The Cambridge, Ely, and King's Lynn Road: The Great Fenland Highway
Part 15
The local occupations all have curious names, and the inhabitants of the Fens in general were long known as "Fen-slodgers," a title that, if indeed unlovely, is at least as expressive of mudlarking as it is possible for a word to be. You picture a slodger as a half-amphibious creature, something between a water-sprite and a sewer-man, muddy from head to foot and pulling his feet out of the ooze as he goes with resounding "plops," like the noise made in drawing the cork of a bottle. But if the Fenman did not quite fill all the details thus conjured up, he was, and is still, a watery kind of creature; half-farmer, half-fisherman and wild-fowler. He is sometimes a "gozard," that is to say, a goose-ward or goose-keeper. This occupation does not seem to have given an abiding surname, as many others have done, and you may search in many directories for it without avail, although the Haywards, the Cartwrights, and the Cowards are prominent enough. The Fenman digs his land with a becket or a hodden spade. The design of the first-named goes back to Roman times, and is seen figured on columns and triumphal arches in the Imperial City, just as it is fashioned to-day. It is this form of spade that is alluded to in such wayside tavern-signs as the Plough and Becket, apt to be puzzling to the uninitiated. When the Fenland rustic, weary of the daily routine, wants a little sport or seeks to grace his table with fish, he goes "dagging for eels" along the rivers and the drains, "leams," "lodes," or "eaus" (which he calls "ees") with a "gleve," which, translated into ordinary English, means an eel-spear, shaped very like Neptune's trident.
XXXVIII
CROSSING Stretham Bridge, with Stretham Common on the right and Stretham village two miles ahead, the Akeman Street appears to be soon lost, for the way is crooked, and much more like a mediæval than a classic road. Indeed, the entrance to Stretham is by two striking right-angle turns and a curve past a low-lying tract called Beggars' Bush Field.
"Beggars' Bush" is so frequent a name in rural England[2] that it arouses curiosity. Sometimes these spots bear the unbeautiful name of "Lousy Bush," as an apt alternative. They were probably the lurking-places of mediæval tramps. The tramp we have always had with us. He, his uncleanliness and his dislike of work are by no means new features. Only, with the increase of population, there is naturally a proportional increase in the born-tired and the professional unemployed. That is all. So long ago as Queen Elizabeth's time legislation was found necessary to suppress the tramp. The Elizabethan statute did not call him by that name: they were not clever enough in those times to invent so descriptive a term, and merely called him a "sturdy rogue and vagrant." Of course he was not suppressed by the hardness, the whips and scorpions, of the Elizabethans, but endured them and the branded "R" and "V," and sporting them as his trade-marks, went tramping to the end of his earthly pilgrimage. These are the "strangers" whom you will find mentioned in the burial registers of many a wayside parish church; the "strangers" found dead on the road, or under the "Beggars' Bushes," and buried by the parish.
[2] There was once a Beggars' Bush on the Old North Road, fifty-five miles from London and two and a half from Huntingdon. King James the First seems to have heard of it, when on his progress to London from Scotland, for he said, on the road, in a metaphorical sense to Bacon, who had entertained him with a lavish and ruinous hospitality, "Sir Francis, you will soon come to Beggars' Bush, and I may e'en go along with you too, if we be both so bountiful."
It was the indiscriminate almsgiving of the religious houses--the Abbeys and the Priories of old--that fostered this race of vagrom men and women, the ancestors of the tramps of to-day. Like the Salvation Army in our times,--either better or worse, whichever way you regard it,--they fed, and sometimes sheltered, the outcast and the hungry. Only the hungry are not fed for nothing, nor without payment sheltered by the Salvationists. They purchase food and lodging off the Army for a trifle in coin or by a job of work: the monks exacted nothing in return for the dole or the straw pallet that any hungry wretch was welcome to. Thus, throughout the land a great army of the lazy, the unfortunate, and the afflicted were in mediæval times continually tramping from one Abbey to another. Sometimes they stole, oftener they begged, and they found the many pilgrims who were always making pilgrimage from one shrine to another handy to prey upon. Ill fared the straggler from the pilgrim train that wound its length along the ancient ways; for there were those among the vagrom gang who would not scruple to rob or murder him, and that is one among many reasons why pilgrimage was made in company.
