Part 1

THE BLUE SCARAB

BY R. AUSTIN FREEMAN AUTHOR OF “THE SINGING BONE,” ETC.

NEW YORK DODD, MEAD AND COMPANY 1924

Copyright, 1923, By DODD, MEAD AND COMPANY, Inc.

Published, January, 1924 Second Printing, January, 1924

CONTENTS

I. The Blue Scarab II. The Case of the White Foot-Prints III. The New Jersey Sphinx IV. The Touchstone V. A Fisher of Men VI. The Stolen Ingots VII. The Funeral Pyre

THE BLUE SCARAB

I. THE BLUE SCARAB

Medico-legal practice is largely concerned with crimes against the person, the details of which are often sordid, gruesome and unpleasant. Hence the curious and romantic case of the Blue Scarab (though really outside our specialty) came as somewhat of a relief. But to me it is of interest principally as illustrating two of those remarkable gifts which made my friend, Thorndyke, unique as an investigator: his uncanny power of picking out the one essential fact at a glance, and his capacity to produce, when required, inexhaustible stores of unexpected knowledge of the most out-of-the-way subjects.

It was late in the afternoon when Mr. James Blowgrave arrived, by appointment, at our chambers, accompanied by his daughter, a rather strikingly pretty girl of about twenty-two; and when we had mutually introduced ourselves, the consultation began without preamble.

“I didn’t give any details in my letter to you,” said Mr. Blowgrave. “I thought it better not to, for fear you might decline the case. It is really a matter of a robbery, but not quite an ordinary robbery. There are some unusual and rather mysterious features in the case. And as the police hold out very little hope, I have come to ask if you will give me your opinion on the case and perhaps look into it for me. But first I had better tell you how the affair happened.

“The robbery occurred just a fortnight ago, about half-past nine o’clock in the evening. I was sitting in my study with my daughter, looking over some things that I had taken from a small deed-box, when a servant rushed in to tell us that one of the outbuildings was on fire. Now my study opens by a French window on the garden at the back, and, as the outbuilding was in a meadow at the side of the garden, I went out that way, leaving the French window open; but before going I hastily put the things back in the deed-box and locked it.

“The building--which I used partly as a lumber store and partly as a workshop--was well alight and the whole household was already on the spot, the boy working the pump and the two maids carrying the buckets and throwing water on the fire. My daughter and I joined the party and helped to carry the buckets and take out what goods we could reach from the burning building. But it was nearly half an hour before we got the fire completely extinguished, and then my daughter and I went to our rooms to wash and tidy ourselves up. We returned to the study together, and when I had shut the French window my daughter proposed that we should resume our interrupted occupation. Thereupon I took out of my pocket the key of the deed-box and turned to the cabinet on which the box always stood.

“But there was no deed-box there!

“For a moment I thought I must have moved it, and cast my eyes round the room in search of it. But it was nowhere to be seen, and a moment’s reflection reminded me that I had left it in its usual place. The only possible conclusion was that during our absence at the fire, somebody must have come in by the window and taken it. And it looked as if that somebody had deliberately set fire to the outbuilding for the express purpose of luring us all out of the house.”

“That is what the appearances suggest,” Thorndyke agreed. “Is the study window furnished with a blind or curtains?”

“Curtains,” replied Mr. Blowgrave. “But they were not drawn. Any one in the garden could have seen into the room; and the garden is easily accessible to an active person who could climb over a low wall.”

“So far, then,” said Thorndyke, “the robbery might be the work of a casual prowler who had got into the garden and watched you through the window, and assuming that the things you had taken from the box were of value, seized an easy opportunity to make off with them. Were the things of any considerable value?”

“To a thief they were of no value at all. There were a number of share certificates, a lease, one or two agreements, some family photographs and a small box containing an old letter and a scarab. Nothing worth stealing, you see, for the certificates were made out in my name and were therefore unnegotiable.”

“And the scarab?”

