The Black Cat, Vol. I, No. 6, March 1896

Part 3

Chapter 34,286 wordsPublic domain

It was explained to the jury that the company occupied five rooms, all of which opened into the main corridor. Mr. Marchburn’s private room was at the extreme end of the suite. The company employed seven clerks, two of them girls. One of the girls and Mr. Marchburn’s private secretary had left before the return of that gentleman, and the other clerks testified that no stranger was in any of the rooms when they left. The last persons to leave were John Rogers, the chief clerk, and the cashier, William Harding. Rogers swore that while he was waiting for Harding to close the safe Mr. Marchburn came into the general office from his room, and asked if a certain account had been paid. Both men were positive that nobody could have been secreted in the rooms at that time, and at the close of the short conversation Mr. Marchburn again said “Good-night,” and returned to his room. Rogers put down the spring latch and tried the door from the outside. It was safely locked. They walked across the hall to the elevator, and while waiting for the car met the janitor, who inquired if the offices were empty. Rogers told him that Mr. Marchburn was in his room and would be busy for a short time.

The janitor told a straight enough story. After leaving Rogers and Harding he had worked on the other side of the building, and then went to the first floor. He was on the third story at the time when Bridget Martin’s screams alarmed him, and he hastily ran to the elevator and told the conductor to take him upstairs. At that time he did not know whence the outcry proceeded, but as the elevator went rushing up some one shouted that Mr. Marchburn had been hurt. When he reached the eleventh story and entered the company’s rooms he found the Martin woman and three or four other persons, tenants of the building. His evidence as to the finding of the body was merely corroborative of that of the other witnesses.

There are four elevators in the Empire Building. The conductor of No. 4 elevator, Richard Wright, testified as follows: “I have been employed only two days at the Empire Building. It is the rule to close down two of the elevators at half past five; at six o’clock the third is closed, and the other half an hour later. I am ‘late man’ this week. Just as six o’clock was striking and elevator No. 3 was making its last downward trip, the annunciator in my car dropped for the tenth story. I ran my car up and took in a young man. I do not remember to have seen him before. He stepped into the car, and as I pulled the rope to go down I noticed that he had a handkerchief wrapped round his right hand and he was holding it with his left, as though it hurt him. I said to him: ‘Have you hurt your hand?’ He replied: ‘Yes, I squeezed it in the door.’

“I looked at his hand again and noticed that there was blood upon the handkerchief, and I said: ‘It’s bleeding.’ The young fellow looked dreadfully scared, and I thought he was going to drop, but he said something I couldn’t hear, and as soon as the car stopped he walked away quickly.”

This testimony produced a profound sensation, and every eye was turned upon Wright.

“Why did you not mention this circumstance to the police last night?” asked the coroner.

Wright shifted about uneasily and said: “When I heard the screams upstairs and was told that Mr. Marchburn had been murdered I was scared half out of my life and clean forgot all about it until I got home. It was then too late to tell any one, and I thought I would wait until I came here.”

“Can you describe this man?” asked a juror.

“He was a young fellow; I should think about twenty-four. I didn’t notice his face particularly, except when I told him his hand was bloody, and then I saw how white he looked. I never should have thought much of it if it hadn’t been for the murder.”

“How was he dressed?”

“He had on a brown overcoat; but I don’t remember anything else.”

That was all the light Wright could throw upon the affair. Coroner and jurymen plied him with questions; but he could tell them nothing. He did not know the color of the man’s eyes, whether he wore a beard, what kind of hat he wore; in fact, he could furnish nothing which would serve as an identification. He thought he might know the man if he were to see him again; but he was not absolutely sure as to that. There was no reason to think that Wright was not telling the truth, and it was almost impossible that he could have committed the murder, but the jury, in rendering their verdict of wilful murder against some person or persons unknown, censured Wright for having remained silent for more than twelve hours, and the coroner privately suggested to the police that they keep an eye upon Wright.

