The chief Elizabethan dramatists, excluding Shakespeare
SCENE II.[2739
_Enter_ MENDOZA _supporting the_ Duchess _and_ GUERRINO: _the ladies that are on the stage rise_: FERRARDO _ushers in the_ Duchess, _and then takes a lady to tread a measure_.[2740]
_Aur._ We will dance: music!—we will dance.
_Guer. Les quanto_,[2741] lady, _Pensez bien_, _Passa regis_, or _Bianca’s brawl_?
_Aur._ We have forgot the brawl.
_Fer._ So soon? ’T is wonder. 5
_Guer._ Why, ’t is but two singles on the left, two on the right, three doubles forward, a traverse of six round: do this twice, three singles side, galliard trick-of-twenty, coranto-pace; a figure of eight, three singles broken down, (10) come up, meet, two doubles, fall back, and then honour.
_Aur._ O Daedalus, thy maze! I have quite forgot it.
_Maq._ Trust me, so have I, saving the falling-back, and then honour. 16
_Enter_ PREPASSO.
_Aur._ Music, music!
_Prep._ Who saw the duke? the duke?
_Enter_ EQUATO.
_Aur._ Music!
_Equato._ The duke? is the duke returned? 20
_Aur._ Music!
_Enter_ CELSO.
_Celso._ The duke is either quite invisible, or else is not.
_Aur._ We are not pleased with your intrusion upon our private retirement; we are not (25) pleased: you have forgot yourselves.
_Enter a_ Page.
_Celso._ Boy, thy master? Where’s the duke?
_Page._ Alas, I left him burying the earth with his spread joyless limbs: he told me he was heavy, would sleep; bade me walk off, 30 for that the strength of fantasy oft made him talk in his dreams. I straight obeyed, nor ever saw him since: but whereso’er he is, he ’s sad.
_Aur._ Music, sound high, as is our heart! Sound high! 35