Part 8

But with the bird's-eye primrose tinging hillsides and hollows with its tender hue of pink, no other companionship was needed. A mountain flower, it is the fairest of all the _Primulaceae_, that band of fair sisters to which it belongs--primrose, cowslip, pimpernel, loosestrife, and money-wort--all beautiful and all favourites among young and old alike, whereever there is a love of flowers. It was worth while to make the pilgrimage to Ingleborough, if only to see this charming little plant in perfection on its native banks.

Nor were other flowers lacking; the wild geraniums especially were in force. The shining crane's-bill gleamed on the pale limestone ledges; the wood crane's-bill, a local North-country species, gave a glint of purple in the copses at the foot of the fell; and still further down, below the village of Clapham, there were masses of the blue meadow crane's-bill (_geranium pratense_), the largest and not least handsome of the family. The water-avens was everywhere by the stream sides; and on a bank above the road the gladdon, or purple iris, was opening its dull-tinted flowers.

XVIII

A BOTANOPHILIST'S JOURNAL

He was the attorney of the indigenous plants, and owned to a preference of the weeds to the imported plants, as of the Indian to the civilized man.--EMERSON.

I HAVE referred several times to Henry Thoreau, of Concord, in whose _Journal_ a great deal is said about wildflowers; and as the volumes are not easily accessible to English readers it may be worth while to select therefrom a few of the more interesting passages. In all that he wrote on the subject Thoreau appears less as the botanist than the flower-lover; indeed, he expressly observes that he himself comes under the head of the "Botanophilists," as Linnaeus termed them; viz. those who record various facts about flowers, but not from a strictly scientific standpoint. "I never studied botany," he said, "and do not to-day, systematically; the most natural system is so artificial. I wanted to know my neighbours, if possible; to get a little nearer to them." So great was his zest in cultivating this floral acquaintance that, as he tells us, he often visited a plant four or five miles from Concord half a dozen times within a fortnight, in order to note its time of flowering.

Books he found, in general, unsatisfactory. "I asked a learned and accurate naturalist," he says, "who is at the same time the courteous guardian of a public library, to direct me to those works which contained the more particular popular account, or _biography_, of particular flowers--for I had trusted that each flower had had many lovers and faithful describers in past times--but he informed me that I had read all; that no one was acquainted with them, they were only catalogued like his books." It was the human aspect of the flower that Thoreau craved; and he was therefore disappointed when he saw "pages about some fair flower's qualities as food or medicine, but perhaps not a sentence about its significance to the eye; as if the cowslip were better for 'greens' than for yellows." Thus he complained that botanies are "the prose of flowers," instead of what they ought to be, the poetry. He made an exception, however, in favour of old Gerarde's _Herball_.

His admirable though quaint descriptions are, to my mind, greatly superior to the modern more scientific ones. He describes not according to rule, but to his natural delight in the plants. He brings them vividly before you, as one who has seen and delighted in them. It is almost as good as to see the plants themselves. His leaves are leaves; his flowers, flowers; his fruit, fruit. They are green, and coloured, and fragrant. It is a man's knowledge added to a child's delight. . . . How much better to describe your object in fresh English words rather than in these conventional Latinisms!"

Linnaeus, too, "the man of flowers," as he calls him, is praised by Thoreau. "If you would read books on botany, go to the fathers of the science. Read Linnaeus at once, and come down from him as far as you please. I lost much time in reading the florists. It is remarkable how little the mass of those interested in botany are acquainted with Linnaeus."

Thoreau's manner of botanizing was, like most of his habits, somewhat singular. His vasculum was his straw-hat. "I never used any other," he writes, "and when some whom I visited were evidently surprised at its dilapidated look, as I deposited it on their front entry-table, I assured them it was not so much my hat as my botany-box." With this vasculum he professed himself more than content.

