Chapter 2

There are several ways of seeing Paris besides roaming up and down before the blazing shop-windows, and lounging by daylight or gaslight along the crowded and gay boulevards; and one of the best is to go to the Bois de Boulogne on a fete-day, or when the races are in progress. This famous wood is very disappointing at first to one who has seen the English parks, or who remembers the noble trees and glades and avenues of that at Munich. To be sure, there is a lovely little lake and a pretty artificial cascade, and the roads and walks are good; but the trees are all saplings, and nearly all the "wood" is a thicket of small stuff. Yet there is green grass that one can roll on, and there is a grove of small pines that one can sit under. It is a pleasant place to drive toward evening; but its great attraction is the crowd there. All the principal avenues are lined with chairs, and there people sit to watch the streams of carriages.

I went out to the Bois the other day, when there were races going on; not that I went to the races, for I know nothing about them, per se, and care less. All running races are pretty much alike. You see a lean horse, neck and tail, flash by you, with a jockey in colors on his back; and that is the whole of it. Unless you have some money on it, in the pool or otherwise, it is impossible to raise any excitement. The day I went out, the Champs Elysees, on both sides, its whole length, was crowded with people, rows and ranks of them sitting in chairs and on benches. The Avenue de l'Imperatrice, from the Arc de l'Etoile to the entrance of the Bois, was full of promenaders; and the main avenues of the Bois, from the chief entrance to the race-course, were lined with people, who stood or sat, simply to see the passing show. There could not have been less than ten miles of spectators, in double or triple rows, who had taken places that afternoon to watch the turnouts of fashion and rank. These great avenues were at all times, from three till seven, filled with vehicles; and at certain points, and late in the day, there was, or would have been anywhere else except in Paris, a jam. I saw a great many splendid horses, but not so many fine liveries as one will see on a swell-day in London. There was one that I liked. A handsome carriage, with one seat, was drawn by four large and elegant black horses, the two near horses ridden by postilions in blue and silver,--blue roundabouts, white breeches and topboots, a round- topped silver cap, and the hair, or wig, powdered, and showing just a little behind. A footman mounted behind, seated, wore the same colors; and the whole establishment was exceedingly tonnish.

The race-track (Longchamps, as it is called), broad and beautiful springy turf, is not different from some others, except that the inclosed oblong space is not flat, but undulating just enough for beauty, and so framed in by graceful woods, and looked on by chateaux and upland forests, that I thought I had never seen a sweeter bit of greensward. St. Cloud overlooks it, and villas also regard it from other heights. The day I saw it, the horse-chestnuts were in bloom; and there was, on the edges, a cloud of pink and white blossoms, that gave a soft and charming appearance to the entire landscape. The crowd in the grounds, in front of the stands for judges, royalty, and people who are privileged or will pay for places, was, I suppose, much as usual,--an excited throng of young and jockey-looking men, with a few women-gamblers in their midst, making up the pool; a pack of carriages along the circuit of the track, with all sorts of people, except the very good; and conspicuous the elegantly habited daughters of sin and satin, with servants in livery, as if they had been born to it; gentlemen and ladies strolling about, or reclining on the sward, and a refreshment-stand in lively operation.

When the bell rang, we all cleared out from the track, and I happened to get a position by the railing. I was looking over to the Pavilion, where I supposed the Emperor to be, when the man next to me cried, "Voila!" and, looking up, two horses brushed right by my face, of which I saw about two tails and one neck, and they were gone. Pretty soon they came round again, and one was ahead, as is apt to be the case; and somebody cried, "Bully for Therise!" or French to that effect, and it was all over. Then we rushed across to the Emperor's Pavilion, except that I walked with all the dignitV consistent with rapidity, and there, in the midst of his suite, sat the Man of December, a stout, broad, and heavy-faced man as you know, but a man who impresses one with a sense of force and purpose,--sat, as I say, and looked at us through his narrow, half-shut eyes, till he was satisfied that I had got his features through my glass, when he deliberately arose and went in.

