Chapter 10

Nature seems for some days to be in doubt, not exactly able to stand still, not daring to put forth anything tender. Man says that the worst is over. If he should live a thousand years, he would be deceived every year. And this is called an age of skepticism. Man never believed in so many things as now: he never believed so much in himself. As to Nature, he knows her secrets: he can predict what she will do. He communicates with the next world by means of an alphabet which he has invented. He talks with souls at the other end of the spirit-wire. To be sure, neither of them says anything; but they talk. Is not that something? He suspends the law of gravitation as to his own body--he has learned how to evade it--as tyrants suspend the legal writs of habeas corpus. When Gravitation asks for his body, she cannot have it. He says of himself, "I am infallible; I am sublime." He believes all these things. He is master of the elements. Shakespeare sends him a poem just made, and as good a poem as the man could write himself. And yet this man--he goes out of doors without his overcoat, catches cold, and is buried in three days. "On the 21st of January," exclaimed Mercier, "all kings felt for the backs of their necks." This might be said of all men in New England in the spring. This is the season that all the poets celebrate. Let us suppose that once, in Thessaly, there was a genial spring, and there was a poet who sang of it. All later poets have sung the same song. "Voila tout!" That is the root of poetry.

Another delusion. We hear toward evening, high in air, the "conk" of the wild-geese. Looking up, you see the black specks of that adventurous triangle, winging along in rapid flight northward. Perhaps it takes a wide returning sweep, in doubt; but it disappears in the north. There is no mistaking that sign. This unmusical "conk" is sweeter than the "kerchunk" of the bull-frog. Probably these birds are not idiots, and probably they turned back south again after spying out the nakedness of the land; but they have made their sign. Next day there is a rumor that somebody has seen a bluebird. This rumor, unhappily for the bird (which will freeze to death), is confirmed. In less than three days everybody has seen a bluebird; and favored people have heard a robin or rather the yellow-breasted thrush, misnamed a robin in America. This is no doubt true: for angle-worms have been seen on the surface of the ground; and, wherever there is anything to eat, the robin is promptly on hand. About this time you notice, in protected, sunny spots, that the grass has a little color. But you say that it is the grass of last fall. It is very difficult to tell when the grass of last fall became the grass of this spring. It looks "warmed over." The green is rusty. The lilac-buds have certainly swollen a little, and so have those of the soft maple. In the rain the grass does not brighten as you think it ought to, and it is only when the rain turns to snow that you see any decided green color by contrast with the white. The snow gradually covers everything very quietly, however. Winter comes back without the least noise or bustle, tireless, malicious, implacable. Neither party in the fight now makes much fuss over it; and you might think that Nature had surrendered altogether, if you did not find about this time, in the Woods, on the edge of a snow-bank, the modest blossoms of the trailing arbutus, shedding their delicious perfume. The bravest are always the tenderest, says the poet. The season, in its blind way, is trying to express itself.

And it is assisted. There is a cheerful chatter in the trees. The blackbirds have come, and in numbers, households of them, villages of them,--communes, rather. They do not believe in God, these black- birds. They think they can take care of themselves. We shall see. But they are well informed. They arrived just as the last snow-bank melted. One cannot say now that there is not greenness in the grass; not in the wide fields, to be sure, but on lawns and banks sloping south. The dark-spotted leaves of the dog-tooth violet begin to show. Even Fahrenheit's contrivance joins in the upward movement: the mercury has suddenly gone up from thirty degrees to sixty-five degrees. It is time for the ice-man. Ice has no sooner disappeared than we desire it.

There is a smile, if one may say so, in the blue sky, and there is. softness in the south wind. The song-sparrow is singing in the apple-tree. Another bird-note is heard,--two long, musical whistles, liquid but metallic. A brown bird this one, darker than the song- sparrow, and without the latter's light stripes, and smaller, yet bigger than the queer little chipping-bird. He wants a familiar name, this sweet singer, who appears to be a sort of sparrow. He is such a contrast to the blue-jays, who have arrived in a passion, as usual, screaming and scolding, the elegant, spoiled beauties! They wrangle from morning till night, these beautiful, high-tempered aristocrats.