Stretham village, it is scarce necessary in these parts to say, is set on a hill, or what in the Fens is by courtesy so-called. No village here has any other site than some prehistoric knob of clay that by strange chance raised itself above the ooze. The site of Stretham, being in the Isle of Ely, was an isle within an isle. Still one goes up to and down from it. Still you see ancient houses there with flights of steps up to the front doors, so hard put to it were the old inhabitants to keep out of the way of the water; and even yet, when you are come to the levels again, the houses cease and no more are seen until the next rise is reached, insignificant enough to the eye, but to the mind stored with the old lore of the Fens significant of much. Stretham is a large village. It does not run to length, as do places in other parts of the country situated, like it, on a great road. _They_ commonly consist of one long street: Stretham, built on the crown of a hill, has odd turns and twists, and streets unexpectedly opening on either hand as the explorer advances, and is, so to speak, built round and round itself. In its midst, where the road broadens into as wide a space as a village squeezed on to the crown of an island hilltop could anciently afford, stands a market cross.
You may seek far and wide for information about this cross, but you will not find. All we know is that, by its look, it belongs to the fifteenth century, and we may shrewdly suspect that the nondescript plinth it stands upon replaces a broad approach of steps. When the steps were taken away is a matter as unknown as the history of the cross itself; but if we do not know the when, we at least, in the light of Stretham's circumstances, know the why. The street was inconveniently narrowed by them.
The fine church stands to the left of the road by the cross, and is adjoined by an ancient vicarage. At the top of the main street, where the village ends, the traveller obtains his first glimpse of Ely Cathedral, four miles away. It must have been here, or close by, that Jack Goodwin, guard on the Lynn "Rover," about 1831, met Calcraft the hangman, for he tells how the executioner got up as an outside passenger "about four miles on the London side of Ely," to which city he had been paying a professional visit, to turn off an unhappy agricultural labourer sentenced to death for incendiarism, then a capital offence. Calcraft had been at considerable pains to avoid recognition, and had appeared in the procession to the scaffold on Ely Common as one of the Sheriff's javelin-men. Probably he feared to be the object of popular execration.
When he mounted the coach, he was dressed like a Cambridgeshire farmer, and thought himself quite unknown. Goodwin took charge of his baggage, comprising a blue bag, half a dozen red cabbages, _and a piece of rope_--the identical rope that had put an end to the unhappy wretch of the day before. He then offered him a cigar (guards were fine fellows in their way) and addressed Calcraft by name.
The hangman replied that he was mistaken. "No, no," said Goodwin, "I am not; I saw you perform on three criminals at the Old Bailey a few weeks ago."
That, of course, was conclusive, and they chatted more or less pleasantly; although, to be sure, the conversation chiefly turned on Mr. Calcraft's professional experiences. He told Goodwin, when he left, that "if ever he had the pleasure of doing the job for him, he would soap the rope to make it as comfortable as possible."
XXXIX
THERE is little or nothing to say of the way into Ely, and only the little village of Thetford, and that to one side of the road, intervenes. Nothing distracts the attention from the giant bulk of the Cathedral.
How shall we come into Ely? As archæologists, as pilgrims spiritually inclined and chanting a _sursum corda_ as we go, or shall we be gross and earthly, scenting lamb and green peas, spring duckling and asparagus from afar, for all the world like our hearty grandfathers of the coaching age, to whom the great white-faced Lamb Inn, that is still the principal hostelry of this city, appealed with much more force than that great grey religious pile? We will to the Lamb, which is not a difficult house to find, and in fact presents itself squarely and boldly as you enter. "Come," it seems to say, "you are expected. The cloth is laid, you shall dine royally on Ely delicacies. This is in no traditional way the capital of the Fens. Our ducklings are the tenderest, our asparagus the most succulent, there never were such eels as those of Ouse; and you shall conclude with the cream-cheese of Cottenham." Is an invitation so alluring to be despised?
