The Blind Musician

Part 6

Chapter 63,974 wordsPublic domain

They had before them a blind child, a future man, the possible father of a family. “Malevolent fate,” or perhaps “accident” hidden within the mysterious realm of phenomena, had closed forever those eyes,—the windows through which the soul receives impressions from the glowing, many-colored, changing world. Doomed never to behold the light of the sun, although not himself the offspring of the blind, he was still a link in the illimitable chain of bygone lives, and contained within himself the possibilities of future lives. All those living links now lost in the remote past, corresponding in proportion to their capacity to the impressions of light, had transmitted to him the inner faculty, and through him, blind though he was, to an endless succession of future generations who would possess the power of vision.[14]

Thus it was that in the depths of this child’s soul these hereditary forces lay dormant,—vague “possibilities,” hitherto unaffected by outside influences. The whole fabric of his mind, fashioned after the ancestral model, had reserved within itself a substratum of the impressions of light, the product of the countless experiences of his ancestors. Thus in his inner organization the blind man is like another possessing eyesight, but with eyes forever closed, Hence a dim yet ever present consciousness of desire that craves contentment; an undefined yearning to exercise the dormant powers of his soul which have never been called into action. Hence also certain vague forebodings and endeavors,—like the longing for flight, which children feel, and the joys of which they taste in witching dreams.

Now, at last, the instinctive inclination of little Peter’s childish fancies was reflected on his features in that look of troubled perplexity. Those hereditary, and yet as far as he himself was concerned undeveloped and therefore unshaped, “possibilities” of the ideas of light rose like obscure phantoms in the child’s mind, exciting him to aimless and distressing efforts. All his nature, in an unconscious protest against the individual “accident,” rose to claim the restoration of the universal law.

V.

Consequently, however much Maxim might try to exclude all outward impressions from his nephew, he had no control over the urgent cravings that came from within. With all his precautions he could but avert a premature awakening of these unsatisfied yearnings, and thereby diminish the boy’s chances of suffering. In every other respect the child’s unhappy fate, with all its cruel consequences, must take its course.

And like a dark shadow this fate advanced to meet him. From year to year the boy’s natural vivacity subsided, like a receding wave, while the melancholy that was echoing within his soul grew persistently, and left its impress on his temperament. His laughter, which in childhood resounded at every new and especially vivid impression, was now rarely heard. He was naturally less accessible to all that was bright and cheerful, and more or less humorous, than to that vague obscurity and gloom peculiar to the Southern nature, which finds reflection in the folk-songs. These made a deep impression on the boy’s imagination. The tears stood in his eyes whenever he heard how “the grave whispers to the wind in the field,” and he loved to wander through the fields himself, listening to this murmur. He longed more and more for solitude; and when in his hours of recreation he started off on his lonely walk, the family would avoid that direction, lest they might disturb his solitude.

Seated upon some mound out on the steppe, or on the hillock above the river, or on the familiar cliff, Petrùsya would listen to the rustling leaves, the whispering grass, the vague soughing of the wind across the steppe. All this harmonized perfectly with the deep seriousness of his mood. There, so far as in him lay, he was in absolute sympathy with Nature; he understood her; she disturbed him by no perplexing and unanswerable questions. There the wind fanned his very soul, and the grass seemed to whisper soft words of pity; and as the spirit of the youth in harmony with the gentle influences that surrounded him melted at the tender caress of Nature, he felt his bosom swell with an emotion that communicated itself to his whole being. In moments like these he would throw himself on the cool, moist grass and weep; but in these tears there was no bitterness. Again, he would seize his pipe, and enraptured by his own emotions would improvise pensive melodies suited to his mood and to the peaceful harmony of the steppe. One could easily understand that any human sound coming unexpectedly to interrupt this mood would affect him like a distressing discord. At such times the only fellowship possible to him was with a soul akin to his own; and in the fair-haired girl from the estate of the Possessor the boy enjoyed just such a companion.

This friendship was the more firmly knitted by mutual sympathy. If Evelyn contributed to their partnership her calmness, her gentle animation, or imparted to the blind boy some new detail of the surrounding life, he in turn gave her his sorrow. The little woman’s knowledge of him seemed to have dealt a serious blow to her tender heart: pluck a dagger from a wound, and the bleeding will increase. On the day when she first learned to know the blind boy on the hillock in the steppe, her sympathy for his affliction had really caused her acute pain, and his presence had grown by degrees quite indispensable to her. Separation seemed to renew and increase the poignant pain of her wound, and she longed to be with her little friend that she might appease her own suffering by ministering constantly to his comfort.

VI.