I am inclined to think that my hat, whose lining is gathered in midway so as to make a shelf, is about as good a botany-box as I could have; and there is something in the darkness and the vapours that arise from the head--at least, if you take a bath--which preserves flowers through a long walk. Flowers will frequently come fresh out of this botany-box at the end of the day, though they have had no sprinkling.

The joy of meeting with a new plant, a sensation known to all searchers after flowers, is more than once mentioned in the _Journal_: the discovery of a single flower hitherto unknown to him makes him feel as if he were in a wealth of novelties. "By the discovery of one new plant all bounds seem to be infinitely removed." He notes, too, the not uncommon experience, that a flower, once recognized, is likely soon to be re-encountered. Seeing something blue, or glaucous, in a swamp, he approaches it, and finds it to be the _Andromeda polifolia_, which had been shown him, only a few days before, in Emerson's collection; now he sees it in abundance. At times he adopts the method of sitting quietly and looking around him, on the principle that "as it is best to sit in a grove and let the birds come to you, so, as it were, even the flowers will come."

Swamps were among Thoreau's favourite haunts: he thinks it would be a luxury to stand in one, up to his chin, for a whole summer's day, scenting the sweet-fern and bilberries. "That is a glorious swamp of Miles's," he remarks; "the more open parts, where the dwarf andromeda prevails. . . . These are the wildest and richest gardens that we have." The fields were less trustworthy, because of the annual vandalism of the mowing. "About these times," he writes in June, "some hundreds of men, with freshly sharpened scythes, make an irruption into my garden when in its rankest condition, and clip my herbs all as close as they can; and I am restricted to the rough hedges and worn-out fields which had little to attract them."

Among Thoreau's best-beloved flowers, if we may judge by certain passages of the _Journal_, was the large white bindweed (_convolvulus sepium_), or "morning-glory." "It always refreshes me to see it," he writes; "I associate it with holiest morning hours. It may preside over my morning walks and thoughts." Not less worthily celebrated by him, in another mood, are the wild rose and the water-lily.

We now have roses on the land and lilies on the water--both land and water have done their best--now, just after the longest day. Nature says, "You behold the utmost I can do." The red rose, with the intense colour of many suns concentrated, spreads its tender petals perfectly fair, its flower not to be overlooked, modest yet queenly, on the edges of shady copses and meadows.... And the water-lily floats on the smooth surface of slow waters, amid rounded shields of leaves, bucklers, red beneath, which simulate a green field, perfuming the air. The highest, intensest colour belongs to the land; the purest, perchance, to the water.

It was not Thoreau's practice to pluck many flowers; he preferred, as a rule, to leave them where they were; but he speaks of the fitness of having "in a vase of water on your table the wildflowers of the season which are just blossoming": thus in mid-June he brings home some rosebuds ready to expand, "and the next morning they open and fill my chamber with fragrance." At another time the grateful thought of the calamint's scent suffices him: "I need not smell it; it is a balm to my mind to remember its fragrance."

It was characteristic of Thoreau that he loved to renew his outdoor pleasures in remembrance, by pondering over the beautiful things he had witnessed, whether through sight or sound or scent. His mountain excursions were not fully apprehended by him, until he had afterwards meditated on them. "It is after we get home," he says, "that we really go over the mountain, if ever. What did the mountain say? What did the mountain do?" So it was with his flowers: even in the long winter evenings they were still his companions and friends.

I have remembered, when the winter came, High in my chamber in the frosty nights,

* * * * *

How, in the shimmering noon of summer past, Some unrecorded beam slanted across The upland pastures where the johnswort grew.

On a January date we find him writing in his _Journal_: "Perhaps what most moves us in winter is some reminiscence of far-off summer. How we leap by the side of the open brooks! What life, what society! The cold is merely superficial; it is summer still at the core." Thus, by memory, his winters were turned into summers, and his flower-seasons were continuous.

XIX

FELONS AND OUTLAWS

The poisoning henbane, and the mandrake dread.

DRAYTON.

