Category: Music

The Complete Opera Book The Stories of the Operas, together with 400 of the Leading Airs and Motives in Musical Notation

threats by the _Furies_. The scene, beginning with the chorus, "Who is this mortal?" is still considered a masterpiece of dramatic music. The _Furies_ call upon Cerberus, the triple-headed dog monster that guards the entrance to the Nether World, to tear in pieces the mortal w...

Chapters

23. Act III. In a rocky mountain gorge _Adolar_ draws his sword and is

about to slay _Euryanthe_, who in vain protests her innocence. At that moment a huge serpent appears. _Euryanthe_ throws herself between it and _Adolar_ in order to save him. He...

293. Scene 2. A convent garden near the field of battle.

Rostand's play was first produced, October, 1898, by Richard Mansfield, and repeated in subsequent seasons. In 1900 it was given in French by Bernhardt and Coquelin. The librett...

170. Act IV. A square in Seville. At the back the entrance to the arena. It

Gay the crowd that fills the square outside the arena where the bullfights are held. It cheers the first strains of music heard as the festival procession approaches, and it sho...

26. Act III. The wedding festivities are described in the brilliant

"Introduction to Act III." This is followed in the opera by the "Bridal Chorus," which, wherever heard--on stage or in church--falls with renewed freshness and significance upon...

13. volume iv of the _Vierteljahrheft für Musikwissenschaft_ (Music

Mozart agreed to hand over the finished score in time for the autumn season of 1787, for the sum of one hundred ducats ($240). Richard Strauss receives for a new opera a guarant...

49. Act II. The _Count_ again enters _Bartolo's_ house. He is now

disguised as a music teacher, and pretends that he has been sent by _Basilio_ to give a lesson in music, on account of the illness of the latter. He obtains the confidence of _B...

291. Act III. Twenty-six years later. _Onegin_ has restlessly wandered over

the world. Now he is in St. Petersburg at a ball given by _Prince Gremin_. There, if he sees aright, Princess Gremina, that accomplished woman of the world is "his" _Tatiana_. N...

117. Act IV. "The Orfano Canal." The vestibule of a ruined palace on the

island of Giudecca. In the right-hand corner an opened screen, behind which is a bed. Large porch at back, through which are seen the lagoon, and, in the distance, the square of...

30. Act I. In the introduction to "The Rhinegold," we saw the Rhine

flowing peacefully toward the sea and the innocent gambols of the _Rhinedaughters_. But "The Valkyr" opens in storm and stress. The peace and happiness of the first scene of the...

224. Act III. In a dungeon the blinded giant languishes. But more

tormenting than the corporal disgrace or the laments of his companions are the reproaches in his own breast. Now the doors rattle. _Beadles_ come in to drag him to the Philistin...

97. Act III. A study in _Reinhart's_ dwelling. For the disgrace he has

suffered he intends to kill _Amelia_. Upon her plea she is allowed to embrace her son once more. He reflects that, after all, _Richard_ is much the more guilty of the two. He re...

32. Act III. The third act opens with the famous "Ride of the Valkyrs," a

number so familiar that detailed reference to it is scarcely necessary. The wild maidens of Walhalla coursing upon winged steeds through storm-clouds, their weapons flashing in...

43. Act III. During this act the tender strain in _Sachs's_ sturdy

character is brought out in bold relief. Hence the prelude develops what may be called three Sachs themes, two of them expressive of his twofold nature as poet and cobbler, the...

40. Act III. The introduction to this act opens with a variation of the

Isolde Motive, sadly prophetic of the desolation which broods over the scene to be disclosed when the curtain rises. On its third repetition it is continued in a long-drawn-out...

86. Act II has its scene laid in the ducal palace. This salon has large

folding doors in the background and smaller ones on each side, above which are portraits of the _Duke_ and of the Duchess, a lady who, whether from a sense of delicacy or merely...

108. Act IV. The scene is _Desdemona's_ bedchamber. There is an orchestral

introduction of much beauty. Then, as in the play, with which I am supposing the reader to be at least fairly familiar, comes the brief dialogue between _Desdemona_ and _Emilia_...

282. Act III. In the gloomy dungeon in which _Guntram_ is awaiting his

punishment, the young hero has plenty of leisure to meditate on his deeds and their motives. The Band of the Good has sent _Friedhold_ to him in order that he may ask of him an...

191. Act II. Part II. When the curtain rises, night has passed, dawn is

When _Suzuki_ awakes, she persuades the poor little "wife" to go upstairs to rest, which _Butterfly_ does only upon _Suzuki's_ promise to awaken her as soon as _Pinkerton_ arriv...

37. Act III. How picturesque the _mise-en-scène_ of this act--a clearing

in the forest primeval near a spot where the bank of the Rhine slopes toward the river. On the shore, above the stream, stands _Siegfried_. Baffled in the pursuit of game, he is...

31. Act II. In the _Vorspiel_ the orchestra, with an upward rush of the

Sword Motive, resolved into 9-8 time, the orchestra dashes into the Motive of Flight. The Sword Motive in this 9-8 rhythm closely resembles the Motive of the Valkyr's Ride, and...

14. Act II. In the Palm Grove. _Sarastro_ informs the priests of the plans

which he has laid. The gods have decided that _Pamina_ shall become the wife of the noble youth _Tamino_. _Tamino_, however, must prove, by his own power, that he is worthy of a...

253. Act III. Same as Act I. The wives are adorning themselves with the

help of _Ariane_. She urges them to make the best use of their gifts. _Blue-Beard_ is approaching. The people are lying in wait for him. The wives watch his capture. Bound and w...

133. Act V. The gardens of _Selika's_ palace. Again _Selika_ makes a

sacrifice of love. How easily she could compass the death of _Vasco_ and _Inez_! But she forgives. She persuades _Nelusko_ to provide the lovers with a ship and bids him meet he...

11. Act IV. All is ready for the sacrifice. _Iphigénie_ has the knife

poised for the fatal thrust, when, through an exclamation uttered by _Orestes_, she recognizes him as her brother. The priestesses offer him obeisance as King. _Thoas_, however,...

288. Act III. In the meantime, _Wenzel_ has fallen in love with _Esmeralda

the danseuse in a troop of acrobats. In his infatuation he allows himself to be induced to act in place of a drunken comedian. His parents and _Kezal_ surprise him while practis...

44. Act I. One of the sturdiest of the knights, the aged _Gurnemanz_, grey

of head and beard, watches near the outskirts of the forest. One dawn finds him seated under a majestic tree. Two young _Esquires_ lie in slumber at his feet. Far off, from the...

81. Act III is in two scenes, the first in _Don Pasquale's_ house, where

_Don Pasquale_, who has suspected _Norina_ of having a rendezvous in the garden, rushes out of concealment with _Malatesta_. But _Ernesto_ is quick to hide, and _Norina_ pretend...

176. Act III. Ragpickers and scavengers are dragging the sewer before

daylight. In song they mock the moon. A flash of light from the mystic mountain awakens what is like an answering gleam in the muck. They discover and drag out the body of _Iris...

178. Act II. The scene is the same as that of the preceding act. _Tonio

with the big drum takes his position at the left angle of the theatre. _Beppe_ places benches for the spectators, who begin to assemble, while _Tonio_ beats the drum. _Silvio_ a...

34. Act III. The third act opens with a stormy introduction in which the

Motive of the Ride of the Valkyrs accompanies the Motive of the Gods' Stress, the Compact, and the Erda motives. The introduction reaches its climax with the =Motive of the Dusk...

94. Act III. _Violetta's_ bedroom. At the back is a bed with the curtains

partly drawn. A window is shut in by inside shutters. Near the bed stands a tabouret with a bottle of water, a crystal cup, and different kinds of medicine on it. In the middle...

152. Act III, played in a hunting park in Richmond forest, on the left a

small inn, opens with a song in praise of porter, the "Canzone del Porter" by _Plunkett_, "Chi mi dirà?" (Will you tell me). The pièces de résistance of this act are the "M'appa...

195. Act IV. This act is divided into two parts. The scene of the first

part is an octagonal hall of gray stone. A grated door leads to a subterranean prison. Cries of a prisoner from there have disturbed Francesca. When she complains of this to the...

42. Act II. The scene of this act represents a street in Nuremburg

crossing the stage and intersected in the middle by a narrow, winding alley. There are thus two corner houses--on the right corner of the alley _Pogner's_, on the left _Sachs's_...

36. Act II. The ominous Motive of the Nibelung's Malevolence introduces

the second act. The curtain rises upon the exterior of the hall of the Gibichungs. To the right is the open entrance to the hall, to the left the bank of the Rhine, from which r...

46. Act III. Not until after long wanderings through the wilderness,

however, is it that _Parsifal_ once more finds himself on the outskirts of the Grail forest. Clad from head to foot in black armour, his visor closed, the Holy Spear in his hand...

