Chapter 15

After a few days spent in revisiting the scenes of my childhood, and breathing afresh the sweet perfumes still hovering around infancy's cradle, I left for Paris, where I scarcely rested The manner in which I employed the few hours passed in that hot city would doubtless surprise you, madame. My carriage rolled rapidly through the wealthy portion of the city, and following my directions was soon lost in the gloomy solitude of the Marais.

I alighted in the wilderness of a deserted street before a melancholy and dejected-looking house, and as I raised the heavy latch of the massive door, my heart beat as if I were about to meet, after a long absence, an aged mother who wept for my return, or a much-loved sister. I took a key from its nail in the porter's lodge and began to climb the stair, which, viewed from below, looked more picturesque than inviting, particularly when one proposed to ascend to the very top. Fortunately, I am a mountaineer; I bounded up that wide ladder with as light a step as if it had been a marble stairway, with richly wrought balustrade. At the end of the ascent I hurriedly opened a door, and, perfectly at home, entered a small room. I paused motionless upon the threshold, and glanced feelingly around. The room contained nothing but a table covered with books and dust, a stiff oak arm-chair, a hard and uninviting-looking lounge, and on the mantel-piece, in two earthen vases, designed by Ziegler, the only ornaments of this poor retreat, a few dry, withered asters. No one expected me, I expected no one. There I remained until evening, waiting for nightfall, thinking the sun would never set and the day never end. Finally, as the night deepened, I leaned on the sill of the only window, and with an emotion I cannot describe, watched the stars peep forth one by one. I would have given them all for a sight of the one star which will never shine again. Shall I tell you about it, madame, and would you comprehend me? You know nothing of my life; you do not know that, during two years, I lived in that garret, poor, unknown, with no other friend than labor, no other companion than the little light which appeared and disappeared regularly every evening through the branches of a Canada pine. I did not know then, neither do I know now, who watched by that pale gleam, but I felt for it a nameless affection, a mysterious tenderness. On leaving my retreat, I sent it, through the trees, a long farewell, and the not seeing it on my return distressed me as the loss of a brother. What has become of you, little shining beacon, who illumined the gloom of my studious nights? Did a storm extinguish you? or has God, whom I invoked for you, granted my prayer, and do you shine with a less troubled ray in happier climes? It is a long story; and I know a fresher and a more charming one, which I will speedily tell you.

I took the train the next day (that was yesterday) for Richeport, where M. de Meilhan had invited me to meet him. You know M. de Meilhan without ever having seen him. You are familiar with his verses and you like them. I profess to love the man as much as his talents. Our friendship is of long standing; I assisted at the first lispings of his muse; I saw his young glory grow and expand; I predicted from the first the place that he now holds in the poetic pleiad, the honor of a great nation. To hear him you would say that he was a pitiless scoffer; to study him you would soon find, under this surface of rancorless irony, more candor and simplicity than he is himself aware of, and which few people possess who boast of their faith and belief. He has the mind of a sceptic and the believing soul of a neophyte.

In less than three hours I reached Pont de l'Arche. Railroads have been much abused; it is charitable to presume that those honest people who do so have no relatives, friends nor sweethearts away from them. M. de Meilhan and his mother were waiting for me at the depot; the first delights of meeting over--for you must remember that I have not seen my poet for three years--I leave you to imagine the peals of laughter that greeted the mention of Lady Penock's formidable name. Edgar, who knew of my adventure and was excited by the joy of seeing me again, amused himself by startling the echoes with loud and repeated "Shockings!" We drove along in an open carriage, laughing, talking, pressing each other's hands, asking question upon question, while Madame de Meilhan, after having shared our gayety, seemed to watch with interest the exhibition of our mutual delight. This scene had the most beautiful surroundings in the world; an exquisite country, which in order to be fully appreciated, visited, described, sung of in prose and verse, should be fifteen hundred miles from France.

