Part 5

Burnaby bowed to him with a curious old-fashioned courtesy. "I am sure," he observed, "it will interest you immensely."

Mrs. Ennis suddenly stared through the soft obscurity. "Good gracious," she said to herself, "what is he up to?"

In the little drawing room to which they returned, the jonquils seemed to have received fresh vigor from their hour of loneliness; their shining gold possessed the shadows. Mary Rochefort paused by the open window and peered into the perfumed night. "How ridiculously young the world gets every spring!" she said.

Mrs. Ennis arranged herself before the fire. "Now," she said to Burnaby, "you sit directly opposite. And you"--she indicated Pollen--"sit here. And Mimi, you there. So!" She nodded to Burnaby. "Begin!"

He laughed deprecatingly. "You make it portentous," he objected. "It isn't much of a story; it's--it's really only a parable."

"It's going to be a moral story, after all," interjected Mrs. Ennis triumphantly.

Burnaby chuckled and puffed at his cigarette. "Well," he said finally, "it's about a fellow named Mackintosh."

Pollen, drowsily smoking a cigar, suddenly stirred uneasily.

"Who?" he asked, leaning forward.

"Mackintosh--James Mackintosh! What are you looking for? An ash-tray? Here's one." Burnaby passed it over.

"Thanks!" said Pollen, relaxing. "Yes--go on!"

Burnaby resumed his narrative calmly. "I knew him--Mackintosh, that is--fifteen, no, it was fourteen years ago in Arizona, when I was ranching there, and for the next three years I saw him constantly. He had a place ten miles down the river from me. He was about four years older than I was--a tall, slim, sandy-haired, freckled fellow, preternaturally quiet; a trusty, if there ever was one. Unlike most preternaturally quiet people, however, it wasn't dulness that made him that way; he wasn't dull a bit. Stir him up on anything and you found that he had thought about it a lot. But he never told me anything about himself until I had known him almost two years, and then it came out quite accidentally one night--we were on a spring round-up--when the two of us were sitting up by the fire, smoking and staring at the desert stars. All the rest were asleep." Burnaby paused. "Is this boring you?" he asked.

"Oh, no!" said Mrs. Ennis; she was watching intently Pollen's half-averted face.

Burnaby threw away his cigarette. "At first," he said, "it seemed to me like the most ordinary of stories--the usual fixed idea that the rejected lover carries around with him for a year or so until he forgets it; the idea that the girl will regret her choice and one day kick over the traces and hunt him up.

"But it wasn't the ordinary story--not by a long shot. You'll see. It seems he had fallen in love with a girl--had been in love with her for years--before he had left the East; a very young girl, nineteen, and of an aspiring family. The family, naturally, didn't look upon him with any favor whatsoever; he was poor and he didn't show the slightest inclination to engage in any of the pursuits they considered proper to the ambitions of a worthy young man. Rather a dreamer, I imagine, until he had found the thing he wanted to do. Not a very impressive figure in the eyes of whitespatted fatherhood. Moreover, he himself was shy about trying to marry a rich girl while she was still so young.

"'She was brought up all wrong,' he said. 'What could you expect? Life will have to teach her. She will have to get over her idea, as one gets over the measles, that money and houses and possessions are the main things.' But he knew she would get over it; he was sure that at the bottom of her heart was a well of honesty and directness. 'Some day,' he said, 'she'll be out here.'

"Apparently the upshot of the matter was that he went to the girl and told her--all these ideas of his; quit, came West; left the road open to the other man. Oh, yes, there was another man, of course; one thoroughly approved of by the family. Quaint, wasn't it? Perhaps a little overly judicial. But then that was his way. Slow-moving and sure. He saw the girl at dusk in the garden of her family's country place; near a sun-dial, or some other appropriately romantic spot. She kissed him nobly on the forehead, I suppose--the young girl gesture; and told him she wasn't worthy of him and to forget her.

"'Oh, no, I won't,' he said. 'Not for a minute! And in five years--or ten--you'll come to me. You'll find out.' And then he added something else: 'Whenever things have reached their limit,' he said, 'think of me with all your might. Think hard! There's something in that sort of stuff, you know, where two people love each other. Think hard!' Then he went away."