24. Act I. The curtain, on rising, discloses a scene of unwonted life on

the plain near the River Scheldt, where the stream winds toward Antwerp. On an elevated seat under a huge oak sits _King Henry I._ On either side are his Saxon and Thuringian no...

146. Act V. Early morning brings to _Dido_ in her palace the knowledge that

she has lost _Æneas_ forever. She decides not to survive her loss. On the sea beach she orders a huge pyre erected. All the love tokens of the faithless one are fed to the flame...

167. Act I. A square in Seville. On the right the gate of a cigarette

factory. At the back, facing the audience, is a practicable bridge from one side of the stage to the other, and reached from the stage by a winding staircase on the right beyond...

38. Act I. Wagner wisely refrains from actually placing before us on the

stage, the events that transpired in Ireland before _Tristan_ was despatched thither to bring _Isolde_ as a bride to _King Marke_. The events, which led to the two meetings betw...

128. Act V. The three Anabaptists, _Jonas_, _Matthisen_, and _Zacharias_,

had intended to use _John_ only as an instrument to attain power for themselves. The German Emperor, who is moving on Münster with a large force, has promised them pardon if the...

69. Act III. The first scene is laid in _Edgar's_ gloomy castle, whither

The scene then changes back to Lammermoor, where the wedding guests still are feasting. Their revels are halted by _Raymond_, who, horror-stricken, announces to them that _Lucy_...

85. Act I opens in a salon in the _Duke's_ palace. A suite of other

apartments is seen extending into the background. All are brilliantly lighted for the fête that is in progress. Courtiers and ladies are moving about in all directions. Pages ar...

187. Act II. The Farnese Palace. _Scarpia's_ apartments on an upper floor.

A large window overlooks the palace courtyard. _Scarpia_ is seated at table supping. At intervals he breaks off to reflect. His manner is anxious. An orchestra is heard from a l...

264. Act II. Three years have passed. In the house of the innkeeper

_Colas_, now as brave as before, having been wounded in battle with the invading enemy, _Captain Gontran_ finds himself received as a severely wounded person. He loves his nurse...

52. Act III. The market-place in Altdorf. It is the hundredth anniversary

of Austrian rule in Switzerland. Fittingly to celebrate the day _Gessler_ has ordered his hat to be placed on top of a pole. The Swiss are commanded to make obeisance to the hat...

84. Act IV, on the terrace of _Ernani's_ castle, is brief, and there is

nothing to add to what has been said of its action. _Ernani_ asks _Silva_ to spare him till his lips have tasted the chalice filled by love. He recounts his sad life: "Solingo,...

113. Act IV. _Mefistofele_ takes _Faust_ to the shores of the Vale of

'Tis the night of the classic Sabbath. A band of young maidens appear, singing and dancing. _Mefistofele_, annoyed and confused, retires. _Helen_ enters with chorus, and, absorb...

29. Scene IV. A pale mist still veils the prospect as at the end of the

second scene. _Loge_ and _Wotan_ place _Alberich_ on the ground and _Loge_ dances around the pinioned Nibelung, mockingly snapping his fingers at the prisoner. _Wotan_ joins _Lo...

35. Act I. On the river lies the hall of the Gibichungs, where house

_Gunther_, his sister _Gutrune_, and _Hagen_, their half-brother. _Gutrune_ is a maiden of fair mien, _Gunther_ a man of average strength and courage, _Hagen_ a sinister plotter...

122. Act V. Covered with blood, _Raoul_ rushes into the ballroom of the

Hôtel de Nesle, where the Huguenot leaders, ignorant of the massacre that has begun, are assembled, and summons them to battle. Already Coligny, their great commander, has falle...

186. Act I. The church of Sant'Andrea della Valle. To the right the

Enter _Angelotti_. He has escaped from prison and is seeking a hiding place. Looking about, he recognizes a pillar shrine containing an image of the Virgin, and surmounting a re...

67. Act II is laid in the Negroni palace, and is the scene of the banquet,

When "Lucrezia Borgia" was produced in Paris, in 1840, Victor Hugo, author of the drama upon which the libretto is based, objected. The French have long gone much further than w...

235. Act II takes place three months later. _Charlotte_ and _Albert_ are

In Act III _Charlotte_ is at home alone. Her thoughts are with _Werther_ and she wonders how she could have sent him away. Suddenly _Werther_ returns and there is a passionate l...

27. Scene II. Dawn illumines a castle with glittering turrets on a rocky

The =Walhalla Motive= now heard is a motive of superb beauty. It greets us again and again in "Rhinegold" and frequently in the later music-dramas of the cycle. Walhalla is the...

202. Act I, in the Friendship Club, and later in Ottavio's home; Act II, in

In the music the club's motto, "Bandie xe le Done" (No Women Admitted) is repeated often enough to pass for a motif. The most melodious vocal passage is the duet for _Rosaura_ a...

91. Act IV. _Manrico's_ sortie to rescue his supposed mother failed. His

men were repulsed, and he himself was captured and thrown into the dungeon tower of Aliaferia, where _Azucena_ was already enchained. The scene shows a wing of the palace of Ali...

101. Scene 2. Brilliant indeed is the spectacle to which _Aïda_ is

compelled to proceed with the Princess. It is near a group of palms at the entrance to the city of Thebes that the _King_ has elected to give _Rhadames_ his triumph. Here stands...

39. Act II. This act also has an introduction, which together with the

first scene between _Isolde_ and _Brangäne_, constitutes a wonderful mood picture in music. Even Wagner's bitterest critic, Edward Hanslick, of Vienna, was forced to compare it...

262. Act III. _May_ resolves to be true to _Edward_. Recognizing him (after

his song, "Hulla, list to the Seas"), they drive off in _Tackleton's_ carriage. _John_ is told of _Dot's_ secret. Reconciliation, with the _Cricket_ chirping merrily. There is m...

12. Act II. Still, the _Count_, for whom the claims of _Marcellina_ upon

_Figaro_ have come in very opportunely, has not given consent for his valet's wedding. He wishes to carry his own intrigue with _Susanna_, the genuineness of whose love for _Fig...

93. Act II. Salon on the ground floor of a country house near Paris,

occupied by _Alfred_ and _Violetta_, who for him has deserted the allurements of her former life. _Alfred_ enters in sporting costume. He sings of his joy in possessing _Violett...

33. Act II. The second act opens with a darkly portentous _Vorspiel_. On

the very threshold of it we meet _Fafner_ in his motive, which is so clearly based on the Giant Motive that there is no necessity for quoting it. Through themes which are famili...

123. Act III opens with the famous chorus of the Huguenot soldiers in

which, while they imitate with their hands the beating of drums, they sing their spirited "Rataplan." By contrast, the Catholic maidens, who accompany the bridal cortège of _Val...

169. Act III. A rocky and picturesque spot among rocks on a mountain. At

the rising of the curtain there is complete solitude. After a few moments a smuggler appears on the summit of a rock, then two, then the whole band, descending and scrambling do...

177. Act I. The edge of the village of Montalto, Calabria. People are

celebrating the Feast of the Assumption. In the background is the tent of the strolling players. These players, _Canio_, _Nedda_, _Tonio_, and _Beppe_, in the costume of their c...

102. Act III. That tragedy further advances toward its consummation in the

Half concealed in the foliage is the temple of Isis, from which issues the sound of women's voices, softly chanting. A boat approaches the shore and out of it steps _Amneris_ an...

2. Act III. A wood. _Orpheus_, still under the prohibition imposed by the

gods, has released the hand of his bride and is hurrying on in advance of her urging her to follow. She, still not comprehending why he does not even cast a glance upon her, pro...

189. Act I. There is a prelude, based on a Japanese theme. This theme runs

through the greater part of the act. It is employed as a background and as a connecting link, with the result that it imparts much exotic tone colour to the scenes. The prelude...

41. Act I. The scene of this act is laid in the Church of St. Catherine,

Nuremburg. The congregation is singing the final chorale of the service. Among the worshippers are _Eva_ and her maid, _Magdalena_. _Walther_ stands aside, and, by means of nods...

234. Act V. A forest. _Don Quichotte_ is dying. He tells _Sancho_ that he

has given him the island he promised him in their travels; the most beautiful island in the world--the "Island of Dreams." In his delirium he sees _Dulcinée_. The lance falls fr...

45. Act II. This act plays in _Klingsor's_ magic castle and garden. The

In the inner keep of his tower, stone steps leading up to the battlemented parapet and down into a deep pit at the back, stands _Klingsor_, looking into a metal mirror, whose su...

285. Act III. A room in an inn near Vienna. With the help of _Valzacchi

and _Annina_, who are now in the service both of the _Baron_ and of _Octavian_, but are more prone to further the latter's plans because he pays them better, _Octavian_ has hire...