My mind is naturally gay, my heart sad. When I laugh, something within me suffers and repines; it is by no means rare for me to pass suddenly and without transition from the wildest gayety to the profoundest sadness and melancholy. On our arrival at Richeport we found several visitors at the châteaux, among the number a general, solemnly resigned to the pleasures of a day in the country. To escape this illustrious warrior, who was engaged upon the battle of Friedland, Edgar made off between two cavalry charges and carried me into the park, where we were soon joined by Madame de Meilhan and her guest, the terrible general at the head.

Interrupted for a moment by the skilful retreat of the young poet, the battle of Friedland began again with redoubled fury. The paths of the park are narrow; the warrior marched in front with Edgar, who wiped the drops from his brow and exhausted himself in vain efforts to release his arm from an iron grasp; Madame de Meilhan and those who accompanied her represented the corps d'armeé; I formed the rear guard; balls whistled by, battalions struggled, we heard the cries of the wounded and were stifled by the smell of powder; wishing to avoid the harrowing sight of such dreadful carnage, I slackened my pace and was agreeably surprised to find, at a turn in the path, that I had deserted my colors; I listened and heard only the song of the bulfinch; I took a long breath and breathed only the odor of the woods; I looked above the birches and aspens for a cloud of smoke which would put me upon the track of the combatants; I saw only the blue sky smiling through the trees; I was alone; by one of those reactions of which I spoke, I sank insensibly into a deep revery.

It was intensely hot; I threw myself upon the grass, under the shadow of a thick hedge, and there lay listening to nature's faint whispers, and the beating of my own heart. The joy that I had just felt in meeting Edgar again, made the void in my heart, which friendship can never fill, all the more painful; my senses, subdued by the heat, chanted in endless elegies the serious and soothing conversation that we had had one evening under your lindens. Whether I had a presentiment of some approaching change in my destiny, or whether I was simply overcome by the heat, I know not, but I was restless; my restlessness seemed to anticipate some indefinite happiness, and from afar the wind bore to me in warm puffs the cheering refrain: "She exists, she exists, you will find her!"

I at last remembered that I had only been Madame de Meilhan's guest a few hours, and that my abrupt disappearance must appear, to say the least, strange to her. On the other hand, Edgar, whom I had treacherously abandoned in the greatest danger, would have serious grounds of complaint against me. I arose, and driving away the winged dreams that hovered around me, like a swarm of bees round a hive, prepared to join my corps, with the cowardly hope that when I arrived, the engagement might be over and the victory won. Unfortunately, or rather fortunately, I was unacquainted with the windings of the park, and wandered at random through its verdant labyrinths, the sun pouring down upon my devoted head until I heard the silvery murmur of a neighboring stream, babbling over its pebbly bed. Attracted by the freshness of the spot, I approached and in the midst of a confusion of iris, mint and bindweed, I saw a blonde head quenching its thirst at the stream. I could only see a mass of yellow hair wound in heavy golden coils around this head, and a little hand catching the water like an opal cup, which it afterwards raised to two lips as fresh as the crystal stream which they quaffed. Her face and figure being entirely concealed by the aquatic plants which grew around the spring, I took her for a child, a girl of twelve or more, the daughter perhaps of one of the persons whom I had left upon the battle-field of Friedland. I advanced a few steps nearer, and in my softest voice, for I was afraid of frightening her, said: "Mademoiselle, can you tell me if Madame de Meilhan is near here?" At these words I saw a young and beautiful creature, tall, slender, erect, lift herself like a lily from among the reeds, and trembling and pale, examine me with the air of a startled gazelle. I stood mute and motionless, gazing at her. Surely she possessed the royal beauty of the lily. An imagination enamored of the melodies of the antique muse would have immediately taken her for the nymph of that brook. Like two blue-bells in a field of ripe grain, her large blue eyes were as limpid as the stream which reflected the azure of the sky. On her brow sat the pride of the huntress Diana. Her attitude and the expression of her face betrayed a royalty which desired to conceal its greatness, a strange mixture of timorous boldness and superb timidity--and over it all, the brilliancy of youth--a nameless charm of innocence and childishness tempered in a charming manner the dignity of her noble presence.

