Part 4

"But at night it is I prize you most. All through the hours of darkness, so often sleepless to me, your voice is the voice of a friend, familiar as my mother's, yet solemn as the chants of the choir. It helps me to measure off the hours of pain, and say, 'Thank God, an hour less of night, and an hour nearer morning.' And how often, when my suffering is great, you have come with the old psalm-tune, and every tone has brought its word to me, and spoken to me as if direct from God, and filled my heart with trust and peace! Your least sprinkles of sweet sound are precious to me. I fancy they are like the waters of time falling musically from stone to stone on their way to the great sea. I feel they are as the echoes of the footsteps of Him who is drawing nearer and nearer to me, and they draw my heart nearer to Him.

"Sweet bells, your commonest tones are sacred, for what is the world but that which becomes the Church when it learns how God has loved it, and turns from self to Him? And what is Earth but the floor of Heaven, which heavenly feet once trod? And what is Time but the little fragment of Eternity in which we live on earth? Sweet bells, make not my sleepless nights lonely and silent, but sing to me, sing to us all, as of old. Make all our life sacred by linking every fragment of our life to God."

But still no responsive sound came from the cathedral tower, and the people waited on in the silence and the darkness. At last a young priest, an Augustinian friar, ventured a bold suggestion:

"Are not the devils proud, and the angels lowly? Did the angel think it beneath him to say to Elijah, 'Arise, and eat?' Did Gabriel hesitate to descend from the presence of God to bear to an aged priest the tidings of the birth of a child? Did that other angel deem it secular to say to Peter the apostle, 'Gird thyself, and bind on thy sandals, and cast thy garment about thee,' before he led him over the stony streets through the cold night air? And should our cathedral bells scorn to bid us 'rise and eat,' or to chime at our births, or to summon us to 'gird and clothe' ourselves for every day's work? Brethren, proud thoughts, and scorn of daily service, and voices which call our everyday life common and unclean, are not from Heaven. The bells are possessed by a proud and evil spirit. Let us exorcise them."

The suggestion at first startled the people as daring, and irreverent to the church bells, but in their despair, they at length agreed to try it. A solemn procession of priests and holy men and women mounted the cathedral tower, and, in ancient formulas, with prayer and incense, and the music of holy hymns, they exorcised the fiend.

Then at once a tide of pent-up music flowed from the liberated bells. They conscientiously rang out all at once every hour and half-hour they had omitted, and then meekly and steadily resumed their wonted chimes, and continued them ever afterwards, like voices of happy and lowly angels calling men to wake and pray, to "rise and eat," to pray and rest, cheering the workman to his daily labour, and welcoming him from it, chanting to the mother as she lulled her babe, and in the sick-chamber soothing the lonely hours with melodious sound, and waking in the lonely heart sweet echoes of the psalms of praise.

Here the Legend ended. I heard, however, afterwards that the young priest, the Augustinian friar, lived to spread Glad Tidings through the city, but that he was at last burned in the cathedral square for preaching to men what he had said about the church bells. Yet in the flames, it was said, he looked up to the cathedral tower, and sang the words of a psalm of praise the old bells were chiming, till his voice was silenced in death. And ever since, the chimes have taken up his message, and chant to those who will listen, hour by hour.

"'Whether therefore ye eat, or drink, or whatsoever ye do, do all to the glory of God.'"

What Makes Things Musical?

—————

WHAT MAKES THINGS MUSICAL?

"THE SUN!" said the Forest. "In the night I am still and voiceless. A weight of silence lies upon my heart. If you pass through me, the sound of your own footstep echoes fearfully, like the footfall of a ghost. If you speak to break the spell, the silence closes in on your words, like the ocean on a pebble you throw into it. The wind sighs far-off among the branches, as if he were hushing his breath to listen. If a little bird chirps uneasily in its nest, it is silenced before you can find out whence the sound came.