All Paris was out that day,--it is always out, by the way, when the sun shines, and in whatever part of the city you happen to be; and it seemed to me there was a special throng clear down to the gate of the Tuileries, to see the Emperor and the rest of us come home. He went round by the Rue Rivoli, but I walked through the gardens. The soldiers from Africa sat by the gilded portals, as usual,--aliens, and yet always with the port of conquerors here in Paris. Their nonchalant indifference and soldierly bearing always remind me of the sort of force the Emperor has at hand to secure his throne. I think the blouses must look askance at these satraps of the desert. The single jet fountain in the basin was springing its highest,--a quivering pillar of water to match the stone shaft of Egypt which stands close by. The sun illuminated it, and threw a rainbow from it a hundred feet long, upon the white and green dome of chestnut-trees near. When I was farther down the avenue, I had the dancing column of water, the obelisk, and the Arch of Triumph all in line, and the rosy sunset beyond.

AN IMPERIAL REVIEW

The Prince and Princess of Wales came up to Paris in the beginning of May, from Italy, Egypt, and alongshore, stayed at a hotel on the Place Vendome, where they can get beef that is not horse, and is rare, and beer brewed in the royal dominions, and have been entertained with cordiality by the Emperor. Among the spectacles which he has shown them is one calculated to give them an idea of his peaceful intentions,-a grand review of cavalry and artillery at the Bois de Boulogne. It always seems to me a curious comment upon the state of our modern civilization,

when one prince visits another here in Europe, the first thing that the visited does, by way of hospitality is to get out his troops, and show his rival how easily he could "lick" him, if it came to that. It is a little puerile. At any rate, it is an advance upon the old fashion of getting up a joust at arms, and inviting the guest to come out and have his head cracked in a friendly way.

The review, which had been a good deal talked about, came off in the afternoon; and all the world went to it. The avenues of the Bois were crowded with carriages, and the walks with footpads. Such a constellation of royal personages met on one field must be seen; for, besides the imperial family and Albert Edward and his Danish beauty, there was to be the Archduke of Austria) and no end of titled personages besides. At three o'clock the royal company, in the Emperor's carriages, drove upon the training-ground of the Bois, where the troops awaited them. All the party, except the Princess of Wales, then mounted horses, and rode along the lines, and afterwards retired to a wood-covered knoll at one end to witness the evolutions. The training-ground is a noble, slightly undulating piece of greensward, perhaps three quarters of a mile long and half that in breadth, hedged about with graceful trees, and bounded on one side by the Seine. Its borders were rimmed that day with thousands of people on foot and in carriages,--a gay sight, in itself, of color and fashion. A more brilliant spectacle than the field presented cannot well be imagined. Attention was divided between the gentle eminence where the imperial party stood,--a throng of noble persons backed by the gay and glittering Guard of the Emperor, as brave a show as chivalry ever made,--and the field of green, with its long lines in martial array; every variety of splendid uniforms, the colors and combinations that most dazzle and attract, with shining brass and gleaming steel, and magnificent horses of war, regiments of black, gray, and bay.

The evolutions were such as to stir the blood of the most sluggish. A regiment, full front, would charge down upon a dead run from the far field, men shouting, sabers flashing, horses thundering along, so that the ground shook, towards the imperial party, and, when near, stop suddenly, wheel to right and left, and gallop back. Others would succeed them rapidly, coming up the center while their predecessors filed down the sides; so that the whole field was a moving mass of splendid color and glancing steel. Now and then a rider was unhorsed in the furious rush, and went scrambling out of harm, while the steed galloped off with free rein. This display was followed by that of the flying artillery, battalion after battalion, which came clattering and roaring along, in double lines stretching half across the field, stopped and rapidly discharged its pieces, waking up all the region with echoes, filling the plain with the smoke of gunpowder, and starting into rearing activity all the carriage-horses in the Bois. How long this continued I do not know, nor how many men participated in the review, but they seemed to pour up from the far end in unending columns. I think the regiments must have charged over and over again. It gave some people the impression that there were a hundred thousand troops on the ground. I set it at fifteen to twenty thousand. Gallignani next morning said there were only six thousand! After the charging was over, the reviewing party rode to the center of the field, and the troops galloped round them; and the Emperor distributed decorations. We could recognize the Emperor and Empress; Prince Albert in huzzar uniform, with a green plume in his cap; and the Prince Imperial, in cap and the uniform of a lieutenant, on horseback in front; while the Princess occupied a carriage behind them.

