Category: Plays/Films/Dramas

The Chinese theater

“Students of the Pear Garden” (Li Yuan Tzu Ti) is the name by which actors in China are called in elegant literary style. This appellation was given them in memory of the traditional origin of the Chinese theater in the imperial palace gardens of a T’ang Dynasty emperor, Ming...

Chapters

1. CHAPTER ONE

“Students of the Pear Garden” (Li Yuan Tzu Ti) is the name by which actors in China are called in elegant literary style. This appellation was given them in memory of the tradit...

2. CHAPTER TWO

The rise of the Chinese drama was due to a national disaster that broke the sway of the ruling literary class. In 1264 Kublai Khan with his Mongols fixed his capital at Peking a...

3. ill. The quick-witted, impertinent maid sent to look after the wants of

the patient carries messages between him and the young girl and finally arranges a meeting on a moonlit night. The lovers have exchanged but a few words when the mother discover...

4. CHAPTER THREE

The Yuan Dynasty of Mongol rulers was a very powerful one and extended the Chinese frontiers to include Korea, Yünnan, Annam, and Burma. The rulers proved themselves very tolera...

5. CHAPTER FOUR

In 1644 the last of the Ming emperors committed suicide when a rebel army entered his capital. But the rebel did not become the next emperor; the throne went to a Manchu leader...

6. CHAPTER FIVE

During the last decades of the Ch’ing Dynasty, that is to say about forty years ago, many of the idle and rich members of the ruling class, the Manchus, developed an interest in...

7. CHAPTER SIX

Foreigners in general regard the Chinese theater as noisy, dirty, and dull, and therefore as a most unattractive spot; yet the Chinese must think differently about it, for the h...

8. CHAPTER SEVEN

To the average Occidental the Chinese stage appears a very queer institution with ridiculous customs. This is due largely to the fact that in the Chinese make-believe world the...

9. CHAPTER EIGHT

Every traveler who comes to China hears of the fame of Mei Lan-fang. He is told that in his visit to Peking he ought not to miss the opportunity of seeing this male actor of fem...

10. CHAPTER NINE

I have often met with people who ask: “Do the Chinese have the division of plays into tragedies and comedies?” and when they learn that there is no such division they feel this...

11. Volume XX, “Chinese Theatricals”, and Volume XXI, “Histrionic

This bibliography is by no means exhaustive. There are a great many articles not mentioned here, but they are generally not very instructive. In most cases they are written by t...