Chapter 8

He didn't want to be safe, to decline softly to a soft old age, a death smothered in feathers. More than anything else his desire was to live intensely, to ride, upright, the crest of a thunderous wave. He hated, now, every phase of a decent suburban smugness. Someone else was welcome to the girl designated, by his mother, to be his wife. Someone other than himself might sit across the dinner-table from her, week after week, month after month, year after year, and watch her stereotyped face beyond the cut flowers; another might listen to the interminable gabble about servants and neighbors and dresses and cards. The children would be differently, more appropriately, fathered; his, Charles Abbott's, potential children were gathered into an ideal that was, too, an idea. It must be served, realized, within the dimensions of his own bone and fibre; it was exclusively his, his the danger, the penalty and the reward. Charles would not have had it different, even if, although none existed, he had any choice.

He must, however, prepare himself against the betrayal he was able to trace so clearly in others; there could be no faltering, no remorse; he was cut off from the ordinary solaces, the comfortable compactness, of general living. But, already, temperamentally, he liked, preferred, this; alone, never for a minute was he lonely. The inattention to home, primarily the result of a new scene and of exciting circumstances, had grown into an impersonal fondness for his family; he failed to miss them, to wish for their presence. The only element that remained from the past was his love for Andrés Escobar; he confronted it valorously, deposed it from his mind, but it clung around his heart. How fortunate it was that Andrés could not detach him from his resolve; it was unthinkable that one should stand in the way of the other.

These reflections occupied his mind at various times and places: one day in the American Consulate on Obispo Street; again at the steamship office on Mercaderes; over his cigarette and cheese and jelly at the Noble Havana; strolling along Ricla Street where the principal shops were congregated; at a dinner party in the Palace of the Conde de Santovernia. He was aloof. All the activity that absorbed the people among whom he went was to him trivial, utterly of no consequence. Sometimes he would walk through the stalls of the Mercado de Cristina, on the Plaza Vieja, or in through the Honradez factory on Sol Street, where a handful of cigars was courteously given to any appreciative visitor. He would return along the Paseo de Valdez to the park where he had sat when he was first in Cuba, and, as then, the strains of the military band of the Cabañas drifted across the bay.

The dwelling of the Captain-General, with the Royal Lottery on the ground floor, had before it sentries in red and white; the Quay de Caballeria, reached through the Plaza of San Francisco, was tempered and pleasant in the early dusk, and at the Quay de Machina was a small garden with grotesque rosy flamingoes and gold-fish in the fountain. He sat, as well, lonely, considering and content, in the Alameda de Paula, where, by the glorieta, it was called the Salon O'Donnell. The moats, filled with earth, truck gardens, the shore covered with sugar pans, engaged his absent-minded interest. With the improvement of his Spanish, he deserted the better known cafés and restaurants, the insolence of the Castilian officers, for modest Cuban places of food, where he drank Catalan wine, and smoked the Vegueros, the rough excellent plantation cigars.

This new mood, he was relieved to find, gave his acquaintances as much amusement as his public dissipation--it was ascribed to the predicted collapse of his love affair with La Clavel. She was, he was rallied, growing tired of his attentions; and, in the United States Club, he was requested not to drown himself, because of the trouble it would cause his country. Captain Santacilla, however, studied him with a growing ill-humor; his peculiar threats and small brutalities had stopped, but his temper, Charles recognized, was becoming dangerous. He declared frankly, in the Café Dominica, that Charles wasn't the fool he appeared, and he repeated his assertions of the need for a deportation or worse.

This was a condition which, sooner or later, must be met, and for which Charles prepared himself. Both Cubans and Spaniards occasionally disappeared forever--the former summarily shot by a file of muskets in a fosse, and the latter, straying in the anonymous paths of dissipation, quieted by a patriotic or vindictive knife. This, it seemed to Charles Abbott, would be the wisest plan with Santacilla; and he had another strange view of himself considering and plotting a murder. The officer, who had an extraordinary sense of intangible surrounding feelings and pressures, spoke again to Charles of the efforts to dispose of him.

