The Crest-Wave of Evolution A Course of Lectures in History, Given to the Graduates' Class in the Raja-Yoga College, Point Loma, in the College-Year 1918-19

Part 31

Chapter 313,970 wordsPublic domain

Thus victorious, he cried out to the vanquished that no appeal for mercy would be unheard; that he fought not against the defeated, the worn-out, the wounded, or "a woman born." Hearing this, Krishna advised Arjuna that the chance to turn the tide had come. The young Sikhandin had been born a woman, and changed afterwards by the Gods into a man. Let Sikhandin fight in the forefront of the battle, and the Pandavas would win, and Bhishma be slain.--Arjuna, who loved Bhishma as dearly as Bhishma loved him and his brothers, protested; but Krishna announced that Bhishma was so doomed to die, and on the following day; a fate decreed, and righteously to be brought about by the stratagem. So it happened:

"Bhishma viewed the Pandav forces with a calm unmoving face; Saw not Arjun's bow Gandiva, saw not Bhima's mighty mace; Smiled to see the young Sikhandin rushing to the battle's fore Like the white foam on the billow when the mighty storm winds roar; Thought upon the word he plighted, and the oath that he had sworn, Dropt his arms before the warrior that was, but a woman born;"

--and so, was slain.... and the chiefs of both armies gathered round and mourned for him.--Now it seems to me that the poets who viewed sympathetically the magnanimity of Bhishma, which meets you on the plane of simple human action and character, would not have viewed sympathetically, or perhaps conceived, the strategem advised by Krishna,--which you have to meet, to find it acceptable, on the planes of metaphysics and symbolism.

There is a quality in it you do not find in the _Illiad._ Greek and Trojan champions, before beginning the real business of their combats, do their best to impart to each other a little valuable self-knowledge: each reveals carefully, in a fine flow of hexameters, the weak points in his opponent's character. They are equally eloquent about their own greatnesses, which stir their enthusiasm highly;--but as to faults, neither takes thought for his own; each concentrates on the other's; and a war of words is the appetiser for the coming banquet of deeds. Before fighting Hector, Achilles reviled him; and having killed him, dragged his corpse shamefully round the walls of Troy. But Bhishma, in his victorious career, has nothing worse to cry to his enemies than--_Valiant are ye, noble princes!_ and if you think of it on the unsymbolic plane, there is a certain nobility in the Despondency of Arjuna in the _Bhagavad-Gita._

Says the _Encyclopaedia Brittanica:_

"To characterize the Indian Epics in a single word: though often disfigured by grotesque fancies and wild exaggerations, they are yet noble works, abounding in passages of remarkable descriptive power; and while as works of art they are far inferior to the Greek epics, in some respects they appeal far more strongly to the romantic mind of europe, namely, by the loving appreciation of natural beauty, their exquisite delineation of womanly love and devotion, and their tender sentiment of mercy and forgiveness."

--Precisely because they come from a much higher civilization that the Greek. From a civilization, that is to say, older and more continuous. Before Rome fell, the Romans were evolving humanitarian and compassionate ideas quite unlike their old-time callousness. And no, it was not the influence of Christianity; we see it in the legislation of Hadrian for example, and especially in the anti-Christian Marcus Aurelius. These feeling grow up in ages unscarred by wars and human cataclysms; every war puts back their growth. The fall of Rome and the succeeding pralaya threw Europe back into ruthless barbarity. In the eighteenth and nineteenth centuries humanism began to grow again; and has been gaining ground especially since H. P. Blavatsky began her teaching. But not much more than a century ago they were publicly hanging, drawing, and quartering people in England; crowds were gathering at Tyburn or before the Old Bailey to enjoy an execution. We have hardly had four generations in Western Europe in which men have not been ruthless and brutal barbarians with a sprinkling of fine spirits incarnate among them; no European literature yet has had time to evolve to the point where it could portray a Yudhishthira, at the end of a national epic, arriving at the gates of heaven with his dog,--and refusing to enter because the dog was not to be admitted. There have been, with us, too great ups and downs of civilization; too little continuity. We might have grown to it by now, had that medieval pralaya been a quiet and natural thing, instead of what it was:-- a smash-up total and orgy of brutalities come as punishment for our sins done in the prime of manvantara.