A log snapped and fell with a soft thud to the ashes beneath. Burnaby was silent for a moment, staring at the fire.

When he spoke again, it was with a slow precision as if he were trying with extreme care to find the right words.

"You see," he said, "he had as an added foundation for his faith--perhaps as the main foundation for it--his knowledge of the other man's character; the character of the man the girl married. It was"--he spoke more hastily and, suddenly raising his head, looked at Mary Rochefort, who, sunk back in her chair, was gazing straight ahead of her--"an especial kind of character. I must dwell on it for a moment, and you must mark well what I say, for on it my parable largely depends. It was a character of the sort that to any but an odalisk means eventual shame; to any woman of pride, you understand, eventually of necessity a broken heart. It was a queer character, but not uncommon. Outwardly very attractive. Mackintosh described it succinctly, shortly, as we sat there by the fire. He spoke between his teeth--the faint wind stirring the desert sand sounded rather like his voice." Burnaby paused again and reached over for a cigarette and lit it deliberately.

"He was a man," he continued, "who apparently had the faculty of making most women love him and, in the end, the faculty of making all women hate him. I imagine to have known him very well would have been to leave one with a mental shudder such as follows the touching of anguilliform material; snake-like texture. It would leave one ashamed and broken, for fundamentally he was contemptuous of the dignity of personality, particularly of the personalities of women. He was a collector, you understand, a collector of beauty, and women, and incidents--amorous incidents. He carried into his personal relationships the cold objectiveness of the artist. But he wasn't a very great artist, or he wouldn't have done so; he would have had the discrimination to control the artist's greatest peril. It's a flame, this cold objectiveness, but a flame so powerful that it must be properly shaded for intimate use. Otherwise it kills like violet rays. Women wore out their hearts on him, not like waves breaking on a crystal rock, but like rain breaking into a gutter."

"Good Lord!" murmured Mrs. Ennis involuntarily.

Burnaby caught her exclamation. "Bad, wasn't it?" he smiled. "But remember I am only repeating what Mackintosh told me. Well, there he was then--Mackintosh--hard at work all day trying to build himself up a ranch, and he was succeeding, too, and, at night, sitting on his porch, smoking and listening to the river, and apparently expecting every moment the girl to appear. It was rather eerie. He had such a convincing way; he was himself so convinced. You half expected yourself to see her come around the corner of the log house in the moonlight. There was about it all the impression that here was something that had a touch of the inevitability of the Greek idea of fate; something more arranged than the usual course of human events. Meanwhile, back in the East, was the girl, learning something about life."

He interrupted himself. "Want a cigarette?" he said to Pollen. "Here they are." He handed over the box. "What is it? A match? Wait a moment; I'll strike it for you. Keep the end of the thing steady, will you? All right." He resumed the thread of his narrative.

"In four years she had learned a lot," he said; "she had become apparently almost a woman. On a certain hot evening in July--about seven o'clock, I imagine--she became one entirely; at least, for the moment, and, at least, her sort of woman. I am not defending what she did, remember; I am simply saying that she did it.

"It was very hot; even now when dusk was approaching. The girl had been feeling rather ill all day; feverish. She had not been able to get away to her country place as yet. Into the semidarkness of the room where she was came her husband. That night she had determined, as women will, upon a final test. She knew where he expected to dine; she asked him if he would dine with her.

"'I can't,' he said. 'I'm sorry--'

"Possibly nothing immediate would have happened had he not added an unspeakable flourish to his portrait. He reached out his arms and drew the girl to him and tried to kiss her condescendingly; but I suppose his hands found her, in her clinging gown, soft to their touch. At all events, they tightened upon her in an unmistakable way. She pulled herself away. 'Let me pass!' she said. 'You--you--!'--she could think of no words to suit him. You see, she understood him completely, now. He was a collector, but a collector so despicable that he was even unwilling to trade one article for another. He wanted to keep on his shelves, as it were, all the accumulation of his life, and take down from time to time whatever part of it suited his sudden fancy.

