Chapter 26

Presently they were seated at the table drinking tea, and the Captain began his story.

"You know, my dear," he said; "we are going to put an end to all this foolish political talk and people's committees. Any beggar forms a committee, and they do what they like. Civil authorities and military authorities are all alike to them."

"Oh, I am so afraid of beggars," interrupted the beautiful Vera.

"Well, my dear; soon there will be nothing to be afraid of; a propaganda council was organized at headquarters this morning, and what do you think? This morning two men arrived with a moving picture camera to take pictures of our orderly town, and in the afternoon we took an object-lesson picture. I marched the soldiers into the square and we dug up a plot so that the earth might be soft.

"Then we had a beggar dig his own grave as we took the picture. When he had dug enough, I gave the signal and the firing squad drew up their rifles and blazed away."

"Why did you kill him?"

"No, my dear; we only pretended to kill him. I myself was careful to see that the leads were taken off the cartridge. But you see we could not tell the beggar that he was not going to die because we wanted to make the picture look realistic--he might have run away in the middle and ruined the film.

"Well, my dear, to make a long story short, the fool beggar fell into the pit, believing himself really killed. It will make a fine picture. It will be shown in all the surrounding towns as an object lesson, and before the picture itself appears on the screen it will be entitled--I suggested it myself--it will read--'This is what happened to a fool who thought he could oppose the military authorities,' and then will be shown the picture of the beggar digging his own grave.

"It will be a great lesson and education to the people whose heads have been turned. It will be sent all over the country and if the results are favourable and it pleases headquarters who can say," at this point he clasped his wife's pale hand, "who can say that I will not receive another decoration, or perhaps a promotion? Who can tell, my dear? Things move so quickly these days."

In the evening as they were eating, Vera looked up from her plate and spoke: "You know, if it happened to me, I think I should die."

"Don't talk nonsense," replied the Captain angered by the idea. "How could it happen to you?"

"Well, supposing the revolutionists took control, and then--"

"Supposing! Supposing the sky should fall," he interrupted, and smiled on his lovely and delicate Vera.

IV

Silly Peter refused to eat the bowl of soup that Luba placed out for him, but he went aloft in the barn and cried in his dull, monotonous tone: "I don't want a grave--I don't want a grave," until he fell asleep.

Then over his simple, slumbering brain came a vision.

He saw himself standing on an elevated place and over him rested the great ultramarine dome of sky. About him he could see the horizon as though it were a white circle of foam.

Gradually this circle grew smaller and smaller and rose up like a sparkling and living halo. As it came nearer, he discovered that the circle was composed of hundreds of white doves.

Soon they were close over him encircling the elevation on which he stood, and he could hear the wild beating of the wings as though they were rolling a tattoo on muffled drums. Then suddenly the circle broke, and rose like a puff of smoke against a sky of blue.

With startling rapidity it rose until it rent and perforated the sky, and was lost from sight. Only a large oval opening of light-grey nothingness remained overhead--a hole in the sky--an opening to heaven.

Then from all quarters came a loud uproar; a thousand piercing, whistling yells; a rackety, rumbling, rattling commotion mixed with the beat and swish of wings. This was followed by an upward rush which darkened the sky.

Peter saw himself standing like a monarch reviewing his nation from an elevated platform. Around him flew the feathered tribes of the air. From the fluttering starling to the giant albatross, all were liberated and each paid homage to him--the master of the sky, before they shot upward and through the oval opening in the rent heaven. It was a grand and colourful sight to behold.

Finally they were all gone and he saw himself take a last look about him as he stood alone on his elevation. He then craned his neck and turned his face to the oval nothingness--flapped his arms, and with a thrilling sensation flew heavenward. His body went through the air a little sideways--but it flew, and the rest did not matter.

Poor Peter awoke to find himself in the loft of the barn among his cages of pigeons, confronted with the sordidness of material reality. He opened a small window and then flung open the cages.

