Chapter 13

One day there came a letter from her mother out of her usual order of writing; she wrote on Sunday, and her letters reached Cornelia the next evening; but this letter came on a Wednesday morning, and the sight of it filled Cornelia with alarm, first for her mother, and then for herself; which deepened as she read:

"DEAR NIE: That good-for-nothing little scrub has been here, talken aboute you, and acting as if you was hand-and-glove with him. Now Nelie, I don't want to interfere with you anyway and I won't if you say the word. But I never felt just righte about that fellow, and what I done long ago to make you tollerate him, and now I want to make it up to you if I can. He is a common low-down person, and he isn't fit to speake to you, and I hope you wont speake to him. The divorce, the way I look at it, don't make any difference; hese just as much married as what he ever was, and if he had never been married atoll, it wouldn't of made any difference as far as I feel about it. Now Nelie, you are old enough to take care of yourself, but I hope if that fellow ever comes around you again, you'll box his ears and be done with him. I know hes got a smooth tongue, and he can make you laugh in spite of yourselfe, but don't you have anything to do with him.

"MOTHER.

"P. S. I have been talken it over with Mrs. Burton, and she thinks just the way I do aboute it. She thinks you are good enough for the best, and you no need to throw yourself away on such a perfect little scamp. In haste. How is that cellebrated picture that you are painting with Mr. Ludlow getting along?"

* * * * *

Cornelia got this letter from the postman at Mrs. Montgomery's door, when she opened it to go out in the morning, and she read it on her way to the Synthesis. It seemed to make the air reel around her, and step by step she felt as if she should fall. A wild anger swelled her heart, and left no room there for shame even. She wondered what abominable lies that little wretch had told; but they must have been impudent indeed to overcome her mother's life-long reluctance from writing and her well-grounded fears of spelling, so far as to make her send a letter out of the usual course. But when her first fury passed, and she began to grow weak in the revulsion, she felt only her helplessness in the presence of such audacity, and a fear that nothing could save her from him. If he could make her so far forget herself as to tolerate him, to listen to his stories, to laugh at his jokes, and show him that she enjoyed his company, after all she knew of him, then he could make her marry him, if he tried.

The logic was perfect, and it seemed but another link in the infrangible chain of events, when she found another letter waiting for her at the office of the Synthesis. It bore the postmark of Lakeland, of the same date as her mother's, and in the corner of the envelope the business card of Gates & Clarkson, Dealers in Art Goods; J. B. Dickerson, in a line of fine print at the top was modestly "with" them.