"But the dawn breaks. Before a gray streak can be seen, my trees feel it, and quiver through every old trunk and tiny twig with joy; my birds feel it, and stir dreamily in their nests, as if they were just murmuring to each other, 'How comfortable we are!'

"Then the wind awakes, and tunes my trees for the concert, striking his hand across one and another, until all their varied harmonies are astir; the soft, liquid rustlings of my oaks and beeches make the rich treble to the deep, plaintive tones of my pines. Then my early birds awake one by one, and answer each other in sweet responses, until the Sun rises, and the whole joyous chorus bursts into song to the organ and flute accompaniments of my evergreens and summer leaves. And in the pauses, countless happy insects chirp, and buzz, and whirl with contented murmuring among my ferns and flower-bells. The SUN makes me musical," said the Forest.

WHAT MAKES THINGS MUSICAL?

"STORMS!" said the Sea. "In calm weather I lie still and sleep, or, now and then, say a few quiet words to the beaches I ripple on, or the boats which glide through my waters. But in the tempest you learn what my voice is, when all my slumbering powers awake, and I thunder through the caverns, and rush with all my battle-music on the rocks, whilst, between the grand artillery of my breakers, the wind peals its wild trumpet-peals, and the waters rush back to my breast from the cliffs they have scaled, in torrents and cascades, like the voices of a thousand rivers. My music is battle-music. STORMS make me musical," said the Sea.

WHAT MAKES THINGS MUSICAL?

"ACTION!" said the Stream. "I lay still in my mountain-cradle for a long while. It is very silent up there. Occasionally the shadow of an eagle swept across me with a wild cry; but generally, from morning till night, I knew no change save the shadows of my rocky cradle, which went round steadily with the sun, and the shadows of the clouds, which glided across me, without my ever knowing whence or whither. But the rocks and clouds are very silent. The singing-birds did not venture so high; and the insects had nothing to tempt them near me, because no honied flower-bells bent over me there—nothing but little mosses and gray lichens, and these, though very lovely, are quiet creatures, and make no stir.

"I used to find it monotonous sometimes, and longed to have power to wake the hills; and I should have found it more so, had I not felt I was growing, and should flow forth to bless the fields by and by. Every drop that fell into my rocky basin I welcomed. And, at last, the spring rains came, and all my rocks sent me down little rills on every side, and the snows melted into my cup; and, at last, I rose beyond the rim of my dwelling, and was free.

"Then I danced down over the hills, and sang as I went, till all the lonely places were glad with my voice; and I tinkled over the stones like bells, and crept among my cresses like fairy flutes, and dashed over the rocks and plunged into the pools with all my endless harmonies. ACTION makes me musical," said the Stream.

WHAT MAKES THINGS MUSICAL?

"SUFFERING!" said the Harp-strings. "We were dull lumps of silver and copper-ore in the mines; and no silence on the living, sunny earth is like the blank of voiceless ages in those dead and sunless depths. But, since then, we have passed through many fires. The hidden earth-fires underneath the mountains first moulded us, millenniums since, to ore; and then, in these last years, human hands have finished the training which makes us what we are.

"We have been smelted in furnaces heated seven times, till all our dross was gone; and then we have been drawn out on the rack, and hammered and fused, and, at last, stretched on these wooden frames, and drawn tighter and tighter, until we wonder at ourselves, and at the gentle hand which strikes such rich and wondrous chords and melodies from us—from us, who were once silent lumps of ore in the silent mines. Fires and blows have done it for us. SUFFERING has made us musical," said the Harp-strings.

WHAT MAKES THINGS MUSICAL?

"UNION!" said the Rocks. "What could be less musical than we, as we rose in bare crags from the hill-tops, or lay strewn about in huge isolated boulders in the valleys? The trees which sprang from our crevices had each its voice; the forests which clothed our sides had all these voices blended in richest harmonies when the wind touched them; the streams which gushed from our stony hearts sang joyous carols to us all day and all night long; the grasses and wild-flowers which clasped their tiny fingers round us had each some sweet murmur of delight as the breezes played with them; but we, who ever thought there was music in us?

