CHAPTER XXVIII

THE TREASURE SHOP

At a quiet corner in the _Merceria_, stood the Treasure Shop. In every respect it had all the features which these little warehouses of the world's curiosities usually present. Long chains of old copper vessels hung down, on each side of the doorway, reaching almost to the ground. Old brass braziers and incense burners stood on the pavement outside and, in the window, lay the oddest, the wildest assortment of those objects of antiquity--brass candlesticks, old fans, hour-glasses, gondola lamps, every conceivable thing which the dust of Time has enhanced in value in the eyes of a sentimental public.

At the back of the window were hung silk stuffs and satin, rich old brocades and pieces of tapestry--just that dull, burnished background which gives a flavour of age as though with the faint scent of must and decay that can be detected in its withering threads.

All these materials, hanging there, shut out the light from the shop inside. Across the doorstep, the sun shone brilliantly, but, as though there were some hand forbidding it, it advanced no further. Within the shop, was all the deepest of shadow--shadow like heavy velvet from which permeated this dry and dusty odour of a vanished multitude of years.

The Treasure Shop was a most apt name for it. In that uncertain light within, you could just imagine that your fingers, idly fumbling amongst the numberless objects, might chance upon a jewelled casket holding the sacred dust of the heart of some Roman Emperor or the lock of some dead queen's hair.

Atmosphere has all the wizardry of a necromancer. In this dim, faded light, in this faint, musty smell of age, the newest clay out of a living potter's hands would take upon itself the halo of romance. The touch of dead fingers would cling to it, the scent of forgotten rose leaves out of gardens now long deserted would hover about the scarce cold clay. And out of the sunshine, stepping into this subtle atmospheric spell, the eyes of all but those who know its magic are wrapt in a web of illusion; the Present slips from them as a cloak from the willing shoulders; they are touching the Past.

Just such a place was the Treasure Shop. Its atmosphere was all this and more. Sitting there on a stool behind his heaped-up counter, in the midst of this chaos of years, the old gentleman was no longer a simple painter of landscape, but an old eccentric, whose every look and every gesture were begotten of his strange and mysterious acquaintance with the Past.

It came to be known of him that he was loth to part with his wares. It came to be told of him in the hotels that he was a strange old man who had lived so long in his musty environment of dead people's belongings that he could not bring himself to sell them; as though the spirits of those departed owners abode with him as well, and laid their cold hands upon his heart whenever he would try to sell the treasures they once had cherished.

And all this was the necromancy of the atmosphere in that little curio shop in the _Merceria_. But to us, who know all about it, whose eyes are not blinded with the glamour of illusion, there is little or nothing of the eccentric about Thomas Grey.

It is not eccentric to have a heart--it is the most common possession of humanity. It is not eccentric to treasure those things which are our own, which have shared life with us, which have become a part of ourselves; it is not eccentric to treasure them more than the simpler necessities of existence. We all of us do that, though fear of the accusation of sentimentality will not often allow us to admit it. It is not eccentric to put away one's pride, to take a lower seat at the guest's table in order that those we love shall have a higher place in the eyes of the company. We all would do that also, if we obeyed the gentle voice that speaks within everyone of us.

But if by chance this judgment is all at fault; if by chance it is eccentric to do these things, then this was the eccentricity of that white-haired old gentleman--Thomas Grey.

Whenever a customer--and ninety per cent. of them were tourists--came into the shop, he treated them with undisguised suspicion. They had a way of hitting upon those very things which he valued most--those very things which he only meant to be on show in his little window.

Of course, when they selected something which he had only recently acquired, his manner was courtesy itself. He could not say very much in its favour, but then, the price was proportionately small. Under circumstances such as these, they found him charming. But if they happened to cast their eyes upon that Dresden-china figure which stood so boldly in the fore-front of the window; if by hazard they coveted the set of old ivory chess men, oh, you should have seen the frown that crossed his forehead then! It was quite ominous.

"Well--that is very expensive," he always said and made no offer to remove it from its place.

And sometimes they replied----

"Oh, yes--I expect so. I didn't think it would be cheap. It's so beautiful, isn't it? Of course--really--really old."

And it was so hard to withstand the flattery of that. A smile of pleasure would lurk for a moment about his eyes. He would lean forward through the dark curtains of brocades and tapestries and reach it down for inspection.

"It is," he would say in the gratified tone of the true collector--"It is the most perfect specimen I have ever seen. You see the work here--this glaze, that colour----" and in a moment, before he was aware of what he was doing, he would be pointing out its merits with a quivering finger of pride.

"Oh, yes--I think I must have it," the customer would suddenly say--"I can't miss the opportunity. It would go so well with the things in my collection."

Then the old gentleman realised his folly. Then the frown returned, redoubled in its forbidding scowl. He began putting the Dresden figure back again in the window from whence it had come.

"But I said I'd take it," the customer would exclaim more eager than ever for its possession.

"Yes--yes--I know--but the price is--well it's prohibitive. I want seventy-five pounds for that figure."

