Decoration and ornament

The claims of decorative art

Of the papers included in this volume some of the shorter ones had their origin in fireside discussions in the studios of brother artists; others have been addressed to larger and various audiences; but all have been written under the influence of that new-old view of art, whi...

Chapters

1. Part 1

Of the papers included in this volume some of the shorter ones had their origin in fireside discussions in the studios of brother artists; others have been addressed to larger a...

2. Part 2

Thus we are driven to the conclusion that the whole force of our economic system is against spontaneous art, and it is in spite of it that there is any life left in it yet. As W...

3. Part 3

The art of the designs in these books varies, of course, very greatly, according to the current artistic capacity and taste; sometimes rich and inventive, or quaint and graceful...

4. Part 4

These are not only decorative units and linear patterns complete in themselves, but furnish the system, scaffolding, or skeleton on which a multitude of rich and varied designs...

5. Part 5

I will confess, therefore, that I look to the reconstruction of society on a basis of equality of condition (quite a different thing from dividing up) to remedy the ills we suff...

6. Part 6

Now, naturally, there is this characteristic about genuine spontaneous art, that its creation is a pleasurable exercise and excitement. The artist is always anxious to give out...

7. Part 7

The fundamental importance of design, and its claims to consideration, will hardly be disputed, particularly at a time when the advancement of art in its application or relation...

8. Part 8

Then it comes to this, that all we have to make up our minds about are two things:--(1) Whether we consider art as an utterly unrelated, individual, and accidental matter; or (2...

9. Part 9

While such enormous differences in reward and chance of appreciation exist, as they do at present, in art, it is not encouraging to the artist in wood, stone, or metal to find t...

10. Part 10

But monumental art demands the sympathy of a people bound together by common feelings, interested in the drama of history, and proud of their own struggles and sacrifices for fr...

11. Part 11

Yet the man who makes a fortune in business generally thinks it well to spend something in pictures. We do not, however, as a rule, see such subjects in his gallery. Our attenti...

12. Part 12

But the race is not always to the swift brush, or the battle to strong colours, and painting is not the only eloquent language of expression in art, although its effects are mor...

13. Part 13

As I have already said, our mechanical invention, directed to the cheapening of the processes of industrial production, and the acceleration in speed of that production, has out...