Chapter 14

THE ILLUSION OF DEAD MATTER

The philosophy of the complex vision is based, as I have shown, upon nothing less than the whole personality of man become conscious of itself in the totality of its rhythmic functioning. This personality, although capable of being analysed in its constituent elements, is an integral and unfathomable reality. And just because it is such a reality it descends and expands on every side into immeasurable depths and immeasurable horizons.

We know nothing as intimately and vividly as we know personality and every knowledge that we have is either a spiritual or a material abstraction from this supreme knowledge. This knowledge of personality which is our ultimate truth, implies a belief in the integral and real existence of what we call the soul. And because personality implies the soul and because we have no ultimate conception of any other reality in the world except the reality of personality, therefore we are compelled to assume that every separate external object in Nature is possessed of a soul.

The peculiar psychological melancholy which sometimes seizes us in the presence of inanimate natural objects, such as earth and water and sand and dust and rain and vapour, objects whose existence may superficially appear to be entirely chemical or material, is accounted for by the fact that the soul in us is baffled and discouraged and repulsed by these things because by reason of their superficial appearance they convey the impression of complete soullessness. In the presence of plants and animals and all animate things we are also vaguely conscious of a strange psychological melancholy. But this latter melancholy is of a less poignant character than the former because what we seem superficially conscious of is not "soullessness" but a psychic life which is alien from our life, and therefore baffling and obscure.

In both of these cases, however, as soon as we are bold enough to apply the conclusions we have arrived at from the analysis of the knowledge which is most vivid and real to us, namely, the knowledge of our own soul, this peculiar psychological melancholy is driven away. It is a melancholy which descends upon us when in any disintegrated moment the creative energy in us, the energy of love in us, is overcome by the evil and inertness of the aboriginal malice. Under the influence of this inert malice, which takes advantage of some lapse or ebb of the creative energy in us, the rhythmic activity of our complex vision breaks down; and we visualize the world through the attributes of reason and sensation alone. And the world, visualized through reason and sensation alone, becomes a world of uniform, and homogeneous monotony, made up either of one all-embracing material substance, or of one all-embracing spiritual substance. In either case that living plurality of real separate "souls" which correspond to our own soul vanishes away, and a dreary and devastating oneness, whether spiritual or chemical, fills the whole field. The world which is the emanation of this atrophied and distorted vision is a world of crushing dreariness; but it is an unreal world because the only vivid and unfathomable reality we know is the reality of innumerable souls. The curious thing about this world of superficial chemical or spiritual uniformity is that it seems the same _identical_ world in the case of all separate souls whose complex vision is thus distorted by the prevalence of that which opposes itself to creation and by the consequent ebb and weakening of the energy of love. It is impossible to be assured that this is the case; but all evidence of language points towards such an _identity of desolation_ between the innumerable separate "universes" of the souls which fill the world, when such souls visualize existence through reason and sensation alone.

This also is a portion of the same "illusion of impersonality" into which the inert malice of the ultimate "resistance" betrays us with demonic cunning. What man is there among us who does not recall some moment of visionary disintegration, when, in the presence of both these mysteries, an unspeakable depression of this kind has overtaken him? He has stood, perhaps, on some wet autumn evening, watching the soulless reflection of a dead moon in a pond of dead water; while above him the motionless distorted trunk of some goblinish tree mocks him with its desolate remoteness from his own life.

At that moment, with his abortive and atrophied complex vision, all he sees is the eternal soullessness and deadness of matter; dead moonlight, dead water, dead mud and slime and refuse, dead mist and vapour, dead earth-mould and dead leaves. And while the desolate chemistry of nothingness grips him with its dead fingers and he turns hopelessly to the silent tree-trunk at his side, that also repels him with the chill breath of psychic remoteness; and it seems to him that that also is strange and impersonal and unconscious; that that also is only a blind pre-determined portion of some huge planetary life-process that has no place for a living soul, but only a place for automatic impersonal chemistry. Brooding in this way, with the eternal malice of the system of things conquering the creative impulse in the depths of his soul, he becomes obsessed with the idea that not only these isolated portions of Nature, but the whole of Nature, is thus alien and remote and thus given up to a desolate and soulless uniformity. Unutterable loneliness takes possession of him and he feels himself to be an exile in a dark and hostile assemblage of elemental forces. If at such a moment by means of some passionate invocation of the immortal gods, or by means of some desperate sinking into his own soul and gathering together of the creative energy in him, he is able to resist this desolation, how strange and sudden a shifting of mood occurs! He then, by a bold movement of imagination, restores the balance of his complex vision; and in a moment the spectacle is transfigured.