I turned away, charmed and agitated, not having spoken a word. After wandering about sometime longer I finally discovered the little army corps, marching towards the château, the general always ahead. As I had anticipated, the battle was about over, a few shots fired at the fugitives were alone heard. Edgar saw me in the distance, and looked furious. "Ah traitor!" said he, "you have lagged behind! I am riddled with balls; I have six bullets in my breast," "Monsieur," cried the general, "at what juncture did you leave the combat?" "You see," said Edgar to me, "that the torture is about to commence again." "General," observed Madame de Meilhan, "I think that the munitions are exhausted and dinner is ready." "Very well," gravely replied the hero, "we will take Lubeck at dessert." "Alas! we are taken;" said Edgar, heaving a sigh that would have lifted off a piece of the Cordilleras.

M. de Meilhan left the group of promenaders and joined me; we walked side by side. You can imagine, madame, how anxious I was to question Edgar; you can also comprehend the feeling of delicacy which restrained me. My poet worships beauty; but it is a pagan worship of color and form. The result is, a certain boldness of detail not always excusable by grace of expression, in his description of a beautiful woman; too lively an enthusiasm for the flesh; too great a satisfaction in drawing lines and contours not to shock the refined. A woman poses before him like a statue or rather like a Georgian in a slave-market, and from the manner in which he analyzes and dissects her, you would say that he wanted either to sell or buy her. I allude now to his speech only, which is lively, animated but rather French its picturesque crudity. As a poet he sculptures like Phidias, and his verse has all the dazzling purity of marble.

I preferred to apply to Madame de Meilhan. On our return to the château I questioned her, and learned that my beautiful unknown was named Madame Louise Guérin. At that word "Madame" my heart contracted. Wherefore? I could not tell. Afterwards I learned that she was a widow and poor, that she lived by the labor of those pretty fingers which I had seen dabbling in the water. Further than that, Madame de Meilhan knew nothing, her remarks were confined to indulgent suppositions and benevolent comments. A woman so young, so beautiful, so poor, working for her livelihood, must be a noble and pure creature. I felt for her a respectful pity, which her appearance in the drawing-room in all the magnificence of her beauty, grace and youth, changed into extravagant admiration. Our eyes met as if we had a secret between us; she appeared, and I yielded to the charm of her presence. Edgar observed that she was his mother's companion, who would remain with her until he married. The wretch! if he had not written such fine verses, I would have strangled him on the spot. I sat opposite her at dinner, and could observe her at my ease. She appeared like a young queen at the board of one of her great vassals. Grave and smiling, she spoke little, but so to the point, and in so sweet a voice, that I cherished in my heart every word that fell from her lips, like pearls from a casket. I also was silent and was astonished, that when she did not speak, any one should dare to open his lips before her. Edgar's witty sallies seemed to be in the worst possible taste, and twenty times I was on the point of saying to him: "Edgar, do you not see that the queen is listening to you?"

At dessert, as the general was preparing to manoeuvre the artillery of the siege, every one rose precipitately, to escape the capture and pillage of Lubeck. Edgar rushed into the park, the guests dispersed; and while Madame de Meilhan, bearing with heroic resignation the inconveniences attached to her dignity as mistress of the house, fought by the general's side like Clorinde by the side of Argant, I found myself alone, with the young widow, upon the terrace of the château. We talked, and a powerful enchantment compelled me to surrender my soul into her keeping. I amazed myself by confiding to her what I had never told myself.