A word or two as to the _Ramayana._ Probably Valmiki had the other epic before his mental vision when he wrote it; as Virgil had Homer. There are parallel incidents; but his genius does not appear in them;--he cannot compete in their own line with the old Kshattriya bards. You do not find here so done to the life the chargings of lordly tuskers, the gilt and crimson, the scarlet and pomp and blazonry, of war. The braying of the battle conches is muted: all is cast in a more gentle mold. You get instead the forest and its beauty; you get tender idylls of domestic life.--This poem, like the _Mahabharata,_ has come swelling down the centuries; but whereas the latter grew by the addition of new incidents, the _Ramayana_ grew by the re-telling of old ones. Thus you may get book after book telling the same story of Rama's life in the forest-hermitage by the Godavari; each book by a new poet in love with the gentle beauty of the tale and its setting, and anxious to put them into his own language. India never grows tired of these Ramayanic repetitions. Sita, the heroine, Rama's bride, is the ideal of every good woman there; I suppose Shakespeare has created no truer or more beautiful figure. To the _Mahabharata,_ the _Ramayana_ stands perhaps as the higher Wordsworth to Milton; it belongs to the same great age, but to another day in it. Both are and have been wonderfully near the life of the people: children are brought up on them; all ages, castes, and conditions make them the staple of their mental diet. Both are semi-sacred; neither is quite secular; either relates the deeds of an avatar of Vishnu; ages have done their work upon them, to lift them into the region of things sacrosanct.

And now at last we come to the age of King Vikramaditya of Ujjain,--to the Nine Gems of Literature,--to a secular era of literary creation,--to the Sanskrit Drama, and to Kalidisa, its Shakespeare;--and to his masterpiece, _The Ring of Sakoontala._

There is a tendency with us to derive all things Indian from Greek sources. Some Greek writer says the Indians were familiar with Homer; whereupon we take up the cry,--The _Ramayana_ is evidently a plagiarism from the _Iliad;_ the abduction of Sita by Ravan, of the abduction of Helen by Paris; the siege of Lanka, of the siege of Troy. And the _Mahabharata_ is too; because,--because it must be; there's a deal of fighting in both. (So Macedon plagiarized its river from Monmouth.) We believe a Greek at all times against an Indian; forgetting that the Greeks themselves, when they got to India, were astounded at the truthfulness of the people they found there. Such strained avoidance of the natural lie,--the harmless, necessary lie that came so trippingly to a Greek tongue,--seemed to them extraordinary.--So too our critics naturally set out from the position that the Indian Drama must have been an offshoot or imitation of the Greek. But fortunately that position had to be quitted _toute de suite;_ for the Indian theory is much nearer the English than the Greek;--much liker Shakespeare's than Aeschylus's. _Sakoontal_ is romantic; it came in a Third or Alawn Period; of all Englishmen, Keats might most easily have written it; if _Endymion_ were a play, _Endymion_ would be the likest thing to it in English. You must remember that downward trend in the Great Cycle; that make each succeeding period in Sanskrit literature a descent from the heights of esotericism towards the personal plane. That is what brings Kalidasa on to a level with Keats.

Behind _Sakoontala,_ as behind _Endymion,_ there is a Soul-symbol; only Kalidasa, like Keats, is preoccupied in his outer mind more with forest beauty and natural magic and his romantic tale of love. It marks a stage in the descent of literature from the old impersonal to the modern personal reaches: from tales told merely to express the Soul-Symbol, to tales told merely for the sake of telling them. The stories in the _Upanishads_ are glyphs pure and simple. In the epics, they have taken on much more human color, though still exalting and ennobling,--and all embodying, or molded to, the glyph. Now, in _The Ring of Sakoontala,_--and it is typical of its class,--we have to look a little diligently for the glyph; what impresses us is the stillness and morning beauty of the forest, and,--yes, it must be said.--the emotions, quite personal, of King Dushyanta and Sakoontala, the hero and heroine.