The apparently dead pond takes to itself the lineaments of some indescribable living soul, of which that particular portion of elemental being is the outward expression. The apparently dead moonlight becomes the magical influence of some mysterious "lunar soul" of which the earth's silent companions is the external form. The apparently dead mud of the pond's edge becomes a living portion of that earth-body which is the visible manifestation of the soul of the earth. The motionless tree-trunk at his side seems no longer the desolate embodiment of some vague "psychic life" utterly alien from his own life but reveals to him the immediate magical presence of a real soul there, whose personality, though not conscious in the precise manner in which he is conscious, has yet its own measure of complex vision and is mutely struggling with the cruel inertness and resistance which blocks the path of the energy of life. When once, by the bold synthesis of reason and sensation with those other attributes of the complex vision which we name instinct, imagination, intuition, and the like, the soul itself comes to be regarded as the substratum of personal existence, that desolating separation between humanity and Nature ceases to baffle us. As long as the substratum of personal life is regarded as the physical body there must always be this desolating difference and this remoteness.

For in such a case the stress is inevitably laid upon the physiological and biological difference between the body of a man and the body of the earth or the moon or the sun or any plant or animal. But as soon as the substratum of personal life is regarded not as the body but as the sour it ceases to be necessary to lay so merciless a stress upon the difference between man's elaborate physiological constitution and the simpler chemical constitution of organic or inorganic objects.

If the complex vision is the vision of the soul, if the soul uses its bodily sensation as only one among its other instruments of contact with life, then it is obvious that between the soul of a man and the soul of a planet or a plant there need be no such appalling and desolating gulf as that which fills us with such profound melancholy when we refuse to let the complex vision have its complete rhythmic play and insist on sacrificing the revelations made by instinct and intuition to the falsifying conclusions of reason and sensation, energizing in arbitrary solitude.

The "mort-main" or "dead-hand" of that aboriginal malice which resists life is directly responsible for this illusion of "unconscious matter" through the midst of which we grope like outlawed exiles. Reason and the bodily senses, conspiring together, are perpetually tempting us to believe in the reality of this desolate phantom-world of blind material elements; but the unreality of this corpse-life becomes evident directly we consider the revelation of the complex vision.

For the complex vision reveals to us that what we call "the universe" is a thing which is for ever coming newly and freshly into life, for ever being re-born and re-constituted by the interplay between the individual soul and the "objective mystery." Of the objective mystery itself, apart from the individual soul, we are able to say nothing. But since the "universe" is the discovery and creation of the individual soul, there must be as many different "universes" as there are living souls.

Our belief in "one universe," whose characteristics are relatively identical in the case of all the souls which contemplate it, is a belief which in part results from an original act of faith and in part results from an implicit appeal to those "invisible companions" whose concentrated will towards "reality" and "beauty" and "nobility" offers us our only objective standard of these ideas. From the ground, therefore, of this trinity of incomprehensible substances, namely the substance which is the substratum of the individual soul, the substance which is "the objective mystery" out of which the individual soul creates its universe, and the substance which is the "medium" or "link" which enables these individual souls to communicate with one another, emerge the only realities which we can know. And since this trinity of incomprehensible substances, thus divided one from another, must be thought of as dominated by the same unity of time and space, it is inconceivable that they should be anything else than three aspects of one and the same incomprehensible substance. From this it follows that from the ground of one incomprehensible substance which in its first aspect is the substratum of the soul, in its second aspect is the objective mystery confronting the soul, in its third aspect is the medium which holds all souls together, there must be evoked all the reality which we can conceive.

And this reality must, from the conclusions we have already reached, take two forms. It must take the form of a plurality of subjective "universes" answering to the plurality of living souls. And it must take the form of one objective "universe," answering to the objective standard of truth, beauty, and nobility, together with the opposites of these, which is implied in the tacit appeal of all individual souls to their "invisible companions."

In this double reality; the reality of one objective universe identical in its appearance to all souls but dependent for its identity upon an implicit reference to the "invisible companions," and the reality of as many subjective universes as there are living souls; in this double reality there is obviously no place at all for that phantom-world of unconscious "matter," which in the form of soulless elements, or soulless organic automata, fills the human mind with such devastating melancholy.