THAT there are felonious as well as philanthropic flowers, plants that are actively malignant in their relation to mankind, has always been a popular belief. The upas-tree, for example, has given rise to many gruesome stories; and the mandrake, fabled to shriek when torn from the ground, has played a frequent part in poetry and legend; not to mention the host of noxious weeds, the "plants at whose names the verse feels loath," as Shelley has it:

And thistles, and nettles, and darnels rank, And the dock, and henbane, and hemlock dank.

The felons, however, of whom I would now speak are not the plants that seem merely foul and repulsive, such as the docks and nettles, the broom-rapes, toothworts, and similar ill-looking parasites, but rather the bold bad outlaws and highwaymen, the "gentlemen of the road," who, however deleterious to human welfare, have a sinister beauty and distinction of their own, and are thus able to fascinate us. Prominent among these is the clan of the nightshades, to which the mandrake itself belongs, and which has several well-known representatives among British flowers; above all, the deadly nightshade, or dwale, as it is better named, to distinguish it from smaller relatives that are wrongly described as "the deadly." So poisonous is the dwale that Gerarde three centuries ago exhorted his readers to "banish these pernicious plants out of your gardens, and all places near to your houses, where children do resort;" and modern writers tell us that the plant is "fortunately" of rare occurrence. But threatened plants, like threatened men, live long; and the dwale, though very local, may still be found in some abundance: there are woods where it grows even in profusion, and, _pace_ Gerarde, rejoices the heart of the flower-lover, for in truth it has a strange and ominous charm, this massive grave-looking plant with the large oval leaves, heavy sombre purple blossoms, and big black "wolf-cherries."[16]

[Footnote 16: Rabbits eat the leaves without harm to themselves, but their flesh becomes injurious to human beings. A case of poisoning of this sort was lately reported from Oxted.]

Next to the dwale in the nightshade family must rank the henbane, a fallen angel among wildflowers; for its beauty is of the sickly and fetid kind, which at once attracts and repels. It is curious that in the lines from Shelley's "Sensitive Plant" the epithet "dank" should be given to the hemlock, to which it is quite unsuited, rather than to the henbane, where its appropriateness could not be questioned; for the stalk, leaves, and flowers of the henbane are alike clammy to the touch. Presumably this uncertain and sporadic herb has become rarer of late years; for whereas it is frequently stated in books to be "common in waste places," one may visit hundreds of waste places without a glimpse of it. In the _Flora of the Lake District_ (1885) Arnside is given as one of its localities; but I was told by a resident that he had only once seen it there, and then it had sprung up in his garden.

It is in similar places that the thorn-apple, another cousin to the nightshade, is apt to make its un-invited appearance; less a felon, perhaps, than a sturdy rogue and vagabond among flowers of ill repute. A year or two ago, I was told by the holder of an allotment-garden that a great number of thorn-apples were springing up in his ground; and knowing my interest in flowers he sent me a small basketful of the young plants, which, rather to my neighbours' surprise, I set out in a row, like lettuces, in a corner of my back-yard. There they flourished well, and in due course made a fine show with their trumpet-shaped white flowers and the big thorny capsules whence the plant takes its name. It is not a bad-looking fellow, but awkward and hulking, and quite devoid of the sickly grace of the henbane or of the bodeful gloom of the dwale.

Passing now to the handsome but acrid tribe of the _ranunculi_, and omitting the poisonous but interesting baneberry, of which I have already spoken, we come to two formidable plants, the hellebore and the monk's-hood, which have been famous from earliest times for their dangerous propensities. The green hellebore, though in Westmorland named "felon grass," is a less felonious-looking flower than its close kinsman the fetid hellebore, whose general appearance, owing to the crude pale green of its purple-tipped sepals, and the reluctance of its globe-like buds to expand themselves fully, is one of insalubrity and unripeness. But it is a plant of distinction, some two or three feet in height; and as it flowers before the winter is well past, it can hardly fail to arrest attention in the few places where it is to be found: in Arundel Park, in Sussex, it may be seen growing in close conjunction with the deadly nightshade--a noteworthy pair of desperadoes.