"Seventy-five!"

"Yes--I can't take anything less."

"Oh----" and a look of disappointment and dismay.

"You don't want it?" he would ask eagerly.

"No--I can't pay as much as that."

Then the smile would creep back again into his eyes.

"Of course--it's a beautiful thing," he would say clumsily--"a beautiful thing."

And when he went home, he would tell the little old white-haired lady how much it had been admired, and they would call back to memory the day when they had bought it--so long ago that it seemed as though they were quite young people then.

So it fell out that this old gentleman of the curio shop in the _Merceria_ came to be known for his seeming eccentricities. People talked of him. They told amusing stories of his strange methods of doing business.

"Do you know the Treasure Shop in the _Merceria_," they said over the dinner tables in London when they wanted to show how intimately they knew their Europe. "The old man who owns that--there's a character for you!" They even grew to making up anecdotes about him, to show how keenly observant they were when abroad. Everyone, even Smelfungus and Mundungus, would be thought sentimental travellers if they could.

It was the most natural coincidence in the world then, that John, strolling aimlessly in the arcades of the Square of St. Mark's that morning after he had left his mother, should overhear a conversation in which the eccentric old gentleman in the _Merceria_ was introduced.

Outside Lavena's two women were taking coffee, as all well-cultured travellers do.

"--my shopping in Kensington----" he heard one of them say, concluding some reference to a topic which they were discussing.

John took a table near by. It is inevitable with some people to talk of Kensington and Herne Hill when abroad. John blessed them for it, nevertheless. There was that sound in the word to him then, which was worth a vision of all the cities of Europe.

He ordered his cup of coffee and listened eagerly for more. But that was the last they said of Kensington. The lady flitted off to other topics. She spoke to her friend of the curio shop in the _Merceria_.

Did she know the place? Well, of course not, if she had not been to Venice before. It was called the Treasure Shop. She had found it out for herself. But, then, it always was her object, when abroad, to become intimate with the life of the city in which she happened to be staying. It was the only way to know places. Sight-seeing was absolutely waste of time. And this old gentleman was really a character--so unbusiness-like--so typically Italian! Of course, he spoke English perfectly--but, then, foreigners always do. No--she could not speak Italian fluently--make herself understood at table, and all that sort of thing--anyhow, enough to get along. But, to go back to the old gentleman in the Treasure Shop, she ought to go and see him before she left Venice. She was going early the next week? Oh--then, she ought to go that morning. He was such a delightful personality. So fond of the curios in his shop that he could scarcely be persuaded to part with them. There was one thing in particular, a Dresden figure, which he had in the front of the window. He would not part with that to anyone. Well--asked such a price for it that, of course, no one bought it.

But would it not be rather amusing if someone did actually agree to pay the price--not really, of course, only in fun, restoring it the next day, but just to see how he would take it? Was she really going next week? Then why not go and see the Treasure Shop at once? She would? Oh--that was quite splendid!

And off they went, John following quietly at their heels. This old Italian who could not bear to part with his wares because he loved them so much, there was something pathetic in that; something that appealed to John's sense of the colour in life. This was a little incident of faded brown, that dull, warm tint of a late October day when life is beginning to shed its withering leaves, when the trees, with that network of bare, stripped branches, are just putting on their faded lace. However unsympathetic had been the telling, he had seen the colour of it all with his own eyes. He followed them eagerly, anxious to behold this old Italian gentleman for himself, to confirm his own judgment of the pathos of it all.

Letting them enter first, for he had no desire to listen to their dealings, he took his position outside the window, intending to wait till they came out.

There was the Dresden figure the lady had mentioned. Ah! No wonder that he asked a large price for it! They had one just like that at the _Palazzo Capello_. His father had often said that if he could get a pair of them, they would be almost priceless. Supposing he bought it for his father? Would it be cruel to the old gentleman inside? Perhaps, if he knew that it was to make a pair, he would be more reconciled to its loss.

John waited patiently, gazing about him until the ladies should come out and leave the field free for him to make his study--his study in a colour of brown.

Presently the draperies in the back of the window were pulled aside. An old man leaned forward, hands trembling in the strain of his position, reaching for the Dresden figure. John bit on the exclamation that rose to his lips.

It was his father! Had he seen him? No! He slipped back again into the darkness of the shop and the brocades and the tapestries fell together once more into their place as though nothing had happened.

What did it mean? Was it true? With an effort, he held back from his inclination to rush into the shop, making sure of the reality of what he had seen. If it were true, then he knew that his father had not meant him to know. If it were true, he knew what the pain of such a meeting would be.

Crossing to the opposite side of the street, he tried to peer in through the shop door; but there was that clear-cut ray of sunshine on the step, barring the entrance. Only vaguely, like dim, black shadows on a deep web of gloom, could he see the moving figures of the two ladies who had entered. On an impulse, he turned into the magazzino by which he was standing.