It is strange to read how Thomas Cross in his _Autobiography of a Stage Coachman_ devotes pages to an elaborate depreciation of the Lamb in coaching times. From a "slip of a bar," with a netful of mouldy lemons hanging from the ceiling, to the catering and the appointments of the hostelry, he finds nothing good. But who shall say he was not justified? Lounging one day in this apology for a bar, there entered one who was a stranger to him, who asked the landlady what he could have for dinner. "Spitchcocked eels and mutton chops," replied the hostess, naming what were then, and are still, the staple commodities. The stranger was indignant. Turning to Cross, he said, "I have used this house for five-and-twenty years and never had any other answer."
Presently they both sat down to this canonical dinner in a sparsely-furnished room. The stranger cleaned his knife and fork (brought into the room in a dirty condition) by thrusting them through the soiled and ragged tablecloth. The sherry was fiery, if the port was good; and for gooseberry tart they had a something in a shallow dish, with twenty bottled gooseberries under the crust. The good cheer of the Lamb was then, it seems quite evident, a matter of conventional belief rather than of actual existence.
It has been already said that nothing distracts the attention of the traveller on approaching the city. Ely, indeed, is nearly all Cathedral, and very little of that which is not can claim any interest. It is true that six thousand five hundred people live in Ely, but the figures are surprising. Where do these thousands hide themselves? The streets are not so many, and even at that are all emptiness, slumber, and yawns. The shopkeepers (who surely keep shop for fun) come to their doors and yawn, and regard the stray customer with severity; the Divinity students yawn, and the Dean and the Cathedral staff yawn horribly at the service they have gone through so many times and know by heart. The only place where they don't yawn is the railway station, down below by the Ouse, by whose banks you get quite the finest near view of the Cathedral. Ely, in short, lives chiefly by and on the Cathedral. If there had never been a cathedral here, it would have been a village the size of Stretham. Perhaps to that size it will even yet decline.
"Ely," wrote Cobbett eighty years ago, "is what one may call a miserable little town; very prettily situated, but poor and mean. Everything seems to be on the decline, as, indeed, is the case everywhere where the clergy are masters." True enough, enterprise and industry are deadened in all such places; but this bull-headed old prevaricator, in proceeding to account for the decay, furiously assaults the Protestant religion, and pretends to find it responsible. It is true that the cleric is everywhere a brake on the wheels of progress, but what religion plunges its adherents in so abject a condition of superstitious dependence as the Roman Catholic creed? Cobbett on Ely is, in short, a monument of blundering clap-trap.
"Arrived at Ely," he says, "I first walked round the beautiful cathedral, that honour to our Catholic forefathers and that standing disgrace to our Protestant selves. It is impossible to look at that magnificent pile without feeling that we are a fallen race of men. You have only to open your eyes to be convinced that England must have been a far greater and more wealthy country in those days than it is in these days. The hundreds of thousands of loads of stone of which this cathedral and the monasteries in the neighbourhood were built must all have been brought by sea from distant parts of the kingdom.[3] These foundations were laid more than a thousand years ago; and yet there are vagabonds who have the impudence to say that it is the Protestant religion that has made England a great country."
[3] The stone really came from Barnack, in Northamptonshire, thirty-five miles distant.
Here we have Cobbett, who ought to have known better, and _did_ actually know, repeating the shambling fallacy that the architectural art of the Middle Ages was so artistic because it was inspired by religion, and that its artistry decayed by consequence of the Reformation. Such an argument loses sight of the circumstance that edifices dedicated to religious use were not the only large or beautiful buildings erected in those ages, and that those who wrought upon secular castle or manor-house wrought as well and as truly as those who reared the soaring minster or noble abbey. And whence came the means wherewith to build cathedrals like this of Ely? Did they not derive from the lands settled upon monasteries by those anxious only to save their own souls, and by others who sought thus to compound for their deeds of blood or infamy? And is it possible to think without aversion of a Church that, accepting such gifts, absolved the givers in consideration of them?