"The girl went up to her own room, and very carefully, not knowing precisely what she did, changed into a black street dress and removed all marks of identification. Her eyes swam with feverishness. While she was dressing, she bathed in hot water her arms where her husband's hands had been. She concluded that it was not what he had done--had constantly done--but what he was that made life unbearable. When she was through she went downstairs, and out of the front door, and walked slowly toward the center of the town and the railway station."

"And is that all?" asked Mary Rochefort, after a while.

"Oh, no," said Burnaby; "it's only the beginning. Mackintosh was in the hills beyond his ranch, hunting horses. He was camped in a little valley by himself. On this particular day he had been out since sun-up and did not get back until just about dusk. He picketed the horse he had been riding, and built a small fire, and began to cook his supper. All around him, brooding and unreal, was the light you get in high mountain places. The fire shone like a tiny ruby set in topaz. Mackintosh raised his head and saw a woman coming out of the spur of aspen trees across the creek from him. He wasn't surprised; he knew right away who it was; he knew it was the girl. He watched her for a moment, and then he went over to her, and took her hand, and led her to the fire. They didn't speak at all."

"And you mean," asked Mrs. Ennis, "that she did that? That she came all the way out to him, like that?"

"No," retorted Burnaby, "of course not. How could she? She wasn't even sure where he was living. At the moment she was in a hospital out of her head. You see, I didn't know whether to believe Mackintosh or not when he said he saw her that night, although I am sure he believed he did--such things are beyond human proof--but what I do know is that he came straight down from the hills, and boarded a train, and went East, and found the girl, and, after a while, came back with her." He looked at the fire. "They were the most completely happy people I have ever seen," he continued. "They were so calm and determined about themselves. Everything immaterial had been burned away. They knew they were playing on the side of fate. And so," he concluded, "that's the end of my parable. What do you make of it?"

The curtains, stirred by the breeze, tip-tapped softly; in the silence the fire hissed gently. Pollen spoke first, but with some difficulty, as if in the long period of listening on his part his throat had become dry. "It's very interesting," he said; "very! But what's it all about? And you certainly don't believe it, do you?"

"Of course I do," answered Burnaby calmly. "You should, too; it's true."

Mary Rochefort looked up with an exclamation. "Gracious!" she said. "I had no idea it was so late! My motor must be waiting." She got to her feet. She looked very white and her eyes were tired; the translucent quality of the earlier hours was gone. "I'm worn out," she explained. "I've been going about too much. I must rest." She held her hand out to Mrs. Ennis; over her shoulder she spoke to Pollen. "No," she said. "Don't bother. I'll take myself home, thanks."

"I'll see you to your car," he stammered.

She turned to Burnaby. "Good night!" she said. Her voice was lifeless, disinterested; her eyes met his for an instant and were withdrawn.

"Good night," he said.

Mrs. Ennis stood by the door for a moment before she walked slowly back to the fireplace. From the street outside came the whirring of a motor and the sound of Mary Rochefort's voice saying good-by to Pollen.

Mrs. Ennis rested an arm on the mantelpiece and kicked a log thoughtfully with a white-slippered foot; then she faced about on Burnaby.

"I suppose," she said, "you realize that you have spoiled my party?"

"I?" said Burnaby.

"Yes, you!" Her small, charming face was a study in ruefulness, and indecision whether to be angry or not, and, one might almost have imagined, a certain amused tenderness as well. "Don't you suppose those people knew of whom you were talking?"

Burnaby, peering down at her, narrowed his eyes and then opened them very wide. "They couldn't very well have helped it," he said, "could they? For, you see"--he paused--"the girl who came West was Mrs. Pollen."

Mrs. Ennis gasped in the manner of a person who is hearing too much. "Mrs. Pollen?"

"Yes. You knew he had been divorced, didn't you? Years ago."

"I'd heard it, but forgotten." Mrs. Ennis clasped her jeweled hand. "And you dared," she demanded, "to tell his story before him in that way?"