Encouraged by the birds, by the bursting of the lilac-buds, by the peeping-up of the crocuses, by tradition, by the sweet flutterings of a double hope, another sign appears. This is the Easter bonnets, most delightful flowers of the year, emblems of innocence, hope, devotion. Alas that they have to be worn under umbrellas, so much thought, freshness, feeling, tenderness have gone into them! And a northeast storm of rain, accompanied with hail, comes to crown all these virtues with that of self-sacrifice. The frail hat is offered up to the implacable season. In fact, Nature is not to be forestalled nor hurried in this way. Things cannot be pushed. Nature hesitates. The woman who does not hesitate in April is lost. The appearance of the bonnets is premature. The blackbirds see it. They assemble. For two days they hold a noisy convention, with high debate, in the tree-tops. Something is going to happen.

Say, rather, the usual thing is about to occur. There is a wind called Auster, another called Eurus, another called Septentrio, another Meridies, besides Aquilo, Vulturnus, Africus. There are the eight great winds of the classical dictionary,--arsenal of mystery and terror and of the unknown,--besides the wind Euroaquilo of St. Luke. This is the wind that drives an apostle wishing to gain Crete upon the African Syrtis. If St. Luke had been tacking to get to Hyannis, this wind would have forced him into Holmes's Hole. The Euroaquilo is no respecter of persons.

These winds, and others unnamed and more terrible, circle about New England. They form a ring about it: they lie in wait on its borders, but only to spring upon it and harry it. They follow each other in contracting circles, in whirlwinds, in maelstroms of the atmosphere: they meet and cross each other, all at a moment. This New England is set apart: it is the exercise-ground of the weather. Storms bred elsewhere come here full-grown: they come in couples, in quartets, in choruses. If New England were not mostly rock, these winds would carry it off; but they would bring it all back again, as happens with the sandy portions. What sharp Eurus carries to Jersey, Africus brings back. When the air is not full of snow, it is full of dust. This is called one of the compensations of Nature.

This is what happened after the convention of the blackbirds: A moaning south wind brought rain; a southwest wind turned the rain to snow; what is called a zephyr, out of the west, drifted the snow; a north wind sent the mercury far below freezing. Salt added to snow increases the evaporation and the cold. This was the office of the northeast wind: it made the snow damp, and increased its bulk; but then it rained a little, and froze, thawing at the same time. The air was full of fog and snow and rain. And then the wind changed, went back round the circle, reversing everything, like dragging a cat by its tail. The mercury approached zero. This was nothing uncommon. We know all these winds. We are familiar with the different "forms of water."

All this was only the prologue, the overture. If one might be permitted to speak scientifically, it was only the tuning of the instruments. The opera was to come,--the Flying Dutchman of the air.

There is a wind called Euroclydon: it would be one of the Eumenides; only they are women. It is half-brother to the gigantic storm-wind of the equinox. The Euroclydon is not a wind: it is a monster. Its breath is frost. It has snow in its hair. It is something terrible. It peddles rheumatism, and plants consumption.

The Euroclydon knew just the moment to strike into the discord of the weather in New England. From its lair about Point Desolation, from the glaciers of the Greenland continent, sweeping round the coast, leaving wrecks in its track, it marched right athwart the other conflicting winds, churning them into a fury, and inaugurating chaos. It was the Marat of the elements. It was the revolution marching into the " dreaded wood of La Sandraie."

Let us sum it all up in one word: it was something for which there is no name.

Its track was destruction. On the sea it leaves wrecks. What does it leave on land? Funerals. When it subsides, New England is prostrate. It has left its legacy: this legacy is coughs and patent medicines. This is an epic; this is destiny. You think Providence is expelled out of New England? Listen!