Life is endeavour; not all cloistered prayer. He prays best whose prayers are an interlude of toil; and so, when we read Cobbett's long account of the wretched condition of Ely Cathedral, of its "disgraceful irrepair and disfigurement," and of the two old men who on a week-day afternoon formed the whole of the congregation, coupled with his regretful surmise that in Catholic times five thousand people would have been assembled here, we are apt to think that sparse congregation a very healthy sign, and that even those two old men would have been better employed out in the workaday world. He would be a Goth who should fail to perceive the beauty of Ely Cathedral and of its like, but those noble aisles, those soaring towers tell a tale of an enslaved land, of fettered souls, of a priestcraft that sought to rule the State, as well as to hold the keys of Heaven and of Hell. No man, whether he be Pope, Archbishop, or merely the Boanerges of some hideous Bethel, has the right to enslave another's soul. Let even the lovely cathedrals of our land be levelled in one common ruin if the sight of them harks us back to Popery, for in that harking back England would be utterly undone.
But since the saving common-sense of the Englishman can never again permit him to deliver up his soul into another's keeping, and since it follows naturally from this that the Romanising tendencies of our clergy must of necessity lead nowhere and bear no fruit, it becomes possible to look with a dispassionate eye upon these architectural relics of discredited beliefs.
Why was the Cathedral built here? That is a long story. It originated in the monastery founded on this spot in A.D. 673 by Etheldreda, daughter of Auna, King of the East Angles. Etheldreda has long since been canonised, and it behoves us to deal as gently as may be with a saint; but she was, if the chroniclers tell truth, an eccentric and original creature, twice wed by her own consent, and yet vowed to a life-long chastity. Her first husband was one Tondbert, a kinglet of the Gyrvians or Fen-folk, a monarch of the mudlarks, ruling over many miles of reed and sedge, in whose wastes Ely was centred. He gave his Queen this Isle, and died. For five years she remained a widow and then married again; this time a sturdier and less manageable man, King Egfrid of Northumbria. He respected her vows for twelve years, but when at last she took the veil in the north of England and fled from her Northumbrian home he took the only way open in the seventh century of asserting conjugal rights, and pursued her with an armed force. When, however, he arrived at the monastery of Coldingham she was gone, and I do not think Egfrid ever saw her again, or wanted to, for that matter. We will not follow Etheldreda in her long and adventurous journey to Ely, whither she had fled, nor recount the many miracles that helped her on the way. Miracles were cheap at that period, and for at least four hundred years to come were freely invented and elaborated by monkish chroniclers, who were the earliest novelists and writers of fairy tales, in the scriptorium of many a monastery.
XL
IN the year 673, then, behold the ecstatic Etheldreda come out of many perils to Ely. Here, where she thought the Isle lifted its crest highest above the waters, she founded a mixed monastery for monks and nuns. At this point the ground is one hundred and nine feet above sea-level: at Haddenham, the crowning crest is but thirteen feet higher. Here she ruled as Abbess for six years, when she died, and was succeeded by her sister, the sainted Sexburga. It was Sexburga who, sixteen years from this time, determined to honour Etheldreda to the best of her ability, bethought her of translating the body from the humble graveyard of the monastery to the church itself. She sent forth a number of the brethren on a roving commission to find a block of stone for a coffin, and as stone of any kind is the least likely thing to find for many miles around Ely, theirs looked to be a long and difficult quest. They had, indeed, wandered as far as the ruins of Roman Cambridge before they discovered anything, but there they found a magnificent sarcophagus of white marble, which they joyfully brought back, and in it the remains of Etheldreda, entire and incorrupt, were laid.