She is a fairy's child, full beautiful; and has been brought up by her foster-father, the yogi Kanwa, in his forest hermitage. While Kanwa is absent, Dushyanta, hunting, follows an antelope into that quiet refuge; finds Sakoontala, loves and marries her. Here we are amidst the drowsy hum of bees, the flowering of large Indian forest blossoms, the scent of the jasmine in bloom; it is what Keats would have written, had his nightingale sung in an Indian jungle.--The king departs for his capital, leaving with Sakoontala a magical ring with power to reawaken memory of her in his heart, should he ever forget. But Durvasas, a wandering ascetic, passes by the hermitage; and Sakoontala, absorbed in her dreams, fails to greet him; for which he dooms her to be forgotten by her husband. She waits and waits, and at last seeks the unreturning Dushyanta at his court; who, under the spell of Durvasas, fails to recognise her. If what she claims is true, she can produce the ring?--But no; she has lost it on her journey through the forest. He repudiates her; whereupon she is caught up by the Gods into the Grove of Kasyapa beyond the clouds.

But the ring had fallen into a stream in the forest, and a fish had swallowed it, and a fisherman had caught the fish, and the police had caught the fisherman .... and so it came into the hands of Dushyanta again; who, at sight of it, remembered all, and was plunged in grief over his lost love.

Years pass, and Indra summons him at last to fight a race of giants that threaten the sovereignty of the Gods. In the course of that warfare, mounting to heaven in the car of Indra, Dushyanta comes to the Grove of Kasyapa, and is reunited with Sakoontala and with their son, now grown into an heroic boy.

As in _The Tempest_ a certain preoccupation with the magical beauty of the island dims the character-drawing a little, and perhaps thereby makes the symbol more distinct,--so in Sakoontala. It is a faery piece: begining in the morning calm and forest magic; then permitting passion to rise, and sadness to follow; ending in the crystal and blue clearness of the upper air. In this we see the basic form of the Soul-Symbol, which is worked out in the incidents and characters. Dushyanta, hunting in the unexplored forest, comes to the abode of holiness, finds and loves Sakoontala;--and from their union is born the perfect hero,--Sarva-Damana, the 'All-tamer.'--Searching in the impersonal and unexplored regions within us, we do at some time in our career of lives come to the holy place, get vision of our Immortal Self; from the union of which with this, our human personality is to be born some time that new being we are to become,--the Perfect Man or Adept. But that first vision may be lost; I suppose almost always is;--and there are wanderings and sorrows, forgetfulness and above all heroic services to be performed, before the final reunion can be attained.

XVI. THE BEGINNINGS OF ROME

We have seen an eastward flow of cycles: which without too much Procrusteanizing may be given dates thus:--Greece, 478 to 348; Maurya India, 320 to 190; Western Han China, 194 to 63; in this current, West Asia, being then in long pralaya, is overleaped. We have also seen a tide in the other direction; it was first Persia that touched Greece to awakenment; and there is that problematical Indian period (if it existed), thirteen decades after the fall of the Mauryas, and following close upon the waning of the first glory of the Hans. So we should look for the Greek Age to kindle something westward again, sooner or later;-- which of course it did. 478 to 348; 348 to 218; 218 to 88 B.C.; 88 B.C. to 42 A. D.: we shall see presently the significance of those latter dates in Roman history. Meanwhile to note this: whereas Persia woke Greece at a touch, thirteen decades elapsed before Greece began to awake Italy. It waited to do so fully until the Crest-Wave had sunk a little at the eastern end of the world; for you may note that the year 63 B.C., in which Han Chaoti died, was the year in which Augustus was born.