Two days after Euroclydon, I found in the woods the hepatica-- earliest of wildwood flowers, evidently not intimidated by the wild work of the armies trampling over New England--daring to hold up its tender blossom. One could not but admire the quiet pertinacity of Nature. She had been painting the grass under the snow. In spots it was vivid green. There was a mild rain,--mild, but chilly. The clouds gathered, and broke away in light, fleecy masses. There was a softness on the hills. The birds suddenly were on every tree, glancing through the air, filling it with song, sometimes shaking raindrops from their wings. The cat brings in one in his mouth. He thinks the season has begun, and the game-laws are off. He is fond of Nature, this cat, as we all are: he wants to possess it. At four o'clock in the morning there is a grand dress-rehearsal of the birds. Not all the pieces of the orchestra have arrived; but there are enough. The grass-sparrow has come. This is certainly charming. The gardener comes to talk about seeds: he uncovers the straw-berries and the grape-vines, salts the asparagus-bed, and plants the peas. You ask if he planted them with a shot-gun. In the shade there is still frost in the ground. Nature, in fact, still hesitates; puts forth one hepatica at a time, and waits to see the result; pushes up the grass slowly, perhaps draws it in at night.

This indecision we call Spring.

It becomes painful. It is like being on the rack for ninety days, expecting every day a reprieve. Men grow hardened to it, however.

This is the order with man,--hope, surprise, bewilderment, disgust, facetiousness. The people in New England finally become facetious about spring. This is the last stage: it is the most dangerous. When a man has come to make a jest of misfortune, he is lost. "It bores me to die," said the journalist Carra to the headsman at the foot of the guillotine: "I would like to have seen the continuation." One is also interested to see how spring is going to turn out.

A day of sun, of delusive bird-singing, sight of the mellow earth,-- all these begin to beget confidence. The night, even, has been warm. But what is this in the morning journal, at breakfast?--"An area of low pressure is moving from the Tortugas north." You shudder.

What is this Low Pressure itself,--it? It is something frightful, low, crouching, creeping, advancing; it is a foreboding; it is misfortune by telegraph; it is the "'93" of the atmosphere.

This low pressure is a creation of Old Prob. What is that? Old Prob. is the new deity of the Americans, greater than AEolus, more despotic than Sans-Culotte. The wind is his servitor, the lightning his messenger. He is a mystery made of six parts electricity, and one part "guess." This deity is worshiped by the Americans; his name is on every man's lips first in the morning; he is the Frankenstein of modern science. Housed at Washington, his business is to direct the storms of the whole country upon New England, and to give notice in advance. This he does. Sometimes he sends the storm, and then gives notice. This is mere playfulness on his part: it is all one to him. His great power is in the low pressure.

On the Bexar plains of Texas, among the hills of the Presidio, along the Rio Grande, low pressure is bred; it is nursed also in the Atchafalaya swamps of Louisiana; it moves by the way of Thibodeaux and Bonnet Carre. The southwest is a magazine of atmospheric disasters. Low pressure may be no worse than the others: it is better known, and is most used to inspire terror. It can be summoned any time also from the everglades of Florida, from the morasses of the Okeechobee.

When the New-Englander sees this in his news paper, he knows what it means. He has twenty-four hours' warning; but what can he do? Nothing but watch its certain advance by telegraph. He suffers in anticipation. That is what Old Prob. has brought about, suffering by anticipation. This low pressure advances against the wind. The wind is from the northeast. Nothing could be more unpleasant than a northeast wind? Wait till low pressure joins it. Together they make spring in New England. A northeast storm from the southwest!--there is no bitterer satire than this. It lasts three days. After that the weather changes into something winter-like.

A solitary song-sparrow, without a note of joy, hops along the snow to the dining-room window, and, turning his little head aside, looks up. He is hungry and cold. Little Minnette, clasping her hands behind her back, stands and looks at him, and says, "Po' birdie!" They appear to understand each other. The sparrow gets his crumb; but he knows too much to let Minnette get hold of him. Neither of these little things could take care of itself in a New-England spring not in the depths of it. This is what the father of Minnette, looking out of the window upon the wide waste of snow, and the evergreens bent to the ground with the weight of it, says, "It looks like the depths of spring." To this has man come: to his facetiousness has succeeded sarcasm. It is the first of May.