“That may have been lapis lazuli, but more probably it was a blue glass imitation. In any case it was of no considerable value. It was about an inch and a half long. But before you come to any conclusion, I had better finish the story. The robbery was on Tuesday, the 7th of June. I gave information to the police, with a description of the missing property, but nothing happened until Wednesday, the 15th, when I received a registered parcel bearing the Southampton postmark. On opening it I found, to my astonishment, the entire contents of the deed-box, with the exception of the scarab, and this rather mysterious communication.”

He took from his pocket-book and handed to Thorndyke an ordinary envelope addressed in typewritten characters, and sealed with a large, elliptical seal, the face of which was covered with minute hieroglyphics.

“This,” said Thorndyke, “I take to be an impression of the scarab; and an excellent impression it is.”

“Yes,” replied Mr. Blowgrave, “I have no doubt that it is the scarab. It is about the same size.”

Thorndyke looked quickly at our client with an expression of surprise. “But,” he asked, “don’t you recognize the hieroglyphics on it?”

Mr. Blowgrave smiled deprecatingly. “The fact is,” said he, “I don’t know anything about hieroglyphics, but I should say, as far as I can judge, these look the same. What do you think, Nellie?”

Miss Blowgrave looked at the seal--rather vaguely--and replied, “I am in the same position. Hieroglyphics are to me just funny-looking things that don’t mean anything. But these look the same to me as those on our scarab, though I expect any other hieroglyphics would, for that matter.”

Thorndyke made no comment on this statement, but examined the seal attentively through his lens. Then he drew out the contents of the envelope, consisting of two letters, one typewritten and the other in a faded brown handwriting. The former he read through and then inspected the paper closely, holding it up to the light to observe the watermark.

“The paper appears to be of Belgian manufacture,” he remarked, passing it to me. I confirmed this observation and then read the letter, which was headed “Southampton” and ran thus:--

_Dear old pal,_

_I am sending you back some trifles removed in error. The ancient document is enclosed with this, but the curio is at present in the custody of my respected uncle. Hope its temporary loss will not inconvenience you, and that I may be able to return it to you later. Meanwhile, believe me,_

_Your ever affectionate, Rudolpho._

“Who is Rudolpho?” I asked.

“The Lord knows,” replied Mr. Blowgrave. “A pseudonym of our absent friend, I presume. He seems to be a facetious sort of person.”

“He does,” agreed Thorndyke. “This letter and the seal appear to be what the schoolboys would call a leg-pull. But still, this is all quite normal. He has returned you the worthless things and has kept the one thing that has any sort of negotiable value. Are you quite clear that the scarab is not more valuable than you have assumed?”

“Well,” said Mr. Blowgrave, “I have had an expert opinion on it. I showed it to M. Fouquet, the Egyptologist, when he was over here from Brussels a few months ago, and his opinion was that it was a worthless imitation. Not only was it not a genuine scarab, but the inscription was a sham, too; just a collection of hieroglyphic characters jumbled together without sense or meaning.”

“Then,” said Thorndyke, taking another look at the seal through his lens, “it would seem that Rudolpho, or Rudolpho’s uncle, has got a bad bargain. Which doesn’t throw much light on the affair.”

At this point Miss Blowgrave intervened. “I think, father,” said she, “you have not given Dr. Thorndyke quite all the facts about the scarab. He ought to be told about its connection with Uncle Reuben.”

As the girl spoke Thorndyke looked at her with a curious expression of suddenly awakened interest. Later I understood the meaning of that look, but at the time there seemed to me nothing particularly arresting in her words.

“It is just a family tradition,” Mr. Blowgrave said deprecatingly. “Probably it is all nonsense.”

“Well, let us have it, at any rate,” said Thorndyke. “We may get some light from it.”

