Chapter 9

The seven spires and towers of this cathedral form a wonderful grouping and make a sky-line more broken than that of any other great church in all Europe.

There is a certain symmetry about this outline, but it is not pyramidal, after the manner of the cathedral at Bonn. In short, it is reminiscent only of itself.

On the west are a pair of massive towers with conical caps, which give a façade at once remarkable and distinguished.

Flanking the north transept are two smaller towers, and the same arrangement is found just opposite on the south.

Above rises the great central octagon, surmounted in turn by a dwindling octagonal spire, not beautiful in itself with its steeply inclined slate or lead roofing, but which, under all atmospheric conditions, lends a harmony to and is a key-note of the whole structure which is wonderfully effective.

The interior plan is conventional and simple enough, consisting of the usual three naves, with an easterly apse, surrounded by an ambulatory and flanking chapel.

Within, as well as from the outside, the effect is one of an ampleness which is not borne out by the actual dimensions, which fact, of course, shows most able design and execution.

The elevation of the nave, choir, and transepts is divided into four ranges of openings, such as are seen at Soissons in the Isle of France, and, in a less complete form, in Notre Dame at Paris.

This has always been a daring procedure, but in this case it has been carried out with success, and gives the desired effect,--that of ampleness and height.

In the clerestory windows are found the rounded arches which mark the link which binds the Gothic arches elsewhere in the fabric with the earlier Romanesque style.

The vaulting is of the Gothic order throughout, with gracefully proportioned shafts and full-flowered capitals.

All this preserves the simple elements of early Gothic in so impressive a way that the observer will quite overlook, or at least make allowance for, the row of round-headed windows aloft.

The triforium gallery is a charming feature, and has seldom been found so highly developed outside of an early Gothic church. In general the feature is French, and this is perhaps the only example outside France which is so reminiscent of that variety frequently to be met with in the cathedrals of the Isle of France.

The triforium is pierced through to the nave by a series of double narrow arches enclosed within a larger broad-framed arch, while in the transepts and choir the desired effect is accomplished by tripled arches with the same general scheme of arrangement.

With regard to furnishings and accessories, this great cathedral is singularly complete.

There is a highly ornate pulpit in sculptured wood which some will consider the peer of any seen elsewhere. It is decorated further by a series of painted wooden statues of the saints, Nicholas, Ambrose, Augustin, Gregory, and Jerome.

There is a fine _custode_ covering a pyx, which is surmounted by a fifteenth-century _baldaquin_, and a tomb of a former canon, ornamented in bas-relief.

There is also a pair of baptismal fonts, enormous in size and said to be contemporaneous with the foundation of the cathedral.

A tomb of Daniel of Mutersbach, a knight who died in 1475, is placed in one of the chapels at the crossing, and near by is a mausoleum to that Conrad who, by virtue of a charter given by Louis in 909, founded the church which preceded the present edifice on this site.

It bears the following inscription in the barbarous Latin of the time:

CLAUDITUR HOC TUMULO PER QUEM NUNC SERVITUS ISTO FIT CELEBRIS TEMPLO, LAUS, VIRTUS, GLORIA CHRISTO.

XIX

COBLENZ AND BOPPART

_Coblenz_

It is an open question as to whether the charming little city of Coblenz is more delightful because of itself, or because of its proximity to the famous fortress of Ehrenbreitstein,--"the broad stone of honour."

"Here Ehrenbreitstein with her shatter'd wall Black with the miner's blast upon her height, Yet shows of what she was, when shell and ball Rebounding idly on her strength did light."

The city occupies a most romantically and historically endowed situation at the junction of the Moselle and the Rhine.

At Coblenz the sons of Charlemagne met to divide their father's empire into France, Germany, and Italy; there also Edward III. in 1338 met the Emperor Louis, and was by him appointed vicar of the empire; and at Coblenz the French raised a monument to commemorate the subjugation of Russia. Soon after the inscription was finished, the Russian commander entered Coblenz in pursuit of Napoleon. With memorable and caustic wit he left the inscription as it stood, just adding, "Vu et approuvé par nous, Commandant Russe de la Ville de Coblence, Janvier 1er, 1814." Here also is the monument to the young and gallant General Marceau, killed at the battle of Altenkirchen, 1796.

"By Coblenz, on a rise of gentle ground, There is a small and simple pyramid, Crowning the summit of the verdant mound: Beneath its base are hero's ashes hid."

The Moselle, which joins the Rhine at Coblenz, was, like the Rhine itself, referred to by Cæsar.

The pleasant valley of the Moselle--indeed it is one of the _pleasantest_ (which is a vague term, but one easily understood by all) in all Europe--was celebrated by one of the longer poems of Ausonius, who wrote in the fourth century.