One warm autumn night both families were sitting on the terrace in front of the house, admiring the starry sky, with its blue distances and glimmering lights. The blind boy with his friend sat as usual by his mother’s side. All was still around the mansion, and for the moment they sat silent; only the leaves stirred from time to time, like startled things, with unintelligible murmurings, and then lapsed into silence.

Suddenly a meteor, leaping forth from the darkness, flashed across the sky in one brilliant streak; and as it gradually disappeared, it left behind a trail of phosphorescent light. Petrùsya seated beside his mother had linked his arm in hers, and she became suddenly conscious that he started and began to tremble.

“What—was that?” he asked, with a look of trouble on his face.

“It was a falling star, my child.”

“Ah yes, a star,” he said thoughtfully. “I felt sure that it was a star.”

“How could you know, my boy?” inquired the mother, with a pitiful accent of doubt in her voice.

“He is telling the truth,” exclaimed Evelyn; “he knows many things like that.”

This increasing sensitiveness indicated that the boy was evidently drawing near the critical period that lay between childhood and youth. Meanwhile his development pursued its quiet course. He seemed to have grown accustomed to his lot, and the exceptional and uniform character of his sadness,—a sadness cheered as it were by no single ray of light, but at the same time free from all eager cravings, and grown to be the habitual background of his life,—was in some measure mitigated.

But this proved to have been simply a period of temporary repose. Nature has appointed these resting-places that the young organism may gain strength to meet other attacks. During these calms, new questions imperceptibly rise to the surface and mature; and it needs but a touch to disturb this outward peace, and stir the soul to its very depths, even as the sea is lashed by a sudden squall.

V.

Love.

And thus a few more years went by. There were no changes in the peaceful mansion. The beech-trees in the garden rustled as of old, only their foliage seemed to have grown darker and thicker; the white walls, although they had warped and settled more or less, shone precisely as they used; the thatched roofs frowned the same as ever; and even the well-known sound of Joachim’s pipe might be heard at the usual hour from the direction of the stable. But Joachim himself, still a bachelor, and grown gray in the service as groom, chose rather to listen to the Panitch when he played either the piano or the pipe, it mattered not which. Maxim too, had grown still more gray. The Popèlski had no other children, and therefore their first-born, the blind boy, remained as ever the central object of interest, around which clustered the life of the whole mansion. It was for his sake that the family had thus isolated itself within its own narrow circle, contented with its tranquil existence, whose current had now united with the equally placid life of the Possessor’s “cabin.”

Thus Peter, who had now become a youth, had grown up like a hot-house plant, guarded from the rude winds of the outer world. He was still as of old in the centre of a vast, dark world. Darkness enveloped him in every direction,—above, around, on all sides; illimitable, eternal. His delicate and sensitive organism vibrated in response to every impression, like a finely strung instrument. This sensitive expectancy was perceptible in the blind youth’s disposition; he seemed to feel that the darkness was about to stretch forth its invisible arms and arouse by its touch that which now lay dormant in his breast, waiting only for the summons. But the dreary darkness around him, familiar from his childhood, replied only by the caressing murmur that rose from the old garden, inspiring him with vague, tranquillizing, and dreamy thoughts. The turbulent current of the far-off world, known to the blind boy only through the medium of song and story, had no entrance here. Amid the dreary whispers of the garden and the peaceful every-day life of the country house, he heard of the tumults and tribulations of the world from the lips of others; and his imagination pictured it all veiled in clouds of mystery,—like a song, an heroic poem, or a fairy tale.

Everything seemed favorable. The mother felt that the soul of her son, protected as by a wall was living in an enchanted dream, which was tranquil even if it were unreal. Evelyn, who had imperceptibly grown to womanhood, watched this enchanted tranquillity with her calm gaze, sometimes showing a slight surprise, or an expression of wonder as to future events, but never a shadow of impatience. Popèlski the father had brought his estate into a prosperous condition, but the good man troubled himself very little about his son’s future life. A man of Maxim’s temperament could only be ill at ease in this quiet life; he simply endured it, looking upon it as a temporary arrangement, which had interwoven itself into his plans in spite of himself. He deemed it necessary for the youth’s interior nature to gain strength and maturity, that he might be better able to cope with the rude assaults of life.

Meanwhile, outside the limit of this enchanted circle, life went on, seething, bubbling, and raging; and at last the time came when the old veteran decided to break into this circle,—to open the door of the hot-house, and admit a current of outside air.

II.

