporary building for an exhibition] by compositions of the utmost taste and learning, worthy of enduring execution--examples of what might be done in the ARCHITECTURAL illustration of the subject [the conditions strictly enjoined contributors not to enter into architectural detail] when viewed in its highest aspect, and, at all events, exhibiting features of grandeur, arrangement, and grace which your Committee have not failed to appreciate.' It then places in contradistinction to these no doubt admirable but out-of-place productions of architectural genius, the 'practical character of the designs of our own countrymen,' which it states, 'as might have been expected, has been remarkably illustrated in some very striking and simple methods, suited to the temporary purposes of the building, due attention having been paid by them to the pecuniary means allotted to this part of the undertaking.' Yet, notwithstanding this comparison, clearly and indisputably in favour of our own countrymen, as regards the object sought and the conditions stipulated by the Committee, we find by the selected list of those authors who are to receive 'the highest honorary distinction' the Commissioners can award, that the Committee can only discover, out of 195 English and 38 foreign contributors, THREE Englishmen entitled to reward, the remaining FIFTEEN out of the eighteen selected being foreigners; or, as regards the whole numbers, in proportion of 1 to 65 of 'our own countrymen,' the authors of the 'striking and simple,' so admirably 'suited to the temporary purpose of the building,' and 1 to about 2½ of foreigners, who, in designing for a temporary building, to be simple, cheap, and readily constructed, have so overshot the mark as to produce 'compositions' commendable only for the 'utmost taste and learning, and worthy of enduring execution.' Surely something must be wrong here, either the Report or the selected list--possibly both.

"In conclusion, I cannot help avowing the opinion that a wrong, though I believe unintentionally, has been done to many of the 233 who so readily and 'generously' responded to the call for their ideas; more particularly as I know, from personal inspection, that at least ONE of the plans altogether omitted from the Report contains FIVE of the leading features of the approved design."

But to judge of this matter fairly, it must be mentioned that, although the number of foreign competitors was small, the majority of them were men already well known for their talents and professional skill; in all cases their designs evinced considerable study of the subject (both architecturally and in a practical point of view), and manifested a desire to exhibit to English professional men the proficiency of their continental brethren. On the other hand, many of the designs from the competitors at home were much slighter suggestions presented in a less elaborate form. Under these circumstances, it is not to be wondered at that those eminent men of the technical professions who, on this occasion, came forward with practical suggestions for the assistance of the Committee, and designs calculated rather to assist with thoughts than to charm by the graces of elegant drawing or symmetrical disposition, should seem to have been found wanting in this first trial with all the world. It should further be borne in mind, that the nature of competitions is not so well understood in some foreign countries, where they are of less frequent occurrence, than with us. It must at the same time be admitted that the practice of disregarding and exceeding the instructions in competitions is too much a matter of general complaint in England to be brought forward as a new grievance against our continental brethren.

After the publication of the above Report, the competition designs were all exhibited in the rooms of the Institution of Civil Engineers, in Great George-street, which were liberally placed at the disposal of the Committee for this purpose; and of those who visited this interesting exhibition, many, no doubt, must have sympathised with those feelings which dictated the decision of the Committee. From an attentive examination of these designs, presenting the subject in such exceedingly varied forms, one of the peculiar difficulties of the case becomes apparent, namely, the total absence of any precedent to guide or afford suggestions to the designer; for the small number of buildings erected or adapted for a similar purpose have been on so limited a scale that their example could not afford much assistance in designing a structure to meet all the requirements of the present case. This building differed from all previous ones in being intended to accommodate the products of all nations, instead of being confined to those of one only; in which case the arrangement would have been more certain and more readily provided for.

Buildings used for previous Exhibitions.

As a comparison of some of these earlier buildings with the first erected in London for a similar purpose cannot fail to be interesting, a short notice of them may not be deemed out of place. The most important amongst them are those temporary structures which have been erected in Paris for the periodical Industrial Expositions, with reference to the last of which we cannot do better than quote, from Mr. Digby Wyatt's instructive and masterly Report, that part where the building is treated of:--

"The vast edifice which has been erected to contain the specimens of manufacture selected for exhibition in the year 1849 is situated on the same site as that occupied by a similar building in the year 1844. The Carré de Marigny, on which it has been placed, is a large oblong piece of ground, abutting on the main avenue of the Champs Elysées, and as a site offers every possible advantage, being of a gravelly soil, already efficiently drained, and standing on the line of a continually moving series of public conveyances. The Champs Elysées, though at some considerable distance from the great centre of Parisian population, are still so universal a place of resort, that they may be fairly assumed to be "in the way" of even the poorest classes of the community. The elevation may be admirably seen from all the approaches to the building, and it has the advantage of being in immediate proximity to the residence of the President of the Republic.

