Part 7

She wrote and spoke French very well, although an Italian; and even to persons of her own nation she usually spoke it, so much did she honour France and its language; taking pains to exhibit its fine speech to foreigners, grandees, and ambassadors, who came to visit her after seeing the king. She always answered them very pertinently, with great grace and majesty; as I have also seen and heard her do to the courts of parliament, both publicly and privately; often controlling the latter finely when they rambled in talk or were over-cautious, or would not comply with the edicts made in her privy council and the ordinances issued by the king and herself. You may be sure she spoke as a queen and made herself feared as one. I saw her once at Bordeaux when she took her daughter Marguerite to her husband, the King of Navarre. She had commanded that court of parliament to come and be spoken to,--they not being willing to abolish a certain brotherhood, by them invented and maintained, which she was determined to break up, foreseeing that it would bring some results in the end which might be prejudicial to the State. They came to meet her in the garden of the Bishop’s house, where she was walking one Sunday morning. One among them spoke for all, and gave her to understand the fruitfulness of this brotherhood and the utility it was to the public. She, without being prepared, replied so well and with such apt words, and apparent and appropriate reasons to show it was ill-founded and odious, that there was no one present who did not admire the mind of the queen and remain confused and astonished when, as her last word, she said: “No, I will, and the king my son wills that it be exterminated, and never heard of again, for secret reasons that I shall not tell you, besides those that I have told you; and if not, I will make you feel what it is to disobey the king and me.” So each and all went away and nothing more was said of it.

She did these turns very often to the princes and the greatest people, when they had done some great wrong and made her so angry that she took her haughty air,--no one on earth being so superb and stately as she, when needful, sparing no truths to any one. I have seen the late M. de Savoie, who was intimate with the emperor, the King of Spain, and so many grandees, fear and respect her more than if she had been his mother, and M. de Lorraine the same,--in short, all the great people of Christendom; I could give many examples; but another time, in due course, I will tell them; just now it suffices to say what I have said.

Among other perfections she was a good Christian and very devout; always making her Easters, and never failing any day to attend divine service at mass and vespers; which she rendered very agreeable to pious persons, by the good singers of her chapel,--she being careful to collect the most exquisite; also she herself loved music by nature, and often gave pleasure with it in her apartment, which was never closed to virtuous ladies and honourable men, she seeing all and every one, not restricting it as they do in Spain, and also in her own land of Italy; nor yet as our later queens, Isabella of Austria and Louise of Lorraine, have done; but saying, like King François, her father-in-law (whom she greatly honoured, he having set her up and made her free), that she wished to keep her Court as a good Frenchwoman, and as the king, her husband, would have wished; so that her apartments were the pleasure of the Court.

She had, ordinarily, very beautiful and virtuous maids of honour, who conversed with us daily in her antechamber, discoursing and chatting so wisely and modestly that none of us would have dared to do otherwise; for the gentlemen who failed in this were banished and threatened, and in fear of worse until she pardoned and forgave them, she being kind in herself and very ready to do so.

In short, her company and her Court were a true paradise in the world, and a school of all virtue and honour, the ornament of France, as the foreigners who came there knew well and said; for they were all most politely received, and her ladies and maids of honour were commanded to adorn themselves at their coming like goddesses, and to entertain these visitors, not amusing themselves elsewhere; otherwise she taunted them well and reprimanded them.

In fact, her Court was such that when she died the voices of all declared that the Court was no longer a Court, and that never again would France have a true queen-mother. What a Court it was! such as, I believe, no Emperor of Rome in the olden time ever held for ladies, nor any of our Kings of France. Though it is true that the great Emperor Charlemagne, King of France, during his lifetime took great pleasure in making and maintaining a grand and full Court of peers, dukes, counts, palatines, barons, and knights of France; also of ladies, their wives and daughters, with others of all countries, to pay court and honour (as the old romances of that day have said) to the empress and queen, and to see the fine jousts, tournaments, and magnificences done there by knights-errant coming from all parts. But what of that? These fine, grand assemblies came together not oftener than three or four times a year; at the end of each fête they departed and retired to their houses and estates until the next time. Besides, some have said that in his old age Charlemagne was much given over to women, though always of good company; and that Louis le Debonnaire, on ascending the throne, was obliged to banish his sisters to other places for the scandal of their lives with men; and also that he drove from Court a number of ladies who belonged to the joyous band. Charlemagne’s Courts were never of long duration (I speak now of his great years), for he amused himself in those days with war, according to our old romances, and in his last years his Court was too dissolute, as I have already said. But the Court of our King Henri II and the queen his wife, was held daily, whether in war or peace, and whether it resided in one place or another for months, or went to other castles and pleasure-houses of our kings, who are not lacking in them, having more than the kings of other countries.