With him in the same decade came most of the luminaries that made his age splendid: Virgil in 70; Horace in 65; Vipsanius Agrippa in 63; Cilnius Maecenas in what precise year we do not know. The fact is that the influx of vigorous light-bearing egos, as it decreased in China, went augmenting in Italy: which no doubt, if we could trace it, we should find to be the kind of thing that happens always. For about four generations the foremost souls due to incarnate crowd into one race or quarter of the globe; then, having exhausted the workable heredity to be found there,--_used up_ that racial stream,--they must go elsewhere. There you have the _raison d'etre,_ probably, of the thirteen-decade period. It takes as a rule about four generations of such high life to deplete the racial heredity for the time being,--which must then be left to lie fallow. So now, America not being discovered, and there being no further eastward to go, we must jump westward the width of two continents (nearly), and (that last lecture being parenthetical as it were) come from Han Chaoti's death to Augustus' birth, from China to Rome.

But before dealing with Augustus and the Roman prime, we must get some general picture of the background out of which he and it emerged: this week and next we must give to early and to Republican Rome. And here let me say that these two lectures will be, for the most part, a very bare-faced plagiarism; summarizing facts and conclusions taken from a book called _The Grandeur that was Rome,_ by Mr. J. C. Stobart, of the English Cambridge. One greatest trouble about historical study is, that it allows you to see no great trends, but hides under the record of innumerable fidgety details the real meanings of things. Mr. Stobart, with a gift of his own for taking large views, sees this clearly, and goes about to remedy it; he does not wander with you through the dark of the undergrowth, labeling bush after bush; but leads you from eminence to eminence, generalizing, and giving you to understand the broad lie of the land: he makes you see the forest in spite of the trees. As this is our purpose, too, we shall beg leave to go with him; only adding now and again such new light as Theosophical ideas throw on it;--and for the most part, to avoid a tautology of acknowledgments, or a plethora of footnotes in the PATH presently, letting this one confession of debt serve. The learning, the pictures, the marshaling of facts, are all Mr. Stobart's.

In the fifth and sixth centuries A. D., when the old manvantara was closing, Europe was flung into the Cauldron of Regeneration. Nations and fragments of nations were thrown in and tossing and seething; the broth of them was boiling over, and,--just as the the Story of Taliesin, flooding the world with poison and destruction: and all that a new order of ages might in due time come into being. One result that a miscellany of racial heterogeneities was washed up into the peninsular and island extremities of the continent. In the British you had four Celtic and a Pictish remnant,--not to mention Latins galore,--pressed on by three or four sorts of Teutons. In Spain, though it was less an extremity of Europe than a highway into Africa, you had a fine assortment of odds and ends: Suevi, Vandals, Goths and what not; superimposed on a more or less homogenized collection of Iberians, Celts, Phoenicians, and Italians;--and in Italy you had Italians broken up into numberless fragments, and overrun by all manner of Lombards, Teutons, Slavs, and Huns. Welded by cyclic stress, presently first England, then Spain, and lastly Italy, became nations; in all three varying degrees of homogeneity being attained. But the next peninsula, the Balkan, has so far reached no unity at all; it remains to this day a curious museum of racial oddments, to the sorrow of European peace; and each of them represents some people strong in its day, and perhaps even cultured.

What the Balkan peninsula has been in our own time, the Apennine peninsula was after the fall of Rome, and also before the rise of Rome: a job-lot of race-fragments driven into that extremity of Europe by the alarms and excursions of empires in dissolution whose history time has hidden. The end of a manvantara, the break-up of a great civilization and the confusion that followed, made the Balkans what they are now, and Italy what she was in the Middle Ages. The end of an earlier manvantara, the break-up of older and forgotten civilizations, made Italy what she was in the sixth century B.C. Both peninsulas, by their mere physical geography, seem specially designed for the purpose.