There was a crush of people at the entrance to see the royals make their exit. Gendarmes were busy, and mounted guards went smashing through the crowd to clear a space. Everybody was on the tiptoe of expectation. There is a portion of the Emperor's guard; there is an officer of the household; there is an emblazoned carriage; and, quick, there! with a rush they come, driving as if there was no crowd, with imperial haste, postilions and outriders and the imperial carriage. There is a sensation, a cordial and not loud greeting, but no Yankee-like cheers. That heavy gentleman in citizen's dress, who looks neither to right nor left, is Napoleon III.; that handsome woman, grown full in the face of late, but yet with the bloom of beauty and the sweet grace of command, in hat and dark riding-habit, bowing constantly to right and left, and smiling, is the Empress Eugenie. And they are gone. As we look for something more, there is a rout in the side avenue; something is coming, unexpected, from another quarter: dragoons dash through the dense mass, shouting and gesticulating, and a dozen horses go by, turning the corner like a small whirlwind, urged on by whip and spur, a handsome boy riding in the midst,--a boy in cap and simple uniform, riding gracefully and easily and jauntily, and out of sight in a minute. It is the boy Prince Imperial and his guard. It was like him to dash in unexpectedly, as he has broken into the line of European princes. He rides gallantly, and Fortune smiles on him to-day; but he rides into a troubled future. There was one more show,--a carriage of the Emperor, with officers, in English colors and side-whiskers, riding in advance and behind: in it the future King of England, the heavy, selfish-faced young man, and beside him his princess, popular wherever she shows her winning face,--a fair, sweet woman, in light and flowing silken stuffs of spring, a vision of lovely youth and rank, also gone in a minute.

These English visitors are enjoying the pleasures of the French capital. On Sunday, as I passed the Hotel Bristol, a crowd, principally English, was waiting in front of it to see the Prince and Princess come out, and enter one of the Emperor's carriages in waiting. I heard an Englishwoman, who was looking on with admiration "sticking out" all over, remark to a friend in a very loud whisper, "I tell you, the Prince lives every day of his life." The princely pair came out at length, and drove away, going to visit Versailles. I don't know what the Queen would think of this way of spending Sunday; but if Albert Edward never does anything worse, he does n't need half the praying for that he gets every Sunday in all the English churches and chapels.