"The man doesn't draw breath who will do it," he proclaimed to Charles, at the entrance to the Valla de Gallo. "It's a superstition, but I'd back it with my last onza of gold. I've seen it in you very lately, but give it up. Or don't give it up. Either way you are unimportant. I can't understand why you are still here, why I permit you to live. If I remember it I'll speak to my sergeant, Javier Gua: he performs such an errand to a nicety. I have taken a dislike to you, very unreasonably, for you are no more than a camarone. I believe, for all your appearance of money, that La Clavel supports you; it is her doblons, I am certain, you gamble away and spend for food."

Charles Abbott smiled at the insult:

"On one hand I hear that she has thrown me over and then you say that she supports me. Which, I wonder, is to be preferred? But neither, fortunately, is true. I can still buy her a bouquet of camellias and she will still wear it. As for the money, I never lose at gambling, Santacilla, I am always successful; the cards are in my favor. If I bet on the black, it turns up; and when I choose the red, affairs are red."

Santacilla's uneasy eyes shifted over him suspiciously. "Blood and death, that is what black and red are," he said. "But you are not the dispenser of fate." The peak of his cockaded hat threw a shadow over his sanguine face to the chin. "A camarone," he repeated, "a stalk of celery. Gua, and I'll remember to tell him, will part you from your conceit." There was a metallic crowing of roosters as the officer turned away.

* * * * *

La Clavel noticed a marked difference in Charles, but proclaimed that it was no more than an increase in his natural propensity for high-mindedness. It fatigued her, she declared, to be with him, made her dizzy to gaze up at his altitude of mind. He was seated in her room, the hairdresser was sweating in the attempt to produce an effect she was describing to him with phrases as stinging as the whip of foils, while Charles watched her with a degree of annoyance. Her humors, where he was concerned, were unpredictable; and lately she had found a special delight in attacks on his dignity. She said and did things--an air of innocence hiding her malice--indecently ribald that shook his firmest efforts to appear, to be, unconcerned.

At last, in a volatile rage, she dismissed the servant with his tongs and pomatum and crimping leads, and swore to Charles Abbott that she was going to the Argentine by the first boat that offered passage.

"I am sick of Cuba, and I've forgotten that I am an artist, and that is bad. You are wrapped up in this liberty, and that is very well for you, an ordinary person. You must have something like that, outside you, to follow, for you've very little within. But me, I am not an ordinary person; I am La Clavel. I am more valuable to the world than pumpkins or republics. I stamp my heel," she stamped her heel, a clear sharp sound, and her body swept into a line passionate and tense, "and I create a people, a history." La Clavel secured the castanets lying on her dressing-table--in answer to their irritable rhythmic clinking she projected, for an instant, a vision of all desire.

"I can make men forget; I can draw them out of their sorrows and away from their homes; I can put fever in their blood that will blind them to memories and duty. Or I can be a drum, and lead them out, without a regret, a fear, to death. That is more than a naranjada or a cigar or an election. And, because of what I have given you, I have put that out of my life; I have been living like the mistress of a bodega. To be clear, Charles, I am tired of you and Cuba, and I have satisfied my hatred of the officers with cologne on their handkerchiefs."

"I understand that perfectly," Charles Abbott assured her; "and I cannot beg you to stay. Whatever your motive was, your value to us has been beyond any payment. If our movement had a saint, you would fill that place."

She laughed, "A strange saint in a mantón and slippers with painted heels."

"Much better," Charles replied, "than many of those in sanctified robes. I had the feeling, too," he proceeded, "that our usefulness together was coming to an end." It seemed to him that again she had become the glorified figure of the stage, his dislike for her actuality, her flesh, vanished, leaving only profound admiration.