As soon as the verdict had been rendered, Detective Sergeants Johnson and Richardson, who had been detailed by Superintendent of Police Walton to attend the inquest, reported to him for further instructions. They briefly repeated the testimony and especially the startling evidence of Wright. When they had finished the chief said:

“What do you make of it?”

“The man in the brown overcoat is the murderer,” said Johnson.

“The man in the brown overcoat had nothing to do with it; but Wright knows a great deal more than he has told,” was Richardson’s analysis.

Walton looked out of the window a couple of minutes without speaking. “The person who committed the murder,” he said, as if he were talking to himself more than to his listeners, and without looking at either, “was expected to call at the office that evening by Marchburn, who came back about the time the clerks were preparing to leave, on purpose to keep his appointment. All the doors were locked. Either the visitor must have had a duplicate key, or else Marchburn left one of the doors open, or they had a private signal. Any one of a dozen persons might have been able to open the door with a duplicate key; but I don’t see anything to point in that direction. Marchburn would hardly be likely to leave the door open for his expected visitor, so it is evident the doors were kept locked, and when the prearranged signal was given Marchburn opened the door to his murderer. Who was the murderer and what was the motive? It was not money, because no valuables were taken, and the clerks say that neither papers nor anything else were disturbed. The murder was either the result of a sudden burst of passion, or else it was premeditated, and something forced the murderer to do then what had long been contemplated. There was a very strong motive. Find the motive and you find the—”

“The murderer,” interrupted Richardson.

“The murderess,” continued the chief as calmly as if he had not heard the interruption.

“A woman?” cried his listeners simultaneously.

“Certainly, a woman; it is a woman’s crime. From the time when Rogers and Harding left until the discovery of the body was a scant hour. To avoid all possible risks of interruption, Marchburn did not arrange the interview until after five, so that between that hour and six he was shot. At six he was dead, and the doctor testified he must have been dead between fifteen and thirty minutes when he was called in. So that fixes the time of the shooting between half past five and six. Marchburn expected a woman to call upon him that night, because he would not have made such careful preparations for secrecy if his visitor had been a man. He did not want his clerks to see his caller. The time between her calling and the shooting was too short for them to have quarreled; but it was long enough for her to have made her demand and to have been refused by Marchburn. Then she shot him.”

“But the young man in the brown overcoat?” asked Johnson.

“If the coroner had the slightest sense,” sneered the chief, “he would have asked Wright if the ‘young man’ looked as if ‘he’ were disguised, and Wright’s answer would have shown whether he is merely a thick-skulled idiot or whether he has a hand in this affair. But I’m glad the question was not asked, as the woman will think her disguise has shielded her. But Wright has given himself away by his answers. He says ‘the young man’ had a handkerchief wrapped around his right hand, and was holding it with his left, as if it hurt him. Isn’t that a woman’s attitude? A man would have shoved his hand in his pocket and held it there—at any rate, until he was in the street, where no one would have noticed it or paid any attention to him. But the woman doesn’t know how to use her pockets; her hand hurts her, and she holds it out in full view, instead of hiding it, as a man would have done. I’ll stake my reputation that the young man in the brown overcoat is a woman, and that the woman is the murderer of Mr. Marchburn.”

The superintendent rapidly outlined his plans. “I want you,” he said to Richardson, “to look up Marchburn’s past record in the West. Look for the woman there, or for the chapter in his life in which the woman figures. It’s there, although it may be difficult to find. Johnson, you look up his record from the time he came to New York to the day of his death. See if there is any woman entanglement here. Keep your eye upon Wright. I can’t quite size that man up. Look for the brown overcoat. Now, Richardson, you’d better start right in, and wire me just as soon as you strike anything.”

In a few moments Johnson went back. “There is one thing I don’t understand,” he said. “Why did the woman get in the elevator at the tenth instead of the eleventh story?”