Then follows a day of bright sun and blue sky. The birds open the morning with a lively chorus. In spite of Auster, Euroclydon, low pressure, and the government bureau, things have gone forward. By the roadside, where the snow has just melted, the grass is of the color of emerald. The heart leaps to see it. On the lawn there are twenty robins, lively, noisy, worm-seeking. Their yellow breasts contrast with the tender green of the newly-springing clover and herd's-grass. If they would only stand still, we might think the dandelions had blossomed. On an evergreen-bough, looking at them, sits a graceful bird, whose back is bluer than the sky. There is a red tint on the tips of the boughs of the hard maple. With Nature, color is life. See, already, green, yellow, blue, red! In a few days--is it not so?--through the green masses of the trees will flash the orange of the oriole, the scarlet of the tanager; perhaps tomorrow.

But, in fact, the next day opens a little sourly. It is almost clear overhead: but the clouds thicken on the horizon; they look leaden; they threaten rain. It certainly will rain: the air feels like rain, or snow. By noon it begins to snow, and you hear the desolate cry of the phoebe-bird. It is a fine snow, gentle at first; but it soon drives in swerving lines, for the wind is from the southwest, from the west, from the northeast, from the zenith (one of the ordinary winds of New England), from all points of the compass. The fine snow becomes rain; it becomes large snow; it melts as it falls; it freezes as it falls. At last a storm sets in, and night shuts down upon the bleak scene.

During the night there is a change. It thunders and lightens. Toward morning there is a brilliant display of aurora borealis. This is a sign of colder weather.

The gardener is in despair; so is the sportsman. The trout take no pleasure in biting in such weather.

Paragraphs appear in the newspapers, copied from the paper of last year, saying that this is the most severe spring in thirty years. Every one, in fact, believes that it is, and also that next year the spring will be early. Man is the most gullible of creatures.

And with reason: he trusts his eyes, and not his instinct. During this most sour weather of the year, the anemone blossoms; and, almost immediately after, the fairy pencil, the spring beauty, the dog-tooth violet, and the true violet. In clouds and fog, and rain and snow, and all discouragement, Nature pushes on her forces with progressive haste and rapidity. Before one is aware, all the lawns and meadows are deeply green, the trees are opening their tender leaves. In a burst of sunshine the cherry-trees are white, the Judas-tree is pink, the hawthorns give a sweet smell. The air is full of sweetness; the world, of color.

In the midst of a chilling northeast storm the ground is strewed with the white-and-pink blossoms from the apple-trees. The next day the mercury stands at eighty degrees. Summer has come.

There was no Spring.

The winter is over. You think so? Robespierre thought the Revolution was over in the beginning of his last Thermidor. He lost his head after that.

When the first buds are set, and the corn is up, and the cucumbers have four leaves, a malicious frost steals down from the north and kills them in a night.

That is the last effort of spring. The mercury then mounts to ninety degrees. The season has been long, but, on the whole, successful. Many people survive it.

CAPTAIN JOHN SMITH

PREFACE

When I consented to prepare this volume for a series, which should deal with the notables of American history with some familiarity and disregard of historic gravity, I did not anticipate the seriousness of the task. But investigation of the subject showed me that while Captain John Smith would lend himself easily enough to the purely facetious treatment, there were historic problems worthy of a different handling, and that if the life of Smith was to be written, an effort should be made to state the truth, and to disentangle the career of the adventurer from the fables and misrepresentations that have clustered about it.