The dead pond with its dead moonlight, with its dead mud and its dead snow, is therefore no better than a ghastly illusion when considered in isolation from the soul or the souls which look forth from it. To the soul of which those elements are the "body" neither mud nor water nor rain nor earth-mould can appear desolate or dead. To the soul which contemplates these things there can be no other way of regarding them, as long as the rhythm of its vision is unimpeded, than as the outward manifestation of a personal life, or of many personal lives, similar in creative energy to its own.

Between the soul, or the souls, of the elements of the earth, and the soul of the human spectator there must be, if our conclusions are to be held good at all, a natural and profound reciprocity. The apparent "deadness," the apparent automatism of "matter," which projects itself between these two and resists with corpse-like opacity their reciprocal understanding, must be one of the ghastly illusions with which the sinister side of the eternal duality undermines the magic of life.

But although in its objective isolation, as an absolute entity, this "material deadness" of earth and water and rain and snow and of all disintegrated organic chemistry must be regarded as an "illusion," it would be a falsifying of the reality of things to deny that it is an "illusion" to which the visions of all souls are miserably subject. They are for ever subject to it because it is precisely this "illusion" which the unfathomable power hostile to life for ever evokes.

Nor must we for a moment suppose that this material objectivity, this pond, these leaves, this mud, this snow, are altogether unreal. Their reality is demanded by the complex vision and to deny their reality would be the gesture of madness. They are only unreal, they are only an "illusion," when they are considered as existing independently of the "souls" of which they are the "body." As the expression and manifestation of such "souls" they are entirely real. They are indeed, in this sense, as real as our own human body.

The human soul, when it suffers from that malignant power which has its positive and external existence in the soul itself, feels itself to be absolutely alone in the midst of a dark chaotic welter of monstrous elemental forces. In a mood of this kind the thought of the huge volumes of soulless water which we call "oceans" and "seas" crushes us with a devastating melancholy. The thought of the interminable deserts of "dead" sand and the vast polar ice fields and the monstrous excrescences that we call "mountains" have the same effect. But the supreme example of the kind of material ghastliness which I am trying to indicate, is, as may easily be surmised, nothing less than the appalling thought of the unfathomable spatial gulfs through which our whole stellar system moves. Here also, in this supreme insistence of objective "deadness," the situation is relieved when we realize that this unthinkable space is nothing more than the material expression of that indefinable "medium" which holds all souls together.

Moreover we must remember that these stellar gulfs cannot be thought of except as the habitation of innumerable living souls, each one of which is using this very "space" as the ground of its creation of the many-coloured impassioned "universe" which is its own dwelling. In all these instances of "objective deadness," whether great or small, we must not forget that the thing which desolates us and fills us with so intolerable a nostalgia is a thing only half real, a thing whose full reality depends upon the soul which contemplates it and upon the soul's implicit assumption that its truth is the truth of those "invisible companions" who supply us with our perpetually renewed and reconstituted standard of what is "good" and what is "evil."

There is an abominably vivid example of the kind of melancholy I have in my mind, which, although obviously less common to normal human experience than the forms of it I have so far attempted to suggest, is as a rule even more crushing in its cruelty. I refer to the sight of a dead human body; and in a less degree to the sight of a dead animal or a dead plant.

A human corpse laid out in its coffin, or nailed down in its coffin, how exactly does the particular attitude towards life, which for convenience sake I name the philosophy of the complex vision, find itself regarding _that_? Such a body, deserted by its living soul, is obviously no longer the immediate and integral expression of a personal life. Is it therefore no more than a shred or shard or husk or remnant of inconceivably soulless matter? The gods forbid! Certainly and most assuredly it is more than that.

An isolated heterogeneous mass of dead chemistry is a monstrous illusion which only exists for us when the weakness of our creative energy and the power of the original malice in the soul destroys our vision. This dead body lying in its wooden coffin is certainly possessed of no more life than the inanimate boards of the coffin in which it lies. But the inanimate boards of the coffin, together with the inanimate furniture of the house or room that contains it, and the bricks and stones and mortar of such a house, are themselves nothing less than inevitable portions of the vast earth-body of our planetary globe.