"Why not? It was rather a complete revenge upon him of fate, wasn't it? You see, he couldn't very well give himself away, could he? His one chance was to keep quiet." Burnaby paused and smiled doubtfully at Mrs. Ennis. "I hope I made his character clear enough," he said. "That, after all, was the point of the story."

"How did you know it was this Pollen?" she asked, "and how, anyway, would Mary Rochefort know of whom you were talking?"

Burnaby grinned. "I took a chance," he said. "And as to the second, I told Madame de Rochefort at dinner--merely as a coincidence; at least, I let her think so--that I had once known in the West a Mrs. Pollen with a curious history. Perhaps I wouldn't have told it if Pollen hadn't been so witty." He picked up a silver dish from the mantelpiece and examined it carefully.

"One oughtn't to have such a curious name if one is going to lead a curious life, ought one?" he asked. He sighed. "You're right," he concluded; "your friend Mary Rochefort is a child."

Mrs. Ennis looked up at him with searching eyes.

"Why don't you stay longer in Washington?" she asked softly. "Just now, of course, Mary Rochefort hates you; but she won't for long--I think she was beginning to have doubts about Pollen, anyway."

Burnaby suddenly looked grave and disconcerted. "Oh, no!" he said, hastily. "Oh, no! I must be off tomorrow." He laughed. "My dear Rhoda," he said, "you have the quaintest ideas. I don't like philandering; I'm afraid I have a crude habit of really falling in love."

Mrs. Ennis's own eyes were veiled. "If you're going away so soon, sit down," she said, "and stay. You needn't go--oh, for hours!"

"I must," he answered. "I'm off so early."

She sighed. "For years?"

"One--perhaps two." His voice became gay and bantering again. "My dear Rhoda," he said, "I'm extremely sorry if I really spoiled your party, but I don't believe I did--not altogether, anyhow. Underneath, I think you enjoyed it." He took her small hand in his; he wondered why it was so cold and listless.

At the door leading into the hall he paused and looked back "Oh," he said, "there was one thing I forgot to tell you! You see, part of my story wasn't altogether true. Mrs. Pollen--or rather, Mrs. Mackintosh--left Mackintosh after five years or so. She's in the movies--doing very well, I understand. She would; wouldn't she? Of course, she was no good to begin with. But that didn't spoil the point of my story, did it? Good-by, Rhoda, my dear." He was gone.

Mrs. Ennis did not move until she heard the street door close; she waited even a little longer, following the sound of Burnaby's footsteps as they died away into the night; finally she walked over to the piano, and, sitting down, raised her hands as if to strike the keys. Instead, she suddenly put both her arms on the little shelf before the music-rack and buried her head in them. The curtains tip-tapped on the window-sill; the room was entirely quiet.

DARKNESS[5]

By IRVIN S. COBB

(From _The Saturday Evening Post_)

There was a house in this town where always by night lights burned. In one of its rooms many lights burned; in each of the other rooms at least one light. It stood on Clay Street, on a treeless plot among flower beds, a small dull-looking house; and when late on dark nights all the other houses on Clay Street were black blockings lifting from the lesser blackness of their background, the lights in this house patterned its windows with squares of brilliancy so that it suggested a grid set on edge before hot flames. Once a newcomer to the town, a transient guest at Mrs. Otterbuck's boarding house, spoke about it to old Squire Jonas, who lived next door to where the lights blazed of nights, and the answer he got makes a fitting enough beginning for this account.

This stranger came along Clay Street one morning and Squire Jonas, who was leaning over his gate contemplating the world as it passed in review, nodded to him and remarked that it was a fine morning; and the stranger was emboldened to stop and pass the time of day, as the saying goes.

"I'm here going over the books of the Bernheimer Distilling Company," he said when they had spoken of this and that, "and you know, when a chartered accountant gets on a job he's supposed to keep right at it until he's done. Well, my work keeps me busy till pretty late. And the last three nights, passing that place yonder adjoining yours, I've noticed she was all lit up like as if for a wedding or a christening or a party or something. But I didn't see anybody going in or coming out, or hear anybody stirring in there, and it struck me as blamed curious. Last night--or this morning, rather, I should say--it must have been close on to half-past two o'clock when I passed by, and there she was, all as quiet as the tomb and still the lights going from top to bottom. So I got to wondering to myself. Tell me, sir, is there somebody sick over there next door?"