65. Act II, which shows a room in _Adina's_ farmhouse, opens with a bright

chorus of rejoicing at her approaching wedding. _Dulcamara_ brings out a piece of music, which he says is the latest thing from Venice, a barcarole for two voices. He and _Adina...

151. Act IV. Before very long, however, there was a material change in the

situation. In his extremity, _Lionel_ remembered about his ring and he asked _Plunkett_ to show it to the queen and plead his cause. The ring proved to have been the property of...

182. Act I. The garret in the Latin Quarter, where live the inseparable

When the act opens, _Rudolph_ is at a table writing, and _Marcel_ is at work on a painting, "The Passage of the Red Sea." He remarks that, owing to lack of fuel for the garret s...

25. Act II. That night in the fortress of Antwerp, the palace where abide

the knights is brilliantly illuminated and sounds of revelry issue from it, and lights shine from the kemenate, where _Elsa's_ maids-in-waiting are preparing her for the bridal...

56. Scene 2. The village, near _Teresa's_ mill. Water runs through the

race and the wheel turns rapidly. A slender wooden bridge, spanning the wheel, gives access from some dormer lights in the millroof to an old stone flight of steps leading down...

61. Act III is laid in a grove near the fortress. _Arthur_, although

proscribed, seeks out _Elvira_. Her joy at seeing him again temporarily lifts the clouds from her mind, but renewed evidence of her disturbed mental state alarms her lover. He h...

155. Act III. _Marguerite's_ garden. At the back a wall with a wicket door.

_Siebel_ enters by the wicket. Stopping at one of the flower beds and about to pluck a nosegay, he sings the graceful "Faites-lui mes aveux" (Bear my avowal to her). But when he...

279. Act IV. Now comes the explanation and the punishment of the

_Corregidor_, at least in so far as he receives a sound thrashing and becomes really humbled. In reality the miller also has not yet had his "revenge," but he is recognized and...

166. Act III. Gallery in an Italian castle, to which _Wilhelm_ has brought

_Mignon_ and _Lothario_. _Mignon_ has been dangerously ill. A boating chorus is heard from the direction of a lake below. _Lothario_, standing by the door of _Mignon's_ sick-roo...

198. Act III. The crypt of the castle, where _Fiora_ lies upon her bier

with white flowers all about her, and tapers at her head and feet. Around her, people of her country, young and old, make their moan, while from within the chapel voices of a ch...

20. Act II opens with a delightful duet for _Agathe_ and _Aennchen_ and a

charmingly coquettish little air for the latter (Comes a comely youth a-wooing). Then comes _Agathe's_ principal scene. She opens the window and, as the moonlight floods the roo...

230. Act V, originally given as a second scene to the fourth act. A lonely

spot on the road to Havre. _Des Grieux_ has been freed through the intercession of his father. _Manon_, however, with other women of her class, has been condemned to deportation...

114. Act I. "The Lion's Mouth." Grand courtyard of the Ducal palace,

decorated for festivities. At back, the Giant's Stairway, and the Portico della Carta, with doorway leading to the interior of the Church of St. Mark. On the left, the writing-t...

104. Scene 2. This is the famous double scene. The stage setting is divided

into two floors. The upper floor represents the interior of the Temple of Vulcan, resplendent with light and gold; the lower floor a subterranean hall and long rows of arcades w...

196. Act I. The scene is a spacious hall open to a terrace. A lantern

From the left enters _Archibaldo_. He is old with flowing white hair and beard, and he is blind. He is led in by his guide _Flaminio_, who is in the dress of the castle guard. A...

148. Scene 2. Meanwhile the Richmond fair was at its height. From a large

parchment the pompous _Sheriff_ had read the law by which all contracts for service made at the fair were binding for at least one year as soon as money had passed. Among those...

16. Act II. The scene is in the dungeon where _Florestan_ is in heavy

chains. To one side is the old cistern covered with rubbish. Musically the act opens with _Florestan's_ recitative and air, a fit companion piece to _Leonore's_ "Komm Hoffnung"...

188. Act III. A platform of the Castle Sant'Angelo. Left, a casement with a

table, a bench, and a stool. On the table are a lantern, a huge register book, and writing materials. Suspended on one of the walls are a crucifix and a votive lamp. Right, a tr...

221. Act II. Secret Cellar at Koenigsberg. _Worms_ and others plot to

Epilogue. Battlefield of Leipzig. Napoleon has been defeated. The great field is strewn with dead and dying. Among the latter, _Ricke_, still loving _Loewe_, finds him. He asks...

157. Act V. When Gounod revised "Faust" for the Grand Opéra, Paris, the

traditions of that house demanded a more elaborate ballet than the dance in the kermis scene afforded. Consequently the authors reached beyond the love story of _Faust_ and _Mar...

90. Act III. The camp of _Count di Luna_, who is laying siege to

The _Count_ comes from his tent. He casts a lowering gaze at the stronghold from where his rival defies him. There is a commotion. Soldiers have captured a gypsy woman found pro...

98. Act I. Scene 1. After a very brief prelude, the curtain rises on a

It had been supposed that, after the invasion of Ethiopia by the Egyptians, the Ethiopians would be a long time in recovering from their defeat. But _Amonasro_, their king, has...

15. Act I. The opera opens with a brisk duet between _Jacquino_ and

_Marcellina_, in which he urges her definitely to accept him and she cleverly puts him off. Left alone she expresses her regret for _Jacquino_, but wishes she were united with _...

58. Act II. _Norma_, filled with despair, is beside the cradle of her

little ones. An impulse to kill them comes over her. But motherhood triumphs over unrequited love. She will renounce her lover. _Adalgisa_ shall become the happy spouse of _Poll...

199. Act I. A small square in Naples, near the sea. _Carmela's_ house,

_Gennaro's_ smithy, an inn, and the little hut of _Biaso_, the scribe, among many other details. "It is the gorgeous afternoon of the festival of the Madonna, and the square swa...

168. Act II. The tavern of Lillas Pastia. Benches right and left. Towards

_Frasquita_, _Mercedes_, and _Morales_ are with _Carmen_; also other officers, gypsies, etc. The officers are smoking. Two gypsies in a corner play the guitar and two others dan...

150. Act III. But when morning came the birds had flown the cage. There was

neither a Martha nor a Julia in the little farmhouse, while at the court of Queen Anne a certain _Lady Harriet_ and her maid _Nancy_ were congratulating themselves that, after a...

163. Act V. The tomb of the Capulets. _Romeo_, having heard in his exile

that his beloved is no more, breaks into the tomb. She, recovering from the effects of the philtre, finds him dying, plunges a dagger into her breast, and expires with him.

89. act two famous numbers in quick succession;--the famous "Anvil

in which the gypsies, working at the forges, swing their hammers and bring them down on clanking metal in rhythm with the music; the chorus being followed immediately by _Azucen...

147. Act I. Scene 1. The _Lady Harriet_ yawned. It was dull even at the

The simple fact is the _Lady Harriet_, like many others whose pleasures come so easily that they lack zest, was bored. Even the resourceful _Nancy_, a prize among maids, was at...

74. Act III. A salon in the Palace of the Alcazar. In a brief scene the

_King_ informs his minister that he has decided to heed the behest of the church and refrain from braving the Papal malediction. He bids _Gaspar_ send _Leonora_ to him, but, at...

190. Act II. Part I. Three years have elapsed. It is a long time since

_Pinkerton_ has left _Butterfly_ with the promise to return to her "when the robins nest." When the curtain rises, after an introduction, in which another Japanese theme is empl...

154. Act II. Outside of one of the city gates. To the left is an inn,

The act opens with a chorus. "Faust" has been given so often that this chorus probably is accepted by most people as a commonplace. In point of fact it is an admirable piece of...

28. Scene III. _Alberich_ enters from a side cleft dragging after him the

shrieking _Mime_. The latter lets fall a helmet which _Alberich_ at once seizes. It is the Tarnhelmet, made of Rhinegold, the wearing of which enables the wearer to become invis...

70. Act I. A passage in the Tyrolese mountains. On the right is a cottage,

on the left the first houses of a village. Heights in the background. Tyrolese peasants are grouped on rising ground, as if on the lookout. Their wives and daughters kneel befor...

71. Act II. In the castle of the _Marquise_. _Marie_ is learning to dance

the minuet and to sing classical airs. But in the midst of her singing she and _Sulpice_, whom the _Marquise_ also has brought to the castle, break out into the "Song of the Reg...

77. Act II. Room in a handsome, well-furnished apartment in Paris. This

apartment is _Linda's_. In it she has been installed by _Charles_. The natural supposition, that it has been paid for by her virtue, is in this instance a mistake, but one, I am...

72. Act I. The interior of the monastery. _Ferdinand_ makes known to

_Balthazar_, the Superior, that he desires to renounce his novitiate, because he has fallen in love, and cannot banish the woman of his affections from his thoughts. He describe...