And this planetary globe, this earth upon which we live, cannot under any conceivable kind of reasoning to which imagination has contributed its share, be regarded as a dead or a soulless thing. In its isolated integrity, as a separate integral personality, the soul has deserted the body and left it "dead." But it is only "dead" when considered in isolation from the surrounding chemistry of planetary life. And to consider it in this way is to consider it falsely. For from the moment it ceases to be the expression of the life of an individual human soul, it becomes the expression-- through every single phase of its chemical dissolution--of the life of the planet.

In so far as the human soul, which has deserted it, is concerned it is assuredly no better than a dead husk; but in so far as the soul of the planet is concerned it is an essential portion of that planet's living body and in this sense is not dead at all.

Its chemical elements, as they resolve themselves slowly back into their planetary accomplices, are part and parcel of that general "body of the earth" which is in a state of constant movement, and which has the "soul of the earth" as its animating principle of personality. And just as the human corpse, when the soul has deserted it, becomes a portion of those chemical elements which are the body of the planet's "personal soul," so do the dead bodies of animals and plants and trees become portions of the same terrestrial bodies.

Thus strictly speaking there is no single moment when any material form or body can be called "dead." Instantaneously with the departure of its own individual soul it is at once "possessed" by the soul of that planetary globe from whose chemistry it drew its elemental life and from whose chemistry, although the form of it has changed, it still draws its life. For it is no fantastic speculation to affirm that every living thing whether human or otherwise plays, while it lives, a triple part upon the world stage.

It is in the first place the vehicle of the individual soul. It is in the second place the medium of the "spiritual vampirizing" of the invisible planetary spirits. And it is in the third place a living portion of that organic elemental chemistry which is the body of the terrestrial soul. Thus it becomes manifest that that "illusion of dead matter" which fills the human soul with so profound a melancholy is no more than an everlasting trick of the malice of the abyss.

And the despair which sometimes results from it is a despair which issues from no "dead matter" but from the terrible living depths of the soul itself. It is from a consideration of the especial kind of melancholy evoked in us by the illusion of "objective deadness" that we are enabled to analyse those peculiar imaginative feelings which sometime or another affect us all. I refer to the extraordinary tenacity with which we cling to our bodily form, however grotesque it may be, and the difficulty we experience in disassociating our living soul from its particular envelope or habitation; and the tendency which we have, in spite of this, to imagine ourselves transferred to an alien body. For the soul in us has the power of "thinking itself" into any other body it may please to select.

And there is no reason why we should be alarmed at such an imaginative power; or even associate its fantastic realization with any terror of madness. The invisible entity within us which says "I am I" can easily be conceived as suddenly awakening out of sleep and discovering, to its astonishment, that its visible body has suffered a bewildering transformation.

Such a transformation can be conceived as almost unlimited in its humorous and disconcerting possibilities. But no such transformation of the external envelope of the soul, whether into the form of an animal or a plant or a god, need be conceived of as necessarily driving us into insanity. The "I am I" would remain the same in regard to its imagination, instinct, intuition, emotion, self-consciousness and the rest. It would be only "changed" in regard to sensation, which is a thing immediately dependent upon the particular and special senses of the human body.

This is a truth to the reality of which the wandering fancies of every human child bear ample witness; not to speak of the dreams of those childlike tribes of the race, who in our progressive insolence we are pleased to name "uncivilized." The deeper we dig into the tissue of convoluted impressions that make up our universe the more vividly do we become aware that our only redemption from sheer insanity lies in "knowing ourselves"; in other words, in keeping a drastic and desperate hold upon what, in the midst of ambiguity and treachery, we are definitely assured of.

And the only thing we are definitely assured of, the only thing which we really know "on the inner side," and with the kind of knowledge which is unassailable, is the reality of our soul. We know this with a vividness completely different from the vividness of any other knowledge because this is not what we feel or see or imagine or think but what we _are_. And all feeling, all seeing, all imagining and all thinking are only attributes of this mysterious "something" which is our integral self.

To the superficial judgment there is always something weird and arbitrary about this belief in our own soul. And this apparent weirdness arises from the fact that our superficial judgments are the work of reason and sensation arrogating to themselves the whole field of consciousness.

But directly we bring to bear upon this mass of impressions which is our "universe" the full rhythmic play of our complete identity this weirdness and arbitrariness disappear and we realize that we _are_, not this thought or this sensation or even this stream of thoughts and sensations, but the definite living "monad" which gives these things their only link of continuity and permanence. And it is better to accept experience, even though it refuses to resolve itself into any rational unity, rather than to leave experience in the distance and permit our reason to evolve its desired unity out of its own rules and limitations.