My most cherished and hidden feelings were drawn irresistibly forth from the inmost recesses of my bosom. When I spoke, I seemed to translate her thoughts; when she in turn replied, she paraphrased mine. In less than an hour I learned to know her. She possessed, at the same time, an experimental mind, which could descend to the root of things, and a tender and inexperienced heart which life had never troubled. Theoretically she was governed by a lofty and precocious reason ripened by misfortune; practically, she was swayed by the dictates of an innocent and untried soul. Until now, she has lived only in the activity of her thoughts; the rest of her being sleeps, seeks or awaits. Who is she? She is not a widow. Albert Guérin is not her name; she has never been married. Where Madame de Meilhan hesitates, I doubt, I decide. How does it happen that the mystery with which she is surrounded has to me all the prestige and lustre of a glowing virtue? How is it that my heart rejoices at it when my prudence should take alarm? Another mystery, which I do not undertake to explain. All that I know is, that she is poor, and that if I had a crown I should wish to ennoble it by placing it upon that lovely brow.

Do not tell me that this is madness; that love is not born of a look or a word, that it must germinate in the heart for a season before it can bear fruit. Enthusiasts live fast. They reach the same end as reason, and by like paths; only reason drags its weary length along, while enthusiasm flies on eagle's wing. Besides, this love has long since budded; it only sought a heart to twine itself around. Is it love? I deceive myself perhaps. Whence this feeling that agitates me? this intoxication that has taken possession of me? this radiance that dazzles me? I saw her again, and the charm increased. How you would love her! how my mother would have loved her!

In the midst of these preoccupations I have not forgotten, madame, the instructions that you gave me. That you are interested in Mademoiselle de Chateaudun's destiny suffices to interest me likewise. The Prince de Monbert is expected here; I can therefore send you, in a few days, the information you desire taken on the spot. It has been ten years since I have seen the Prince; he has a brilliant mind and a loyal heart, and he has, in his life, seen more tigers and postilions than any other man in France. I will scrupulously note any change that ten years' travel may have brought about in his manner of thinking and seeing; but I believe that I can safely declare beforehand, that nothing can be found in his frank nature to justify the flight of the strange and beautiful heiress.

Accept, madame, my respectful homage.

RAYMOND DE VILLIERS.

XXII.

ROGER DE MONBERT _to_ M. LE COMTE DE VILLIERS, Pont de l'Arche (Eure).

Rouen, July 10th 18--.

Very rarely in life do we receive letters that we expect; we always receive those that we don't expect. The expected ones inform us of what we already know; the unexpected ones tell us of things entirely new. A philosopher prefers the latter--of which I now send you one.

I passed some hours at Richeport with you and Edgar, and there I made a discovery that you must have made before me, and a reflection that you will make after me. I am sixty years old in my feelings--travel ages one more than anything else--you are twenty-five, according to your baptismal register. How fortunate you are to have some one able to give you advice! How unfortunate I am that my experience has been sad enough to enable me to be that one to give it! But I have a vague presentiment that my advice will bring you happiness, if followed. We should never neglect a presentiment. Every man carries in him a spark of Heaven's intelligence--it is often the torch that illumines the darkness of our future. This is called presentiment.

Read attentively, and do not disturb yourself about the end. I must first explain by what means of observation I made my discovery. Then the dénoûement will appear in its proper place, which is not at the beginning.

The following is what I saw at the Château de Richeport. You did not see it, because you were an actor. I was merely a spectator, and had that advantage over you.

You, Edgar, and myself were in the parlor at noon. It is the hour in the country when one takes shelter behind closed blinds to enjoy a friendly chat. One is always sad, dreamy, meditative at this hour of a lovely summer-day, and can speak carelessly of indifferent things, and at the same time have every thought concentrated upon one beloved object. These are the mysteries of the _Démon de Midi_, so much dreaded by the poet-king.

There was in one corner of the room a little rosewood-table, so frail that it could be crushed by the weight of a man's hand. On this table was a piece of embroidery and a crystal vase filled with flowers. Suspended over this table was a copy of Camille Roqueplan's picture: "_The Lion in Love_." In the recess near the window was a piano open, and evidently just abandoned by a woman; the little stool was half-overturned by catching in the dress of some one suddenly rising, and the music open was a soprano air from _Puritani_:--

"Vien diletto, in ciel e luna, Tutto tace intorno...."