For those who would translate the original, his description will not be found inapropos to-day:

"_Qua sublimis apex longo super ardua tractu Et rupes et aprica jugi, flexusque sinusque Vitibus adsurgunt naturalique theatro._"

Vines then, as now, clothed the slopes of the hills and cliffs which sheltered the deep-cut stream.

A Roman governor of Gaul once proposed to unite the Moselle with the Saône (as it is to-day, by means of the Canal de l'Est), and thus effect a waterway across Europe from the North Sea to the Mediterranean.

The church of St. Castor stands on the spot of the famous conference between the sons of Charlemagne. It is one of the most ancient of the Rhine churches, and was founded by Louis the Pious in 836.

Of this early church but little remains to-day except some distinct features to be noted in the choir.

The four towers form a remarkable outline, and two of them, at least as to their lower ranges, are undoubtedly of the eleventh century.

In this church are a series of remarkable decorations, one on the wall above the spring of the nave arches, another above the entrance of the choir aisle, and yet another in the semicircular roofing of the apse. It may be a question as to how far such decorations are in really good taste, but they certainly lend a warmth and brilliancy to an edifice that might otherwise be cold and unfeeling.

Many are the historic incidents connected with this venerable building. The notification of the sons of Louis the Pious took place in 870; the reconciliation of Henri IV. of Germany with his sons occurred in 1105; St. Bernard preached the Crusades here before a vast congregation, recruiting for the army for the East over one thousand citizens of Coblenz alone.

Near the church of St. Castor is the house of the Teutonic Order, of fine Gothic design, but to-day turned into a military magazine.

On a hill overlooking the city was the famous Chartreuse convent, the ruins of which are now swallowed up by Forts Constantine and Alexander.

The bridge which crosses the Moselle at this point is in itself a wonderful old relic. It spans the river on fourteen arches, and dates from 1344, save that its watch-tower was built at a later day.

The bridge of boats which crosses the Rhine, on thirty-six pontoons, partakes of the same characteristics as its brother at Mayence, though by no means is it so celebrated.

Above Coblenz the Rhine narrows considerably, and the mountains and hilltops draw in until one's progress, by water, is almost as if it were through a cañon.

Niederlahnstein has a fine ruined church in St. John's, whence it is but a short distance to Boppart.

_Boppart_

Boppart was the ancient _Bandobriga_ of the Romans, and, like many another place along the Rhine, is closely linked with the memory of Drusus.

Boppart was made an imperial city, and many Diets were held within its walls.

The Hauptkirche, with its twin-jointed spires, was built about the year 1200.

It is thoroughly Romanesque, if we except the spires which are linked together by a sort of galleried vestibule, after a manner that is neither Romanesque nor anything else.

The inside galleries over the aisles (_männerchöre_) are interesting, though by no means a unique feature in Rhine churches.

There is a queer intermixture of pointed and round-headed arches in both the nave and choir, but nothing to indicate that it was anything but a Romanesque influence that inspired the builders of this not very appealing church.

The vestibule which joins the spires, and the most unusual groining of the vaulting of the body of the church, are two features which the expert will linger over and marvel at, but they have not much interest for the lay observer who will prefer to stroll along the river-bank and pick out charming vistas for his camera.

The convent of Marienburg, which rises high on the hillside back of the town, has an ancient history and was a vast foundation to which references are continually met with in history. To-day it is a hydropathic establishment for semi-invalids and devotees of bridge and tea parties.

The Carmelite church contains some richly carved sixteenth-century monuments, now somewhat mutilated, but very beautiful.

The _Templehof_ perpetuates the fact that it was the Knights Templars of Boppart who first mounted the breach at the storming of Ptolemais in the third crusade.

This completes the list of Boppart's ecclesiastical monuments.

In the fourteenth century the town was a "free imperial city"; but, following upon political dissension with its neighbours, it was returned to the guardianship of the Archbishop of Trèves.

Previously it would appear that the inhabitants had not been very religious, but the archbishop was able to induce them to build him a château here as a place of temporary residence; "the first service," says the chronicle of the time, "which we have rendered our gracious master."

XX

LAACH AND STOLZENFELS

_Laach_

Back of Coblenz is the charming little lake of Laach, at the other end of which is the picturesque but deserted abbey of Laach, one of the most celebrated, architecturally and historically, of all the religious edifices along the Rhine.

Once a Benedictine convent, it was pillaged and its inmates dispersed during the overflow of the French Revolution, and is now naught but a ruin, though in many respects a grandly preserved one.

The abbey was founded in 1093 by Henry II. of Laach, Count Palatine of Lower Lorraine, and the first Count Palatine of the Rhine.

Its magnificent church, built in the most acceptable Gothic, contains the remains of its founder and many nobles.