"I am amazed," she said, in a lingering half humorous resentment, "that you never loved me, I never brought you a regret or a longing or made any trouble in your heart."

"That was because I put you so high," he explained. She raised her shoulders and objected that it was late for compliments.

"Be honest--you didn't care for me. You ought to be very successful, you have things surprising in the so young. Will you," she demanded suddenly, totally changing the subject, "be my maid?" He hastened to inform her, vehemently, that he would not. "Jobaba hasn't come today," La Clavel continued; "and she wasn't here to dress me for dinner last evening. That is unusual in her: I have a feeling she is not coming back."

"Perhaps she has been murdered in one of the brujos cabildos," Charles suggested. "It is impossible to say where that frenzy stops." A happening quite different, the dancer told him, was in her mind.

"I could never get into the thoughts of Jobaba," she admitted. "And there is very little I miss. I suppose it's the negro. She is like cream, smooth and beautiful to look at, but turned by thunder." If she were going away, Charles reminded her, there were a number of things to be discussed and closed. And she told Charles how a Cuban, ostensibly attached to the national party, but in reality a Spanish secret agent, had been sent into Camagüey. His name was Rimblas.

Charles Abbott repeated that, and memorized such characteristics as La Clavel knew. There was an indefinite stir at the door, a short knock, and he moved to the window as Santacilla entered unceremoniously.

The Spaniard was a model of politeness, of consideration, and he listened, seated with his hands folded about the head of his officer's cane, to La Clavel's determination to go to South America. It was an excellent plan, he agreed; they would welcome her rapturously in Buenos Aires; but hadn't she put off her intention a little too long? It was on account of the climate, the season, he hastened to add. Although, of course, they would open the opera house for her, the smart world would come in from their estancias.

"But what will our young American do?" he demanded. "How will he live without his delight? But perhaps he is going to the Argentine with you. He will have a busy time, and a hatful of challenges there, where beauty is appreciated to the full."

Charles said, with an appearance of sullenness, that he hadn't been invited to go farther south; and Santacilla replied that, as a matter of fact, it might be necessary for him to remain, perhaps forever, in Havana. He spoke cheerfully, gazing amiably upon them, but a vague quality of his bearing, his voice, was disturbing, mocking. His words had the air of an underlying meaning different from their sound. An uneasiness, as well, was communicated to La Clavel: she watched Santacilla with an indirect puzzled gaze.

"Jobaba has gone," she announced abruptly.

The trace of a smile hovered about the officer's expression of regret. "A personable clip of hell," was his opinion of the strayed maid. "Do you remember the major who composed music?" he addressed La Clavel. "Well, he was always a little touched in the brain, and he caught this negro hysteria, he became a brujos. He'd come home in the morning with his body marked in yellow chalk, and wrung out like a boatman's sponge; and he let drop a fact or two about your Jobaba screaming to an African drum rubbed with the fingers. In that state, he said, a great deal that was curious and valuable could be dragged from her. We encouraged his madness, at the Cabañas, for what it brought us. But it was unfortunate for him--he ties bright rags about his ankles and mumbles, when he thinks he is alone."

Charles Abbott's mind, sifting all that the other said, was abnormally active, sharp. Something, he couldn't quite grasp what, was acutely, threateningly, wrong. He had a sense of impending danger, a premonition of dashing sound, of discord. And, whatever developed, he must meet it, subdue and conquer it. Ceaza y Santacilla, he saw, was not visibly armed; but, probably, he would carry a small pistol. The one his father had given him was in Charles' pocket. The difficulty was that, in the event of a disturbance, no matter what the outcome here might happen to be, the dancer and he would bear the weight of any Spanish fury. And it was no part of his intention to be cut in half by bullets behind a fortress wall.

