Chapter 38

He tried to revive the patriciate; he wanted to have, cooperating with him, a governing class with the ancient sense of responsibility and turn for affairs. But what survived of the old aristocracy was wedded to the tradition of Republicanism, which meant oligarchy, and doing just what you liked or nothing at all. The one thing they were not prepared to do was to cooperate in saving Rome. At first they showed some eagerness to flatter him; but found that flattery was not what he wanted. Then they were inclined to sulk, and he had to get them to pass a law making attendance at the senate compulsory. Mean views as to his motives have become traditional; but the only view the facts warrant is this: he lent out his personality, not ungrudgingly, to receive the powers and laurels that must fall upon the central figure in the state, while ever working to vitalize what lay outward from that to the circumference, that all Romans might share with him the great Roman responsibility of running and regenerating the world. Where there was talent, he opened a way for it. He made much more freedom than had ever been under the Republic; gave all classes functions to perform; and curtailed only the freedom of the old oligarchy to fleece the provinces and misdirect affairs.

And meanwhile the old Rome that he found on his return in 29,-- brick-built ignobly at best, and now decaying and half in ruins, --was giving place to a true imperial city. In 28, eighty-two temples were built or rebuilt in marble; among the rest, one to Apollo on the Palatine, most magnificent, with a great public library attached. The first public library in Rome had been built by Asinius Pollio nine years before; soon they became common. Agrippa busied himself building the Pantheon; also public baths, of which he was responsible for a hundred and seventy within the limits of the city. Fair play to the Romans, they washed. All classes had their daily baths; all good houses had hot baths and swimming-tanks. The outer Rome he found in brick and left in marble:--but the inner Rome he had to rebuild was much more ruinous than the outer; as for the material he found it built of--well, it would be daring optimism and euphemism to call those Romans _bricks_--says someone.

Time had brought southern Europe to the point where national distinctions were disappearing. No nation could now stand apart. Greek or Egyptian or Gaul, all were, or might be, or soon would be, Romans; and if any ego with important things to say should incarnate anywhere, what he said should be heard all round the Middle Sea. This too is a part of the method of natural Law; which now splits the world into little fragments, the nations, and lets them evolve apart, bringing to light by the intensive culture of their nationalisms what hidden possibilities lie latent in their own soils and atmospheres;--an anon welds them into one, that all these accomplished separate evolutions may play upon each other, interact,--every element quickening and quickened by the contact. In the centrifugal or heterogenizing cycles national souls are evolved; in the centripetal or homogenizing they are given freedom to affect the world. We have seen what such fusion meant for China; perhaps some day we may see what such fusion may mean for the world entire. In Augustus' time, fusion was to do something for the Mediterranean basin. If he had been an Occultist, to know it, his great cards lay in Italy and Spain: the former with her cycle of productiveness due to continue, shall we say until about 40 A.D.?--the latter with hers due soon to begin.

Well, it does look rather as if he knew it. We shall see presently how he dealt with Italy; within two years of his triumph he was turning his attention to Spain, still only partly conquered. We may picture that country, from its first appearance in history until this time we are speaking of, as in something like modern Balkan conditions. Hamilcar Barca, a great proud gentlman, the finest fruit of an ancient culture, had thought no scorn to marry a Spanish lady; as a king of Italy nowadays found it nowise beneath him to marry a Montenegrin princess. In either case it meant no unbridgable disparity in culture. Among any of the Spanish people you should have found men who would have been at home in Greek or Carthaginian drawing-rooms, so to say; though the break-up of a forgotten civilization there had left the country in fragments and small warfares and disorder. If you read the earliest Spanish accounts of their conquests in the new world, you cannot escape the feeling that, no such long ages ago, Spain was in touch with America; not so many centuries, say, before Hamilcar went to Spain. Such accounts are no doubt unscientific; but may be the more intuitional and true and indicative for that. When Augustus turned his eyes on Spain, Basque and Celtic chieftains in the northern mountains and along the shores of Biscay, the semi-decivilized _membra disjecta_ of past civilizations, were always disposed to make trouble for the Roman south. He could not have left them alone, except at the cost of keeping huge garrisons along the border, with perpetual alarms for the province. So he went there in person, and began the work of conquering those mountains in B.C. 27. It was a long and difficult war with hideous doings on both sides: the Romans crucified the Spaniards, and the Spaniards jeered at them from their crosses. This because Augustus was too sick to attend to things himself; half the time he was at death's door. Not till he could afford to take Agrippa from work elsewhere was any real progress made. But at one point we see his own hand strike into it; and the incident is very instructive.