Thus urged, Mr. Blowgrave hemmed a little shyly and began:

“The story concerns my great-grandfather, Silas Blowgrave, and his doings during the war with France. It seems that he commanded a privateer, of which he and his brother Reuben were the joint owners, and that in the course of their last cruise, they acquired a very remarkable and valuable collection of jewels. Goodness knows how they got them; not very honestly, I suspect, for they appear to have been a pair of precious rascals. Something has been said about the loot from a South American church or cathedral, but there is really nothing known about the affair. There are no documents. It is mere oral tradition and very vague and sketchy. The story goes that when they had sold off the ship, they came down to live at Shawstead in Hertfordshire, Silas occupying the manor house--in which I live at present--and Reuben a farm-house adjoining. The bulk of the loot they shared out at the end of the cruise, but the jewels were kept apart to be dealt with later--perhaps when the circumstances under which they had been acquired had been forgotten. However, both men were inveterate gamblers, and it seems--according to the testimony of a servant of Reuben’s who overheard them--that on a certain night when they had been playing heavily, they decided to finish up by playing for the whole collection of jewels as a single stake. Silas, who had the jewels in his custody, was seen to go to the manor house and return to Reuben’s house carrying a small, iron-bound chest.

“Apparently they played late into the night, after every one else but the servant had gone to bed, and the luck was with Reuben, though it seems probable that he gave luck some assistance. At any rate, when the play was finished and the chest handed over, Silas roundly accused him of cheating, and we may assume that a pretty serious quarrel took place. Exactly what happened is not clear, for when the quarrel began Reuben dismissed the servant, who retired to her bedroom in a distant part of the house. But in the morning it was discovered that Reuben and the chest of jewels had both disappeared, and there were distinct traces of blood in the room in which the two men had been playing. Silas professed to know nothing about the disappearance; but a strong--and probably just--suspicion arose that he had murdered his brother and made away with the jewels. The result was that Silas also disappeared, and for a long time his whereabouts was not known even by his wife. Later it transpired that he had taken up his abode, under an assumed name, in Egypt, and that he had developed an enthusiastic interest in the then new science of Egyptology--the Rosetta Stone had been deciphered only a few years previously. After a time he resumed communication with his wife, but never made any statement as to the mystery of his brother’s disappearance. A few months before his death he visited his home in disguise and he then handed to his wife a little sealed packet which was to be delivered to his only son, William, on his attaining the age of twenty-one. That packet contained the scarab and the letter which you have taken from the envelope.”

“Am I to read it?” asked Thorndyke.

“Certainly, if you think it worth while,” was the reply.

Thorndyke opened the yellow sheet of paper and, glancing through the brown and faded writing, read aloud:

_Cairo_, 4_th March_, 1833.

_My dear Son,_

_I am sending you, as my last gift, a valuable scarab, and a few words of counsel on which I would bid you meditate. Believe me, there is much wisdom in the lore of Old Egypt. Make it your own. Treasure the scarab as a precious inheritance. Handle it often but show it to none. Give your Uncle Reuben Christian burial. It is your duty, and you will have your reward. He robbed your father, but he shall make restitution._

_Farewell!_

_Your affectionate father, Silas Blowgrave._

As Thorndyke laid down the letter he looked inquiringly at our client.

“Well,” he said, “here are some plain instructions. How have they been carried out?”

“They haven’t been carried out at all,” replied Mr. Blowgrave. “As to his son William, my grandfather, he was not disposed to meddle in the matter. This seemed to be a frank admission that Silas killed his brother and concealed the body, and William didn’t choose to reopen the scandal. Besides, the instructions are not so very plain. It is all very well to say, ‘Give your Uncle Reuben Christian burial,’ but where the deuce is Uncle Reuben?”

“It is plainly hinted,” said Thorndyke, “that whoever gives the body Christian burial will stand to benefit, and the word ‘restitution’ seems to suggest a clue to the whereabouts of the jewels. Has no one thought it worth while to find out where the body is deposited?”

“But how could they?” demanded Blowgrave. “He doesn’t give the faintest clue. He talks as if his son knew where the body was. And then, you know, even supposing Silas did not take the jewels with him, there was the question, whose property were they? To begin with, they were pretty certainly stolen property, though no one knows where they came from. Then Reuben apparently got them from Silas by fraud, and Silas got them back by robbery and murder. If William had discovered them he would have had to give them up to Reuben’s sons, and yet they weren’t strictly Reuben’s property. No one had an undeniable claim to them, even if they could have found them.”