The extant biographies of Smith, and the portions of the history of Virginia that relate to him, all follow his own narrative, and accept his estimate of himself, and are little more than paraphrases of his story as told by himself. But within the last twenty years some new contemporary evidence has come to light, and special scholars have expended much critical research upon different portions of his career. The result of this modern investigation has been to discredit much of the romance gathered about Smith and Pocahontas, and a good deal to reduce his heroic proportions. A vague report of- -these scholarly studies has gone abroad, but no effort has been made to tell the real story of Smith as a connected whole in the light of the new researches.

This volume is an effort to put in popular form the truth about Smith's adventures, and to estimate his exploits and character. For this purpose I have depended almost entirely upon original contemporary material, illumined as it now is by the labors of special editors. I believe that I have read everything that is attributed to his pen, and have compared his own accounts with other contemporary narratives, and I think I have omitted the perusal of little that could throw any light upon his life or character. For the early part of his career--before he came to Virginia--there is absolutely no authority except Smith himself; but when he emerges from romance into history, he can be followed and checked by contemporary evidence. If he was always and uniformly untrustworthy it would be less perplexing to follow him, but his liability to tell the truth when vanity or prejudice does not interfere is annoying to the careful student.

As far as possible I have endeavored to let the actors in these pages tell their own story, and I have quoted freely from Capt. Smith himself, because it is as a writer that he is to be judged no less than as an actor. His development of the Pocahontas legend has been carefully traced, and all the known facts about that Indian--or Indese, as some of the old chroniclers call the female North Americans--have been consecutively set forth in separate chapters. The book is not a history of early Virginia, nor of the times of Smith, but merely a study of his life and writings. If my estimate of the character of Smith is not that which his biographers have entertained, and differs from his own candid opinion, I can only plead that contemporary evidence and a collation of his own stories show that he was mistaken. I am not aware that there has been before any systematic effort to collate his different accounts of his exploits. If he had ever undertaken the task, he might have disturbed that serene opinion of himself which marks him as a man who realized his own ideals.

The works used in this study are, first, the writings of Smith, which are as follows:

"A True Relation," etc., London, 1608.

"A Map of Virginia, Description and Appendix," Oxford, 1612.

"A Description of New England," etc., London, 1616.

"New England's Trials," etc., London, 1620. Second edition, enlarged, 1622.

"The Generall Historie," etc., London, 1624. Reissued, with date of title-page altered, in 1626, 1627, and twice in 1632.

"An Accidence: or, The Pathway to Experience," etc., London, 1626.

"A Sea Grammar," etc., London, 1627. Also editions in 1653 and 1699.

"The True Travels," etc., London, 1630.

"Advertisements for the Unexperienced Planters of New England," etc., London, 1631.

Other authorities are:

"The Historie of Travaile into Virginia," etc., by William Strachey, Secretary of the colony 1609 to 1612. First printed for the Hakluyt Society, London, 1849.

"Newport's Relatyon," 1607. Am. Ant. Soc., Vol. 4.

"Wingfield's Discourse," etc., 1607. Am. Ant. Soc., Vol. 4.

"Purchas his Pilgrimage," London, 1613.

"Purchas his Pilgrimes," London, 1625-6.

"Ralph Hamor's True Discourse," etc., London, 1615.

"Relation of Virginia," by Henry Spelman, 1609. First printed by J. F. Hunnewell, London, 1872.

"History of the Virginia Company in London," by Edward D. Neill, Albany, 1869.

"William Stith's History of Virginia," 1753, has been consulted for the charters and letters-patent. The Pocahontas discussion has been followed in many magazine papers. I am greatly indebted to the scholarly labors of Charles Deane, LL.D., the accomplished editor of the "True Relation," and other Virginia monographs. I wish also to acknowledge the courtesy of the librarians of the Astor, the Lenox, the New York Historical, Yale, and Cornell libraries, and of Dr. J. Hammond Trumbull, the custodian of the Brinley collection, and the kindness of Mr. S. L. M. Barlow of New York, who is ever ready to give students access to his rich "Americana."

C. D. W. HARTFORD, June, 1881

CAPTAIN JOHN SMITH

BIRTH AND TRAINING