PLAN OF THE BUILDING FOR THE FRENCH EXPOSITION IN 1849.

1. Cattle-shed. 2. Machinery. 3. Chemical Products. 4. Metal Works. 5. Productions of Parisian Industry. 6. Horticulture. 7. Woven Goods. 8. Principal Entrance. 9. Guard-house. 10. Fountain. 11. Reservoir of Rain Water.

"The whole plot of the present building (exclusive of the agricultural department) covers a vast parallelogram of 206 metres by 100 (about 675 by 328 feet English), round the outline of which runs a gallery about 90 feet wide, divided into two avenues by a double range of pilasters. In the centre of each avenue is a set of stalls, placed back to back, for the exhibition of merchandise; and both between the central pilasters, and round, and upon the walls, other objects are placed, so that on traversing either of the four gangways (each about ten feet wide) the public have upon their right and left hands objects for inspection. In the part of the building appropriated to large machinery, of course this system cannot be carried out with the same regularity. The vast parallelogram, inclosed by a somewhat similar gallery in the year 1844, was left as one magnificent hall, within which were placed the most important objects; in the present building we find it divided by two transverse galleries, similarly arranged to those we have described, forming three court-yards; the central one being about 140 feet square, and the two lateral ones 80 feet by 140. The central court-yard is open to the sky; in the middle rises an elegant fountain placed on a platform of turf, and around are disposed sheds for the exhibition of flowers and horticultural ornaments and implements. One of the lateral courts (inclosed) receives a large collection of objects in metal-work, cast-iron, &c., and the other contains an immense reservoir, in which all the drainage from the roofs is collected, so as to form a supply of water immediately serviceable in case of fire. In addition to this great building, which corresponds with that previously erected, there is this year constructed a vast shed for the exhibition of agricultural produce and stock. It extends to a length rather greater than the width of the great parallelogram, and is about 100 feet (English) wide. Its construction is ruder than that of the 'Palace,' but it is not on that account less effective. It appears to have been originally contemplated to fill the whole of this gigantic hall with cattle, &c., and to place the agricultural implements in a long narrow gallery intervening between it and the main building; but as the stock of animals forwarded for exhibition has not proved so large as was anticipated, it has been half-filled with semi-agricultural machines, and the whole of the long narrow gallery alluded to crammed with stoves, and miscellaneous domestic mechanism.

"The whole of the building is constructed of wood, the roofs being covered with zinc: of the latter material 400,000 kilogrammes, equal to nearly 4,000 tons, are stated to have been used; and of the former, nearly 45,000 pieces of timber.

"It is hoped that the accompanying plan and views will convey a tolerably good idea both of the exterior and interior arrangements of the Exhibition. They will serve to show, at least, that a somewhat unnecessary expenditure has been gone into, and to manifest the possibility of constructing a much more simple building, possessing all the advantages of this one, at a far less cost.

"Both externally and internally there is a good deal of tasteless and unprofitable ornament; all the pilasters are papered and painted in a species of graining to imitate light oak, and even the ceiling is covered over with the same work. Large 'carton pierre' trusses apparently support the timbers, and a painted bronze bas-relief fills the tympanum of the pediment, at the principal entrance. The architecture of the whole is 'mesquin,' although the gigantic scale of the building necessarily elevates the general effect into something of impressiveness; not, however, to nearly the extent which the same outlay might have produced."

Mr. Wyatt further states that the total cost of this building was about 450,000 francs, or about 18,000_l._, which, however, he considers was an unnecessarily large outlay. He mentions, also, that the building erected on the previous occasion, in 1844, was in some respects more suitable for the purpose, especially from its greater simplicity of arrangement, a remark it will be well to bear in mind in considering the various designs for the building in Hyde Park. The accompanying plates will enable the reader readily to follow all the details of the description.