The address, "Dear friend," was written over something else which had been rubbed out, but beyond this the letter ran fluently and uninterruptedly along in a hand which had a business-like directness and distinctness. "I don't know," the writer said, "as you expected to hear from me, and I don't know as I expected to let you, but circumstances alter cases, and I just wanted to drop you a line and tell you that I have been in Pymantoning and seen your mother. She is looking prime, and younger than ever. We had a long talk about old times, and I told her what a mistake I made. Confession is good for the soul, they say, and I took a big dose of it; I guess I confessed pretty much everything; regular Topsey style. Well, your mother didn't spare me any, and I don't know but what she was about right. The fact is, a man on the road don't think as much about his p's and q's as he ought as long as he is young, and if I made a bad break in that little matrimonial venture of mine, I guess it was no more than I deserved to. I told your mother just how I happened to meet you again, and how the sight of you was enough to make another man of me. I was always a little too much afraid of you, or it might have turned out different; but I can appreciate a character like yours, and I want you to know it. I guess your mother sized it up about right when I said all I asked was to worship you at a distance, and she said she guessed you would look out for the _distance._ I told her you had, up to date. I want you to understand that I don't presume on anything, and if we seemed to have a pretty good time after the theatre, the other night, it was because you didn't want to spoil Mrs. Montgomery's fun, and treated me well just because I was a friend of hers. Well, it's pretty hard to realize that my life is ruined, and that I have got nobody but myself to thank for it, but I guess that's what I've got to come to, sooner or later. It's what your mother said, and I guess she was right; she didn't spare me a bit, and I didn't want her to. I knew she would write to you, as soon as I was gone, and tell you not to have anything to do with me; and if she has, all I have got to say is, _all right_. I have been a bad lot, and I don't deny it, and all I can ask now, from this time forward, is to be kept from doing any more mischief. I don't know as I shall ever see you again; I had a kind of presentiment I shouldn't, and I told your mother so. I don't know but I told a little more about how kind you were to me the other evening than what the facts would justify exactly, but as sure as you live I didn't _mean_ to lie about it. If I exaggerated any, it was because it seemed the greatest thing in the world to me, just to talk to you, and be where I could see you smile, and hear you laugh; you've got a laugh that is like a child's, or an angel's, if angels laugh. I've heard of their weeping, and if you knew my whole life, I think you would shed a tear or two over me. But that is not what I am trying to get at; I want to explain that if I appeared to brag of being tolerated by you, and made it seem any thing more than toleration, it was because it was like heaven to me not to have you give me the grand bounce again. And what I want to ask you now, is just to let me write to you, every now and then, and when I am tempted to go wrong, anyways--and a business life is full of temptations--let me put the case before you, and have you set me right. I won't want but a word from you, and most part of the time, I shall just want to free my mind to you on life in general, and won't expect any answer. I feel as if you had got my soul in your hands, and you could save it, or throw it away. That is all. I am writing on the train, and I have to use pencil. I hope you'll excuse the stationery; it's all the porter could get me, and I'm anxious to have a letter go back to you at once. I know your mother has written to you, and I want to corroborate everything she says against me."

The letter covered half-a-dozen telegraph blanks, and filled them full, so that the diffident suggestion, "My permanent address is with Gates & Clarkson," had to be written along the side of the first page.

The low cunning, the impudent hypocrisy, the leering pretence of reverence, the affectation of penitence, the whole fraudulent design, so flimsy that the writer himself seemed to be mocking at it, was open to Cornelia, and she read the letter through with distinct relief. Whatever the fascinations of Mr. Dickerson were when he was personally at hand, he had none at a distance, and when she ran over the pages a second time, it was with a laugh, which she felt sure he would have joined her in, if he had been there. It turned her tragedy into farce so completely, for the time, that she went through her morning's work with a pleasure and a peace of mind which she had not felt for many days. It really seemed such a joke, that she almost yielded to the temptation of showing passages of the letter to Charmian; and she forebore only because she would have had to tell more than she cared to have any one know of Mr. Dickerson, if she did. She had a right to keep all that from those who had no right to know it, but she had no right, or if she had the right, she had not the power to act as if the past had never been. She set herself to bear what was laid upon her, and if she was ever to have strength for her burden she must begin by owning her weakness. There was no one to whom she could own it but her mother, and she did this fully as soon as she got back to her room, and could sit down to answer her letter. She enclosed Dickerson's, and while she did not spare him, she took the whole blame upon herself, for she said she might have known that if she suffered him to see that he amused her or pleased her at all, he was impudent enough to think that he could make her like him again. "And mother," she wrote, "you know I never really liked him, and was only too glad to get rid of him; you know that much. But I suppose you will wonder, then, why I ever let him speak to me if I really despised him as much as ever; and that is not easy to explain. For one thing he was with Mrs. Montgomery, and she likes him, and she has always been so good to me that I hated to treat him badly before her; but that is not the real reason, and I am not going to pretend it was. You know yourself how funny he is, and can make you laugh in spite of yourself, but it was not that, either. It was because I was angry with myself for having been angry with some one else, without a cause, as I can see it now, and I had made a fool of myself, and I wanted to get away from myself. I cannot tell you just how it was, yet, and I do not know as I ever can, but that was truly it, and nothing else, though the other things had something to do with it. I suppose it was just like men when they take a drink of whiskey to make them forget. The worst of it all is, and the discouraging part is, that it shows me I have not changed a particle. My temper is just us bad as ever, and I might as well be back at sixteen, for all the sense I've got. Sometimes it seems to me that the past is all there is of us, anyway. It seems to come up in me, all the time, and I am so ashamed I don't know what to do. I make all kinds of good resolutions, and I want to be good, and then comes something and it is all over with me. Then, it appears as if it was not me, altogether, that is to blame. I know I was to blame, this last time, laughing at that little 'scrub's' jokes as you call him, and behaving like a fool; but I don't see how I was to blame for his coming back into my life, when I never really wanted him at all, and certainly never wished to set eyes on him again.