This large and noble company, keeping always together, at least the greater part of them, came and went with its queen, so that usually her Court was filled by at least three hundred ladies and damoiselles. The intendants of the king’s houses and the quartermasters affirmed that they occupied fully one-half of the rooms, as I myself have seen during the thirty-three years I lived at Court, except when at war or in foreign parts. Having returned, I was always there; for the sojourn was to me most agreeable, not seeing elsewhere anything finer; in fact I think, since the world was, nothing has ever been seen like it; and as the noble names of these beautiful ladies who assisted our queen in adorning her Court should not be overlooked, I place them here, according as I remember them from the end of the queen’s married life and throughout her widowhood, for before that time I was too young to know them.

First, I place Mesdames the daughters of France. I place them first because they never lost their rank, and go before all others, so grand and noble is their house, to wit:--

Madame Élisabeth de France, afterwards Queen of Spain.

Madame Claude, afterwards Duchesse de Lorraine.

Madame Marguerite, afterwards Queen of Navarre.

Madame the king’s sister, afterwards Duchesse de Savoie.

The Queen of Scots, afterwards dauphine and Queen of France.

The Queen of Navarre, Jeanne d’Albret.

Madame Catherine, her daughter, to-day called Madame the king’s [Henri IV.] sister.

Madame Diane, natural daughter of the king [Henri II.], afterwards legitimatized, the Duchesse d’Angoulême.

Madame d’Enghien, of the house of Estouteville.

Madame la Princesse de Condé, of the house of Roye.

Madame de Nevers, of the house of Vendôme.

Madame de Guise, of the house of Ferrara.

Madame Diane de Poitiers, Duchesse de Valentinois.

Mesdames d’Aumale and de Bouillon, her daughters.[4]

Need I name more? No, for my memory could not furnish them. There are so many other ladies and maids that I beg them to excuse me if I pass them by with my pen,--not that I do not greatly value and esteem them, but I should dream over them and amuse myself too much. To make an end, I must say that in all this company there was nothing to find fault with in their day; beauty abounded, all majesty, all charm, all grace; happy was he who could touch with love such ladies, and happy those who could that love _escapar_. I swear to you that I have named only those ladies and damoiselles who were beautiful, agreeable, very accomplished, and well sufficient to set fire to the whole world. Indeed, in their best days they burned up a good part of it, as much us gentlemen of the Court as others who approached the flame; to some of whom they were gentle, aimable, favourable, and courteous. I speak of none here, hoping to make good tales about them in this book before I finish it, and of others whose names are not comprised here; but the whole told so discreetly, without scandal, that nothing will be known, for the curtain of silence will cover their names; so that if by chance they should any of them read tales of themselves they will not be annoyed. Besides, though the pleasures of love cannot last forever, by reason of many inconveniences, hindrances, and changes, the memories of the past are always pleasing.

[This refers to “Les Dames Galantes,” and not to the present volume.]

Now, to thoroughly consider how fine a sight was this troupe of beautiful ladies and damoiselles, creatures divine rather than human, we must imagine the entries into Paris and other cities, the sacred and superlative bridals of our kings of France, and their sisters, the daughters of France; such as those of the dauphin, of King Charles, of King Henri III., of the Queen of Spain, of Madame de Lorraine, of the Queen of Navarre, not to speak of many other grand weddings of the princes and princesses, like that of M. de Joyeuse, which would have surpassed them all if the Queen of Navarre had been there. Also we must picture to ourselves the interview at Bayonne, the arrival of the Poles, and an infinite number of other and like magnificences, which I could never finish naming, where I saw these ladies appear, each more beautiful than the rest; some more finely appointed and better dressed than others, because for such festivals, in addition to their great means, the king and queen would give them splendid liveries.

In short, nothing was ever seen finer, more dazzling, dainty, superb; the glory of Niquée never approached it [enchanted palace in “Amadis”]. All this shone in a ballroom of the Tuileries or the Louvre as the stars of heaven in the azure sky. The queen-mother wished and commanded her ladies always to appear in grand and superb apparel, though she herself during her widowhood never clothed herself in worldly silks, unless they were lugubrious, but always properly and so well-fitting that she looked the queen above all else. It is true that on the days of the weddings of her two sons Henri and Charles, she wore gowns of black velvet, wishing, she said, to solemnize the event by so signal an act. While she was married she always dressed very richly and superbly, and looked what she was. And it was fine to see and admire her in the general processions that were made, both in Paris and other cities, such as the Fête Dieu, that of the Rameaux [Palm Sunday], bearing palms and branches with such grace, and on Candlemas Day, when the torches were borne by all the Court, the flames of which contended against their own brilliancy. At these three processions, which are most solemn, we certainly saw nothing but beauty, grace, a noble bearing, a fine gait and splendid apparel, all of which delighted the spectators.