We must readily admit that to take all the attributes of personality and to make them adhere in the mysterious substratum of the soul rather than in the little cells of the brain, seems to the superficial judgment a weird and arbitrary act. But the more closely we think of what we are doing when we make this assumption the more inevitable does such an assumption appear.

We are driven by the necessity of the case to find some "point," or at least some "gap" in thought and the system of things, where mind and matter meet and are fused with one another. Absolute consciousness does not help us to explain the facts of experience; because "facing" absolute consciousness, directly it isolates itself, we are compelled to recognize the presence of "something else," which is the material or object of which absolute consciousness is conscious.

And what we do when we assume the little cells of the physical brain to be the point in space or "the gap in thought" where mind and matter meet and become one is simply to place these two worlds in close juxtaposition and then assert that they are one. But this placing them side by side and asserting that they are one does not make them one. They are just as far apart as ever. The cells of the brain remain material and the phenomenon of consciousness remains immaterial and they are still as remote from one another and as "unfused" as if consciousness were outside of time and space altogether.

It is only when we come to regard the "fusion-point" of these two things as being itself a living and personal thing; it is only when we come to regard the substratum of the soul as a mysterious "something" which is, at one and the same time, both what we call "mind" and what we call "matter," that the difficulty I have described disappears. For in this case we are dealing with something which, unlike the little cells of the brain, is totally invisible and totally beyond all scientific analysis; and yet with something which, because it is affected by bodily sensations and because it is under the sway of time and space, cannot be regarded as utterly outside the realm of material substance. We are in fact, in this case, dealing with something which we feel to be the integral and ultimate reality of ourselves, as we certainly do not feel the little cells of the brain to be; and we are dealing with something that is no mere stream of impressions, but is the concrete permanent reality which gives to all impressions, whether material or immaterial, their unity and coherence.

When once we are put into possession of this, when once we come to recognize our invisible soul as the reality which is our true self, it is found to be no longer ridiculous and arbitrary to endow this soul with all those various attributes, which, after all, are only various aspects of that unique personality which is the personality of the soul. To say "the soul has imagination," or "the soul has instinct," or "the soul has an aesthetic sense," has only a ridiculous sound when under the pressure of the abysmal malice which opposes itself to life we fall into the habits of permitting those usurping accomplices, pure reason and pure sensation, to destroy the rhythmic harmony of the complex vision.

When once we are in full possession of our own soul it is no mere fanciful speculation but an inevitable act of faith which compels us to envisage the universe as a thing crowded with invisible souls, who in some degree or other resemble our own. If this is "anthropomorphism," though strictly speaking it ought to be called "pan-psychism," then it is impossible for us to be too anthropomorphic. For in this way we are doing the only philosophical thing we have a right to do--namely, interpreting the less known in the terms of the more known.

When we seek to interpret the soul, which we vividly know, in terms of chemical or spiritual abstractions of which we have no direct knowledge but which are merely rationalized symbols, we are proceeding in an illegitimate and unphilosophical manner to interpret the more known in terms of the less known, which is in the true sense ridiculous.

The only escape from that profound melancholy so easily engulfed in sheer insanity, which is the result of submission to "the illusion of dead matter," lies in this tenacious hold upon the concrete identity of the soul. So closely are we linked, by reason of the chemistry of our mortal body, to every material-element; that it is only too easy for us to merge our personal life by a perverted use of the imagination in that phantom-world of supposedly "dead matter" which is the illusive projection of the abysmal malice.

Thus just as the soul is driven by extreme physical pain to relinquish its identity and to become "an incarnate sensation," so the soul is driven by the power of malice to relinquish its centrifugal force and to become the very mud and slime and excremental debris which it has endowed with an illusive soullessness.

The clue to the secret pathology of these moods, to whose brink reason and sensation have led us and into whose abyss perverted imagination has plunged us, is therefore to be found in the unfathomable duality of good and evil. If it seems to the kind of mind that demands "rational unity" at all costs, even at the cost of truth to experience, that this duality cannot be left unreconciled, the answer which the philosophy of the complex vision must make, is that any reconciliation of such a sort, any reduction to monistic unity of the eternal adversaries out of whose struggle life itself springs, would bring life itself back to nothingness.

The argument that because, in the eternal process of destruction and creation, life or love or what we call "the good" depends for its activity upon death or malice or what we call "evil," these opposites are one and the same, is shown to be utterly false when one thinks of the analogy of the struggle between the sexes. Because the activity of the male depends upon the existence of the female, that is no reason for concluding that the male and the female are one and the same thing.