"I don't suppose it would be the least use to ask you not to show this letter to Mrs. Burton, and I won't, but if you do, I wish you would ask her what she thinks it means, and whether it's fate, or foreordination, or _what_."

Mrs. Saunders carried Cornelia's letter to Mrs. Burton, as Cornelia had foreseen, but the question she put to her was not the abstraction the girl had suggested. "Mrs. Burton," she asked, "who was it do you suppose Nie was so mad with that she had to go off and play the fool, that way?"

Mrs. Burton passed the point of casuistry too. "Well, of course I don't know, Mrs. Saunders. Has she said anything about Mr. Ludlow lately?"

"No, she hain't said a word, and that seems suspicious. She said a week or two ago that he had give up trying to paint that Maybough girl, and that she guessed she had got the last of her lessons from him; but she didn't seem much troubled about it. But I guess by her not wantin' to tell, it's him. What do you suppose he did to provoke her?"

"Oh, just some young people's nonsense, probably. It'll come all right. You needn't worry about it, because if it won't come right of itself, he'll _make_ it come."

"Oh, I'm not worrying about that," said Mrs. Saunders, "I'm worrying about this." She gave her the letter Cornelia had enclosed, and as Mrs. Burton began to read it she said, "If that fellow keeps on writing to her, I don't know what I _will_ do."

XXX.

Ludlow did not come to see Cornelia, but they met, from time to time, at Mrs. Westley's, where he was aware of her being rather taken up; at Mrs. Maybough's, where he found it his duty to show himself after his failure with Charmian's picture, so as to help Mrs. Maybough let people know there was nothing but the best feeling about it; and, more to his surprise, at Wetmore's. At the painter's, Charmian, who came with her, realized more than anywhere else, her dream of Bohemia, and Wetmore threw a little excess into the social ease of his life that he might fulfil her ideal. He proposed that Mrs. Wetmore should set the example of hilarities that her domestic spirit abhorred; he accused her of cutting off his beer, and invented conditions of insolvency and privation that surpassed Charmian's wildest hopes. He borrowed money of Ludlow in her presence, and said that he did not know that he should ever be able to pay it back. He planned roystering escapades which were never put in effect, and once he really went out with the two girls to the shop of an old German, on the Avenue, who dealt in _delicatessen_, and bought some Nuremberg gingerbread and a bottle of lime-juice, after rejecting all the ranker meats and drinks as unworthy the palates of true Bohemians. He invited Charmian to take part in various _bats_, for the purpose of shocking the Pymantoning propriety of Cornelia, and they got such fun out of it as children do when the make-believe of their elders has been thinned to the most transparent pretence; but Charmian, who knew he was making fun of her, remained as passionately attached to the ideal he mocked as ever; and Cornelia had the guilty pang of wondering what he would think of her if he knew all about Mr. Dickerson, whose nature she now perceived to be that of the vulgarest _batting_.

She did not answer the letter she first got, nor any of those which immediately followed, and this had the effect of checking Mr. Dickerson's ardor for so long a time that she began to think he would not trouble her again.