He could only delay, discover as soon as possible what was behind Santacilla's deceiving patience and good humor. Upon that he would have to act without hesitation and with no chance of failure. The regiment should, the dancer complained, send her maid back to her. Manners were very much corrupted beyond the western ocean--in Sevilla the servant would have been dispatched in a bullock cart deep in roses. That, he answered, reminded him of another procession, a different cart; but it was more French than Castilian--the tumbril.

He was seated against a wall at a right angle from the door, and Charles left the vicinity of the window, lounging across the room. La Clavel said, "I know you so well, Ceaza, what is it; what is it you are saying and saying without speaking of? Your mind is like a locked metal box that shows only the flashes on the surface. But you must open it for us. It seems as though you were threatening me, and that, you best should realize, is useless."

His flickering eyes rested first on her and then upon Charles Abbott. "You will never get to South America now," he asserted; "for you are a conspirator against your King. Since you have shown such a love of Cuban soil you are to become a part of it forever."

* * * * *

Charles Abbott, now standing by the door, shot in the bolt which secured it, and, by a fortunate, a chance, twist, broke off the handle. Santacilla, undisturbed, remained seated, smiling while his fingers played with the plaited loop of his cane.

"This infatuation," he indicated them with a wave, "while it convinced Havana, never entirely satisfied me. I have been watching you, Jobaba has been listening, for days. You were very cunning, but, in the end, you failed; you were neither skilful nor patient enough. Yet, at the last, all that you heard were fairy tales--the spy that was sent to Camagüey, ha!"

La Clavel faced him calmly, but, Charles saw, she was pale. He was revolving a hundred impractical schemes: they had only one end, the death of Santacilla, but how that was to be brought about with safety to Cuba evaded him.

"I am not a traitor in the way you mean," she declared; "what your conceit never allowed you to note was that, in Spain and here, I have always detested you; and what I did was the result of that. I struck at you and not at our country, for the court and church and army are no longer our strength--if we still have any except the knife and cord--but our weakness."

"Fools," he asserted, unmoved.

"And now you are the fool," she added.

"No, you are wrong; I am only enjoying myself before the show is over. I wanted to see you, and your young devotee, twist and turn before the fact of death. I have killed, and seen executed, a number of people, men and women; but I was still curious--a great dancer and a rich young American. That is an unusual day."

It was best, Charles Abbott decided, to bring about as much as possible with no more delay; the prime necessary act accomplished, they could face the problems of the immediate future steadily. He quietly produced his pistol and levelled it. The dry click which alone followed the pulling of the trigger made the officer aware of the attempt upon his life. A dark angry surge invaded his face, and then receded. "No man will ever kill me," he repeated. "It is my star." A hand left the cane and produced a small gold whistle.

Charles stared dully at the useless weapon, with its mounting of mother-of-pearl, which he still held.

"The cartridges have been too long in their barrels," Santacilla explained; "they have dried and shifted. You should have greased them every week."

La Clavel stood, lost in thought, like a woman in a dream. Her hair, over which she had spent such time and curses, was an elaborate silhouette against the light. "Ceaza, Ceaza," she implored, going to him, "you must let me go and dance in Buenos Aires, they have never seen me there, it is necessary to my career." She was close beside him, when he rose suddenly, pushing the chair between them.

"You Andalusian devil!" he cried, and put the whistle to his lips. Before he could blow, the dancer had flung herself on him, with an arm bound about his neck, a hand dragging at his throat. The whistle fell, the chair was brushed aside, and the man and woman, in a straining desperate grip, swayed into the middle of the floor.