Spain had her Vercingetorix in one Corocotta, a Celt who kept all Roman efforts useless and all Roman commanders tantalized and nervous till a reward of fifty thousand dollars was offered for his capture. Augustus, recovered a little, was in camp; and things were going ill with the Spainiards. One day an important-looking Celt walked in, and demanded to see the Caesar upon business connected with the taking of Corocotta. Led into the Caesar's presence, he was asked what he wanted.--"Fifty-thousand dollars," said he; "I am Corocotta." Augustus laughed long and loud; shook hands with him heartily; paid him the money down, and gave him his liberty into the bargain; whereafter soon this _Quijote espanol_ married a Roman wife, and as Caius Julius Corocottus "lived happily ever after." It was a change from the 'generous' Julius' treatment of Vercingetorix; but that Rome profited by the precedent thus established, we may judge from Claudius' treatment of the third Celtic hero who fell into Roman hands,--Caradoc of Wales.

Spain was only one of the many places where the frontier had to be settled. The empire was a nebulous affair; you could not say where it began and ended; and to bring all out of this nebulosity was one of the labors that awaited Augustus. Even a Messenger of the Gods is limited by the conditions he finds in the world; and is as great as his age will allow him to be. Though an absolute monarch, he cannot change human nature. He must concentrate on points attackable, and do what he can; deflect currents in the right direction; above all, sow ideals, and wait upon the ministrations of time. He must take conditions as he finds them, following the lines of least resistance. It is nothing to him that posterity may ask, Why did he not change this or that?--and add he was no better than he should be. At once to change outer things and ways of feeling that have grown up through centuries is not difficult but impossible; and sometimes right courses, violently taken, are wronger than wrong ones. Augustus was a man of peace, if anybody ever was, yet (as in Spain) made many wars. The result of this Spanish conquest was that the Pax Romana came into Spain, bringing with it severa centuries of high prosperity; the world-currents flowed in there at once and presently the light of Spain, such as it was at that time, shone out over the Roman world. Most of the great names of the first century A.D. are those of Spaniards.

After Spain, the most immediate frontier difficulty was with Parthia; and there Augustus won his greatest victory. At Carrhae the Parthians had routed Crassus and taken the Roman eagles. Rome was responsible for the provinces of Asia; and she was nominally at war with Parthia,--so those provinces were in trim to be overrun at any time. The war, then, must be finished; and could Rome let it end on terms of a Parthian victory? Where (it would be argued) would then be Roman prestige? Where Roman authority (a more real and valuable thing)? Where the Pax Romana?--All very true and sound; everybody knew that for the war to reopen was only a question of time;--Julius had been on the point of marching east when the liberators killed him. Yes, said Augustus; the matter must be attended to. But Parthia was a more of less civilized power: a state at least with an established central government; and when you have that, there is generally the chance to settle things by tact instead of by fighting. He found a means. He opened negotiations, and brought all his tact to bear. He was the chief, and a bridge again. Over which presently came Phraates king of Parthia, amenable and well-disposed, to return the eagles and such of the prisoners as were still alive. Rome had won back her prestige; Parthia was undegraded; peace had won a victory that war would have spent itself in vain striving after.

But the frontier was enormous, and nowhere else marched with that of an established power. There was no winning by peace along that vast northern line from the Black to the North Sea, at the most vital spot of which an unlucky physical geography makes Italy easily invadable and rather hard to defend. Negotiations would not work here, since there was no union to negotiate with; only ebullient German tribes whose game was raiding and whose trade plunder. So the Alps had to be held, and a line drawn somewhere north of them,--say along the Danube and the Rhine or Elbe; a frontier that could be made safe with a minimum of soldiers. All this he did; excluding adventurous schemes: leaving Britain, for example, alone;--and was able to reduce the army, before he died, to a mere handful of 140,000 men.--Varus and his lost legions? Well; there is something to be said about that. Augustus was old, and the generals of the imperial family, who knew their business, were engaged elsewhere. And Germany was being governed by a good amiable soul by the name of Quintilius Varus, who persisted in treating the Germans as if they had been civilized Italians. And there was a young Cheruscan who had become a Roman citizen, spoke Latin fluently, and had always been a good ally of Rome. His Latin cognomen was Arminius; of which German patriotism has manufactured a highly improbable _Hermann._ The trustful Varus allowed himself to be lured by this seemingly so good friend into the wilds of the Saltus Teutobergiensis, where the whole power of the Cheruscans fell on and destroyed him. Then Tiberius came, and put the matter right; but there was an ugly half hour of general panic first. There had been no thought of adding Germany to the empire but only as to whether the frontier should be on the Elbe or the Rhine. Varus' defeat decided Augustus for the Rhine.