Because "good" becomes more "good" out of its conflict with "evil," that does not mean that "good" is responsible for the existence of "evil"; any more than because "evil" becomes more "evil" out of its conflict with "good" does it mean that "evil" is responsible for the existence of "good." Neither is responsible for the existence of the other. They are both positive and real and they are both eternal. They are both unfathomable elements in every personal individual soul, whether of man or plant or animal or god or demi-god that has ever existed or will ever come to exist.

The prevalent idea that because good "in the long run" and over vast spaces of time shows itself to be a little--just a little--more powerful than evil, evil must be regarded as only a form of good or a necessary negation of good is a fallacy derived from the illusion that life is the creation of a "parent" of the universe whose nature is absolutely "good." Such a fallacy takes for granted that somewhere and somehow "Good" will finally triumph over "evil."

The revelation of the complex vision destroys this fallacy. Such a complete triumph of "good" over "evil" would mean the end of everything that exists because everything that exists depends upon this abysmal struggle. But for personalities who are able to recognize that the mere fact of their being alive is already a considerable victory of "good" over "evil," there is nothing overwhelming in the thought that "good" can never completely overcome "evil." It is enough that life has given them life; and that in the perpetually renewed struggle between love and malice they find at the rare moments when love overcomes malice a flood of happiness which, brings with it "the sensation of eternity."

For such souls eternity is here and now; and no anticipated absolute triumph of the "good" in the world over the "evil" can compare for a moment with the indescribable happiness which this "sensation of eternity" brings. It is this happiness, evoked by the rhythmic play of the soul's apex-thought in its supreme hours, which alone, even in memory, can destroy "the illusion of dead matter."

The psychological situation brought about by the fact that this illusion is a perpetually recurrent one and a thing that is always liable to return whenever reason and sensation are driven to isolate themselves is a situation a good deal more complicated than I have so far indicated. It is complicated by the fact that although in certain moods the contemplation of "the illusion of dead matter" produces profound melancholy, in other moods it produces a kind of demonic joy. It seems as though the melancholy mood, which carried to an extreme limit borders on absolute despair, comes about when the creative energy in our soul, although under the momentary dominance of what resists creation, is still, so to speak, the master of our will.

Under such circumstances the will, still resolutely turned towards life, is confronted by what appears to be the very embodiment of death. Under these conditions the will is baffled, perplexed, defeated and outraged. It beats in vain against the "inert mass" which malice has projected; and feels itself powerless to overcome it. It then turns furiously round upon the very substratum of the soul and rends and tears at that, in a mad effort to reach the secret of a phantom-world which seems to hold no secret. If some sort of relief does not come, such relief for instance as physical sleep, the inert misery of the submission of the will, following upon such a desperate struggle, may easily drift into a deadly apathy, may easily approach the borders of insanity.

But there is another condition under which the soul may confront "the illusion of dead matter." This condition comes about when the will, instead of being turned towards creation, is definitely turned towards the opposite of creation. It is impossible for the will to remain in this condition for more than a limited time. Some outward or inward shock, some drastic swing of the psychic pendulum, must sooner or later restore the balance and bring the will back to that wavering and indecisive state--poised like the point of a compass between the two extremes--which seems to be its normal attitude.

Any human will unchangeably directed towards "the good" would be the will of a soul that in its inherent depths were already "absolutely good"; and this, as we have seen, is an impossible phenomenon. The utmost reach of "wickedness" that any soul, whether it be the soul of a man or of a god, can attain to, is a recurrent concentration of the will upon evil and a recurrent overcoming, for relatively increasing spaces of time, of the power of love. This incomplete and constantly interrupted concentration upon evil is the nearest approach to "the worship of Satan" which any will is able to reach. The exquisite pleasure, therefore, culminating in a kind of insane ecstasy, which the soul can enjoy when, in the passion of its evil will, it leaps to welcome "the illusion of dead matter," is a pleasure that in the nature of things cannot last. And the condition of inert malignant apathy which follows such an "ecstasy of evil" is perhaps the nearest approach to a consciousness of "eternal death" which the soul can know.