“Easy enough to explain, and another indication that we are dealing with a woman and not a man. When she left the office her natural impulse was to walk down the stairs, to avoid meeting any one, instead of courting observation, as a man would have done under the circumstances. She walked down one flight; she heard the cleaners moving about and dreaded meeting them, and rang for the elevator as being less dangerous. Remember we are dealing with a woman of no ordinary caliber,—one who is not a seasoned criminal, and who thinks quickly.”

From Johnson’s report next morning the superintendent learned that Marchburn had moved to New York from the West five years before his murder; that his only child, Lucille, was twenty years old; that father and daughter were very much attached to one another. Marchburn’s tastes were all domestic; he seldom stayed out late at night, unless in company with his daughter; he was a regular church attendant, and contributed liberally to its support and to charities. His business was extremely profitable, his fortune being considered very large.

Walton read the report through and felt annoyed. It was not what he wanted. He felt that he was right in charging a woman with the crime; but how was he to find a woman who left no traces behind her? Besides, the papers were growing impatient, clamoring for an arrest, and indulging in satirical flings at the impotence of the police. Suddenly an idea occurred to him. “I ought to have thought of that before,” he said to himself. “Rogers or Harding might know,” and the superintendent, once more the cold, impassive man of affairs, walked quietly out of his office.

Superintendent Walton went briskly down town, thinking deeply as he walked, and yet noticing everything that went on around him. As he turned the corner of Silver Lane his eye fell upon a portly, well-groomed man who was walking in front of him. Walton was noted for never forgetting a man or woman he had once known, and there was something about this man which seemed familiar. Quickening his pace a little, the detective pushed ahead until he came opposite a money-changer’s window, and appeared to be intently gazing at the piles of gold and silver; but out of the corner of one of his eyes he was carefully watching for the man whom he hoped would soon pass. The superintendent looked up and saw a well-preserved man of about sixty, with florid complexion and carefully trimmed whiskers. He looked like any one of hundreds of prosperous business men. Still trying to fit the face to a name, Walton followed the man into Wall Street, and as he passed the sub-treasury he saw Brixton coming down the steps. The sight of the government agent was like a flash in the dark, and the object he was groping for was instantly made plain. The superintendent determined to take desperate chances. “By gad,” he muttered, “I’ll risk it. If he’s the man his voice will give him away.” Quickening his walk, he stepped up to the man, and, tapping him on the shoulder, said very quietly:

“I want you, John Marsh.”

With perfect composure he began, “Excuse me, sir, I do not know you—” but in the first three words his deep voice broke into a theatrical falsetto.

Walton smiled triumphantly. “Perhaps not; but I know you, Marsh,” he said, with his hand still on the man’s arm.

“This is the second time you have called me by that name. My name is not Marsh. Pardon me if I say good-morning,” said the other in perfectly modulated tones, and made a movement as if to continue on his way.

But Walton was not to be shaken off so lightly. “Wait a minute,” he said, and his voice was as pleasant and his manner as polite as that of the man whom he was addressing. “Perhaps when I tell you that I am Superintendent of Police Walton, who was chief of the detective bureau when we last met, you may remember me.”

“My dear sir, this is incomprehensible. I never had the pleasure of meeting you before, and, as I have to attend a very important meeting of the directors of my bank I must beg to be excused. If you really are the chief of police, I think, instead of wasting your time with reputable business men, you could better afford to devote a little of your leisure to finding the murderer of my dear old friend, Lawrence Marchburn.”

“You were acquainted with Mr. Marchburn?”

“Sir, I decline to submit to this impertinence any longer. If you attempt to stop me further I shall call an officer.”

“I think not,” said Walton, with a smile. “You are going with me to headquarters, or I will accompany you to your bank; which do you prefer?”

“In two minutes I could show you what a fool you are making of yourself; but I prefer to teach you a lesson. I submit to this indignity in the interest of good government.”