THE LOW COUNTRIES AND RHINELAND

AMIENS AND QUAINT OLD BRUGES

They have not yet found out the secret in France of banishing dust from railway-carriages. Paris, late in June, was hot, but not dusty: the country was both. There is an uninteresting glare and hardness in a French landscape on a sunny day. The soil is thin, the trees are slender, and one sees not much luxury or comfort. Still, one does not usually see much of either on a flying train. We spent a night at Amiens, and had several hours for the old cathedral, the sunset light on its noble front and towers and spire and flying buttresses, and the morning rays bathing its rich stone. As one stands near it in front, it seems to tower away into heaven, a mass of carving and sculpture,--figures of saints and martyrs who have stood in the sun and storm for ages, as they stood in their lifetime, with a patient waiting. It was like a great company, a Christian host, in attitudes of praise and worship. There they were, ranks on ranks, silent in stone, when the last of the long twilight illumined them; and there in the same impressive patience they waited the golden day. It required little fancy to feel that they had lived, and now in long procession came down the ages. The central portal is lofty, wide, and crowded with figures. The side is only less rich than the front. Here the old Gothic builders let their fancy riot in grotesque gargoyles,--figures of animals, and imps of sin, which stretch out their long necks for waterspouts above. From the ground to the top of the unfinished towers is one mass of rich stone-work, the creation of genius that hundreds of years ago knew no other way to write its poems than with the chisel. The interior is very magnificent also, and has some splendid stained glass. At eight o'clock, the priests were chanting vespers to a larger congregation than many churches have on Sunday: their voices were rich and musical, and, joined with the organ notes, floated sweetly and impressively through the dim and vast interior. We sat near the great portal, and, looking down the long, arched nave and choir to the cluster of candles burning on the high altar, before which the priests chanted, one could not but remember how many centuries the same act of worship had been almost uninterrupted within, while the apostles and martyrs stood without, keeping watch of the unchanging heavens.

When I stepped in, early in the morning, the first mass was in progress. The church was nearly empty. Looking within the choir, I saw two stout young priests lustily singing the prayers in deep, rich voices. One of them leaned back in his seat, and sang away, as if he had taken a contract to do it, using, from time to time, an enormous red handkerchief, with which and his nose he produced a trumpet obligato. As I stood there, a poor dwarf bobbled in and knelt on the bare stones, and was the only worshiper, until, at length, a half-dozen priests swept in from the sacristy, and two processions of young school-girls entered from either side. They have the skull of John the Baptist in this cathedral. I did not see it, although I suppose I could have done so for a franc to the beadle: but I saw a very good stone imitation of it; and his image and story fill the church. It is something to have seen the place that contains his skull.

The country becomes more interesting as one gets into Belgium. Windmills are frequent: in and near Lille are some six hundred of them; and they are a great help to a landscape that wants fine trees. At Courtrai, we looked into Notre Dame, a thirteenth century cathedral, which has a Vandyke ("The Raising of the Cross"), and the chapel of the Counts of Flanders, where workmen were uncovering some frescoes that were whitewashed over in the war-times. The town hall has two fine old chimney-pieces carved in wood, with quaint figures,- -work that one must go to the Netherlands to see. Toward evening we came into the ancient town of Bruges. The country all day has been mostly flat, but thoroughly cultivated. Windmills appear to do all the labor of the people,--raising the water, grinding the grain, sawing the lumber; and they everywhere lift their long arms up to the sky. Things look more and more what we call "foreign." Harvest is going on, of hay and grain; and men and women work together in the fields. The gentle sex has its rights here. We saw several women acting as switch-tenders. Perhaps the use of the switch comes natural to them. Justice, however, is still in the hands of the men. We saw a Dutch court in session in a little room in the town hall at Courtrai. The justice wore a little red cap, and sat informally behind a cheap table. I noticed that the witnesses were treated with unusual consideration, being allowed to sit down at the table opposite the little justice, who interrogated them in a loud voice. At the stations to-day we see more friars in coarse, woolen dresses, and sandals, and the peasants with wooden sabots.