283. Act I. Room in the _Princess von Werdenberg's_ palace. Morning. The

curtain rises after an impassioned orchestral introduction which is supposed to depict _risqué_ incidents of the previous night suggested by the stage directions. These directio...

183. Act II. A meeting of streets, where they form a square, with shops of

all sorts, and the Café Momus. The square is filled with a happy Christmas eve crowd. Somewhat aloof from this are _Rudolph_ and _Mimi_. _Colline_ stands near the shop of a clot...

78. Act III. The village of Chamounix. The Savoyards are returning and are

joyfully greeted. _Charles_, who has been able to persuade his mother to permit him to wed _Linda_, has come in search of her. Incidentally he has brought solace for _Antonio_ a...

179. Act I plays in front of an inn at Amiens. _Edmund_ has a solo with

chorus for students and girls. _Lescaut_, _Geronte_, and _Manon_ arrive in a diligence. _Lescaut_ is taking his sister to a convent to complete her education, but finding her to...

255. Act II. A magnificent room in the cadi's house. What a stirring,

harmonious picture. _Margiana_, _Bostana_, and the cadi rejoice: "He comes! he comes! oh, delightful pleasure." Of course the covetous old cadi is not thinking of young _Nureddi...

201. Act III. A haunt of the Camorrists on the outskirts of Naples. On the

The Camorrists gather. They are men and women, all the latter of doubtful character. There is singing with dancing--the "Apache," the "Tarantella." _Stella_, _Concetta_, _Serena...

75. Act IV. The cloisters of the Monastery of St. James. Ceremony of

In 1882, thirty-four years after Donizetti's death, there was produced in Rome an opera by him entitled "Il Duca d'Alba" (The Duke of Alba). Scribe wrote the libretto for Rossin...

197. Act II. The scene is a circular terrace on the high castle walls. A

single staircase leads up to the battlements. It is afternoon. The sky is covered with changing, fleeting clouds. Trumpet blasts are heard from the valley. From the left comes _...

185. Act IV. The scene is again the attic of the four Bohemians. _Rudolph

is longing for _Mimi_, of whom he has heard nothing, _Marcel_ for _Musetta_, who, having left him, is indulging in one of her gay intermezzos with one of her wealthy patrons. "A...

165. Act II. _Filina's_ boudoir at the castle. The actress sings of her

He ushers in _Wilhelm_ and _Mignon_, then withdraws. _Mignon_, pretending to fall asleep, watches _Wilhelm_ and _Filina_. While _Wilhelm_ hands to the actress various toilet acc...

7. Act V. Another part of the enchanted garden. _Renaud_, bedecked with

garlands, endeavours to detain _Armide_, who, haunted by dark presentiment, wishes to consult with the powers of Hades. She leaves _Renaud_ to be entertained by a company of hap...

250. Act III shows the feast and the bacchanale at the house of _Bacchis_.

In Act IV _Chrysis_ goes to _Démétrios_ to receive the gifts and to bestow the reward. _Démétrios_, mad with passion, clasps her in his embrace. The clamour without reminds him...

115. Act II. "The Rosary." Night. A brigantine, showing its starboard side.

In front, the deserted bank of an uninhabited island in the Fusina Lagoon. In the farthest distance, the sky and the lagoon. A few stars visible. On the right, a cloud, above wh...

87. Act I. Atrium of the palace of Aliaferia, with a door leading to the

apartments of the _Count di Luna_. _Ferrando_, the captain of the guard, and retainers, are reclining near the door. Armed men are standing guard in the background. It is night....

225. Act I. Courtyard of the inn at Amiens. _Guillot_ and _De Brétigny_,

who have just arrived with the actresses _Poussette_, _Javotte_, and _Rosette_, are shouting for the innkeeper. Townspeople crowd about the entrance to the inn. They descry a co...

92. Act I. A salon in the house of _Violetta_. In the back scene is a

door, which opens into another salon. There are also side doors. On the left is a fireplace, over which is a mirror. In the centre of the apartment is a dining-table, elegantly...

200. Act II. The garden of _Carmela's_ house. On the left wall a wooden

_Carmela_, having cleared the table, goes into the house. _Gennaro_ starts in to warn _Maliella_. She says she will have freedom, rushes up the staircase to her room, where she...

209. Act IV. Prison of Lazare at midnight. _Madeleine_ enters to _Chénier

with _Gérard_. She has bribed the _jailer_ to allow her to substitute for another woman prisoner. If she cannot live for her lover, she can, at least, die with him. Together she...

100. Act II. Scene 1. In this scene, which takes place in a hall in the

apartments of _Amneris_, the Princess adopts strategy to discover if _Aïda_ returns the passion which she suspects in _Rhadames_. Messengers have arrived from the front with new...

107. Act III. The great hall of the castle. At the back a terrace. After a

brief scene in which the approach of a galley with the Venetian ambassadors is announced, _Desdemona_ enters. Wholly unaware of the cause of _Othello's_ strange actions toward h...

106. Act II. A hall on the ground floor of the castle. _Iago_, planning to

make _Othello_ jealous of _Desdemona_, counsels _Cassio_ to induce the Moor's wife to plead for his reinstatement. _Cassio_ goes into a large garden at the back. _Iago_ sings hi...

54. Act II. _Rodolpho's_ sleeping apartment at the inn. He enters,

conducted by _Lisa_. She is coquettish, he quite willing to meet her halfway in taking liberties with her. He learns from her that his identity as the lord of the castle has now...

116. Act III. "The House of Gold." A room in _Alvise's_ house. _Alvise

He summons _Laura_. Nocturnal serenaders are heard singing without, as they wend their way in gondolas along the canal. _Alvise_ draws the curtains from before a doorway and poi...

284. Act II. Salon in the house of _Herr von Faninal_. This lately ennobled

_nouveau rich_ considers it a great distinction that the _Baron von Lerchenan_, a member of the old nobility, should apply for the hand of his daughter. That the _Baron_ only do...

19. Act III. The first scene again plays in the forester's house. _Agathe

still is filled with forebodings. She is attired for the test shooting which also will make her _Max's_ bride, if he is successful. Faith dispels her gloom. The bridesmaids ente...

76. Act I. The village of Chamounix. On one side a farmhouse. On an

eminence a church. _Antonio_ and _Madeline_ are poor villagers. _Linda_ is their daughter. She has fallen in love with an artist, _Charles_, who really is the _Viscount de Sirva...

149. Act II. The adventure of the _Lady Harriet_ and her maid _Nancy_, so

lightly entered upon, was carrying them further than they had expected. To find themselves set down in a humble farmhouse, as they did soon after they left the fair, and to be t...

82. Act II. Grand hall in _Silva's_ castle. Doors lead to various

apartments. Portraits of the Silva family, surmounted by ducal coronets and coats-of-arms, are hung on the walls. Near each portrait is a complete suit of equestrian armour, cor...

53. Act I. The village green. On one side an inn. In the background a

water mill. In the distance mountains. As the curtain rises the villagers are making merry, for they are about to celebrate a nuptial contract between _Amina_, an orphan brought...

63. Act II. The village is assembled on _Adina's_ farm to celebrate her

marriage with the _Sergeant_. But it is noticeable that she keeps putting off signing the marriage contract. _Nemorino_ awaits the effect of the elixir. To make sure of it, he b...

205. Act IV. The scene is the same, but it is far into the night. The

candles are burning low, the fire is dying out, _Catherine_ and _Lefebvre_ have a brief scene in which they deplore that they are powerless to prevent _Neipperg's_ execution. _C...

73. Act II. Gardens of the Palace of the Alcazar. _Ferdinand's_ dream of

glory has come true. We learn, through a brief colloquy between _Alfonso_ and _Don Gaspar_, his minister, that the young officer has led the Spanish army to victory against the...

99. Scene 2. _Ramphis_, the high priest, at the foot of the altar; priests

and priestesses; and afterwards _Rhadames_ are shown in the Temple of Vulcan at Memphis. A mysterious light descends from above. A long row of columns, one behind the other, is...

184. Act III. A gate to the city of Paris on the Orleans road. A toll house

at the gate. To the left a tavern, from which, as a signboard hangs _Marcel's_ picture of the Red Sea. Several plane trees. It is February. Snow is on the ground. The hour is th...

226. Act II. The apartment of _Des Grieux_ and _Manon_, Rue Vivienne,

Paris. _Des Grieux_ is writing at his desk. Discovering _Manon_ looking over his shoulder, he reads her what he has written--a letter to his father extolling her charms and aski...

213. Act IV. _Mateo_ is desperate. _Conchita_ comes to his home and says

she certainly expected him to kill himself for love of her. Enraged, he seizes her. She tries to stab him. He beats her without mercy. At last--and it seems about time--_Conchit...

