Part 2
You see long lines of shops, full of the Venetian mosaic, and of the Venetian gold-work, which is the daintiest that you can imagine. Here is Salviati’s priceless glass. It is Salviati who has rediscovered the secrets of the old glass-makers. He will tell you that there can be no such thing as a lost art, while the human brain retains its former power; and in this matter of glass-making, at least, he has proved his own theories. Such wonderful colours, such wonderful shapes, such exquisite designs, can be found nowhere else. It almost converts one to Spiritualism, this exceptional success of Salviati’s, and makes you think that the ghosts of some of the old glass-makers have been whispering their long-forgotten secrets into his ears. You have fingered all the morning round this captivating piazza of San Marco, with its shops full of temptations, and now the bronze Vulcans of the clock-tower march out and strike the hour of two, and retire again; and just as they beat their retreat you see one of the prettiest sights in Venice. Long ago--at the beginning of the thirteenth century, so the story runs,--Admiral Dandolo, while besieging Candia, received intelligence by means of carrier-pigeons which greatly aided him. He then sent the birds to Venice with the news of his success; and since that period their descendants have been carefully cherished and greatly prized by the Venetians. Every day, at two o’clock the doves are fed at the expense of the city.... Venice! You can pass your dreamy days there in the luxury of an absolute repose. No other place is like it for beauty, and certainly no other is like it for restfulness.... Gay belles, who have tired themselves out by a busy winter in Rome or Florence, betake themselves to this City of the Sea, and win back their roses in its quiet. Its spell is on you from the first moment you arrive. It seems to me no one could ever leave it willingly; and if only the post could be abolished, and no letters would come to call you back to the world outside, you might stay there for ever without knowing it,--like the monk who laid his ear so close to heaven that he heard in his dream the songs of Paradise, and awoke to find that he had been listening to them for a thousand years.
LOUISE CHANDLER MOULTON.
A VISION OF VENICE
Behold! a waking vision crowns my soul With beatific radiance, and the light Of shining hope;--a golden memoried dream That clings unto my youth, as clung the strange Leonine phantom to that mystic man, Lean Paracelsus. It has grown with me Like destiny, or that which seems to be My destiny, ambition: and its glow Inflames my fancy, as if some clear star Had burst in silvery light within my brain. From the smooth hyaline of that far sea The pictured Adriatic rises, fair As dream, a kingly-built and tower’d town; Column and arch and architrave instinct With delicatest beauty; overwrought With tracery of interlacèd leaves For ever blooming on white marble, hush’d In everlasting summer, windless, cold: The city of the Doges!
From the calm Transparent waters float some thrilling sounds Of Amphionic music, and the words Are Tasso’s, where he passions for his love, That lady Florentine so lily-smooth, Clothed on with haughtiness!
At the black stair Of palace rising shadowy from the wave, Two singing gondolieri wait a freight Of loveliness. A tremulous woman, robed In dazzling satin, and whose dimpled arms Shine through their veil diaphanous, floats down From the wide portal; and the ivory prow Of the soft-cushion’d gondola (as she Steps lightly from the marble to her place) Dips, rises, dips again; and through the blue Swift glides into the sunset.
Oh, the glow Of that rich sunset dims whate’er I see In this my own dear valley! O’er the hills-- Those craggy Euganean hills, whose peaks Wedge the clear crystalline--a blazonry Of clouds pavilion’d, folded, interwound Inextricably, load the breezeless west With awe and glory. The effulgence gleams Upon a vision’d Belmont, home of her Who loved as Shakespeare’s women do; and gleams Upon those walls wherein Othello’s spear Stabb’d clinging innocence; where the poor wife, The lone Cassandra Belvidera, gave Her soul in martyrdom to love and woe.
And shall I never that far town behold, Crested with sparkling columns, fiery towers, Praxitelean masonry?--behold VENICE, the mart of nations, ere I die? By Heaven! her common merchants princes were Unto two continents; her traffickers The honourable of the earth! she stood A crownèd city, and the fawning sea Licked her white feet; and the eternal sun Kissed with departing beam her brow of snow!