There was no real offence between her and Ludlow, or any but such as could wear itself away with time and the custom of friendly meeting. He had the magnanimity to ignore it when he first saw her after that Thursday of Mrs. Westley's, and she had too keen a sense of having been a fool not to wish to act more wisely as soon as she could forget. There came so long a lapse between the letters of Mr. Dickerson that he ceased, at least perpetually, to haunt her thoughts. She had moments when it seemed as if she might justly consent to be happy again, or at least allow herself to enjoy the passing pleasure of the time without blame. She even suffered herself to fancy taking up the picture of Charmian, and carrying it farther under Ludlow's criticism. She was very ambitious to try her fate with the Academy, and when he offered so generously to help her again, as if she had not refused him once so rudely, she could not deny him. She found herself once more in Charmian's studio, and it all began to go on the same as if it had never stopped. It seemed like a dream, sometimes, when she thought about it, and it did not seem like a very wise dream. Cornelia now wished, above all things, to have a little bit of sense, as she phrased it in her thoughts; and she was aware that the present position of affairs might look rather crazy to some people. The best excuse for it was that it would have looked crazier yet if she had refused such an opportunity simply because of the circumstances. She began to be a little vague about the circumstances, and whether they were queer because she had fancied a likeness of herself in Mr. Ludlow's picture of Charmian, or because she had afterwards made a fool of herself so irreparably as to be unworthy Mr. Ludlow's kindness.

If it was merely kindness, and she was the object of charity, it was all right; she could accept it on those terms. She even tempted him to patronize her, but when he ventured upon something elderly and paternal in his monitions, she resented it so fiercely that she was astonished and ashamed. There was an inconsistency in it all that was perplexing, but not so perplexing as to spoil the pleasure of it.

There were not sittings every day, now; Ludlow came once or twice a week, and criticised her work; sometimes he struck off a sketch himself, in illustration of a point, and these sketches were now so unlike Cornelia, and so wholly like Charmian, that when he left them for her guidance, she studied them with a remote ache in her heart. "Never mind," Charmian consoled her once, "he just does it on purpose."

"Does what?" Cornelia demanded awfully.

"Oh, nothing!"

One of the sketches he fancied so much that he began to carry it forward. He worked at it whenever he came, and under his hand it grew an idealized Charmian, in which her fantastic quality expressed itself as high imagination, and her formless generosity as a wise and noble magnanimity.

She made fun of it when they were alone, but Cornelia could see that she was secretly proud of having inspired it, and that she did not really care for the constant portrait which Cornelia had been faithfully finishing up, while Ludlow changed and experimented, though Charmian praised her to his disadvantage.

One day he said he had carried his picture as far as he could, and he should let it go at that. It seemed an end of their pleasant days together; the two girls agreed that now there could be no further excuse for their keeping on, and Cornelia wondered how she could let him know that she understood. That evening he came to call on her at Mrs. Montgomery's, and before he sat down he began to say: "I want to ask your advice, Miss Saunders, about what I shall do with my sketch of Miss Maybough."

Cornelia blenched, for no reason that she could think of; she could not gasp out the "Yes" that she tried to utter.

"You see," he went on, "I know that I've disappointed Mrs. Maybough, and I'd like to make her some sort of reparation, but I can't offer her the sketch instead of the portrait; if she liked it she would want to pay for it, and I can't take money for it. So I've thought of giving the sketch to Miss Maybough."

He looked at Cornelia, now, for the advice he had asked, but she did not speak, and he had to say: "But I don't know whether she likes it or not. Do you know whether she does? Has she ever spoken of it to you? Of course she's said civil things to me about it. I beg your pardon! I suppose you don't care to tell, and I had no right to inquire."

"Oh, yes; yes."

"Well?"

"I know she likes it; she must."

"But she hasn't said so?"

"Not--exactly."

"Then what makes you think she does?"

"I don't know. Any one would. It's very beautiful." Cornelia spoke very dryly, very coldly.

"But is it a likeness? Is it she? Her character? What do _you_ think of it yourself?"

"I don't know as I can say----"

"Ah, I see you don't like it!" said Ludlow, with an air of disappointment. "And yet I aimed at pleasing you in it."

"At pleasing _me_?" she murmured thickly back.