272. Act III. The earnest man is very quickly drawn in. In the ruined

dining-hall of the palace of _Massimelle_, the sans-culottes are lodged. _Favart_, under whose direction the castle has been stormed, is vexed at his report for which _Doris_, h...

156. Act IV. The first scene in this act takes place in _Marguerite's

room. No wonder _Méphistophélès_ laughed when he saw her in _Faust's_ arms. She has been betrayed and deserted. The faithful _Siebel_, however, still offers her his love--"Si la...

68. Act II. Apartment in the Castle of Lammermoor. "Il pallor funesto,

In this sad air _Lucy_ protests to her brother against the marriage which he has arranged for her with _Bucklaw_. _Henry_ then shows her the forged letter, which leads her to be...

136. Act III. Before _Cellini's_ house, in the background of which, through

a curtain, is seen the bronze foundry, the anxious _Teresa_ is assured by _Ascanio_ that her lover is safe. Soon he comes along himself, with a band of monks, to whom he describ...

153. Act I. _Faust's_ study. The philosopher is discovered alone, seated at

_Faust_ despairs of solving the riddle of the universe. Aged, his pursuit of science vain, he seizes a flask of poison, pours it into a crystal goblet, and is about to drain it,...

110. Act I. The drama opens on Easter Sunday, at Frankfort-on-the-Main.

Crowds of people of all conditions move in and out of the city gates. Among them appears a grey friar, an object of both reverence and dread to those near him. The aged _Dr. Fau...

181. Act IV. "A vast plain on the borders of the territory of New Orleans.

The country is bare and undulating, the horizon is far distant, the sky is overcast. Night falls." Thus the libretto. The score is a long, sad duet between _Des Grieux_ and _Man...

164. Act I. Courtyard of a German inn. Chorus of townspeople and

travellers. _Lothario_, a wandering minstrel, sings, accompanying himself on his harp, "Fugitif et tremblant" (A lonely wanderer). _Filina_ and _Laertes_, on the way with their...

118. Act I. Touraine. _Count de Nevers_, one of the leaders of the Catholic

party, has invited friends to a banquet at his château. Among these is _Raoul de Nangis_, a Huguenot. He is accompanied by an old retainer, the Huguenot soldier, _Marcel_. In th...

289. Act I. _Eugen Onegin_ has been called from a wild life of pleasure to

his sick uncle, of whose property he takes possession after the uncle's sudden death. He has brought with him from the big city a profound satiety of all enjoyments and a deep c...

57. Act I. Sacred grove of the Druids. The high priest _Oroveso_ comes

with the Druids to the sacred grove to beg of the gods to rouse the people to war and aid them to accomplish the destruction of the Romans. Scarcely have they gone than the Roma...

120. Act III. The scene is an open place in Paris before a chapel, where

_de Nevers_, who has renewed his engagement with _Valentine_, is to take her in marriage. The nuptial cortège enters the building. The populace is restless, excited. Religious d...

265. Act I. In Säkkingen a great festival is being held, Fridolin's day.

Peasants from the suburbs have come to town for it. There is a suspicious agitation among them. _Konradin_ who is now in the service of the state has his hands full keeping orde...

17. Act I. At the target range. _Kilian_, the peasant, has defeated _Max_,

the forester, at a prize shooting, a Schützenfest, maybe. _Max_, of course, should have won. Being a forester, accustomed to the use of fire-arms, it is disgraceful for him to h...

66. Act I. A public place in Ferrara. On one side a palace. _Alfonso_,

who, incidentally, is _Lucrezia's_ fourth husband, she having done away with his predecessors by poison, or other murderous means, is jealous of _Gennaro_. Like the youth himsel...

158. Act I. The grand hall in the palace of the Capulets. A fête is in

progress. The chorus sings gay measures. _Tybalt_ speaks to _Paris_ of _Juliet_, who at that moment appears with her father. _Capulet_ bids the guests welcome and to be of good...

95. Act I. Reception hall in the Governor's house. _Richard, Earl of

Warwick_, is giving an audience. _Oscar_, a page, brings him the list of guests invited to a masked ball. _Richard_ is especially delighted at seeing on it the name of _Amelia_,...

83. Act III. The scene is a sepulchral vault, enclosing the tomb of

Charlemagne in the Cathedral of Aix-la-Chapelle. The tomb is entered by a heavy door of bronze, upon which is carved in large characters the word "Charlemagne." Steps lead to th...

1. Act I. Entrance to Hades. When _Orpheus_ appears, he is greeted with

threats by the _Furies_. The scene, beginning with the chorus, "Who is this mortal?" is still considered a masterpiece of dramatic music. The _Furies_ call upon Cerberus, the tr...

192. Act I. The scene is a court in the house of the Polentani, in Ravenna,

adjacent to a garden, whose bright colours are seen through a pierced marble screen. A colloquy between _Francesca's_ brother _Ostasio_ and the notary _Ser Toldo Berardengo_ inf...

203. Act II. The drawing-room of the Château de Compiègne. The Empire has

When the act opens _Despréaux_, the dancing master, _Gelsomino_, the valet, and _Leroy_, the ladies' tailor, are engaged in passing criticisms upon her. She enters, is as unconv...

127. Act IV. A public place in Münster. The city is in possession of the

Anabaptists. _John_, once a plain innkeeper of Leyden, has been swept along on the high tide of success and decides to have himself proclaimed Emperor. Meanwhile _Fides_ has bee...

129. Act I. Lisbon. The Royal Council Chamber of Portugal. Nothing has been

heard of the ship of Bartholomew Diaz, the explorer. Among his officers was _Vasco da Gama_, the affianced of _Inez_, daughter of the powerful nobleman, _Don Diego_. _Vasco_ is...

162. Act IV. It is the room of _Juliet_, to which _Romeo_ has found access,

in order to bid her farewell, before he goes into exile. The lingering _adieux_, the impassioned accents in which the despair of parting is expressed--these find eloquent uttera...

109. Part II of Goethe's drama, the main thread of the action suddenly

seems broken. The skein ravels. That is why one of the most profound works for the lyric stage, one of the most beautiful scores that has come out of Italy, is heard so rarely.

271. Act II. In the King's bedroom at Versailles the ceremony of the royal

levee is taking place. This medley of laughable ceremonial and the practice of the highest refinement makes a sharp contrast with the wild ferment and discontent among the peopl...

125. Act II. In _John's_ inn at Leyden are the three Anabaptists and a

throng of merry-making peasants. Full of longing for _Bertha_, _John_ is thinking of the morrow. The Anabaptists discover that he bears a remarkable resemblance to the picture o...

273. Act I. This play takes place somewhere and somewhen but begins in a

blooming garden in spring. And the most fragrant flowers in the garden are the lovely girls that play in it. Take care, _Lobetanz_; take care! Now that you have leaped over the...

249. Act I. The throng moves back and forth on the crowded wharf. There are

young people, courtesans, philosophers, sailors, beggars, fruit-sellers. _Rhodis_ and _Myrto_ play on their flutes while _Théano_ dances. _Démétrios_ the sculptor approaches and...

135. Act II. In the courtyard of a tavern _Cellini_ is seated, with his

assistants. He is happy in his love, for he places it even higher than fame, which alone heretofore he has courted. He must pledge his love in wine. Unfortunately the host will...

280. Act I. _Guntram_ has been brought up to manhood as pupil of the

religious knightly Band of the Good. This band has set for itself the realization of the Christian idea of love for the soul. The brotherly union of all men, who shall be brough...

105. Act I. In the background a quay and the sea; a tavern with an arbour;

Through a heavy storm _Othello's_ ship is seen to be making port. Among the crowd of watchers, who exclaim upon the danger to the vessel, are _Iago_ and _Roderigo_. _Othello_ as...

247. Act V. Scene XII. A room in the castle. _Mélisande_ lies stretched out

in bed. _Arkel_, _Golo_, and the physician are conversing softly in the room. No; _Mélisande_ is not dying from the insignificant wound _Golo_ has given her. Perhaps her life wi...

219. Act III. Switzerland. _Loris_ and _Fedora_ are married. _Loris's

footsteps, however, are followed by a spy. _Fedora_ learns that because of _Loris's_ act his brother has been thrown into prison and has died there. _Loris's_ mother has died of...

121. Act IV. _Raoul_ seeks _Valentine_, who has become the wife of _de

Nevers_, in her home. He wishes to be assured of the truth of what he has heard from the _Queen_. During their meeting footsteps are heard approaching and _Valentine_ barely has...

204. Act III. Cabinet of the _Emperor_. There is a brief scene between

_Napoleon_ brusquely attacks her for her behaviour. She recalls his own humble origin, tells of her services to the army, and of the wound in the arm she received on the battlef...