And it is in this malignant apathy, rather than in the demonic exultation of the mood that preceded it, that the extreme opposite of love finds its culmination. For in its hour of demonic exultation, when the will to evil buries itself with insane joy in "the illusion of dead matter," it is drawing savagely upon the energy of life. It corrupts such energy as it draws upon it and distorts it from its natural functions; but the energy itself, although "possessed" by the abysmal malice, is living and intense; and therefore cannot be regarded as so entirely the opposite of love as that inert condition of malignant lifelessness which inevitably succeeds it.

The demonic ecstasy, full of invincible magnetism, which looks forth from the countenance of a soul obsessed with, evil, has much more in common with the magnetic exultation of a soul possessed with love than has that ghastly inertness, with its insane malignant attraction to death. For out of the countenance of this latter looks forth everything that is hostile to life; and its expression has in it the obscene cunning, mixed with frozen despair, of a corpse which has become utterly dehumanized.

It is frequently a matter of surprise to minds whose view of what is "good" has excluded the concept of energy that persons obviously under the obsession of "evil" are able to display such immense reserves of inexhaustible power. But this surprise disappears when it is realized that such "worshippers of Satan" are drawing upon the creative energy and corrupting it, in the process of drawing upon it, by the malignant power which resists creation.

The "illusion of dead matter" conceived as we have conceived it, as a thing made up of unconscious chemical elements, is after all only one aspect of the phantom-world of illusive soullessness which the abysmal malice delights to project. It is only to particular sensitive natures that this peculiar "despair of the inanimate" takes the form of mud or sand or refuse or water or dead planetary bodies or empty space.

To other natures it may take the form of those innumerable off-shoots of economic necessity, which are not themselves necessary either to human life or human welfare but which are the arbitrary creations of economic avarice divorced from necessity and indulged in out of an inert hatred of what is beautiful and real. Any labour, whether mental or physical, which directly satisfies the economic needs of humanity carries with it the unfathomable thrill of creative happiness. But when we come to consider those innumerable forms of financial and commercial enterprise which in no way satisfy human needs but exist only for the sake of exploitation we find ourselves confronted by a weight of unreal soulless hideousness which by reason of the fact that it is deliberately protected by organized society is a more devastating example of "the thing which is in the way" than any amount of mud and litter and refuse and excremental debris. For this unproductive commercialism, this "unreal reality" projected by the malignant power which resists creation, is not only an obscene outrage to the aesthetic sense; it is actually an assassination of life. When, therefore, a philosopher who uses the complex vision of the soul as his organ of research is asked the question, "where are we to look for the type of human being most entirely evil?" the answer which he is compelled to give is not a little surprising to many minds.

For there are many minds whose physiological timidity corrupts their judgment, and who lack the clairvoyance to unmask with infallible certainty that look of sneering apathy which is the pure expression of malice. And to such minds some wretched devil of a criminal, driven to crime by an insane perversion of the creative instinct--for creation and destruction are not the true opposites-- might easily seem the ultimate embodiment of evil.

Whereas the particular type of human being from whom the philosopher of the complex vision would draw his standard of evil would be a type very different from any perverted type even from those whose mania might take the form of erotic cruelty. It would be a type whose recurrent "evil" would take the form of a sneering and malignant inertness, the form of a cold and sarcastic disparagement of all intense feeling. It would be a type entirely obsessed by "the illusion of dead matter"; not so much the "illusion of dead matter" where Nature is concerned, but where the economic struggle has resulted in some unnecessary and purely commercial activity, altogether divorced from the basic necessities of human life. A person of this type would, in his evil moods, be more completely dominated by a malignant resistance to every movement of the creative spirit than any other type, unless it were perhaps one whom the heavy brutality of "officialdom" had blunted into inhuman callousness.

Compared with persons such as these, by whom no actual positive "wickedness" may have ever been perpetrated, the confessed criminal or the acknowledged pervert remains far less committed to the depths of evil. For in persons who have habitually lent themselves to "the illusion of dead matter," whether in regard to Nature or in regard to commercial or financial exploitation, there occurs a kind of "death-in-life" which gives the sneering malignity of the abyss its supreme opportunity, whereas in the souls of those who have committed "crimes," or have been guilty of passionate cruelty, there may easily remain a vivid and sensitive response to some form of reality or beauty, or self-annihilating love.

For "the illusion of dead matter" is the most formidable expression of evil which we know; and it can only be destroyed by the magic of that creative spirit whose true "opposite" is not hatred or cruelty or violence or destruction, but the motiveless power of a deadly obscurantism.