"Yes, you. I tried to see her as you do; to do her justice, and if it is overdone, or flattered, or idealized, it is because I've been working toward your notion----"

"Oh!" said Cornelia, and then, to the great amazement of herself as well as Ludlow, she began to laugh, and she laughed on, with her face in her handkerchief. When she took her handkerchief down, her eyes looked strange, but she asked, with a sort of radiance, "And did you think I thought Charmian was really like that?"

"Why, I didn't know---- You've been very severe with me when I've suggested she wasn't. At first, when I wanted to do her as Humbug, you wouldn't stand it, and now, when I've done her as Mystery, you laugh."

Cornelia pressed her handkerchief to her shining eyes, and laughed a little more. "That is because she isn't either. Can't you understand?"

"I could understand her being both, I think. Don't you think she's a little of both?"

"I told you," said Cornelia gravely, "that I didn't like to talk Charmian over."

"That was a good while ago. I didn't know but you might, by this time."

"Why?" she asked. "Am I so changeable?"

"No; you're the one constant and steadfast creature in a world of variableness. I didn't really expect that. I know that I can always find you where I left you. You are the same as when I first saw you."

It seemed to Cornelia that she had been asking him to praise her, and she was not going to have that. "Do you mean that I behave as badly as I did in the Fair House? No wonder you treat me like a child." This was not at all what she meant to say, however, and was worse than what she had said before.

"No," he answered seriously. "I meant that you are not capricious, and I hate caprice. But do I treat you like a child?"

"Sometimes," said Cornelia, looking down and feeling silly.

"I am very sorry. I wish you would tell me how."

She had not expected this pursuit, and she flashed back, "You are doing it now! You wouldn't say that to--to--any one else."

Ludlow paused thoughtfully. Then he said, "I seem to treat myself like a child when I am with you. Perhaps that's what displeases you. Well, I can't help that. It is because you are so true that I can't keep up the conventions with you." They were both silent; Cornelia was trying to think what she should say, and he added, irrelevantly, "If you don't like that sketch of her, I won't give it to her."

"I? What have I to do with it?" She did not know what they were talking about, or to what end. "Yes, you must give it to her. I know she wants it. And I know how kind you are, and good. I didn't mean--I didn't wish to blame you--I don't know why I'm making such a _perfect_ fool of myself."

She had let him have her hand somehow, and he was keeping it; but they had both risen.

"May I stay a moment?" he entreated.

No one thing now seemed more inconsequent than another, and Cornelia answered, with a catching of her breath, but as if it quite followed, "Why, certainly," and they both sat down again.

"There is something I wish to tell--to speak of," he began. "I think it's what you mean. In my picture of Miss Maybough----"

"I didn't mean that at all. That doesn't make any difference to me," she broke incoherently in upon him. "I didn't care for it. You can do what you please with it."

He looked at her in a daze while she spoke. "Oh," he said, "I am very stupid. I didn't mean this sketch of mine; I don't care for that, now. I meant that other picture of her--the last one--the one I painted out before I gave up painting her---- Did you see that it was like you?"

Cornelia felt that he was taking an advantage of her, and she lifted her eyes indignantly. "Mr. Ludlow!"

"Ah! Don't think _that_," he pleaded, and she knew that he meant her unexpressed sense of unfairness in him. "I know you saw it; and the likeness was there because--I wanted to tell you long ago, but I couldn't, because when we met afterwards I was afraid that I was mistaken, in what I thought--hoped. I had no right to know anything till I was sure of myself; but--the picture was like you because you were all the time in my thoughts, and nothing and no one but you. Cornelia----" She rose up crazily, and looked toward the door, as if she were going to run out of the room. "What is it?" he implored. "You know I love you."

"Let me go!" she panted.

"If you tell me you don't care for me----"

"I don't! I don't care for you, and--let me go!"

He stood flushed and scared before her. "I--I am sorry. I didn't mean--I hoped---- But it is all right---- I mean you are right, and I am wrong. I am very wrong."

XXXI.