119. Act II. In the Garden of Chenonçeaux, _Queen Marguerite de Valois

receives _Valentine_, daughter of the _Count de St. Bris_. The _Queen_ knows of her rescue from the students by _Raoul_. Desiring to put an end to the differences between Huguen...

216. Act III. _Crispino_, overbearing since his good fortune, has built a

fine house. He ignores former friends and even is unkind to _Annetta_. He even berates the _Fairy_. Suddenly he is in a cavern. The _Fairy's_ head has turned into a skull. She h...

48. Scene 2. Room in _Dr. Bartolo's_ house. _Rosina_ enters. She sings the

_Figaro_, who has left _Almaviva_ and come in from the street, tells her that the _Count_ is Signor Lindor, claims him as a cousin, and adds that the young man is deeply in love...

112. Act III. The scene is a prison. _Margaret_ lies extended upon a heap

of straw, mentally wandering, and singing to herself. _Mefistofele_ and _Faust_ appear outside the grating. They converse hurriedly, and _Faust_ begs for the life of _Margaret_....

174. Act I. The home of _Iris_ near the city. The hour is before dawn. The

music depicts the passage from night into day. It rises to a crashing climax--the instrumentation including tamtams, cymbals, drums, and bells--while voices reiterate, "Calore!...

62. Act I. Beauty and riches have made the young peasant woman, _Adina_,

exacting. She laughs at the embarrassed courting of the true-hearted peasant lad, _Nemorino_; she laughs at the story of "Tristan and Isolde," and rejoices that there are now no...

130. Act II. _Vasco_ has fallen asleep in his cell. Beside him watches

_Selika_. In her native land she is a queen. Now she is a captive and a slave, her rank, of course, unknown to her captor, since she and _Nelusko_ carefully have kept it from th...

277. Act II. The opportunity for this comes very quickly. As the miller one

evening is sitting with his wife in their cozy room, there comes a knock at the door. It is the drunken court messenger, _Tonuelo_, who produces a warrant of arrest. _Tio Lucas_...

103. Act IV. Scene 1. In a hall of the Royal Palace _Amneris_ awaits the

passage, under guard, of _Rhadames_ to the dungeon where the priests are to sit in judgment upon him. There is a duet between _Rhadames_ and this woman, who now bitterly repents...

47. Act I, Scene 1. A street by _Dr. Bartolo's_ house. _Count Almaviva_, a

Grandee of Spain, is desperately in love with _Rosina_, the ward of _Doctor Bartolo_. Accompanied by his servant Fiorello and a band of lutists, he serenades her with the smooth...

228. Scene II. Parlour in the Seminary of St. Sulpice. Nuns and visitors,

who have just attended religious service, are praising the sermon delivered by _Des Grieux_, who enters a little later attired in the garb of an abbé. The ladies withdraw, leavi...

269. Act II. Thirty years have elapsed. In the courtyard of a house in

Vienna, _Magdalena_ meets an evangelist in whom she recognizes _Matthias_, the friend of her youth. She herself is here caring for _Johannes_ who is ill. How has _Matthias_ beco...

126. Act III. In the winter camp of the Anabaptists in a forest of

Westphalia, before Münster. On a frozen lake people are skating. The people have risen against their oppressors. _John_ has been proclaimed a prophet of God. At the head of the...

193. Act II. The scene is the interior of a round tower in the fortified

castle of the Malatestas. The summit of the tower is crowned with engines of war and arms. There are heavy cross-bows, ballistas, a catapult, and other mediæval machinery of bat...

194. Act III. The scene is the beautiful apartment of _Francesca_, where,

from an old tome, she is reading to her women the story of _Lancelot and Guenevere_. This episode has somewhat of the same charm as that which pervaded portions of the first act...

175. Act II. Interior of the "Green House" in the Yoshiwara. _Iris

awakens. At first she thinks it is an awakening after death. But death brings paradise, while she is unhappy. _Osaka_, who has placed jewels beside her, comes to woo, but vainly...

134. Act I. The carnival of 1532. We are in the house of the Papal

_Balducci's_ daughter _Teresa_, however, thinks quite otherwise and is happy. For she has found a note from _Cellini_ in a bouquet that was thrown in to her from the street by a...

21. Act I. Palace of the King. Count _Adolar_ chants the beauty and virtue

Garden of the Palace of Nevers. _Euryanthe_ sings of her longing for _Adolar_. _Eglantine_, the daughter of a rebellious subject who, made a prisoner, has, on _Euryanthe's_ plea...

159. Act II. The garden of the Capulets. The window of _Juliet's

apartment, and the balcony, upon which it gives. _Romeo's_ page, _Stephano_, a character introduced by the librettists, holds a ladder by which _Romeo_ ascends to the balcony. _...

124. Act I. At the foot of _Count Oberthal's_ castle, near Dordrecht,

Holland, peasants and mill hands are assembled. _Bertha_ and _Fides_ draw near. The latter is bringing to _Bertha_ a betrothal ring from her son _John_, who is to marry her on t...

275. Act III. In a dungeon sits the bird once so gay. For "dead, dead, dead

must he be and so slip with hurrahs into the infernal abode." And they lead you to the gallows and tell you your sentence. And the _King_ and the people, the envious singers and...

59. Act I is laid in a fortress near Plymouth, held by _Lord Walton_ for

Cromwell. _Lord Walton's_ daughter, _Elvira_, is in love with _Lord Arthur Talbot_, a cavalier and adherent of the Stuarts, but her father has promised her hand to _Sir Richard...

173. Act III. At home again _Fritz_ finds no peace. _David_ tells him

_Suzel's_ marriage has been decided on. _Fritz_ loses his temper; says he will forbid the bans. _Suzel_, pale and sad, comes in with a basket of fruit. When her wedding is menti...

222. Act I. Before the curtain rises we hear of the Philistines at Gaza

forcing the Israelites to work. When the curtain is raised we see in the background the temple of Dagon, god of the Philistines. With the lamentations of the Jews is mixed the b...

140. Act III. _Æneas_ is sleeping in his tent. A distant sound of strife

awakens him. _Hector's Ghost_ appears to him. Troy is lost; far away, to Italy, must _Æneas_ go, there to found a new kingdom. The _Ghost_ disappears. The priest, _Pantheus_, ru...

267. Act III. But _Damian_ is not only stupid, he is also a miserable

coward. That is shown as it now behooves him to defend _Baron von Schönau's_ castle against the revolted peasants. The knights there would have been lost had not relief suddenly...

278. Act III. In the darkness of the night, _Tio Lucas_ and _Frasquita

pass by without seeing each other. The miller comes to his mill. (Change of scene.) Everything is open. In the dust lies the appointment of the nephew; before the fire hang the...

131. Act III. The scene is on _Don Pedro's_ ship at sea. _Don Alvar_, a

member of the Royal Council, who is with the expedition, has become suspicious of _Nelusko_. Two ships of the squadron have already been lost. _Don Alvar_ fears for the safety o...

263. Act I. The town of Melun is suffering heavily from the great campaign

which Napoleon is undertaking against Russia in 1812, so many of the young men must take the field. Among the hardest hit are _Thérèse_ and _Christine_, the first a bride, the o...

50. Act I. A beautiful May morning has dawned over the Lake of Lucerne, on

which _Tell's_ house is situated. It is the day of the Shepherd Festival. According to ancient custom the grey-haired _Melcthal_ blesses the loving couples among them. But his o...

290. Act II. _Tatiana's_ name-day is being celebrated with a big ball.

_Onegin_ goes there on _Lenski's_ invitation. The stupid company with their narrow views about him vex him so much that he seeks to revenge himself on _Lenski_ for it, for which...

111. Act II opens with the garden scene. _Faust_, rejuvenated, and under

the name of _Henry_; _Margaret_, _Mefistofele_, and _Martha_ stroll here and there in couples, chatting and love-making. Thence _Mefistofele_ takes _Faust_ to the heights of the...

268. Act I. The feelings in the breast of _Johannes Freudhofer_, the

teacher, do not correspond to the peaceful spectacle of the monastery of the Benedictine Abbey of St. Othmar. He is filled with a savage jealousy of his own brother, _Matthias_,...

287. Act II. But with what eyes has _Kezal_ looked upon _Wenzel_ that he

praises his excellences so loudly? At any rate not with those of a young woman. Can _Kruschina's Marie_ love this stutterer and coxcomb? Never! Fortunately for her, he does not...

266. Act II. That they love each other both already long know but the

acknowledgment nevertheless would be very beautiful. But the old aunt is always at hand especially at the music lessons which _Werner_ gives to the young woman. A real piece of...

18. Act II. _Agathe's_ room in the head ranger's house. The girl has

gloomy forebodings. Even her sprightly relative, _Aennchen_, is unable to cheer her up. At last _Max_, whom she has been awaiting, comes. Very soon, however, he says he is oblig...