Through the night he limped from barn to barn, darting under wagons, and between the legs of slumbering horses, opening doors, boxes, and even barrels. He was liberating the imprisoned, full-breasted creatures.

The little village of M---- slept soundly as it was being flooded with fluttering birds. Only the hypersensitive Vera was disturbed by the monotonous beating of restless wings.

No longer was there any mystery regarding the pigeons.

V

In the morning the streets were covered with pink-breasted birds as well as grey. Besides this, there were breeds and species of pigeons that the villagers of M---- had never seen before. Wherever one turned, one saw pigeons. They were on the ground and in the sky, as well as upon the roofs. Their colours were mixed, and their leaders were lost.

Silly Peter ran joyfully about the streets waving a little white flag at the disorganized flying tribes, waving a white flag as though it were a truce to the sky.

For some reason or other, an extra large number of birds took refuge on the gable and chimney of the Captain's stone house on the hill.

Late in the afternoon, as the charming Vera was playing at the piano, a dark shadow crept over her page of music, and this was accompanied by a scrambling noise from outside. As she turned about, she could see through the corner of her eye a struggling figure across the window, clambering on the vines. The body was silhouetted against the sky.

One glance was sufficient--her throat let loose a piercing scream as she ran from the room into the kitchen. "A man! A man is climbing up the house--quick, send for the police!" she shouted breathlessly to the servants.

Holding her throbbing temples with both hands, she waited with the servants in the kitchen. Soon two policemen arrived, having been told that a robber had entered the house, but they found nothing excepting Silly Peter on top of the roof, propped against the chimney, waving his flag and signalling to his birds.

"He's harmless," said the officer. "I can't make him come down, madam. I'm a policeman, not a fireman." And with this they went away, leaving Vera with her servants and Peter with his pigeons.

Presently the Captain came home, raved and shouted as he swung his arms--but Peter sat with his back against the chimney, making bubbles with his mouth and holding two new-born birds close to his face in order that they might prick the bubbles with their little soft beaks and drink.

"Come down from my house, you beggar!" But this did not even frighten the birds that flocked about Silly Peter in ever increasing numbers.

At length he came into the house, and took a rifle from his case. "Just wait till it grows dark," he mumbled. But the lovely Vera jumped from her chair and, with tears in her eyes, cried: "No! No! God will see you. He will never forgive us. After all, what harm does the boy do? He did not intend to frighten me, I am sure, put it away, my dear--God will never forgive us if you don't."

Who could resist a pleading tear from lovely Vera? Surely not the Captain.

"You are right, my dear. He can do us no harm," he finally allowed.

At night there was a noise and commotion on the roof. Vera awoke, but then all was silent again. A fearful silence hung over the house, interrupted only by the heavy breathing of her devoted soldier husband.

She remained awake until morning and was glad when she heard the servants stir. Then thinking that a little music might be restful, she dressed herself lightly and went down to the drawing room, opened the piano and finally opened the shutter. There beneath her on the ground lay Peter, with his face up--dead. His round child-like eyes stared heavenward as his birds sat about in mournful groups of twos and fours.

The unfortunate Vera again rushed into the kitchen and sent for the police before she ran, terrified by the sight she had just beheld, to awaken her husband. In about an hour, although it seemed longer, the poor folk of the village arrived and carried the body from the yard. Fat Luba insisted upon halting the procession long enough so that she could kiss the white forehead of the little dead master of the sky. A ring of pigeons swirled around the procession as it marched down the hill.

Vera nursed up a little fever for herself and was put to bed, while Luba, the cook, stood in the market-place and with tears in her eyes told everybody that the Captain killed her little Major of the Birds--"and now nobody will look after them, and they will make dirt everywhere. And people will have to move away. And he is such a bad man to take the crumbs away from little doves. And if he has any children, I wish them the best of everything for they surely will be unfortunate."

Marking the spot where Peter fell were two new-born birds crushed beside the stone house on the hill. Through the air swung a grand flight describing an oval in the sky. At each end of the oval the pigeons beat their wings as they rounded the curve. With mournful thuds they beat, as they circled over the old farmer's house and again over the solid stone house on the hill.