“But that is not the case now,” said Miss Blowgrave.

“No,” said Mr. Blowgrave, in answer to Thorndyke’s look of inquiry. “The position is quite clear now. Reuben’s grandson, my cousin Arthur, has died recently, and as he had no children, he has dispersed his property. The old farm-house and the bulk of his estate he has left to a nephew, but he made a small bequest to my daughter and named her as the residuary legatee. So that whatever rights Reuben had to the jewels are now vested in her, and on my death she will be Silas’s heir, too. As a matter of fact,” Mr. Blowgrave continued, “we were discussing this very question on the night of the robbery. I may as well tell you that my girl will be left pretty poorly off when I go, for there is a heavy mortgage on our property and mighty little capital. Uncle Reuben’s jewels would have made the old home secure for her if we could have laid our hands on them. However, I mustn’t take up your time with our domestic affairs.”

“Your domestic affairs are not entirely irrelevant,” said Thorndyke. “But what is it that you want me to do in the matter?”

“Well,” said Blowgrave, “my house has been robbed and my premises set fire to. The police can apparently do nothing. They say there is no clue at all unless the robbery was committed by somebody in the house, which is absurd, seeing that the servants were all engaged in putting out the fire. But I want the robber traced and punished, and I want to get the scarab back. It may be intrinsically valueless, as M. Fouquet said, but Silas’s testamentary letter seems to indicate that it had some value. At any rate, it is an heirloom, and I am loath to lose it. It seems a presumptuous thing to ask you to investigate a trumpery robbery, but I should take it as a great kindness if you would look into the matter.”

“Cases of robbery pure and simple,” replied Thorndyke, “are rather alien to my ordinary practice, but in this one there are certain curious features that seem to make an investigation worth while. Yes, Mr. Blowgrave, I will look into the case, and I have some hope that we may be able to lay our hands on the robber, in spite of the apparent absence of clues. I will ask you to leave both these letters for me to examine more minutely, and I shall probably want to make an inspection of the premises--perhaps to-morrow.”

“Whenever you like,” said Blowgrave. “I am delighted that you are willing to undertake the inquiry. I have heard so much about you from my friend Stalker, of the Griffin Life Assurance Company, for whom you have acted on several occasions.”

“Before you go,” said Thorndyke, “there is one point that we must clear up. Who is there besides yourselves that knows of the existence of the scarab and this letter and the history attaching to them?”

“I really can’t say,” replied Blowgrave. “No one has seen them but my cousin Arthur. I once showed them to him, and he may have talked about them in the family. I didn’t treat the matter as a secret.”

* * * * * * *

When our visitors had gone we discussed the bearings of the case.

“It is quite a romantic story,” said I, “and the robbery has its points of interest, but I am rather inclined to agree with the police--there is mighty little to go on.”

“There would have been less,” said Thorndyke, “if our sporting friend hadn’t been so pleased with himself. That typewritten letter was a piece of gratuitous impudence. Our gentleman overrated his security and crowed too loud.”

“I don’t see that there is much to be gleaned from the letter, all the same,” said I.

“I am sorry to hear you say that, Jervis,” he exclaimed, “because I was proposing to hand the letter over to you to examine and report on.”

“I was only referring to the superficial appearances,” I said hastily. “No doubt a detailed examination will bring something more distinctive into view.”

“I have no doubt it will,” he said, “and as there are reasons for pushing on the investigation as quickly as possible, I suggest that you get to work at once. I shall occupy myself with the old letter and the envelope.”

On this I began my examination without delay, and as a preliminary I proceeded to take a facsimile photograph of the letter by putting it in a large printing-frame with a sensitive plate and a plate of clear glass. The resulting negative showed not only the typewritten lettering, but also the watermark and wire lines of the paper, and a faint grease spot. Next I turned my attention to the lettering itself, and here I soon began to accumulate quite a number of identifiable peculiarities. The machine was apparently a Corona, fitted with the small “Elite” type, and the alignment was markedly defective. The “lower case”--or small--“a” was well below the line, although the capital “A” appeared to be correctly placed; the “u” was slightly above the line, and the small “m” was partly clogged with dirt.