259. Act IV. Again the scene changes. On the border of the desert stands

the asylum of the young women consecrated to God in which _Sulamith_ has found rest from the deceitful world. _Assad_ staggers hither; a weary, banished man. And again the _Quee...

281. Act II. At the festive banquet _Guntram_, relying upon the power of

the thought of love as presented by him, will make use of the occasion to win the _Duke's_ heart for peace. The _Duke_, whose _clown_ has just irritated him, in a rage interrupt...

237. Scene II. A room in the castle. _Genoveva_ is reading to the aged,

almost blind _King Arkel_ a letter which _Golo_ has written to his half-brother _Pelléas_. From this letter we learn that _Golo_ has already been married six months to the myste...

270. Act I. Barracks of St. Honoré. Under penalty of death the Swiss

soldiers have been forbidden to sing their native songs especially the Kuhreigen or "Ranz des Vaches," because songs of their native land always awakened homesickness and had le...

251. Act I. Hall in _Blue-Beard's_ castle. _Ariane_, sixth wife of

_Blue-Beard_, is warned by voices of the crowd outside that _Blue-Beard_ has already murdered five wives. _Ariane_ has seven keys--six of silver and one of gold. When _Ariane_,...

276. Act I. The miller, _Tio Lucas_, is living a happy life with his

beautiful wife, _Frasquita_. Her love is so true that jealousy, to which he is inclined, cannot thrive. Jealous? Yes, he has a bump of jealousy. True, the _Corregidor_, who eage...

96. Act II. Midnight, beside the gallows. _Amelia_, deeply veiled, comes

to pluck the magic herb. _Richard_ arrives to protect her. _Amelia_ is unable to conceal her love for him. But who comes there? It is _Reinhart_. Concern for his master has call...

4. Act II. A desert spot. _Artemidore_, one of the Christian knights,

thanks _Renaud_ for his rescue. _Renaud_ has been banished from Godfrey's camp for the misdeed of another, whom he will not betray. _Artemidore_ warns him to beware the blandish...

229. Act IV. A fashionable gambling house in Paris. Play is going on.

_Guillot_, _Lescaut_, _Poussette_, _Javotte_, and _Rosette_ are of the company. Later _Manon_ and _Des Grieux_ come in. _Manon_, who has run through her lover's money, counsels...

286. Act I. It is the anniversary of the consecration of the village

church. _Marie_, daughter of the rich peasant _Kruschina_, is not happy for she must today accept a suitor picked out for her by her parents and she only loves _Hans_ although s...

254. Act I. _Nureddin_ is ill, very ill his servants say. They must know

very little of such youthful illnesses. _Margiana_ calls the invalid in a dream. _Margiana_ is the medicine that can cure him, _Margiana_, the marvellously glorious daughter of...

256. Act I. In _Solomon's_ magnificent palace everybody is preparing for

the reception of the _Queen of Sheba_. But nobody is more delighted than _Sulamith_, the daughter of the High Priest. _Assad_, who had gone to meet the foreign queen, returns. H...

245. Act IV. Scene X. In a room in the castle _Pelléas_ and _Mélisande

meet. This evening he must see her. She promises to go in the park to the old fountain where she formerly lost the ring. It will be their last meeting. Yet _Mélisande_ does not...

142. Act I. In the summer-house of her palace _Dido_ tells her retainers

that the savage Numidian King, Jarbas, has asked for her hand, but she has decided to live only for the memory of her dead husband. Today, however, shall be devoted to festive g...

223. Act II. The beautiful seductress tarries in the house of her victim.

Yes, her victim. She had never loved the enemy of her country. She hates him since he left her. And so the exhortation of the high priest to revenge is not needed. _Samson_ has...

227. Act III. Scene I. The Cours de la Reine, Paris, on the day of a

popular fête. Stalls of traders are among the trees. There is a pavilion for dancing. After some lively preliminary episodes between the three actresses and _Guillot_, _De Bréti...

242. Act III. Scene VII. A tower in the castle. At the window of the tower

_Mélisande_ is standing combing her hair that she has let down. Then _Pelléas_ comes along the road that winds around under her window. _Pelléas_ is coming to say farewell. Earl...

252. Act II. A subterranean hall. _Ariane_ descends with the _Nurse_ into

the depths of the blackness on which the seventh door opened. There she finds the five wives still alive but emaciated and in rags. She tells them that she has obeyed a higher l...

240. Scene V. There must have been some peculiar condition attached to the

ring. At the same hour that it fell in the fountain _Golo's_ horse shied while hunting so that he was hurt and now lies wounded in bed. _Mélisande_ is taking care of him. She te...

3. Act I. Hall of _Armide's_ palace at Damascus. _Phenice_ and _Sidonie

are praising the beauty of _Armide_. But she is depressed at her failure to vanquish the intrepid knight, _Renaud_, although all others have been vanquished by her. _Hidraot_, e...

257. Act II. The queen did not want to recognize _Assad_ but the woman in

her is consumed with longing for him. He comes and happy love unites them. Then the scene changes and shows the interior of the Temple. The wedding of _Assad_ and _Sulamith_ is...

218. Act II. Salon of _Fedora_ in Paris. _Loris_ is entertained by her. She

uses all her arts of fascination in hope of securing proof of his guilt. He falls desperately in love with her, and she succeeds in drawing from him a confession of the murder....

246. Scene XI. By the old spring in the park. There is an oppressive

feeling of disaster in the air. Only little _Yniold_ does not suffer this gripping burden. It is already growing dark when _Mélisande_ goes to _Pelléas_. And yet in their farewe...

64. Act I is laid on _Adina's_ farm. _Adina_ has a florid air, "Chiedi

The scene then changes to a square in the village. Here _Dr. Dulcamara_ makes his entry, singing his buffo air, "Udite, udite, o rustici" (Give ear, now, ye rustic ones). There...

6. Act IV. From yawning chasms and caves wild beasts and monsters emerge

in order to frighten _Ubalde_ and a _Danish Knight_, who have come in quest of _Renaud_. _Ubalde_ carries a magic shield and sceptre, to counteract the enchantments of _Armide_,...

161. Part II. A street near _Capulet's_ house. _Stephano_, having vainly

sought _Romeo_, and thinking he still may be in concealment in _Capulet's_ garden, sings a ditty likely to rouse the temper of the Capulet household, and bring its retainers int...

210. Act I. In a cigar factory. Among the visitors _Conchita_, one of the

cigar girls, recognizes _Mateo_, a wealthy Spaniard, who rescued her from the forced attentions of a policeman. She invites _Mateo_ to her home. The girl's mother, delighted tha...

88. Act II. An encampment of gypsies. There is a ruined house at the foot

_Azucena_ is seated near the fire. _Manrico_, enveloped in his mantle, is lying upon a mattress; his helmet is at his feet; in his hand he holds a sword, which he regards fixedl...

132. Act IV. On the left, the entrance to a Hindu temple; on the right a

palace. Tropical landscape. Among those saved from the massacre is _Vasco_. He finds himself in the land which he has sought to discover--a tropical paradise. He is threatened w...

139. Act II. In a grove near the walls of the city the Trojan people, with

their princes at their head, are celebrating the return of peace. _Andromache_, however, sees no happiness for herself, since _Hector_ has fallen. Suddenly _Æneas_ hurries in wi...

207. Act II. Café Hottot in Paris, several years later. _Chénier_ has

offended the Revolutionists by denouncing Robespierre. A spy is watching _Bersi_, _Madeleine's_ old nurse, and sees her hand _Chénier_ a letter. It is from _Madeleine_. She love...

22. Act II. _Lysiart_ despairs of accomplishing his fell purpose when

_Eglantine_ emerges from the tomb with the ring and reveals to him its secret. In the royal palace, before a brilliant assembly, _Lysiart_ claims to have won his wager, and, in...

79. Act I plays in a room in _Don Pasquale's_ house and later in a room in

_Norina's_, where she is reading a romance. She is singing "Quel guardo" (Glances so soft) and "So anch'io la virtù magica" (I, too, thy magic virtues know) in which she appears...

143. Act II. A splendid festival is in progress in Dido's garden in honour

of the victor, _Æneas_. _Dido_ loves _Æneas_, who tells her of Andromache, and how, in spite of her grief over _Hector_, she has laid aside her mourning and given her hand to an...

211. Act II. A dance hall, where _Conchita_ earns a living by her risqué

dances. _Mateo_, who finds her after a long search, is astounded. He begs her to go away with him. She refuses, and executes a most daring dance for a group of visitors. _Mateo_...

8. Act I. Before the atrium of the temple of Diana. To priestesses and

Greek maidens, _Iphigénie_ tells of her dream that misfortune has come to her family in the distant country of her birth. _Thoas_, entering, calls for a human sacrifice to ward...