The permanent building erected by the King of Bavaria at Munich, likewise for periodical Exhibitions, is on a much smaller scale than those in Paris, and must be regarded rather as having afforded an opportunity for that manifestation of architectural display in public buildings for which its Royal projector was so well known, than as being peculiarly fitted for its purpose. It is divided internally into various halls for the different classes of objects; but as the proportion of these must necessarily vary at every Exhibition, such an arrangement cannot be deemed the most suitable for the purpose.

At Berlin, where several Industrial Exhibitions have taken place, no distinct building has been provided, but some already existing one has been temporarily adapted and fitted up for the purpose; thus, on the last occasion, Kroll's WINTERGARTEN, a large establishment for public amusement, which has been recently destroyed by fire, was made use of. The large central saloon, with the smaller ones flanking it, forming, in fact, one space 310 feet long, and 82 feet broad at the widest point, afforded a very good opportunity for the arrangement of the objects to be exhibited, some of which were placed in the gallery of the large saloon.

PLAN OF KROLL'S WINTERGARTEN, BERLIN.

1. Electric Telegraph. 2. Chemical Products. 3. Porcelain and Bronzes. 4. Machinery. 5. Hardware. 6. Zinc Works. 7· Plate and Jewellery. 8. Lithography. 9. Watches, &c. 10. Cutlery. 11. Scientific Instruments. 12. Bookbinding. 13. Embroidery. 14. Ornamental Blinds. 15. Silks and Velvets. 16. Furs. 17. Pianofortes. 18. Carriages. 19. Furniture. 20. Lamps, &c. 21. Turned Articles. 22. Woollen Fabrics. 23. Leather Articles. 24. Hats & Felt Articles. 25. Machinery. 26. Carriages.

On a previous occasion a part of the Royal Arsenal building was appropriated, and the Exhibition embraced two storeys.

In our own country, exhibitions of manufactures have taken place in several of the most important towns, generally in spaces only temporarily adapted; but in 1849 the first building in this country intended solely for the purpose of an exhibition of manufactures was erected at Birmingham, on the occasion of the meeting of the British Association in that town.

The building alluded to included a space extending to 10,000 square feet, and a corridor, giving additional accommodation of 800 square feet, connected the temporary exhibition-room with Bingley-house, within the grounds of which the building was erected; and including the rooms of the old mansion, the total area covered by the Exhibition was equal to 12,800 feet, or only about one-seventeenth of the area covered by the last building erected in the Champs Elysées. The cost of this building was about 1,300_l._ It was opened to the public on the 3rd of September, 1849.

In most of the buildings alluded to above, the principal defect seemed to be that a definite and fixed subdivision of space was made for a classification of objects which was necessarily uncertain. This appears to have determined the Committee in the arrangement of the plan which they presented in a general form to the Royal Commission at the same time with the Report already quoted; and although the design was slightly modified during the progress of the working-drawings subsequently made, this is, perhaps, the best place for introducing a description of it.

It has been already mentioned that at the time the Committee received the competition designs, they obtained the assistance of Mr. Digby Wyatt, the secretary to the Executive Committee, to aid them in the preparation of drawings, although Mr. Scott Russell officially filled the post of secretary to the Building Committee. At a somewhat later stage of the Committee's proceedings, when the general design for the proposed building had been approved by the Royal Commission, and it became necessary to prepare working drawings for the same with extraordinary despatch, Mr. Charles Heard Wild, as engineer, and Mr. Owen Jones, as architect, were appointed to co-operate with Mr. Wyatt in carrying out this object.

Description of the Building Committee's Design.

The site to have been occupied by the building designed by the Committee was the same as that on which the building has been actually erected, namely between Rotten-row and the drive in Hyde Park, but the area proposed to be covered was somewhat larger, the length of the building being about 2,200 feet, and the greatest width nearly 450 feet. The central space was occupied by an immense rotunda 200 feet in diameter, the cupola rising to a height of more than 160 feet, and exceeding the span of that of St. Peter's at Rome by 61 feet, and of St. Paul's in London by 88 feet. The dome for covering this rotunda consisted of wrought-iron ribs, supporting a covering of corrugated iron, the whole resting on a wall or drum of brickwork, about 60 feet high; a large opening in the centre was to be glazed for the admission of light.

This large open area was intended for the exhibition of groups of sculpture, fountains, and other objects requiring great space in order to be seen to advantage; at the same time the cupola would have presented a striking instance of the constructive skill of this country.