You will see how by inductions I reached the truth. I don't know the woman of this piano; I nevertheless will swear she exists. Moreover, I know she is young, pretty, has a good figure, is graceful and easy in her manner, and is adored by some one in the château. If any ordinary woman had left her embroidery on the table, if she had upset the stool in leaving the piano, two idle nervous young men like yourselves would from curiosity and ennui have examined the embroidery, disarranged the vase of flowers, picked up the stool, and closed the piano. But no hand dared to meddle with this holy disorder under pretext of arranging it. These evidences, still fresh and undisturbed, attest a respect that belongs only to love.

This woman, to me unknown, is then young and pretty, since she is so ardently loved, and by more than one person, as I shall proceed to prove. She has a commanding figure, because her embroidery is fine. I know not if she be maid or wife, but this I do know, if she is not married, the vestiges that she left in the parlor indicate a great independence of position and character. If she is married, she is not governed by her husband, or indeed she may be a widow.

Allow me to recall your conversation with Edgar at dinner. Hitherto I have remarked that in all discussions of painting, music, literature and love, your opinions always coincided with Edgar's; to hear you speak was to hear Edgar, and _vice versa_. In opinions and sentiments you were twin-brothers. Now listen how you both expressed yourselves before me on that day.

"I believe," said Edgar, "that love is a modern invention, and woman was invented by André Chénier, and perfected by Victor Hugo, Dumas and Balzac. We owe this precious conquest to the revolution of '89. Before that, love did not exist; Cupid with his bow and quiver reigned as a sovereign. There were no women, there were only _beauties_.

"O, miracle des belles, Je vous enseignerais un nid de tourterelles."

"These two lines have undergone a thousand variations under the pens of a thousand poets. Women were only commended for their eyes--very beautiful things when they _are_ beautiful, but they should not be made the object of exclusive admiration. A beauty possessing no attraction but beautiful eyes would soon lose her sway over the hearts of men. Racine has used the words _eye_ and _eyes_ one hundred and sixty-five times in _Andromache_. Woman has been deprived of her divine crown of golden or chestnut hair; she has been dethroned by having it covered with white powder. We have avenged woman for her long neglect; we have preserved the _eyes_ and added all the other charms. Thus women love us poets; and in our days Orpheus would not be torn to pieces by snowy hands on the shores of the Strymon."

"Ah! that is just like you, Edgar," you said, with a sad laugh and a would-be calm voice. "At dessert you always give us a dish of paradoxes. I myself greatly prefer Montmorency cherries."

Some minutes after Edgar said:

"The other day I paid a visit to Delacroix. He has commenced a picture that promises to be superb; my dear traveller, Roger, it will possess the sky you love--pure indigo, the celestial carpet of the blue god."

"I abhor blue," you said; "I dread ophthalmia. Surfeit of blue compels the use of green spectacles. I adore the skies of Hobbema and Backhuysen; one can look at them with the naked eye for twenty years, and yet never need an oculist in old age."

After some rambling conversation you uttered an eulogy on a sacred air of Palestrina that you heard sung at the Conservatory concert. When you had finished, Edgar rested his elbows on the table, his chin on his hand, and let fall from his lips the following words, warmed by the spiritual fire of his eyes.

"I have always abhorred church-music," said he. "Sacred music is proscribed in my house as opium is in China. I like none but sentimental music. All that does not resemble in some way the _Amor possente nome_ of Rossini must remained buried in the catacombs of the piano. Music was only created for women and love. Doubtless simplicity is beautiful, but it so often only belongs to simple people.

"Art is the only passion of a true artist. The music of Palestrina resembles the music of Rossini about as much as the twitter of the swallow resembles the song of the nightingale."