“All right, Marsh; I see you are the same old Chesterfield,—just as smooth as ever. You’ve no objection if we ride, I suppose?” and Walton hailed a passing cab. As they jogged up town both men remained silent. Turning a corner, the cab gave a sudden lurch, the superintendent’s hand in some mysterious manner caught in his prisoner’s whiskers, and they came away from his face. The two men looked one another squarely in the eye. Marsh was the first to speak. “You’re a nervy one, superintendent,” he said. “What do you want me for? I’m living straight.”

“I’m glad to hear it, but I want to have a quiet little talk with you; besides, I heard you were dead.”

Marsh smiled. The loss of his whiskers showed him to be a man of about forty, with a firm jaw, a keen blue eye, and a high forehead. “I wish to God I was dead,” he said. “When a man tries to live straight he gets snagged and is disgraced.”

The cab drew up at the big building on Mulberry Street, and the superintendent, pushing his prisoner before him, led the way to his private room. “Now, Marsh, you say you have been living straight. Prove it and I’ll release you.”

The man eyed his captor sullenly. “Not till I’ve seen a lawyer,” he said.

Walton touched an electric button. “Lock this man up,” he said to the officer who appeared. As Marsh was led away the chief pushed another button. “Bring me,” he said to the messenger, “Convictions, letter M, ’84.”

Hastily turning the pages, Walton read: “Marsh, John, alias Gentleman John, generally known as Chesterfield, because of his manners and politeness, born at Sodaville, Mich. All round crook; specialty, counterfeiting United States notes. One of the most dangerous men in his line. Convicted of counterfeiting and sentenced to Albany for five years in 1870; sent to Jackson, Mich., for three years for forgery in 1878; last conviction, Joliet, counterfeiting, 1884, five years. See page 756.” Turning to the page indicated, Walton read: “Escaped from Joliet and committed suicide.”

“So he didn’t commit suicide,” mused the chief. “Well, I always had my doubts about it. I have an idea he had a hand in this counterfeiting business, and if that’s so it’s a pretty good morning’s work—almost as good as finding the Marchburn woman. I had better let Brixton know about this; it may give him a pointer.”

A clerk brought in a telegram and handed it to the superintendent. Walton read:

“SODAVILLE, MICH., Jan. 24.—Can you mail me at once portrait of Chesterfield Marsh, escaped Joliet, and committed suicide about 1884?

“RICHARDSON.”

“By Jove,” said the superintendent, “that’s curious. I wonder what he’s struck now. Well, I guess I’ll hang onto Chesterfield for a few days, anyway.” Then he telephoned to Brixton, who was now working night and day on the counterfeit money case, which divided public attention with the Marchburn mystery. To the police these cases had proved two of the most remarkable criminal problems they had ever been called upon to solve. Congress had added to the excitement by adopting the recommendation of the Secretary of the Treasury and offering a reward of fifty thousand dollars for the arrest and conviction of the counterfeiters.

Brixton came in dejectedly in answer to the summons. To Walton, who was an old friend, he admitted that he was beaten.

“Brace up, old man,” said Walton; “I’ve got something good for you,” and he at once told him of the arrest of Marsh and Richardson’s telegram.

A gleam of excitement blazed from the secret service man’s eyes. He jumped from his chair and paced the room a couple of times before he could control himself; then, leaning over his friend’s desk, he talked rapidly. “By jove, Walton, you’ve got our man. There is only one man in the country who could have done the job, and that’s Marsh. I have thought about him a dozen times since I’ve been at work on the case, but always supposed him to be dead. What a confounded idiot I am not to have investigated that suicide story; yet I never had reason to doubt it.”

Both men felt certain that they were at last hot on the right trail, and that Marsh was still engaged in his old business of counterfeiting. While discussing the next move to be made Brixton suddenly said: “What does Richardson’s telegram mean?”

The words produced a peculiar effect upon Walton, which was reflected in Brixton’s face. Both men scrutinized each other for a brief space of time without speaking. It was as if they were grappling with the same thought, and yet both were afraid to frame in words what was passing through their minds. It was Walton who at last broke the silence and in a nervous sort of way said:—

“That is absurd.”

“What is?”