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Woe to this Venice, with her crown of pride! The Lady of the kingdoms, the perfection Of beauty, and the joy of the whole earth! Through her pavilions shall the crannying winds Whistle, and all her borders in the sea Crumble their Parian wonder. Woe to her, Whose glorious beauty is a fading flower! Her sober-suited nightingales, with notes Of smooth liquidity and softened stops, Solace the brakes; and ’mid her ancient streets Tawny, the gleaming and harmonious sea Makes silvery melody of by-gone days. Oh, white Enchantment! Ocean-spouse of old! When thy high battlements and bulging domes, By sunset purpled, trembled in the wave! Now o’er thy towers the Lord hath spread His hand, And as a cottage shalt thou be removed; Like Nineveh, or cloudy Babylon! DAVID GRAY.
SPECTRAL VENICE
‘I know another sight,’ said the Moon, ‘the spectre of a city. Whenever the jetty fountains splash into the marble basins, they seem to me to be telling the story of the floating city. Yes, the spouting water may tell of her, the waves of the sea may sing of her fame! On the surface of the ocean a mist often rests, and this is her widow’s veil. The Bridegroom of the Sea is dead; his palace and his city are his mausoleum. Dost thou know this city? She has never heard the rolling of wheels or the hoof-tread of horses in her streets, through which the fish swim, while the black gondola glides spectrally over the green water. I will show you the place,’ continued the Moon, ‘the largest square in it, and you will fancy yourself transported into the city of a fairy-tale. The grass grows rank among the broad flag-stones, and in the morning twilight thousands of tame pigeons flutter around the solitary lofty tower. On three sides you find yourself surrounded by cloistered walks. In these the silent Turk sits smoking his long pipe; the handsome Greek leans against the pillar, and gazes at the upraised trophies and lofty masts, memorials of power that is gone. The flags hang down like mourning scarves. A girl rests there; she has put down her heavy pails filled with water, the yoke with which she has carried them rests on one of her shoulders, and she leans against the mast of victory. This is not a fairy-palace you see before you yonder, but a church; the gilded domes and shining orbs flash back my beams; the glorious bronze horses up yonder have made journeys, like the bronze horse in the fairy-tale; they have come hither, and gone hence, and have returned again. Do you notice the variegated splendour of the walls and windows? It looks as if Genius had followed the caprices of a child, in the adornment of these singular temples. Do you see the winged lion on the pillar? The gold glitters still, but his wings are tied; the lion is dead, for the King of the Sea is dead; the great halls stand desolate, and where gorgeous painting hung of yore, the naked wall now peers through. The _lazzaroni_ sleeps under the arcade, whose pavement in old times was to be trodden only by the feet of the high nobility. From the deep wells, and perhaps from the prisons by the Bridge of Sighs, rise the accents of woe, as at the time when the mandolino was heard in gay gondolas, and the golden ring was cast from the Bucentaur to Adria, the Queen of the Seas. Adria! shroud thyself in mists; let the veil of thy widowhood shroud thy form, and clothe in the weeds of woe the mausoleum of thy bridegroom--the marble, spectral Venice!’
HANS ANDERSEN.
A REVERIE IN VENICE
I stood in Venice, on the Bridge of Sighs; A palace and a prison on each hand: I saw from out the wave her structures rise As from the stroke of the enchanter’s wand: A thousand years their cloudy wings expand Around me, and a dying glory smiles O’er the far times when many a subject land Looked to the wingèd Lion’s marble piles, Where Venice sate in state, throned on her hundred isles!
She looks a sea Cybele, fresh from ocean, Rising with her tiara of proud towers At airy distance, with majestic motion, A ruler of the waters and their powers: And such she was; her daughters had their dowers From spoils of nations, and the exhaustless East Poured in her lap all gems in sparkling showers. In purple was she robed, and of her feast Monarchs partook, and deemed their dignity increased.