It was fine also to see the queen in her married life going through the country in her litter, being pregnant, or afterwards on horseback attended by forty or fifty ladies and damoiselles mounted on handsome hackneys well caparisoned, and sitting their horses with such good grace that the men could not do better, either in equestrian style or apparel; their hats adorned with plumes which floated in the air as if demanding either love or war. Virgil, who took upon himself to write of the apparel of Queen Dido when she went to the chase, says nothing that approaches the luxury of that of our queen with her ladies, may it not displease her, as I think I have said elsewhere.

This queen (made by the act of the great King François), who introduced this beautiful pageantry, never forgot or let slip anything of the kind she had once learned, but always wanted to imitate or surpass it; I have heard her speak three or four times in my life on this subject. Those who have seen things as I did still feel their souls enchanted like mine, for what I say is true; I know it having seen it.

So there is the Court of our queen. Unhappy was the day when she died! I have heard tell that our present king [Henri IV.], some eighteen months after he saw himself more in hope and prospect of becoming King of France, began one day to discourse with the late M. le Maréchal de Biron, on the plans and projects he would undertake to make his Court prosperous and fine and in all things like that of our said queen, for at that time it was in its greatest lustre and splendour. M. le Maréchal answered: “It is not in your power, nor in that of any king who will ever reign, unless you can manage with God that he shall resuscitate the queen-mother, and bring her round to you.” But that was not what the king wanted, for when she died there was no one whom he hated so much, but without grounds, as I could see, and as he should have known better than I.

How luckless was the day on which such a queen died, at the very point when we had such great necessity for her, and still have!

She died at Blois of sadness caused by the massacre which there took place, and the melancholy tragedy there played, seeing that, without reflection, she had brought the princes to Blois thinking to do well; whereas it was true, as M. le Cardinal de Bourbon said to her: “Alas! madame, you have led us all to butchery without intending it.” That so touched her heart, and also the death of those poor men, that she took to her bed, having previously felt ill, and never rose again.

They say that when the king announced to her the murder of M. de Guise, saying that he was now absolutely king, without equal, or master, she asked him if he had put the affairs of his kingdom in order before striking the blow. To which he answered yes. “God grant it, my son,” she said. Very prudent that she was, she foresaw plainly what would happen to him, and to all the kingdom.[5]

Persons have spoken diversely as to her death, and even as to poison. Possibly it was so, possibly not; but she was held to have died of desperation, and she had reason to do so.

She was placed on her state-bed, as one of her ladies told me, neither more nor less like Queen Anne of whom I have already spoken, clothed in the same royal garments that the said Queen Anne wore, they not having served since her death for any others; and thus she was borne to the church of the castle, with the same pomp and solemnity as Queen Anne, where she lies and rests still. The king wished to take her to Chartres and thence to Saint-Denis, to put her with the king, her husband, in the same tomb which she had caused to be made, built, and constructed, so noble and superb, but the war which came on prevented it.

This is what I can say at this time of this great queen, who has given assuredly such noble grounds to speak worthily of her that this short discourse is not enough for her praise. I know that well; also that the quality of my speech does not suffice, for better speakers than I would be insufficient. At any rate, such as my discourse is, I lay it, in all humility and devotion, at her feet; also I would avoid too great prolixity, for which indeed I feel myself too capable; but I hope I shall not separate from her much, although in my discourses I shall be silent, and only speak of what her noble and incomparable virtues command me, giving me ample matter so to do, I having seen all that I have written of her; and as for what had happened before my time, I heard it from persons most illustrious; and thus I shall do in all my books.

This queen, who was of many kings the mother, Of queens also, belonging here to France, Died when we had most need of her support; For none but she could give us true assistance.

* * * * *

Mézeray [in his “History of France”], who never thinks of the dramatic, nevertheless makes known to us at the start his principal personages; he shows them more especially in action, without detaching them too much from the general sentiment and interests of which they are the leaders and representatives, while, at the same time, he leaves to each his individual physiognomy. The old Connétable de Montmorency, the Guises, Admiral de Coligny, the Chancellor de l’Hôpital define themselves on his pages by their conduct and proceedings even more than by the judgment he awards them. Catherine de’ Medici is painted there in all her dissimulation and her network of artifices, in which she was often caught herself; ambitious of sovereign power without possessing either the force or the genius of it; striving to obtain it by craft, and using for this purpose a continual system of what we should call to-day _see-sawing_; “rousing and elevating for a time one faction, putting to sleep or lowering another; uniting herself sometimes with the feeblest side out of caution, lest the stronger should crush her; sometimes with the stronger from necessity; at times standing neutral when she felt herself strong enough to command both sides, but without intention to extinguish either.” Far from being always too Catholic, there are moments when she seems to lean to the Reformed religion and to wish to grant too much to that party; and this with more sincerity, perhaps, than belonged to her naturally. The Catherine de’ Medici, such as she presents herself and is developed in plain truth on the pages of Mézeray is well calculated to tempt a modern writer. As there is nothing new but that which is old, for often discoveries are nothing more than that which was once known and is forgotten, the day when a modern historian shall take up the Catherine de’ Medici of Mézeray and give her some of the rather forced features which are to the taste of the present day, there will come a great cry of astonishment and admiration, and the critics will register a new discovery.[6]