Up to this point I had been careful to manipulate the letter with forceps (although it had been handled by at least three persons, to my knowledge), and I now proceeded to examine it for finger-prints. As I could detect none by mere inspection, I dusted the back of the paper with finely-powdered fuchsin, and distributed the powder by tapping the paper lightly. This brought into view quite a number of finger-prints, especially round the edges of the letter, and though most of them were very faint and shadowy, it was possible to make out the ridge pattern well enough for our purpose. Having blown off the excess of powder, I took the letter to the room where the large copying camera was set up, to photograph it before developing the finger-prints on the front. But here I found our laboratory assistant, Polton, in possession, with the sealed envelope fixed to the copying easel.

“I shan’t be a minute, sir,” said he. “The doctor wants an enlarged photograph of this seal. I’ve got the plate in.”

I waited while he made his exposure and then proceeded to take the photograph of the letter, or rather of the finger-prints on the back of it. When I had developed the negative I powdered the front of the letter and brought out several more finger-prints--mostly thumbs this time. They were a little difficult to see where they were imposed on the lettering, but, as the latter was bright blue and the fuchsin powder was red, this confusion disappeared in the photograph, in which the lettering was almost invisible while the finger-prints were more distinct than they had appeared to the eye. This completed my examination, and when I had verified the make of typewriter by reference to our album of specimens of typewriting, I left the negatives for Polton to dry and print and went down to the sitting-room to draw up my little report. I had just finished this and was speculating on what had become of Thorndyke, when I heard his quick step on the stair and a few moments later he entered with a roll of paper in his hand. This he unrolled on the table, fixing it open with one or two lead paper-weights, and I came round to inspect it, when I found it to be a sheet of the Ordnance map on the scale of twenty-five inches to the mile.

“Here is the Blowgraves’ place,” said Thorndyke, “nearly in the middle of the sheet. This is his house--Shawstead Manor--and that will probably be the outbuilding that was on fire. I take it that the house marked Dingle Farm is the one that Uncle Reuben occupied.”

“Probably,” I agreed. “But I don’t see why you wanted this map if you are going down to the place itself to-morrow.”

“The advantage of a map,” said Thorndyke, “is that you can see all over it at once and get the lie of the land well into your mind; and you can measure all distances accurately and quickly with a scale and a pair of dividers. When we go down to-morrow, we shall know our way about as well as Blowgrave himself.”

“And what use will that be?” I asked. “Where does the topography come into the case?”

“Well, Jervis,” he replied, “there is the robber, for instance; he came from somewhere and he went somewhere. A study of the map may give us a hint as to his movements. But here comes Polton ‘with the documents,’ as poor Miss Flite would say. What have you got for us, Polton?”

“They aren’t quite dry, sir,” said Polton, laying four large bromide prints on the table. “There’s the

image: img_017 caption: Thorndyke’s tracing of the impression of the Scarab

enlargement of the seal--ten by eight, mounted--and three unmounted prints of Dr. Jervis’s.”

Thorndyke looked at my photographs critically. “They’re excellent, Jervis,” said he. “The finger-prints are perfectly legible, though faint. I only hope some of them are the right ones. That is my left thumb. I don’t see yours. The small one is presumably Miss Blowgrave’s. We must take her finger-prints to-morrow, and her father’s, too. Then we shall know if we have got any of the robber’s.” He ran his eye over my report and nodded approvingly. “There is plenty there to enable us to identify the typewriter if we can get hold of it, and the paper is very distinctive. What do you think of the seal?” he added, laying the enlarged photograph before me.

“It is magnificent,” I replied, with a grin. “Perfectly monumental.”

“What are you grinning at?” he demanded.

“I was thinking that you seem to be counting your chickens in pretty good time,” said I. “You are making elaborate preparations to identify the scarab, but you are rather disregarding the classical advice of the prudent Mrs. Glasse.”