"Yes, suh," stated the squire, "I figure you might say there is somebody sick there. He's been sick a powerful long time too. But it's not his body that's sick; it's his soul."

"I don't know as I get you, sir," said the other man in a puzzled sort of way.

"Son," stated the squire, "I reckin you've been hearin' 'em, haven't you, singin' this here new song that's goin' 'round about, 'I'm Afraid to Go Home in the Dark'? Well, probably the man who wrote that there song never was down here in these parts in his life; probably he just made the idea of it up out of his own head. But he might 'a' had the case of my neighbor in his mind when he done so. Only his song is kind of comical and this case here is about the most uncomic one you'd be likely to run acrost. The man who lives here alongside of me is not only afraid to go home in the dark but he's actually feared to stay in the dark after he gets home. Once he killed a man and he come clear of the killin' all right enough, but seems like he ain't never got over it; and the sayin' in this town is that he's studied it out that ef ever he gets in the dark, either by himself or in company, he'll see the face of that there man he killed. So that's why, son, you've been seein' them lights a-blazin'. I've been seein' 'em myself fur goin' on twenty year or more, I reckin 'tis by now, and I've got used to 'em. But I ain't never got over wonderin' whut kind of thoughts he must have over there all alone by himself at night with everything lit up bright as day around him, when by rights things should be dark. But I ain't ever asted him, and whut's more, I never will. He ain't the kind you could go to him astin' him personal questions about his own private affairs. We-all here in town just accept him fur whut he is and sort of let him be. He's whut you might call a town character. His name is Mr. Dudley Stackpole."

In all respects save one, Squire Jonas, telling the inquiring stranger the tale, had the rights of it. There were town characters aplenty he might have described. A long-settled community with traditions behind it and a reasonable antiquity seems to breed curious types of men and women as a musty closet breeds mice and moths. This town of ours had its town mysteries and its town eccentrics--its freaks, if one wished to put the matter bluntly; and it had its champion story-teller and its champion liar and its champion guesser of the weight of livestock on the hoof.

There was crazy Saul Vance, the butt of cruel small boys, who deported himself as any rational creature might so long as he walked a straight course; but so surely as he came to where the road forked or two streets crossed he could not decide which turning to take and for hours angled back and forth and to and fro, now taking the short cut to regain the path he just had quitted, now retracing his way over the long one, for all the world like a geometric spider spinning its web. There was old Daddy Hannah, the black root-and-yarb doctor, who could throw spells and weave charms and invoke conjures. He wore a pair of shoes which had been worn by a man who was hanged, and these shoes, as is well known, leave no tracks which a dog will nose after or a witch follow, or a ha'nt. Small boys did not gibe at Daddy Hannah, you bet you! There was Major Burnley, who lived for years and years in the same house with the wife with whom he had quarreled and never spoke a word to her or she to him. But the list is overlong for calling. With us, in that day and time, town characters abounded freely. But Mr. Dudley Stackpole was more than a town character. He was that, it is true, but he was something else besides; something which tabbed him a mortal set apart from his fellow mortals. He was the town's chief figure of tragedy.

If you had ever seen him once you could shut your eyes and see him over again. Yet about him there was nothing impressive, nothing in his port or his manner to catch and to hold a stranger's gaze. With him, physically, it was quite the other way about. He was a short spare man, very gentle in his movements, a toneless sort of man of a palish gray cast, who always wore sad-colored clothing. He would make you think of a man molded out of a fog; almost he was like a man made of smoke. His mode of living might testify that a gnawing remorse abode ever with him, but his hair had not turned white in a single night, as the heads of those suddenly stricken by a great shock or a great grief or any greatly upsetting and disordering emotion sometimes are reputed to turn. Neither in his youth nor when age came to him was his hair white. But for so far back as any now remembered it had been a dullish gray, suggesting at a distance dead lichens.