The remaining area of the building was divided into avenues 48 feet wide, by iron columns 24 feet apart, this dimension having been determined on as that most likely to work in well for the division of the counters and passages. One of the 48-feet avenues on the main axis of the building was spanned by semicircular ribs of wrought iron supporting the roof, which rose here to a greater height than the rest of the building; the other avenues were covered with roofing very similar to that commonly seen in railway-sheds, the whole being rendered as light as possible, and constructed in iron covered with slating; the light being in all cases admitted by a range of sky-lights at the apex of the roof, which was also adapted for ventilation. The height of the main avenue was 52 feet, and of the others 36 feet, from the floor throughout. A corridor of communication 15 feet wide was carried round the whole of the building, interrupted only by the open courts; this, with the main avenue, afforded the visitor to the Exhibition the means of reaching any particular point without threading a maze of small passages. The inclosing walls were to be of brick, relieved externally by panels in two colours; but there were to be no internal division walls except those necessary to surround the various courts which were left on account of the trees.

The executive offices were grouped on either side of the principal entrance, which was placed immediately opposite Prince's Gate; and at this, as well as at the entrances at either end and on the north front, large arched recesses were introduced which served as vestibules, and formed at the same time prominent and striking features to relieve the necessarily monotonous aspect of the building. Along the whole of the principal front and at the ends of the building a pent or overhanging roof projected about 15 feet, to enable visitors in bad weather to be set down under cover, and the exit-doors, of which there were altogether 24, were further protected by porches.

The water was to be conveyed from the roof through the columns which supported it, and which were for this purpose connected with the necessary drain-pipes, &c.

Very ample accommodation was provided for refreshments in the open courts which were necessarily left for the preservation of the trees, particularly in that at the western end of the building, where there was proposed to be placed a large establishment, comprising two storeys, with somewhat the arrangement of the French cafés, including a fine saloon on the first floor, upwards of thirty feet wide and nearly one hundred feet long; separate spaces were also provided for the accommodation of exhibitors. This was the only part of the building, with the exception of the executive offices, which was to have an upper storey.

GROUND PLAN OF THE BUILDING COMMITTEE'S DESIGN.

1. Machinery in Motion. 2. Other Machinery. 3. Seats for Visitors. 4. Refreshment Courts. 5. Raw Materials. 6. Manufactures. 7. Sculpture and the Plastic Arts. 8. Small Court. 9. The Rotunda. 10. Principal Entrance and Executive Offices. 11. The Other Entrances. 12. The Drive in the Park. 13. The Kensington Road. 14. The Queen's Private Road.

An objection might, perhaps, be raised to this part of the building, that it was too commodious, and that there might be some danger of its being converted into a lounge, while it was occupying too much of the space intended for the Exhibition, for a secondary, though certainly necessary purpose; it was, however, considered by the Committee, that of the vast number of visitors that might be expected to be in the building at one time, so many would avail themselves of the accommodation provided as to render a less amount undesirable. The principal courts were surrounded by a covered way, where refreshments were also to be served at long counters, in the manner of the railway-stations.

All these arrangements will readily be understood by a reference to the plan of the design we have been describing, which plan, together with a view taken from the south-east angle of the building, will place before the reader the result of the labours of the Committee. The materials proposed for the construction of this building were fire-proof throughout, with the exception of the floor and its supporting timbers.

The above design, at least in all its leading features, for some of the details were subsequently added, was laid before the Royal Commission, at the same time with the Report already quoted, and was by them approved, and the Committee proceeded to prepare the necessary working-drawings and specifications for the execution of the work. These proceedings of the Committee occupied until the 24th of June, when large lithographed copies of the most important of the drawings, together with printed copies of the specifications and other details, were issued from the offices of the Executive, contractors having been some time previously invited by public advertisement to send in tenders for the execution of either a part or the whole of the work. The tenders were to be on two systems, one on the supposition that the Royal Commission were to become the _bona fide_ purchasers of the building; the other, that the contractors were to erect and maintain the building during the time of the Exhibition, after which they were to remove it and take back the materials at their own risk, receiving a proportionably diminished sum.

It has been considered necessary to describe thus minutely the labours of the Committee and the design in which they resulted, in order to show how far it paved the way for that which was subsequently adopted, and to give them that credit which they undoubtedly deserve for devoting so much of their valuable time for the furtherance of a great public undertaking.

Opposition to this Design.