"Yet now a human hand has gathered us from moor and mountain and lonely fell, and side by side we lie and give out music to the hand that strikes us. Thus we, who had lain for centuries unconscious that there was a note of music in our hearts, answer one another in melodious tones, and combine in rich chords, just because we have been brought together. UNION makes us musical," said the Rocks.

WHAT MAKES THINGS MUSICAL?

"LIFE!" said the Oak-beam in the good ship. "I know it by its loss. Once I quivered in the forest at the touch of every breeze. Every living leaf of mine had melody, and all together made a stream of many-voiced music; whilst around me were countless living trees like myself, who woke at every dawn to a chorus in the morning breeze. But since the axe was laid at our roots, all the music has gone from our branches. We are useful still, they say, in the gallant ship, and our country mentions us with honour even in death; but the music has gone from us with life for ever, and we can only groan and creak in the storms. LIFE made us musical," said the Oak-beam.

WHAT MAKES CREATURES MUSICAL?

"JOY!" laughed the Children, and their happy laughter pealed through the sweet fresh air as they bounded over the fields, as if it had caught the most musical tones of everything musical in nature,—the ripple of waves, the tinkling of brooks, the morning songs of birds. "JOY makes creatures musical," said the Children.

WHAT MAKES THINGS MUSICAL?

"LOVE!" said the little Thrush, as he warbled to his mate on the spring morning, and the Mother, as she sang soft lullabies to her babe. And all the Creatures said—

"Amen! LOVE makes us musical. In Storms and Sunshine, Suffering and Joy, Action, Union, Life, LOVE is the music at the heart of all. LOVE makes us musical," said all the Creatures.

And from the multitude before the throne, who, through fires of Tribulation and Storms of conflict, had learned the new song, and from depths of Darkness and the silence of Isolation had been brought together in the Light of Life to sing it, floated down a soft "Amen, for GOD is LOVE."

The Acorn.

—————

"WHEN will my training begin?" said the acorn to itself, as it unfolded its delicately-carved cup and saucer on the branch of an old oak on the edge of a forest. "I understand I am to be an oak one day, like my father. All the acorns say that is what we are to be, but there certainly seems little chance of it at present. I have been sitting here for no one knows how many days, and I feel no change, except that I look less pretty than I did when I was young and green, and begin to feel rather dry, and shrivelled, and old. At this rate, I do not see much chance of my becoming an oak, or anything else but an old, dry acorn. When will my training begin?"

As it meditated thus, a strong breeze sighed mournfully through the autumn woods, and shook down many brown leaves from the old oak, and with them the acorn.

"This will hinder my progress again," thought the acorn, "for it is evident such a downfall as this can have nothing to do with my education. When will my training begin?"

A day or two afterwards, a drove of hogs was turned into the forest, and they began grunting and grubbing among the dead leaves for acorns. Many of its brethren did our acorn see ruthlessly hurried into those voracious snouts. It kept very quiet under the dead leaves to avoid a similar fate, but it thought—"This is a sad delay. It is too plain that being trampled on and tossed about in this way can teach no one anything. When will my training begin?"

Meanwhile, the swine rummaged among the dead leaves, and trod them under foot, and tossed the decaying mould hither and thither with their snouts and feet, until one of them by accident rolled our acorn down a little hill, where it lay buried under some stray leaves many yards from the edge of the forest, in the outskirts of a park. There it lay unobserved all the rest of the winter.

Even this was a pleasant change after having been tossed about and trodden under foot so long, but in its fall its shrivelled brown skin had cracked, and the acorn thought—"This is a sad disaster. How ever am I to grow into an oak when I am so crushed and cracked that scarcely any one would recognise me for an acorn? When will my training begin?"

All the winter the rain pattered on it, and sank it deeper and deeper under the dead leaves and under the earth-clods, until all its acorn beauty was marred and crushed out of it, and it fell asleep in the dark, under the cold, damp earth; and the snows came and folded it in under their white, eiderdown pillows. At last, the warm touch, that comes to all sleeping nature in the spring, came softly on it, and it awoke.