The monks of the abbey were, in the middle ages, greatly celebrated for their knowledge of the sciences and their hospitality. Their library was richly stored with bibliographical treasures, and they possessed a fine collection of paintings. To-day the abbey and its dependencies is but a shadow of its former self; its library and its picture-gallery have disappeared, and, early in the nineteenth century, the establishment was sold for a price so small that it would be a sacrilege to mention it.

_Stolzenfels_

The mention of the castle of Stolzenfels hardly suggests anything churchly or devout, though those who know the history of this most picturesque of all Rhine castles (restored though it be) know also that it was an early foundation of Archbishop Arnold of Trèves in the thirteenth century, and was, during the century following, the residence of his successors.

Placed high upon its "_proud rock_," the restored fabric to-day wonderfully resembles the castled-crag of one's imagination.

Archbishop Werner of Strasburg also made it his residence in turn, and later the English princess betrothed to the Emperor Frederick II. of the Hohenstaufen dynasty was entertained there.

The castle was nearly destroyed by the French in 1688, and in 1825 the ruin was made over to the then prince royal, afterward King of Prussia.

Within the reconstructed walls, topped with a series of crenelated battlements, after the true mediæval manner, one finds an ample courtyard, from which lead the entrances to the various parts of the vast fortress.

Innumerable apartments open out one from the other, all forming a great museum filled with all manner of curios and relics.

In a corner of one great room was long kept (they may or may not be there yet; the writer does not know) the Austrian and Swiss standards taken in the Thirty Years' War.

There was also a cabinet containing the sabre of Murat, taken at Waterloo; the sabres of Blucher, of Poniatowski, and Sobieski; and the swords of the Duc d'Albe and De Tilly; and, incongruously enough, a knife and fork said to have belonged to Andreas Hofer, the hero of the Tyrol.

In the chamber of the king is a magnificent piece of ecclesiastical furniture in the form of a processional cross said to date from the eighth century.

The fine Gothic chapel is decidedly the gem of the whole fabric and its accessories, and, though only finished in its completeness, during the present day, it is a master copy of the best style of the Gothic era.

XXI

ANDERNACH AND SINZIG

_Andernach_

Andernach is one of the oldest cities in the Rhine valley, and grew up out of one of Drusus's camps, which was built here when the town was known as _Antonacum_.

This was its early history, as given by Ammien Marcellin; and a later authority mentions it as the second city of the electorate of Trèves (_Die Andre Darnach_).

In the records of Drusus's time, there is a reference to a château here, which was the fiftieth he had built upon the banks of the Rhine.

The kings of Austrasia had their palace here as well, so the place became a political and strategic city of very nearly the first rank.

In the middle ages Andernach shone brilliantly among the centres of commerce in the Rhine valley.

Charles V. was responsible for a battle between the inhabitants of Linz and those of Rhieneck and Andernach, in which nearly all the latter were massacred.

To soften any hard feeling that might still exist, a sermon was always preached, up to the last century, in the market-place, on St. Bartholomew's Day, urging the people to forgive their enemies. The records tell, however, that on one occasion an unfortunate inhabitant of Linz was discovered in Andernach, and that he was forthwith put to death in most unchristianlike fashion.

The Gate of Coblenz at Andernach is generally regarded as an ancient Roman work, though not of the monumental order usual in works of its kind.

The present fortifications date from the fifteenth century, as does the picturesque watch-tower by the waterside.

With Andernach is identified the tradition of a Count Palatine, who, returning from the Holy Wars, was persuaded by a false friend that his lady had proved faithless; and, without listening to excuse, drove her forth to the woods. In the forest she found shelter with her youthful son, lodging in caves and living on fruits and herbs for many years. One day her husband, having lost his companions in the chase, came by accident upon her place of concealment. The wife of his bosom, carefully nurtured in her youth, but now living unattended in the wilds, and his son, now grown into a fine youth, excited his pity. Listening to the truth, he took home the innocent victims of perfidy, and retaliated upon the traducer by hanging him from the highest tower of his castle. After her death, the countess became St. Genofeva, and is the patroness of the parish church of St. Genevieve, which is a lofty structure with four towers which rise high above the surrounding buildings in a fashion which would be truly imposing were the church less overornamented in all its parts.

The actual foundation of the church dates from Carlovingian times, and a tenth-century church is visibly incorporated into the present fabric, but in the main the present structure is of the thirteenth century.

The façade, as is the case with most of the Romano-Byzantine churches on the Rhine, is flanked by two fine towers, showing some slight traces of the incoming ogival style.

Flanking the apside are two other towers, somewhat heavier and thoroughly Romanesque in motive.