Italy is divided into four by the Apennines, and is mostly Apennines. Everyone goes there: conquerors, lured by the _dono fatale,_ and for the sake of the prizes to be gathered; the conquered, because it is the natural path of escape out of Central Europe. The way in is easy enough; it is only the way out that is difficult. The Alps slope up gently on the northern side; but sharply fall away in grand precipices on the southern. There, too, they overlook a region that would always tempt invaders: the great rich plain the Po waters; a land no refugees could well hope to hold. It has been in turn Cisalpine Gaul, the Plain of the Lombards, and the main part of Austrian Italy; this thrice a possession of conquerors from the north. It is the first of the four divisions.

There never would be safety in it for refugees; you would not find in it a great diversity of races living apart; conquerors and conquered would quickly homogenize,--unless the conquerors had their main seat in, and remained in political union with, transalpine realms. Refugees would still and always have to move on, if they desired to keep their freedom. Three ways would be open to them, and three destinies, according to which way they chose. They might go down into the long strip of Adriatic coastland, where there are no natural harbors--and remain isolated and unimportant between the mountain barrier and the sea. Those who occupied this _cul de sac_ have played no great part in history: the isolated never do.--Or they might cross the Apennines and pour down into the lowlands of Etruria and Latium, where are rich lands, some harbors, and generally, fine opportunities for building up a civilization. Draw-backs also, for a defeated remnant: Etruria is not too far from Lombardy to tempt adventurers from the north, the vanguard of the conquering people;--although again, the Apennine barrier might make their hold on that middle region precarious. They might come there conquering; but would form, probably, no very permanent part of the northern empire: they would mix with the conquered, and at any weakening northward, the mixture would be likely to break away. So Austria had influence and suzerainty and various crown appanages in Tuscany; but not such settled sway as over the Lombard Plain. Then, too, this is a region that, in a time of West Asian manvantara and European pralaya, might easily tempt adventurers from the Near East.

But the main road for true refugees is the high Apennines; and this is the road most of them traveled. Their fate, taking it, would be to be pressed southward along the backbone of Italy by new waves and waves of peoples; and among the wild valleys to lose their culture, and become highlandmen, bandit tribes and raiding clans; until the first comers of them had been driven down right into the hot coastlands of the heel and toe of Italy. Great material civilizations rarely originate among mountains: outwardly because of the difficulty of communications; inwardly, I suspect, because mountain influences pull too much away from material things. Nature made the mountains, you may say, for the special purpose of regenerating effete remnants of civilizations. Sabellians and Oscans, Samnites and Volscians and Aequians and dear knows what all:--open your Roman Histories, and in each one of the host of nation-names you find there, you may probably see the relic of some kingdom once great and flourishing north or south of the Alps;--just as you can in the Serbians, Roumanians, Bulgars, Vlachs, and Albanians in the next peninsula now.

One more element is to be considered there in the far south. Our Lucanian and Bruttian and Iapygian refugees,--themselves, or some of them, naturally the oldest people in Italy, the most original inhabitants,--would find themselves, when they arrived there, very much de-civilized; but, because the coast is full of fine harbors, probably sooner or later in touch with settlers from abroad. It is a part that would tempt colonists of any cultured or commercial peoples that might be spreading out from Greece or the West Asian centers or elsewhere; and so it was Magna Graecia of old, and a mixing-place of Greek and old Italian blood; and so, since, has been held by Saracens, Normans, Byzantines, and Spaniards.

The result of all this diversity of racial elements would be that Italy could only difficultly attain national unity at any time; but that once such unity was attained, she would be bound to play an enormous part. No doubt again and again she has been a center of empire; it is always your ex-melting-pot that is.

Who were the earliest Italians? The earliest, it least, that we can guess at?--Once on a time the peninsula was colonized by folk who sailed in through the Straits of Gibraltar from Ruta and Daitya, those island fragments of Atlantis; and (says Madame Blavatsky) you should have found a pocket of these colonists surviving in Latium, strong enough for the most part to keep the waves of invaders to the north of them, and the refugees to the high Apennines. Another relic of them you would have found, probably, driven down into the far south; and such a relic, I understand, the Iapygians were.