By way of breaking the ice, he invited an old friend, who lived about seventy versts from the Popèlski estate, to pay him a visit. In former times Maxim used to be the visitor; but he knew that some young people were staying at Stavruchènko’s house at that time, and so he wrote him a letter inviting the whole party. This invitation was accepted with pleasure. The two old men were bound by ties of friendship, and the young people were all familiar with the once famous name of Maxim Yatzènko, connected as it was with many a romantic tale. One of the sons of Stavruchènko was a student in the University of Kiev, in the School of Philology, very popular at that time. Another son was studying music in the St. Petersburg conservatory. Another member of the party was a young cadet, the son of a neighboring landlord. Stavruchènko was a vigorous old man, gray-haired, wearing a long mustache after the Cossack fashion, and the loose Cossack trousers tucked into the boots. His tobacco-pouch and pipe were suspended from his belt, and he spoke nothing but Little Russian; and beside his two sons, dressed in white sleeveless coats and embroidered Little Russian shirts, he vividly recalled Gògol’s Taras Bulbà with his followers. But Stavruchènko lacked the romantic characteristics of Gògol’s hero. He was on the contrary an excellent and practical landlord, who had always got on well with the serfs; and now that serfdom was abolished he was clever enough to adapt himself to the new conditions. He knew the people after the landlord fashion; that is, he knew every peasant in his village, and every peasant’s cow, and almost every extra coin in each peasant’s purse.

But if Stavruchènko did not have hand-to-hand encounters with his sons, like Bulbà, they were forever at odds, regardless of time or place. Everywhere, whether at home or abroad, endless disputes arose between the old man and the young people; it usually began on the part of the old man, who was always jeering at the “ideal Panitchis.” The Panitchis would grow excited, the old man likewise; whereupon an indescribable uproar would ensue, during which both sides would give and take some pretty severe thrusts. It was a reproduction of the differences between “Fathers” and “Sons;” only in the southwest, where a certain courtesy of manner prevails, such scenes in the family circle are more gracefully managed.

The young people who had been away at school from early childhood, had only seen the country during their vacation, and therefore had not the practical knowledge possessed by the father-landlords. When that tidal wave known as the “love of the people” came rushing in upon society, it found the young men in the higher classes of the Gymnasium. They turned their attention to the study of the lower classes, seeking their information at first in books. They soon proceeded, however, to the immediate study of the manifestations of the “national spirit” in its causes. In the southwestern districts the young Panitchis, in their white _svìtkas_[15] and embroidered shirts, devoted themselves to the fashionable amusement of “visiting the people.” They paid but slight attention to their economical condition, but made notes of the words and music of the _dùmkas_[16] and songs, studied the traditions, compared historical events with the traces they had left upon the popular mind, and looked upon the peasant in general through the poetical prism of an intellectually popular idealism. Thus the constant clashing of opinions diametrically opposed to one another entered into the disputes between the old man and the young people, and they were always at variance. And yet the old man himself listened with delight to the eloquent tirades of the young fellows.

“Just hear him,” Stavruchènko would say to Maxim, with a sly nudge of his elbow, while the student with flushed face and sparkling eyes was delivering his oration. “Hear him, he talks like a book! One might really imagine him a clever man. You had better tell us, you wise-head, how my Nechipòr deceived you.” The old man’s mustaches twitched, and he laughed heartily as he related with a purely Hohòl humor the tale of their discomfiture.

The young men blushed, but they paid him back in his own coin, saying: “If they were not familiar with the Nechipòrs and Hvèydkas in certain villages, they had studied the class as a whole; and from that point of view they deduced their generalizations. For the aged and experienced, whose habits of thought are fettered by routine, the forest is hidden by the trees that stand nearest, but young men can embrace the most remote perspective at a glance.”

The old man was not displeased to hear the learned discourses of his sons. “They did not go to school for nothing,” he often remarked, “but I can tell you that my Hvèydka will lead you like calves by a rope. That’s the way it is! But he cannot deceive me, for I can stuff him into my tobacco-pouch and put him in my pocket. You are nothing but youngsters and fools!”

III.

A discussion of this sort had but just ended. The older people returned to the house, and through the open windows one could from time to time hear snatches of Stavruchènko’s funny stories, together with the merry laughter of his audience.

The young people remained in the garden. The student spreading his _svìtka_ on the ground, with his sheepskin hat pushed on one side, had stretched himself out on the grass with affected carelessness. His older brother sat beside Evelyn on a bench near the wall. The cadet, in his carefully buttoned uniform, was seated next to them; while at a short distance, with drooping head, sat the blind youth leaning back against the window-sill. He was turning over in his mind the discussions he had just heard, which had stirred him deeply, even to agitation.

“What did you think of all that was said just now, Pani Evelyn?” said the student turning to her; “you have not spoken a single word.”

“What you told your father is all very fine; but—”

“Well—but what?”

The young girl did not reply at once. She let her work fall upon her lap, smoothed it out, and slightly bending forward began to examine it as if it absorbed her entire attention. It would have been difficult to say whether she was considering the advisability of using coarser canvas for her embroidery, or whether she was meditating over her reply.