"What a pity," it said, "I should have lost so much time by falling asleep! I can scarcely make out what I am like, or where I am. What a sad waste of time! It is clear no one can go on with his education in sleep. When will my training begin?"

With these thoughts, it stretched out two little green things on each side of it, which felt like wings; and tried to peep out of its hole. And, to its delight, it succeeded, and, with a few more efforts, even contrived to keep its head steadily above ground, and look around it.

"There is my father, the old oak," it said. "He looks quite green again. But I am a long way off from him, and how very small and close to the ground! When shall I begin to be like him?"

But meantime it was very happy. It felt so full of life, although so small; and the sun shone so graciously on it, and all the showers and dews seemed so full of kindly desires to help and nourish it. And more and more little green leaves expanded from its sides, and more and snore little busy roots shot down into the earth, and the leaves breathed and drank in the sunshine, and the roots were great chemists and cooks, and concocted a perpetual feast for it out of the earth and stones.

But it thought sometimes, "This is all exceedingly pleasant, and I am very happy; but, of course, this is not education; it is only enjoying myself. When will my training begin?"

The next spring, the early frosts had much more power over it in its detached, exposed situation than over the saplings in the shelter of the forest. And it saw the trees in the wood growing green, and tempting the song-birds beneath their leafy tents, whilst the sap still flowed feebly upward through its tiny cells, and its twigs and leaf-buds were still brown and hard.

"This must be a great hindrance to me," it thought—"this, no doubt, will retard my education considerably. What a pity I stand here so detached and unprotected! When will my training begin?"

But in the late spring came some days of black east wind and bitter frost, and it saw the more forward leaves in the wood turn pale and shrivel before they unfolded, and then fall off; nipped and lifeless, to join the old dead leaves of the past autumn, whilst its own little buds lay safe within their hard and glossy casings, protected by one enemy against a worse. And when the east wind and the black frosts were gone, the little sapling shot up freely.

In that summer, and the next, and the next, it made great progress. But in the fourth autumn, a great disappointment awaited it. The owner of the park in which it grew came by, and stood beside it, and said to his forester—

"That sapling is worth preserving, it is so vigorous and healthy; and, standing in this detached position, it will break the line of the wood, and look well from my house. We will watch it, and set a fence around it to guard it from the cattle. But it has thrown out a false leader. Take your knife and cut this straggling shoot away, and next year, I have no doubt, it will grow well."

Then the forester applied his knife carefully to the false leader, and cut it off. But the sapling, not having understood the master's words, nor observed with what care and design the knife was applied, felt wounded to the core.

"My best and strongest shoot," it sighed to itself. "It was a cruel cut. It will take me a long time to repair that loss. T am afraid it has lost me at least a year. When will my training begin?"

But the next year the master's words were fulfilled.

Thus years passed on. And slowly, twig by twig, and shoot by shoot, the sapling grew. Sunbeams expanded its leaves; rains nourished its roots; frosts, checking its early buds, hardened its wood; winds swaying it hither and thither, as if they were determined to level it, only rooted it more firmly. And year by year the top grew a little higher, and the wood a little firmer, and the trunk a little thicker, and the roots a little deeper; but so slowly, that summer by summer it said—

"This is very pleasant; but it is only breathing, and being happy. It certainly cannot be the discipline which forms the great oaks. When will my training begin?"

And autumn by autumn, as the sap flowed downward, and the buds ceased to expand, and the branches grew leafless and dry, it thought—

"This is a sad loss of time. Now I am falling into torpor again, and shall make not an inch of progress for six long months. When will my training begin?"

And winter by winter, as the winds bent it to and fro, and made its branches creak, and threatened its very existence, and the heavy snows sometimes broke its boughs—

"These are sore trials. I may be thankful if I barely struggle through them! In days like these existence is an effort, and endurance the utmost one can attain. When will my training begin?"