The other malefactor of the ranunculus family is the aconite, or monk's-hood, a poisonous but very picturesque flower with deep blue blossoms, which takes its name from the hood-like appearance of the upper sepal. "It beareth," Gerarde tells us, "very fair and goodly blew floures in shape like an helmet, which are so beautiful that a man would thinke they were of some excellent vertue." A traitor, a masked bandit it is, of such evil reputation that, according to Pliny, it kills man, "unless it can find in him something else to kill," some disease, to wit; and thus it holds its place in the pharmacopoeia.

The umbellifers include a number of outlaws such as the water-dropworts and cowbane; but among the dangerous members of the tribe there is only one that attains to real greatness, and that of course is the hemlock, a poisoner of old-established renown, as witness the death of Socrates. "Root of hemlock digg'd i' the dark" is one of the ingredients in the witches' cauldron in _Macbeth_, and the hemlock's name has always been one to conjure with, which may account for the fact that several kindred, but less eminent plants unlawfully aspire to it, and are erroneously thus classed. But the true hemlock is unmistakable: the stout bloodspotted stem distinguishes it from the lesser crew; its finely cut fernlike leaves are exceedingly beautiful; and it is of stately habit--I have seen it growing to the height of nine feet, or more, in places where the surrounding brushwood had to be overtopped.

Let us give their due, then, to these outlaws of whom I have spoken, these Robin Hoods of the floral world. Bandits and highwaymen they may be; but after all, our woods and waysides would be much duller if they were banished.

XX

SOME MARSH-DWELLERS

Here are cool mosses deep.

TENNYSON.

WHAT Thoreau wrote of his Massachusetts swamps is hardly less true of ours; a marsh is everywhere a great allurement for botanists. By a road which crosses a certain Sussex Common there is a church, and close behind the church a narrow swampy piece of ground known as "the great bog," which has all the appearance of being waste and valueless; yet whenever I visit the place I think of Thoreau's words: "_My_ temple is the swamp." For that bog, ignored or despised by the dwellers round the Common, except when a horse or a cow gets stuck in it and has to be hauled out with ropes, is sacred ground to the flower-lover, as being the home not only of a number of characteristic plants--lesser skull-cap, sun-dew, bog-bean, bog-asphodel, marsh St. John's-wort, and the scarcer species of marsh bedstraw--but of one of our rarest and most beautiful gentians, the Calathian violet, known and esteemed by the old herbalists as the "marsh-felwort."

The attention of anyone whose thoughts are attuned to flowers must at once be arrested by the colouring of this splendid plant, for its large funnel-shaped blossoms are of the rich gentian blue, striped with green bands, and as it grows not in the bog itself, but on the close-adjoining banks of heather, it is easily accessible. Yet fortunately, in the locality of which I am speaking, it seems to be untouched by those who cross the Common. On the afternoon in early September when I first found the place, a number of children were blackberrying there, and I dreaded every moment to see them turn aside to pick a bunch of the gentians, which doubtless would soon have been thrown aside to wither, as is the fate of so many spring flowers; but though the blue petals were conspicuous in the heather they were left entirely unmolested. For this merciful abstinence there were probably two reasons: one that the flower-picking habit is exhausted before the autumn; the other that the gentians, however beautiful, are not among the recognized favourites--daffodils, primroses, violets, forget-me-nots, and the like--that by long custom have taken hold of the imagination of childhood. Had it been otherwise, this rare little annual could hardly have survived so long.