206. Act I. Ballroom in a château. _Gérard_, a servant, but also a

revolutionist, is secretly in love with _Madeleine_, the _Countess's_ daughter. Among the guests at a ball is _André Chénier_, a poet with revolutionary tendencies. _Madeleine_...

180. Act III. The scene is laid in a square near the harbour at Havre. _Des

Grieux_ and _Lescaut_ attempt to free _Manon_ from imprisonment, but are foiled. There is much hubbub. Then the roll is called of the women, who are to be transported. As they s...

141. PART II. "LES TROYENS À CARTHAGE

Opera in five acts. Music by Berlioz. Words by the composer. Produced, Paris, November 4, 1863, when it failed completely. Revived, 1890, in Karlsruhe, under the direction of Fe...

9. Act II. Temple of Diana. _Orestes_ bewails his fate. _Pylades_ sings

of his undying friendship for him. _Pylades_ is separated from _Orestes_, who temporarily loses his mind. _Iphigénie_ questions him. _Orestes_, under her influence, becomes calm...

214. Act I. _Crispino_, the cobbler, and _Annetta_, his wife, the ballad

singer, are in sore straits. _Don Asdrubale_, their landlord, who is a miser, is about to put them out for non-payment of rent, but hints that if _Annetta_ will respond to his s...

244. Scene IX. Before the castle. In vain _Golo_ has sought to quiet

himself by saying that it was all only childishness. Jealousy devours his heart. So now he seeks with hypocritical calm his little son _Yniold_, offspring of his first marriage,...

138. Act I. The Greek camp before Troy. It has been deserted by the Greeks.

The people of Troy, rejoicing at what they believe to be the raising of the siege, are bustling about the camp. Many of them, however, are standing amazed about a gigantic woode...

160. Act III, Part I. _Friar Lawrence's_ cell. Here takes place the wedding

of _Romeo_ and _Juliet_, the good friar hoping that their union may lead to peace between the two great Veronese houses of Montague and Capulet. There are in this part of the ac...

258. Act III. _Solomon_ is alone with the queen. She has one request to

make of him, that he shall release _Assad_. Why? He is nothing to her but she wants to see whether the king has regard for his guest. And _Solomon_ refuses the request of the de...

144. Act III. Public festivities follow the betrothal of _Dido_ and

_Æneas_. But _Dido's_ faithful Minister knows that, although _Æneas_ is a kingly lover, it is the will of the gods that the Trojan proceed to Italy; and that to defy the gods is...

220. Act I. A Hut in the Black Forest. Seven years are supposed to have

passed. _Loewe_, his aged mother, and _Ricke_ and _Jane_ have found refuge here from the victorious troops of Napoleon. _Worms_ is thought to be dead. _Loewe_ is to be married t...

236. Act I. Scene I. In a forest. _Golo_ while hunting has lost his way

following a wild boar and come to a place unknown to him. There he sees a woman sitting by a spring. She acts like a figure in a fairy tale and behaves like a person stranger to...

5. Act III. Wild and rugged landscape. _Armide_, alone, is deploring the

conquest of her heart by _Renaud_. _Phenice_ and _Sidonie_ come to her and urge her to abandon herself to love. They assure her that _Renaud_ cannot fail to be enchanted by her...

80. Act II is in a richly furnished salon of _Don Pasquale's_ house. This

is the scene of the mock marriage, of _Norina's_ assumed display of temper and extravagance, _Don Pasquale's_ distraction, _Ernesto's_ amazement and enlightenment, and _Malatest...

208. Act III. Revolutionary Tribunal. The crowd sings the "Carmagnole.

_Chénier_ has been captured. _Gérard_ writes the indictment for his rival. _Madeleine_ pleads for her lover, finally promising to give herself to _Gérard_ if _Chénier_ is spared...

274. Act II. Spring has awakened your heart, you happy singer, and has

brought to life what was asleep deep within you. Now you may dream of what will be. And see, she comes to you, the sick _Princess_, to be restored to health by you. And she sits...

55. Act III, Scene 1. A shady valley between the village and the castle.

The villagers are proceeding to the castle to beg _Rodolpho_ to intercede with _Elvino_ for _Amina_. _Elvino_ meets _Amina_. Still enraged at what he considers her perfidy, he s...

260. Act I. Room in _John's_ house. Invisible chorus of elves. To the

_Cricket_, the guiding spirit of the house, _Dot_ confides her secret. She hopes soon to have a child. _May_, a pretty young girl, a toymaker, is to be married the next day to _...

10. Act III. _Iphigénie_ is struck with the resemblance of the stranger to

her brother and, in order to save him from the sacrifice demanded by _Thoas_, charges him to deliver a letter to Electra. He declines to leave _Pylades_; nor until _Orestes_ aff...

231. Act I. Square in front of the house of _Dulcinée_, whose beauty people

praise in song. Into the midst of the throng ride _Don Quichotte_ and his comical companion, _Sancho_. Night and moonlight. _Don Quichotte_ serenades _Dulcinée_, arousing the je...

137. PART I. "LA PRISE DE TROIE

Opera in three acts, by Berlioz. Words by the composer, based upon a scenario furnished by Liszt's friend, the Princess Caroline Sayn-Wittgenstein. Produced, November 6, 1890, i...

241. Scene VI. Before a grotto in the rocks. _Mélisande_ has deceived

_Golo_ by telling him that the ring has slipped from her hand into the sea. So _Pelléas_ must now lead her to this grotto in order that she may know at least the place in which...

238. Scene III. Before the castle. The old queen _Genoveva_ seeks to calm

_Mélisande's_ distress at the gloominess of the world into which she has wandered. _Pelléas_ too is there. He would like to go to see a distant friend who is ill but fate holds...

171. Act I. _Fritz Kobus_, a well-to-do landowner and confirmed bachelor,

receives felicitations on his fortieth birthday. He invites his friends to dine with him. Among the guests is _Suzel_, his tenant's daughter, who presents him with a nosegay, an...

243. Scene VIII. In the vault under the castle. Like a gloomy menace _Golo

leads _Pelléas_ into these underground rooms where the breeze of death blows. Seized with shuddering they go out. On the terrace at the entrance to the vault _Golo_ in earnest w...

212. Act III. A street in Seville. _Mateo_ stands before the house. But

instead of admitting him, when he pleads his love, she turns and calls, as if to someone within, "Morenito!"--the name of a man he saw her dancing with at the dance hall. _Mateo...

239. Act II. Scene IV. A fountain in the park. _Pelléas_ and _Mélisande

have arrived at this thickly shaded spot. Is _Mélisande_ a Melusine-like creature? Water attracts her wonderfully. She bends over her reflection. Because she cannot reach it, sh...

261. Act II. A garden. _May_ and _Tackleton_ are supping together. _John

makes _Tackleton_ jealous of the stranger, _Edward_, who, seeing that _May_ is only marrying _Tackleton_ because his wealth will save her old foster-father from want, reveals hi...

145. Act IV. The Trojans are incensed that _Æneas_ places love ahead of

duty. They have determined to seek the land of their destiny without him. Finally _Æneas_ awakes from his infatuation and, when the voices of his illustrious dead remind him of...

51. Act II. In a valley by a lake _Arnold_ and _Matilda_ meet and again

pledge their love. _Arnold_ learns from _Tell_ and _Walter_ that his father has been slain by _Gessler's_ order. His thoughts turn to vengeance. The three men bind themselves by...

233. Act IV. Fête at _Dulcinée's_. To the astonishment of all _Don

Quichotte_ and _Sancho_ put in their appearance. _Dulcinée_, overjoyed at the return of the necklace, embraces the Knight. He entreats her to marry him at once. Touched by his d...

60. Act II plays in another part of the fortress. It concerns itself

chiefly with the exhibition of _Elvira's_ madness. But it has also the famous martial duet, "Suoni la tromba" (Sound the trumpet), in which _Sir George_ and _Sir Richard_ announ...

232. Act III. Camp of the brigands. _Don Quichotte_ attacks them. _Sancho

retreats. The Knight is captured. He expects to be put to death. But his courage, his grave courtesy, and his love for his _Dulcinée_, deeply impress the bandits. They free him...

172. Act II. _Friend Fritz_ is visiting _Suzel's_ father. The charming girl

mounts a ladder in the garden, picks cherries, and throws them down to _Fritz_, who is charmed. When _Rabbi David_ appears and tells him that he has found a suitable husband for...

217. Act I. Home of _Count Vladimir_, St. Petersburg. While the beautiful

_Princess Fedora_ awaits the coming of her betrothed, _Count Vladimir_, he is brought in, by _De Siriex_, mortally wounded. Suspicion for the murder falls upon _Count Loris_. _F...

248. Act I. The wharf at Alexandria. Act II. The temple of Aphrodite. Act

292. Act I. Interior of the Hôtel de Bourgogne. Act II. "The Poet's Eating

215. Act II. _Crispino_ nails up a physician's sign. The neighbours rail,