And in the spring, when the frosts nipped its finest buds—

"These little nips and checks are very annoying; but one must bear them patiently. They are certainly hindrances; and it is disheartening, when one does one's best, to be continually thrown back by these trifling checks. When will my training begin?"

But, one summer day, a little girl and an old man came and seated themselves under its shade. By this time it had seen some generations of men, and had learned something of human language.

The old man said—"I remember, when I was a very little boy, my grandfather telling me how, when he was young, he had marked this tree, then a mere sapling, and pruned it of a false shoot, which would have spoiled its beauty, and had it fenced and preserved. And now my little grand-daughter and I sit under its shade! The fence has long since decayed; but it is not needed. The cattle come and lie under its shadow, as we do. It is a noble oak-tree now, and gives shelter instead of needing it."

Then the oak rustled above them; and the old man and the child thought it was a summer breeze stirring the branches. But in reality it was the oak laughing to itself, as it thought—

"Then I am really a tree! And, whilst I was wondering when my training would begin, it has been finished, and I am an oak after all!"

Parables in Household Things.

—————

THE sick girl lay in her shaded room, in the street of a great city, and thought, "If I could only leave this prison of mine, and look at the beautiful world, I know I should grow happier and holier with every breath I drew. The thorny bud on the brown branches in spring would give me promise of resurrection; every butterfly would tell me of life through death; every flower would lift my heart to Him who cares for our little pleasures; every bubbling spring would murmur to me of the living water; every corn-field and garden would repeat the sacred parables. But here I can see nothing of God's making but the sky, and that is too high and far. I want some steps to take my feeble thoughts gently up to heaven. But around me are only manufactured things, which speak to me only of earth, and time, and man."

She leant back listlessly on her couch. Twilight came over the room, the glowing coals stirred quietly as they burnt away, and then it seemed as if an angel's hand touched her ears and opened them, for the dark and silent room became full of soft and soothing harmonics. All the mute and inanimate things about her found voices and spoke comfort to her heart.

Together they said—"It is true we are only manufactured things; but do not despise us for that! We came originally, as much as you yourself, or the flowers, and the trees, and the sunbeams, from one Divine Hand. It is only that we have been trained and moulded by human hands to be what we are. And just so are you; God creates you, but life moulds you. Your trial and your training come like ours, mostly through human hands, although you are destined for higher plans and more blessed services. Listen to us, for we have messages for you, each one of us."

Then the stones from the wall said—"We come from the mountains far away, from the sides of the craggy hills. Fire and water worked on us for ages, but only made us crags. Human hands have made us into a dwelling where the children of your immortal race are born, and suffer, and rejoice, and find rest and shelter, and learn the lessons set them by our Maker and yours. But we have passed through much to fit us for this. Gunpowder has rent our very heart; pickaxes have cleaved and broken us, it seemed to us often without design or meaning, as we lay misshapen stones in the quarry; but gradually we were cut into blocks, and some of us were chiselled with finer instruments to a sharper edge. But we are complete now, and are in our places, and are of service. You are in the quarry still, and not complete, and therefore to you, as once to us, much is inexplicable. But you are destined for a higher building, and one day you will be placed in it by hands not human; a living stone in a heavenly temple."

Then the glass water-beaker said—"I was hard flint and waste sand on the desolate sea-shore once, but human hands gathered me, and fused me in furnaces heated seven times, and took me out to let me cool, and cast me in again, and shaped and cut me till at last I carry your water from the spring, and am pressed with many a thankful glance to your parched lips. I am complete. But you, when you have passed through your fires, will be a vessel of living water in a better hand, and bear many a draught of refreshment to weary and thirsty hearts."

"I also have been in many furnaces," said the china flower-vase. "The colours you so often admire in me, have been burnt in slowly, stage by stage, every fresh colour requiring a fresh fusing in the furnace. But you, when your trial is over, shall carry flowers of Paradise and leaves from the tree of life for the healing of the nations."