The southern doorway is surrounded by a series of remarkably elaborate and excellent sculptures, showing delicate foliage, birds, and human figures disposed after the best manner of the Romanesque. The northern doorway is decorated in a similar manner, with an elaborate grouping of two angels and the paschal lamb in the tympanum. To the right of this portal is a curious coloured bas-relief set in the wall. It represents the death of the Virgin, and dates from the early sixteenth century.

The interior is divided into three naves by two ranges of pillars, square and very short. The arcades between the aisles and the nave are rounded, but the vaulting is ogival.

The second range of pillars forms an arcade quite similar to the lower one, but the pillars are of black marble. A modern balustrade, which has been added, is frightful in its contrast with the more ancient constructive details.

Above all are six windows on a side, which in plan and proportions resemble those of the side aisles.

The choir is in effect a cul-de-four, and is lighted by five windows placed rather high up. Below are a series of niches, in which are placed modern statues, about as bad as can be imagined, even in these degenerate architectural times.

The gallery behind the second tier of columns is known as the _mannshaus_, being intended for the male portion of the congregation, the women sitting below.

The pulpit came from the old abbey of Laach.

On the left of the grand nave is the tomb of a knight of Lahnstein, who died in 1541.

There is another legend connected with Andernach which may well be recounted here.

One day, during the minority of the Emperor Henry IV., the tutors of the prince, the proud Archbishop Annon of Cologne and the Palatine, Henry the Furious, held a meeting with certain other seigneurs at Andernach. The same day the inhabitants of Güls, a village near Coblenz, lodged a complaint before the Palatine concerning the exactions of the provost of their village. This last, himself, followed the deputies, magnificently clothed and mounted upon a richly caparisoned horse, counting upon his presence to counteract the impression they might make. Among the collection of wild beasts which had been gathered together for the amusement of the princes was a ferocious bear. When the provost passed near him, the animal sprang upon him and tore him to pieces, whereupon it was supposed that the venerable archbishop had exercised a divine power, and delivered up the oppressor to the fury of a wild beast. Like most of the Rhine legends, it is astonishingly simple in plot, and likewise has a religious turn to it, which shows the great respect of the ancient people of these regions toward their creed.

_Sinzig_

Between Andernach and Bonn is the tiny city of Sinzig, famous for two things,--its charmingly disposed parish church and the wines of Assmanhaus.

The town was the ancient Sentiacum of the Romans, constructed in all probability by Sentius, one of the generals of Augustus.

The church at Sinzig, in company with St. Quirinus at Neuss, has some of the best mediæval glass in Germany.

This small, but typically Rhenish, parish church has also a series of polychromatic decorations which completely cover its available wall space.

There is a vividness about them which may be pleasing to some, but which will strike many as being distinctly unchurchly.

As a Christian edifice, the church at Sinzig, with its central tower and spire, is only remarkable as typifying the style of Romano-ogival architecture which developed so broadly in the Rhine valley at the expense of the purer Gothic.

XXII

TRÈVES

Southwesterly from Coblenz, between the Rhine and Metz, is Trèves, known by the Germans as Trier. Situated at the southern end of a charming valley, which more or less closely follows the banks of the Moselle, it has the appearance of being a vast park with innumerable houses and edifices scattered here and there through the foliage. The city contains many churches, of which the cathedral of St. Pierre et Ste. Hélène is the chief.

At one time the _Augusta Trevirorum_ of the Romans was "the richest, the most fortunate, the most glorious, and the most eminent of all the cities north of the Alps," said an enthusiastic local historian.

The claim may be disputed by another whose civic pride lies elsewhere, but all know that Trèves, as the flourishing capital of the _Gaulois belges_, actually rivalled Rome itself.

Augustus established a Roman colony here with its own Senate, and many of the Roman emperors of the long line which followed made it their residence during their sojourn in the north.

From the Augusta Trevirorum of the Romans, the city became in time, under the later Empire, Treviri, from which the present nomenclature of Trèves and Trier comes. It was one of the sixty great towns which were taken from the Romans by the Franks and the Alemanni.

The Roman bridge over the Moselle, built probably by Agrippa, existed until the wars of Louis XIV., in 1669, when it was blown up; and all that now remains of the original work are the foundations of the piers, which were built upon anew in the eighteenth century.

As a bishopric, and later as an archbishopric, the see is the most ancient in Germany, having been founded in 327 by the Empress Hélène.

In the twelfth century it became an archbishopric and an electorate, but during the fourteenth century, because of continual struggles between the municipality and the Church, the archbishops removed to Coblenz.

In the cathedral rests the Holy Coat of Trèves, one of the most sacred relics of the Saviour extant, and supposedly the veritable garment worn by him at the crucifixion,--the seamless garment for which the soldiers cast lots (John xix. 23, 24).