Now we come to what he did for Italy: his second trump card, if we call Spain his first. Spain belonged to the future, Italy to the present. Her cycle was half over, and she had done nothing (in B.C. 29) very worthy with it. First, an effort should be made towards the purificatior of family-life: a pretty hopeless task, wherein at last he was forced to banish his own daughter for notorious evil-living. He made laws; and it may be supposed that they had some effect _in time._ A literary impulse towards high dignified ideals, however, may be much more effective than laws. He had Maecenas with his circle of poets.

Of course, poetry written to order, or upon imperial suggestion, is not likely to be of the highest creative kind. But the high creative forces were not flowing in that age; and we need not blame Augustan patronage for the limitations of Augustan literature. There is no time to argue the question; this much we may say: the two poets who worked with the emperor, and wrote under his influence and sometimes at his suggestion, left work that endures in world-literature; that is noble and beautiful, and still interesting. I mean Virgil and Horace, of course. Ovid, who was not under that influence, but of the faction opposed to it, wrote stuff that it would be much better were lost entirely.

The poet's was the best of pulpits, in those days: poets stood much nearer the world then than for all the force of the printing-press they can hope to do now. So, if they could preach back its sacredness to the soil of Italy; if they could recreate the ideal of the old agricultural life; something might be done towards (among other things) checking the unwholesome crowding to the capital,--as great an evil then as now. Through Maecenas and directly Augustus influenced Virgil, the laureate; who responded with his _Georgics._

It is a wonderful work. Virgil was a practical farmer; he tells you correctly what to do. But he makes a work of art of it all poetical. He suffuses his directions for stock-raising and cabbage-hoeing with the light of mythology and poetry. He gives you the Golden Age and Saturn's Italy, and makes the soil seem sacred. He had the Gaul's feeling for grace and delicacy, and brought in Celtic beauty to illumine the Italian world. The lines are impregnated with the soul, the inner atmosphere, of the Italian land; full of touches such as that lovely

_Muscosi fontes et somno mollior herba,_

of violets and popies and narcissus; quinces and chestnut trees. All that is of loveliness in rural (and sacred) Italy is there; the landscapes are there, still beautiful; and the dignity and simplicity of the old agricultural life. It is a practial treatise on farming; yet a living poem.

Horace too played up for his friend Maecenas and for Caesar. Maecenas gave him that Sabine farm; and Horace made Latin songs to Greek meters about it: made music that is a marvel to this day, so that it remains a place of pilgrimage, and you can still visit, I believe, that

_fons Bandusia splendidiot vitro_

that he loved so well and set such sweet music to. He give you that country as Virgil gives you the valley vistas, not unfringed with mystery, of Appenines and the north. Between them, Italy is there, as it had never been interpreted before. If--in Virgil at least--there is a direct practical purpose, there is no less marvelous art and real vision of Nature.

And then Augustus set both of them to singing the grandeur of Rome; to making a new patriotism with their poetry; to inspiring Roman life with a sense of dignity,--a thing it needed sorely: Virgil in the _Aeneid_ (where also, as we have seen, he taught not a little Theosophy); Horace in the _Carmen Saeculare_ and some of the great Odes of the third and fourth books. The lilt of his lines is capable of ringing, and does so again and again, into something very like the thrill and resonance of the Grand Manner. Listen for it especially in the third and fourth lines of this:

_Quid debeas, o Roma, Neronibus Testis Metaurum flumen et Hasdrubal Devictus, et pulcher fugatis Ille dies Latio tenebris._

I am not concerned here to speak of his limitations; nor of Virgil's; who, in whatever respect the _Aeneid_ may fall short, does not fail to cry out in it to the Romans. Remember the dignity and the high mission of Rome!--By all these means Augustus worked towards the raising of Roman ideals.

To that end he wrote, he studied, he made orations. He searched the Latin and Greek literatures; and any passage he came on that illumined life or tended towards upliftment, he would copy out and send to be read in the senate; or he would read it there himself to the senators; or publish it as an edict. There is a touch of the Teacher in this, I think. He has given Rome Peace; he is master of the world, and now has grown old. He enjoys no regal splendor, no pomp or retinue; his life is as that of any other senator, but simpler than most. And his mind is ever brooding over Rome, watchful for the ideas that may purify Roman life and raise it to higher levels.

Many things occurred to sadden his old age. His best friends were dead; Varus was lost with his legions; there had been the tragedy of Julia, whom he had loved well, and the deaths of the young princes, her sons. He was a man of extraordinarily keen affections, and all these losses came home to him sorely.

But against every sadness he had his own achievements to set. There was Rome in its marble visibly about him, that he had found in brick and in ruins; Rome now capable of centuries of life, that had been, when he came to it, a ghastly putridity.

XIX. AN IMPERIAL SACRIFICE

"Render unto Caesar the things that are Caesar's"

This is the secret of writing: look at the external things until you see pulsating behind them the rhythm and beauty of the Eternal. Only look for it, and persist in your search, and presently the Universal will be revealed shining through the particular, the sweep of everlasting Law through the little object, and happenings of a day.