Charles, driven by an inherited instinct to protect La Clavel, to replace her in such a struggle, caught at either of the locked shoulders; but, whirling in the passion of their strife, they struck him aside. He made another effort to pull Santacilla to the floor, without success; and then, with a small stout chair in his hands, he waited for an opportunity to bring it crashing on the officer's head. He was appalled by the fury of the woman silently trying to choke her enemy; her other hand, grasping the thin glimmer of the knife always convenient in her stocking, the officer held away from them. Her years of dancing, her early hardening life in the mountains, had given her a strength and litheness now tearing at the weight, the masculinity, of Santacilla. He was trying, in vain, to break her wrist, to close his fingers into her throat; and, bending, the fragility of her clothes ripped across her sinuous back. Shifting and evading the thrust of his power, she was sending the blood in purple waves over his neck and thick cheeks. Neither of them cried out, spoke; there was only the sound of hoarse breathing, inarticulate expressions of unendurable strain. Charles Abbott, raising, holding poised, the chair, and lowering it, was choked with the grappling horror before him.

La Clavel's face was as blanched as the officer's was dark, her eyes were wide-open and set, as though she were in a galvanic trance. Again and again Santacilla tried to tear away her arms, to release himself from the constriction at his neck. His fingers dug red furrows through her flesh, they tormented and outraged her. A palm closed upon her countenance, and blood ran from under it. But there was no weakening of her force, no slackening in her superb body. She seemed curiously impersonal; robbed of all traits of women; she was like a symbolical fate, the figure from a shield, from an emblem, dragging him to death.

Then, suddenly, in an inadequate muffled voice burdened with a shuddering echo of fear, he cried for her to release him. It was so unexpected, he became so inexplicably limp, that La Clavel backed away instinctively. Charles started forward, the chair lifted high; but he was stopped by the expression, the color, of Ceazy Santacilla's face. The officer turned, with his hands at his throat, toward the window. He took an uncertain step, and then stood wavering, strangely helpless, pathetically stricken.

"The air," he whispered; "hot as wine." He pitched abruptly face forward upon the floor.

La Clavel tried to speak against the labored heaving of her breast, but what she attempted to say was unintelligible. Charles, slipping back the broken bolt with a finger in its orifice, listened intently at the door. The Hotel St. Louis was wrapped undisturbed in its siesta; no alarm had been created. Santacilla lay as he had fallen, an arm loosely outspread, a leg doubled unnaturally under its fellow. He bore the laxness, the emptiness, of death. He had spoken truly that it wasn't in his star to be killed by a man. Finding that he was still holding the chair, Charles put it softly down. "Well," he said, "the revolution is through with him."

He glanced suddenly at La Clavel. She was drooping, disheveled and hideous; her hair lay on her bare shoulders in coarse strands; her face was swollen with bruises. Now, he realized, she would never see the Argentine; she would never again hear the shouted olés that greeted, rewarded, the brilliancy of her jota. His thoughts shifted to Cuba and himself--if it were a crime of passion that had been committed in her room, the cause, there, would be freed from suspicion. He had, as customary, come directly, unostentatiously, to her room, and he was certain that he had not been observed. A duty, hard in the extreme, was before him.

"Why did you bring about Santacilla's death?" he demanded. She gazed at him dully, uncomprehendingly. "It was because he was jealous," he proceeded; "you must hold to that." She nodded, dazed. "When they come into the room and find him you must show what he did to you. And, after all, you didn't kill him. Perhaps that will save you," his voice was without conviction. "They won't believe you, and they may try measures to get at the truth; but you will be faithful. You will keep your secret, and--and I must go. I shall ask for you downstairs, make them send up a servant, and shout as loudly as any."

She held up her battered countenance dumbly and, with a feeling of transcendent reverence, he kissed her cut lips. Thrown across the end of the bed, the shawl she had danced in, blazing with gay color, cast the reflection of its carmines and yellows on the calcimined wall. It was like a burst of the music which accompanied her dancing. The castanets lay on the floor. The blessed saint of Cuban independence! Then the caution that had become a part of his necessity rode uppermost: he proceeded silently to the door, and, closing it behind him, went, meeting no one, to the ground floor, where he pulled irritably at the wire hanging from a bell under the ceiling. The raw jangle brought a servant, a rosy-cheeked Gallego boy, heavy with sleep, who went stumbling up the stairs on Charles' errand.

* * * * *