In botanical usage there seems to be no difference between the terms "marsh" and "bog," nor need we, I think, follow the rather strained distinction drawn by Anne Pratt, a writer who, though belonging to a somewhat wordy and sentimental school, and indulging in a good deal of what might be called "Anne-prattle," had so real a love of her subject that her best book, _Haunts of the Wild Flowers_, affords very agreeable reading. "The distinction between a bog and a marsh," she says, "is simply that the latter is more wet, and that the foot sinks in; while on a bog the soft soil, though it yields to the pressure of the foot, rises again." The definition itself seems hardly to be based on _terra firma_; but we can fully agree with the writer's conclusion that, at the worst, an adventurous botanist "is often rewarded for the temporary chill by the beauty of the plant which he has gathered." That is a consolation which I have not seldom enjoyed.

But a pleasanter name, in my opinion, than either "marsh" or "bog," is one which is common in the Lake District, and in the northern counties generally, viz. "a moss." It sounds cool and comforting. I recall an occasion when, in the course of a visit to the Newton Regny moss, near Penrith, "the foot sank in," and a good deal more than the foot; but the acquaintance then made for the first time with that giant of the _ranunculus_ order, the great spearwort, was sufficient recompense, for who would complain of a wetting when he met with a buttercup four feet in stature?

It so happened, however, that the plant in whose quest I had ventured on the precarious surface of the Newton Regny moss--the great bladderwort--was not to be found on that occasion, though it is reported to make a fine show there in August; possibly, in an early season, it had already finished its flowering, and had sunk, after the inconsiderate manner of its tribe, to the bottom of the pools. Nor did I see its rarer sister, the lesser bladderwort; with whom indeed I have only once had the pleasure of meeting, and that was in a rather awkward place, a deep pond lying close below a railway-bank, and overlooked by the windows of the passing trains, so that I not only had to swim for a flower, but to consult a time-table before swimming, in order to avoid having a "gallery" at the moment when seclusion was desired.

Our North-country "mosses" are indeed temples to the flower-lover, by virtue both of the rarer species that inhabit them, and of the unbroken succession of beautiful plants that they maintain, from the rich gold of the globe-flower in early summer to the exquisite purity of the grass of Parnassus in autumn. Among these bog-plants there is one which to me is very fascinating, though writers are often content to describe its strange purple blossoms as "dingy"--I allude to that wilder relative of the wild strawberry, the marsh-cinquefoil, which, though rather local, is in habit decidedly gregarious. For several years it had eluded me in a Carnarvonshire valley; until one day, wandering by the riverside, I came upon a swampy expanse where it was growing in hundreds, remarkable both for the deep rusty hue of its petals, and for the large strawberry-like fruit that was just beginning to form.

Apart from the more extensive "mosses," the lower slopes of the mountains, both in Cumberland and Wales, are often rich in flowers unsuspected by the wayfarer, who, keeping to some upland track, sees nothing on either side but bare peaty moors that appear to be entirely barren. And barren in many cases they are. You may wander for miles and not see a flower; then suddenly perhaps, on rounding a rock, you will find yourself in one of these natural gardens in the wilderness, where the ground is pink with red rattle growing so thickly as to hide the grass; or white with spotted orchis, handsomer and in greater abundance than is dreamed of in the south; or, a still more glorious sight, tinged over large spaces with the yellow of the bog-asphodel, a plant which is beautiful in its fruit as well as its flower, for when the blossoms are passed the dry wiry stems turn to deep orange. Sun-dews are everywhere; the quaint and affable butterwort is plastered over the wet rocks; and the marsh St. John's-wort, so unlike the rest of its family that the relationship is not always recognized, is frequent in the spongy pools.

Here and there, a small patch of pink on the grey heath, will be seen the delicate bog-pimpernel, which might take rank as the fairest flower of the marsh, were it not that the diminutive ivy-leaved campanula is also trailing its fairy-like form through the wet grasses, among which it might wholly escape notice unless search were made for it. To realize the perfection of its beauty--the exquisite structure of its small green leaves, slender thread-like stems, and bells of palest blue--you must go down on your knees to examine it, however damp the ground; a fitting act of homage to one of the loveliest of Flora's children.