As the sun goes to the horizon, we have an effect sometimes produced by the best Dutch artists,--a wonderful transparent light, in which the landscape looks like a picture, with its church-spires of stone, its windmills, its slender trees, and red-roofed houses. It is a good light and a good hour in which to enter Bruges, that city of the past. Once the city was greater than Antwerp; and up the Rege came the commerce of the East, merchants from the Levant, traders in jewels and silks. Now the tall houses wait for tenants, and the streets have a deserted air. After nightfall, as we walked in the middle of the roughly paved streets, meeting few people, and hearing only the echoing clatter of the wooden sabots of the few who were abroad, the old spirit of the place came over us. We sat on a bench in the market-place, a treeless square, hemmed in by quaint, gabled houses, late in the evening, to listen to the chimes from the belfry. The tower is less than four hundred feet high, and not so high by some seventy feet as the one on Notre Dame near by; but it is very picturesque, in spite of the fact that it springs out of a rummagy- looking edifice, one half of which is devoted to soldiers' barracks, and the other to markets. The chimes are called the finest in Europe. It is well to hear the finest at once, and so have done with the tedious things. The Belgians are as fond of chimes as the Dutch are of stagnant water. We heard them everywhere in Belgium; and in some towns they are incessant, jangling every seven and a half minutes. The chimes at Bruges ring every quarter hour for a minute, and at the full hour attempt a tune. The revolving machinery grinds out the tune, which is changed at least once a year; and on Sundays a musician, chosen by the town, plays the chimes. In so many bells (there are forty-eight), the least of which weighs twelve pounds, and the largest over eleven thousand, there must be soft notes and sonorous tones; so sweet jangled sounds were showered down: but we liked better than the confused chiming the solemn notes of the great bell striking the hour. There is something very poetical about this chime of bells high in the air, flinging down upon the hum and traffic of the city its oft-repeated benediction of peace; but anybody but a Lowlander would get very weary of it. These chimes, to be sure, are better than those in London, which became a nuisance; but there is in all of them a tinkling attempt at a tune, which always fails, that is very annoying.

Bruges has altogether an odd flavor. Piles of wooden sabots are for sale in front of the shops; and this ugly shoe, which is mysteriously kept on the foot, is worn by all the common sort. We see long, slender carts in the street, with one horse hitched far ahead with rope traces, and no thills or pole.

The women-nearly every one we saw-wear long cloaks of black cloth with a silk hood thrown back. Bruges is famous of old for its beautiful women, who are enticingly described as always walking the streets with covered faces, and peeping out from their mantles. They are not so handsome now they show their faces, I can testify. Indeed, if there is in Bruges another besides the beautiful girl who showed us the old council-chamber in the Palace of justice, she must have had her hood pulled over her face.

Next morning was market-day. The square was lively with carts, donkeys, and country people, and that and all the streets leading to it were filled with the women in black cloaks, who flitted about as numerous as the rooks at Oxford, and very much like them, moving in a winged way, their cloaks outspread as they walked, and distended with the market-basket underneath. Though the streets were full, the town did not seem any less deserted; and the early marketers had only come to life for a day, revisiting the places that once they thronged. In the shade of the tall houses in the narrow streets sat red-cheeked girls and women making lace, the bobbins jumping under their nimble fingers. At the church doors hideous beggars crouched and whined,-- specimens of the fifteen thousand paupers of Bruges. In the fishmarket we saw odd old women, with Rembrandt colors in faces and costume; and while we strayed about in the strange city, all the time from the lofty tower the chimes fell down. What history crowds upon us! Here in the old cathedral, with its monstrous tower of brick, a portion of it as old as the tenth century, Philip the Good established, in 1429, the Order of the Golden Fleece, the last chapter of which was held by Philip the Bad in 1559, in the rich old Cathedral of St. Bavon, at Ghent. Here, on the square, is the site of the house where the Emperor Maximilian was imprisoned by his rebellious Flemings; and next it, with a carved lion, that in which Charles II. of England lived after the martyrdom of that patient and virtuous ruler, whom the English Prayerbook calls that "blessed martyr, Charles the First." In Notre Dame are the tombs of Charles the Bold and Mary his daughter.

We begin here to enter the portals of Dutch painting. Here died Jan van Eyck, the father of oil painting; and here, in the hospital of St. John, are the most celebrated pictures of Hans Memling. The most exquisite in color and finish is the series painted on the casket made to contain the arm of St. Ursula, and representing the story of her martyrdom. You know she went on a pilgrimage to Rome, with her lover, Conan, and eleven thousand virgins; and, on their return to Cologne, they were all massacred by the Huns. One would scarcely believe the story, if he did not see all their bones at Cologne.

GHENT AND ANTWERP