“What you are thinking about.”

It was curious that neither man had openly expressed his thoughts, and yet each knew what was in the other’s mind just as well as if the words had been uttered.

“I don’t know about that. Of course it looks ridiculous to commence with, but not any more so than that West Virginia case.”

“I don’t remember that,” said Walton.

“It was one of my most interesting jobs. For months we had been trying to break up a gang of counterfeiters working in West Virginia, and had failed, just as in the present instance. The thing looked pretty bad, and the merchants of the State were so worked up about the ‘queer’ that a bill was introduced in the legislature authorizing the governor to employ private detectives, as the government secret service men had shown their incompetence. Before the bill was acted upon we arrested some of the gang, and on the day when the bill came up for action we obtained conclusive evidence that the member of the legislature who introduced the bill was the brains of the gang. I went to the capitol and listened to this man’s speech in support of his measure, and after the bill had passed I arrested him and found in his pockets some of the money made by his gang. I sent him over the road.”

“You think, then,” said Walton, “that Marchburn had some connection with the counterfeiting gang.”

“I do.”

“Did Marsh murder Marchburn?”

“I don’t know about that. I rather think not, because Chesterfield, from what we know about him, is a coward and not the man to kill; but he probably knows who did. There’s a connection between the murder and the counterfeiting, and when we pull the right string both knots will come untied.”

Walton told his associate of his theory as to the murderer being a woman.

Brixton doubted it. “But it’s of no consequence,” he said. “Whoever fired the shot was a member of the gang; Marchburn knew him and expected him to call that evening. When we land our man we shall have the murderer and the counterfeiter as well.”

How was Marsh to be made to confess? Numerous plans were discussed and rejected. Finally Brixton made this suggestion: “Make Chesterfield understand that he is suspected of the murder and that you have the dots on him. You’ll have to sweat him and put him through the third degree. Don’t say a word about the counterfeiting. When he’s charged with the murder, and things begin to look black, he will squeal to save his neck. He’ll give his pals away dead sure and tell all he knows about the counterfeiting. I believe the scheme will work.”

Walton agreed with him and proceeded without delay in putting his prisoner through the sweating process. Early in the morning he had read the papers in his cell, and a detective who secretly watched him noticed that he devoured every line printed about the Marchburn murder. Later, the superintendent had him brought to his office and there subjected him to a rigorous cross-examination, and no man knew better than he how to worm the truth out of a criminal. But in Marsh he found more than a match. He either dodged every question or else declined to answer, and neither threats nor promises elicited anything of importance. For more than an hour the man submitted to being worried by his inquisitor, when at last he said:

“Chief, what are you trying to make against me?”

Walton had not taxed him with the murder, as he hoped his prisoner would make some incautious admission which would tell him what he wanted to find out. But Marsh’s question seemed to have made the time ripe for the great stroke. Looking him steadily in the eye, the chief said: “For the murder of Lawrence Marchburn.”

The prisoner gave a short, nervous laugh. “You’re clean off,” he said. “I didn’t murder him and I had nothing to do with it; but I know the man who did.”

Walton had counted upon his declaration producing a confession, or at least some signs of weakness, but this answer astounded him.

The man never flinched. “It’s God’s truth. I can tell you who committed the murder,” he repeated.

“Very well; who did it?”

But Marsh was too old a bird to be caught with chaff. “What do I get if I tell?” he asked.

“I think they would like to have you back in Joliet,” the chief answered, “and that means five years to commence with. If you give me the name of the man, and it is proven that you had nothing to do with the murder, I will see that you are not troubled.”

Marsh appeared to be thinking deeply. “Shall I have to appear as a witness?” he asked.

“Not unless it is necessary; I won’t put you on the stand if I can make the case without you.”

“Will you release me as soon as you are satisfied you have the right man?”

“Yes.”

“Then arrest Frank Richald, who was Mr. Marchburn’s stenographer. He’s your man.”

“How do you know?”

“I won’t tell; but see if I am not right.”