In 870, the time of the fourth Abbess, St. Withburga, a great disaster befell the monastery of Ely. For years past the terror of the heathen Vikings, the ruthless Danes and Jutes from over sea, had been growing. Wild-eyed fugitives, survivors of some pitiless massacre of the coastwise settlements by these pirates, had flung themselves, exhausted, upon the Isle, and now the peril was drawing near to this sanctuary. A special intercession, "Deliver us, O Lord, from the Northmen," distinguished morning and evening office, but the prayer was unanswered. Presently along the creeks came the beaked prows of the ruthless sea-rovers, and the monastery was sacked and burnt and all upon the Isle slain. That is history. To it the old chronicler must needs put a clinching touch of miraculous vengeance, and tells how a bloodstained pirate, thinking the marble shrine of St. Etheldreda to be a treasure-chest, burst it open. "When he had done this there was no delay of Divine vengeance, for immediately his eyes started miraculously from his head, and he ended there and then his sacrilegious life."
Before many years had passed, a new monastery was founded upon the blackened and bloodstained ruins of the old. This was a College of Secular Clergy, patronised by King Alfred. It was succeeded by a new foundation, instituted by Ethelwold, Bishop of Winchester, who made it a Benedictine House; but even of that we have no trace left, and the church under whose roof Canute worshipped and Edward the Confessor was educated was swept away in the great scheme of rebuilding, entered upon by Simeon, the first Norman Abbot, in 1080. Twenty-six years later the relics of St. Etheldreda were translated to the choir just completed. The translation took place on October 17th, a day ever afterwards, while the Roman Catholic religion prevailed, celebrated by a religious festival and a secular fair. Pilgrims flocked throughout the year to St. Audrey's shrine, but many thousands assembled on her feast-day, and, that no doubt should rest upon their pilgrimage, purchased such favours and tokens as "St. Audrey's chains," and images of her. The chains were lengths of coloured silks and laces, and were, like most articles sold at the stalls, cheap and common. From them, their vulgar showiness, and their association with the Saint, comes the word "tawdry."
Two years after this translation of St. Audrey, the Abbey Church was made the Cathedral of the new diocese of Ely, carved out of the vast See of Lincoln. Of the work wrought by Abbot Simeon and his successor, Richard, the great north and south transepts alone remain. The choir they built was replaced in the thirteenth century by that lovely Early English work we now see; the nave they had not reached. This is a work of some sixty years later than their time, and is one of the finest examples of late Norman architecture in the country. The Norman style went out with a blaze of architectural splendour at Ely, where the great west front shows it blending almost imperceptibly into Early English. It is a singular architectural composition, this western entrance and forefront of Ely Cathedral; the piling up to a dizzy height of a great tower, intended to be flanked on either side by two western transepts each ending in a smaller tower. The north-western transept fell in ruins at some unknown period and has never been rebuilt, so that a view of this front presents a curiously unbalanced look, very distressing to all those good folk whose sensibilities would be harrowed if in their domestic establishment they lacked a _pendant_ to everything. To the housewife to whom a fender where the poker is not duly and canonically neighboured by the tongs looks a debauched and sinful object; to the citizen who would grieve if the bronze or cut-glass lustre on one side of his mantel-shelf were not matched on the other, this is a sight of the most dolorous sort. It must have been to soothe the feelings of all such that a sum of £25,000 was appealed for when Sir Gilbert Scott was restoring the Cathedral, many years ago, and its rebuilding was proposed. The money was not forthcoming, the work was not done, and so Scott did not obtain the £2500 commission. Scott's loss is our gain, for we are spared one more example of his way with old cathedrals.
The ruins of the missing transept are plain to see, and a huge and ugly buttress props up the tower from this side; but, were that building restored, we should only have again, in its completeness, a curiously childish design. For that is the note of this west front and of this great tower, rising in stage upon stage of masonry until the great blocks of stone, dwarfed by distance, look like so many courses of grey brick. So does a child build up towers and castles of wooden blocks.