Meanwhile the young men waited impatiently. The student, his face kindling with interest, rose on his elbow and turned toward the young girl. Her neighbor sat gazing at her with his calm and questioning eyes. The blind young man abandoned his easy attitude, sat up erect, and turned his face away from the others.

“But,” she said softly, still smoothing out her embroidery, “every man must choose his own career, gentlemen.”

“Lord bless us; what wisdom!” rudely exclaimed the student. “Really, how old are you, Pani?”

“Seventeen,” replied Evelyn, simply,—straightway adding, with an air of mingled triumph and curiosity, “I suppose you thought that I was a great deal older, didn’t you?”

The young men laughed.

“Had I been asked for an opinion concerning your age,” said her neighbor, “I should have been quite at a loss to decide between thirteen and twenty-three. At times you seem a mere child, and the next moment I hear you reasoning with the wisdom of an aged dame.”

“You must treat serious matters seriously, Gavrìlo Petròvitch,” said the young girl in tones of admonition, and once more returned to her work.

For a moment all were still. Evelyn resumed her needle-work with her former deliberation, while the young men looked with curiosity at the miniature form of this wise young person. Although she had grown and developed considerably since the time of her first meeting with Peter, the student’s comments upon her age were quite just. At the first glance this tiny, slender maiden seemed but a girl, although her tranquil, self-possessed movements revealed the dignity of a woman. Her face produced the same impression. That type of face seems peculiar to the Slav women. Handsome, regular features, outlined in calm severity; blue eyes, with a direct and tranquil gaze; pale cheeks, rarely tinged with color,—not however the pallor that is ever ready to flush with the burning flame of passion, but rather akin to the cold purity of the snow. Evelyn’s fair hair, glossy and abundant, showing darker reflections about her marble-like temples, was drawn back and gathered into one massive braid, which seemed to weigh her head back as she walked.

The blind youth, too, had grown taller and more mature. Any one seeing him at that moment, as he sat apart from the group just described, pale, agitated, and handsome, would have been instantly attracted by that peculiar face, upon whose surface every emotion of the soul was so plainly reflected. His black hair waved over a high forehead faintly lined by premature wrinkles; his cheeks alternately flushed and grew pale; the lower lip, slightly drooping at the corners, twitched nervously from time to time, and the large handsome eyes with their unwavering gaze added to this eminently South Russian type of face a somewhat unusual and sombre character.

“So Pani Evelyn supposes,” said the student in a sarcastic tone, after a short pause, “that the matters we have been discussing here are inaccessible to the feminine mind; that her sphere is to be limited by the nursery and the kitchen.”

The young girl replied with her usual seriousness: “No, you are mistaken. I understood all that was said,—therefore it is accessible to a woman’s mind. I spoke only for myself, individually.”

She became silent again, and bending over her work seemed so absorbed in it that the young man had not the courage to pursue his questions.

“Strange,” he muttered; “one might suppose that you had deliberately planned the entire course of your life.”

“Why should that seem strange, Gavrìlo Petròvitch?” replied the young girl gently. “Probably even Illyà Ivànovitch [that was the cadet’s name] has plans for the future, and he is younger than I.”

“You are right,” remarked the cadet, flattered by this supposition. “Not long ago I read the biography of N——. He too had definite plans for his life. He married at twenty, and was a commander at twenty-five.”

The student laughed sarcastically, and the young girl blushed.

“You see,” she said a moment later, in the same quiet tone, “every one plans his own career.”

No one replied, and a thoughtful silence fell upon the young people,—a silence beneath which a certain awkwardness was evident. They were all aware that the conversation had become personal; and the rustle of the darkening and seemingly displeased old garden was all the sound they heard.

IV.

These conversations and discussions, this buoyant current of youthful life charged with its questions, hopes, expectations, and opinions, came rushing like a passionate storm upon the blind youth. At first he listened to them with a look of surprise, but it was not long before he found that the stream rushed along paying no heed to him. No questions were asked him, neither was he invited to give his opinion; and it soon became evident to him that he stood apart in a solitude, the sadder since brought into contrast with the present wide-awake life of the mansion. Nevertheless he listened to all this that was so new to him, and his contracted brow and pallid face bore witness to his intense interest. Yet this feeling was tinged with gloom; his brain was swarming with bitter thoughts.

The mother looked sorrowfully at her son. Evelyn’s eyes expressed sympathy and alarm. Maxim alone did not seem to notice the impression that this noisy company made upon his nephew, and hospitably invited the guests to come often, assuring the young men that he would furnish them with abundant ethnographical material on their next visit.

The guests departed, promising to come again. The young men shook hands cordially with Peter when they said good-by. He nervously returned their pressure, and for a long time listened to the sound of the brìtchka as it rolled along the road. Then he turned suddenly and went into the garden.