M. Niel, librarian to the ministry of the Interior, an enlightened amateur of the arts and of history, has been engaged since 1848 in publishing a series of Portraits or “Crayons” of the celebrated personages of the sixteenth century, kings, queens, mistresses of kings, etc., the whole forming already a folio volume. M. Niel has applied himself in this collection to reproduce none but authentic portraits and solely from the original, and he has confined himself to a single form of portraiture, that which was drawn in crayons of divers colours by artists of the sixteenth century. “They designated in those days by the name of ‘crayons,’” he observes, “certain portraits executed on paper in red chalk, in black lead, and in white chalk, shaded and touched in a way to present the effect of painting.” These designs, faithfully reproduced, in which the red tone predominates, are for the most part originally due to unknown artists, who seem to have belonged to the true French lineage of art. They resemble the humble companions and followers of our chroniclers who simply sought in their rapid sketches to catch physiognomies, such as they saw them, with truth and candour; the likeness alone concerned them.

François I. leads the procession with his obscure wives, and one, at least, of his obscure mistresses, the Comtesse de Châteaubriant. Henri II. succeeds him, giving one hand to Catherine de’ Medici, the other to Diane de Poitiers. We are shown a Marie Stuart, young, before and after her widowhood. In general, the men gain most from this rapid reproduction of feature; whereas with the women it needs an effort of the imagination to catch their delicacy and the flower of their beauty. Charles IX. at twelve years of age, and again at eighteen and twenty, is there to the life and caught from nature. Henri IV. is shown to us younger and fresher than as we are wont to see him,--a Henri de Navarre quite novel and before his beard grizzled. His first wife, Marguerite de Valois, is portrayed at her most beauteous age, but so masked by her costume and cramped in her ruff that we need to be aware of her charm to be certain that the doll-like figure had any. Gabrielle d’Estrées, who stands aloof, stiffly imprisoned in her gorgeous clothes, also needs explanation and reflection before she appears what she really was. The testimony of “Notices” aids these portraits; for M. Niel accompanies his personages with remarks made with erudition and an inquiring mind.

One of the brief writings of that period which make known clearly the person and nature of Henri IV. is the Memoir of the first president of Normandy, Claude Groulard, at all times faithful to the king, who has left us a naïve account of his frequent journeys to that prince and the sojourns he made with him. Among many remarks which Groulard has collected from the lips of Henri IV. there is one that paints the king well in his sound good sense, his freedom from rancour, and his knowledge--always practical, never ideal--of human beings. Groulard is relating the approaching marriage of the king with a princess of Florence. When Henri IV. announced it to him the worthy president replied by an erudite comparison with the lance of Achilles, saying that the Florentine house would thus repair the wounds it had given to France in the person of Catherine de’ Medici. “But I ask you,” said Henri IV., speaking thereupon of Catherine and excusing her, “I ask you what a poor woman could do, left by the death of her husband, with five little children on her arms, and two families in France who were thinking to grasp the crown,--ours and the Guises. Was she not compelled to play strange parts to deceive first one and then the other, in order to guard, as she has done, her sons, who have successively reigned through the wise conduct of that shrewd woman? I am surprised that she never did worse.”

SAINTE-BEUVE, _Causeries du Lundi_ (1855).

DISCOURSE III.

MARIE STUART, QUEEN OF SCOTLAND, FORMERLY QUEEN OF OUR FRANCE.

Those who wish to write of this illustrious Queen of Scotland have two very ample subjects: one her life, the other her death; both very ill accompanied by good fortune, as I shall show at certain points in this short Discourse in form of epitome, and not a long history, which I leave to be written by persons more learned and better given to writing than I.

This queen had a father, King James, of worth and valour, and a very good Frenchman; in which he was right. After he was widowed of Madame Magdelaine, daughter of France, he asked King François for some honourable and virtuous princess of his kingdom with whom to re-marry, desiring nothing so much as to continue his alliance with France.