Who was the owner of the curio shop on the other side? They did not know. What was his name? They could not say? Had he been there long? Not so very long. About a year. He was an Englishman, but he spoke Italian. He lived in Venice. They had heard some say in the _Rio Marin_. He was not used to the trade. It was quite true that he did not like to sell his things. They had been told he was a painter--but that was only what people said.

That was sufficient. They needed to say no more. This answered the questions that John had put that morning to his mother. His father could no longer sell his pictures. In a rush of light, he saw the whole story, far more pathetic to him than he had imagined with his study in brown.

One by one, they were selling the treasures they had collected. Now, he understood the meaning of those empty night-caps which Claudina carried away with her every evening. They said the things were broken; they had said it with nervous little glances at each other and then at Claudina. At the time, he had read those glances to mean that it was Claudina who had broken them. But no--it was not Claudina. This was the work of the heavy, the ruthless hand of cruel circumstance in which the frailest china and the sternest metal can be crushed into the dust of destruction.

In a moment, as it was all made clear, John found the tears smarting in his eyes. As he stood there in the little shop opposite, he painted the whole picture with rapid strokes of the imagination.

The day had come when his father could no longer sell his pictures. Then the two white heads had nodded together of an evening before Claudina came in with the night-caps. More emphatically than ever, they had exclaimed--"You don't mean to say it's ten o'clock, Claudina?" And Claudina, laying the box on the table, beginning to take out the night-caps and place forth the treasures before she tucked them up, would vouchsafe the answering nod of her head. At last, one evening, watching the Dresden figure being put to bed, his father had thought of the way out of the difficulty.

They had not decided upon it at once. Such determinations as these come from the head alone and have to pass before a stern tribunal of the heart before license is given them. He could just imagine how bitter a tribunal that had been; how inflexibly those two brave hearts had sat in judgment upon so hard a matter; how reluctantly in the end they had given their consent.

Then, with the moment once passed, the license once granted, John could see them so vividly, questioning whether they should tell him, their decision that it would not be wise, his father fearing that it would lessen his esteem, his mother dreading that he would feel called upon to help them. Finally, that first day, when the Treasure Shop had been opened and his father, the artist, the man of temperament, with all the finest perceptions and sensibilities that human nature possesses, had gone to business.

So truly he could see the moment of his departure. Nothing had been said. He had just taken the little old white-haired lady in his arms and kissed her. That was all. It might have been that he was merely going out, as he had quietly said that morning, to see about the framing of a picture. No one would ever have thought that he was about to pass through the ordeal of becoming a shop-keeper, because, in his old age he had failed as an artist.

All this, incident by incident, he painted, a sequence of pictures in his mind.

Presently the curtains in the shop-window stirred again. John's eyes steadied, his lips parted as he held his breath. The Dresden figure appeared, like a marionet making its bow to the public. Then followed the head and shoulders of his father. There was a smile on his face, a glow of genial satisfaction. They had not bought it. The price had been too much. That little Dresden figure, playing upon its lute, decoyed many a customer into the Treasure Shop, with its living tunes; but like a will-o'-the-wisp, it always evaded them. Back it danced again into the fore-front of the window where the old ivory chess-men stood stolidly listening to its music of enchantment. You might almost have seen them nodding their heads in approval.

John felt a lump rise quickly in his throat. He knew just what his father was feeling; he knew just what was in his mind. He realised all his sense of relief when the Dresden figure made its reappearance. If it had not come back into the window, he could not have restrained his desire to march into the shop and repeat every word of the conversation to which he had listened.

But it was safe once more and, with a breath of satisfaction, he moved away towards the _Rialto_, his head hanging as he walked.

That afternoon at tea, with the little cups that had no handles, he made no comment on his father's absence. The little old white-haired lady was trembling that he would ask, but he said not a word.

Only that evening, after Claudina had come in for her ceremony and he was saying good-night, he put both hands on his father's shoulders and, impulsively drawing him forward, kissed his forehead. Then he left the room.

The two old people sat staring at each other after he had gone. What did it mean? Why had he done it?

"Why, he hasn't kissed you since he was eight years old," said his mother.

The old gentleman shook his head thoughtfully--"No--I can't understand it. Don't you remember that first evening he refused, when I bent down to kiss him and he blushed, drew back a little and held out his hand?"

She smiled.

"You were hurt about it at first," she reminded him.

"Yes--but then when you said--'John's thinking about becoming a man'--of course, it seemed natural enough then. And he's never done it since--till now. I wonder why."

The old gentleman went to bed very, very silent that night, and long after Claudina had taken away the lamp, he could feel John's lips burning on his forehead and the blood burning in his cheeks. Something had happened. He could not quite understand what it was. Some change had taken place. He felt quite embarrassed; but he fell asleep before he could realise that he was feeling just what John had felt that night when he was eight years old. That was what had happened--that was the change. The child was now father to the man--and the man was feeling the first embarrassment of the child--so the last link had been forged between the irrevocable past and the eternal present.