In Venice, Tasso’s echoes are no more, And silent rows the songless gondolier; Her palaces are crumbling to the shore, And music meets not always now the ear: Those days are gone--but beauty still is here. States fall, arts fade--but Nature doth not die, Nor yet forget how Venice once was dear, The pleasant place of all festivity, The revel of the earth, the masque of Italy!
But unto us she hath a spell beyond Her name in story, and her long array Of mighty shadows, whose dim forms despond Above the dogeless city’s vanished sway; Ours is a trophy which will not decay With the Rialto; Shylock and the Moor, And Pierre, cannot be swept or worn away-- The keystones of the arch! though all were o’er. For us repeopled were the solitary shore....
The spouseless Adriatic mourns her lord; And annual marriage now no more renewed, The Bucentaur lies rotting unrestored, Neglected garment of her widowhood! St. Mark yet sees his lion where he stood Stand, but in mockery of his withered power, Over the proud place where an Emperor sued, And monarchs gazed and envied in the hour When Venice was a queen with an unequalled dower.
The Suabian sued, and now the Austrian reigns-- An Emperor tramples where an Emperor knelt; Kingdoms are shrunk to provinces, and chains Clank over sceptred cities; nations melt From power’s high pinnacle, when they have felt The sunshine for a while, and downward go Like lauwine loosened from the mountain’s belt: Oh for one hour of blind old Dandolo! The octogenarian chief, Byzantium’s conquering foe.
Before St. Mark still glow his steeds of brass, Their gilded collars glittering in the sun; But is not Doria’s menace come to pass? Are they not _bridled_?--Venice, lost and won, Her thirteen hundred years of freedom done, Sinks, like a seaweed, into whence she rose! Better be whelmed beneath the waves, and shun, Even in Destruction’s depth, her foreign foes, From whom submission wrings an infamous repose.
In youth she was all glory,--a new Tyre,-- Her very byword sprung from victory, The ‘Planter of the Lion,’ which through fire And blood she bore o’er subject earth and sea; Though making many slaves, herself still free, And Europe’s bulwark ’gainst the Ottomite: Witness Troy’s rival, Candia! Vouch it, ye Immortal waves that saw Lepanto’s fight! For ye are names no time nor tyranny can blight.
Statues of glass--all shivered--the long file Of her dead doges are declined to dust; But where they dwelt, the vast and sumptuous pile Bespeaks the pageant of their splendid trust; Their sceptre broken, and their sword in rust, Have yielded to the stranger: empty halls, Thin streets, and foreign aspects, such as must Too oft remind her who and what enthrals, Have flung a desolate cloud o’er Venice’ lovely walls.
When Athens’ armies fell at Syracuse, And fettered thousands bore the yoke of war, Redemption rose up in the Attic Muse, Her voice their only ransom from afar: See! as they chant the tragic hymn, the car Of the o’ermastered victor stops, the reins Fall from his hands--his idle scimitar Starts from his belt--he rends his captive’s chains, And bids him thank the bard for freedom and his strains.
Thus, Venice, if no stronger claim were thine, Were all thy proud historic deeds forgot, Thy choral memory of the bard divine, Thy love of Tasso, should have cut the knot Which ties thee to thy tyrants; and thy lot Is shameful to the nations,--most of all, Albion! to thee: the Ocean Queen should not Abandon Ocean’s children: in the fall Of Venice think of thine, despite thy watery wall.
I loved her from my boyhood: she to me Was as a fairy city of the heart, Rising like water-columns from the sea, Of joy the sojourn, and of wealth the mart; And Otway, Radcliffe, Schiller, Shakespeare’s art, Had stamped her image in me, and e’en so, Although I found her thus, we did not part, Perchance e’en dearer in her day of woe, Than when she was a boast, a marvel, and a show.
I can repeople with the past--and of The present there is still for eye and thought, And meditation chastened down, enough; And more, it may be, than I hoped or sought; And of the happiest moments which were wrought Within the web of my existence, some From thee, fair Venice! have their colours caught: There are some feelings Time cannot benumb, Nor torture shake, or mine would now be cold and dumb. LORD BYRON.
IN PRAISE OF VENICE