Come to history with the same intent and method, and at last things appear in their true light. Here, too, as in a landscape, is the rhythm of the Eternal; here are the Basic Forms. I doubt if the evidence of the annalists is ever worth much, unless they had an eye to penetrate to these. When one sees behind the supposed fact narrated and the judgments pronounced the glimmering up of a basic form, one guesses one is dealing with a true historian.

Recently I read a book called _The Tragedy of the Caesars,_ by the novelist Baring-Gould; and in it the life of a certain man presented in a sense flatly contradictory to the views of nineteen centuries anent that man; but it seemed to me at last an account that had the rhythm, the basic form, showing through. So in this lecture what I shall try to give you will be Mr. Baring-Gould's version of this man's life, with efforts of my own to go further and make quite clear the basic form.

What does one mean by 'basic form'? In truth it is hard to define. Only, this world, that seems such a heterogeneous helter-skelter of mournful promiscuities, is in fact the pattern that flows from the loom of an Eternal Weaver: a beautiful pattern, with its rhythms and recurrences; there is no haphazard in it; it is not mechanical,--yet still flawless as the configuarations of a crystal or the petals of a perfect flower.

The name of the man we are to think of tonight has come down as a synonym for infamy: we imagine him a gloomy and bloodthirsty tyrant; a morose tiger enthroned; a gross sensualist;--well, I shall show you portraits of him, to see whether you can accept him for that. The truth is that aristocratic Rome, degenerate and frivolous, parrot-cried out against the supposed deneracy of the imperial, and for the glories of the old republican, regime; for the days when Romans were Romans, and 'virtuous.' One came to them in whom the (real) ancient Roman honor more appeared than in another man in Italy, perhaps before or since;--and they could not understand the honor, and hated the man. They captured his name in a great net of lies; they breathed a huge fog of lies about him, which come down to us as history. Now to see whether a plain tale may not put them down.

Once more take your stand, please, on the Mountain of the Gods: the time, in or about the year 39 B.C.:--and thence try to envisage the world as Those do who guide but are not involved in the heats and dusts of it. The Western World; in which Rome, _caput mundi,_ was the only thing that counted. _Caput mundi;_ but a kind of idiot head at that: inchoate, without co-ordination; maggots scampering through what might have been the brain; the life fled, and that great rebellion of the many lives which we call decay having taken its place. And yet, it was no true season for Rome to be dead; it was no natural death; not so much decent death at all as the death in life we call madness. For the Crest-Wave men were coming in; it was the place where they should be. The cycle of Italy had begun, shall we say, in 94 B.C., and would end in 36 A.D.; --for convenience one must give figures, though one means only approximations by them;--and not until after that latter date would souls of any caliber cease to be incarnate in Roman bodies. Before that time, then, the madness had to be cured and Rome's mission had to be fulfilled.

The mission was, to homogenize the world. That was the task the Law had in mind for Rome; and it had to be done while the Crest-Wave remained in Italy and important egos were gathered in Rome. Some half dozen strong souls, under the Gods' special agent Octavian, had gone in there to do the work; but the Crest-Wave had flowed into Rome when Rome was already vice-rotten; and how could she expect to run her whole thirteen decades a great and ruling people? None of those strong souls could last out the whole time. Octavian himself, should he live to be eighty, would die and not see the cycle finished: twenty years of it would remain--to be filled by one worthy to succeed him, or how should his work escape being undone? The world must be made homogensous, and Rome not its conqueror and cruel mistress, but its well-respected heart and agreed-on center; and all this must be accomplished, and established firmly, before her cyclic greatness had gone elsewhere:--that is, before 37 A.D.

The Republic, as we have seen, had had its method of ruling the provinces: it was to send out young profligates to fleece and exploit them, and make them hate Rome. This must be changed, and a habit formed of ruling for the benefit of the subject peoples. Two or three generations of provincials must have grown up in love with Rome before the end of the cycle, or the Empire would then inevitably break. By 37 A.D., the Crest-Wave would have left Italy, and would be centering in Spain. Spain, hating Rome, would shake off the Roman yoke; she would have the men to do it;--and the rest of the world would follow suit. Even if Spain should set herself to the Gods' work of union-making, what path should she take towards it? Only that of conquest would be open; and how should she hope to conquer, and then wipe out the evil traces of her conquering, and create a homogeneity, all within her possible cycle of thirteen decades? Rome's great opportunity came, simply because Rome had done the conquering before ever the Crest-Wave struck her; in days when the Crest-Wave was hardly in Europe at all. Even so, it would be a wonder if all could be finished in the few years that remained.