All day they flapped a tattoo with their wings and beat their sorrowful dead sounds into lovely Vera's ears. In the evening the Captain sent for the doctor.

All night long the uncontrollable feathery tribes encircled the town with their monotonous beating and swishing of wings.

The next day Vera grew worse, as Luba in the market place kept insisting that the Captain killed her Little Master of the Birds; until a committee of three working-men took it upon themselves to investigate. They started for the hill, but stopped off in order to induce the schoolmaster to join them.

The schoolmaster, however, did not allow himself to be disturbed. He was playing chess with a friend, and kept tapping the dull-sounding table with his fingers, and repeating in a monotone: "If he disturbs that pawn, he may lose his queen."

As the committee went on to the hill, they were overtaken by the doctor in his carriage. At last they arrived at the stone house and found the doctor walking briskly up and down the drawing room smoking a cigarette--he had not yet told the Captain.

Upstairs they could hear the Captain in Vera's darkened room, kneel down beside the bed.

"Do you know, my darling," he spoke. "I have never kept anything from you--but the other day when I told you about the beggar, I should have told you that he was--Are you listening, my dear? I should have told you that he was the same boy--the poor boy that lived with the pigeons.

"See; we have already been--are you listening, my dear? God has already punished us--now you can get better and we will go away from here. We will go to some quiet place.--Are you listening, my dear? We will go to some--do you hear me, Vera? My darling girl, don't sleep now. Tell me, what did the doctor say? Wake up Vera."--But the hand of death had already passed over Vera.

The Little Master of the Sky didn't need a grave and didn't want one. But they dug one for him just the same, at the end of the town. While his pigeons encircled the sky and swished the air, the villagers straightened his twisted, little body and slipped it into a narrow box, and lowered him down. The poor folk gave him a little grave, but he doesn't need it for he never uses it.

THE MAN WITH THE GOOD FACE[16]

By FRANK LUTHER MOTT

(From _The Midland_)

A subway express train roared into the Fourteenth Street Station and came to a full stop, and the doors slid open. It was just at the lull of traffic before the rush of the late afternoon, and the cars were only comfortably filled. As the train stopped, a small, unobtrusive man, sitting near one end of the third car, quickly rose from his seat on the side of the car facing the station platform, and peered through the opposite windows. All the way up from Wall Street this little man had sat quietly observing through his deep-set grey eyes every man or woman who had entered or left the car. His figure was slight, and the office pallor that overspread his serious face seemed to give to his eyes a singular intensity of gaze. Now he peered intently out at the people on the Fourteenth Street platform.

Suddenly his eyes dilated; he leaned toward the window, and raised both hands as if to shade his eyes. Then he turned and ran toward the door, which was sliding shut. The little man's face was white as chalk; his eyes were round and blazing with excitement. Against the protests of the guard, he squeezed through the door and made his escape just as the train was beginning to move. Heedless of the commotion he caused, the man dodged wildly across the platform toward a local, which stood there, gongs ringing and doors closing. For all his haste, the little man was too late to enter. He pounded on the glass of one of the closed doors imperiously.

"Next train," said the guard shortly.

"Let me on!" demanded the little man, waving his arms wildly. "Let me on! You have time!"

"Next train," repeated the guard.

The train began to move swiftly. The little man ran alongside, peering in through the windows at something or somebody inside.

"Look out!" called the guard, watching him.

The man, however, paid no attention to the warning. It is strange that he was not hurt as he ran blindly alongside the train. Perilously near the end of the platform he stopped short and put his hand to his head. The train thundered away, its colored rear-lights vanishing far-off in the black tunnel. Oblivious to the interest of the spectators, oblivious to all the hurrying and running and crowding as other trains roared into the underground station, the little man leaned limply against a pillar.

"He's gone!" he muttered to himself. "He's gone!"

For upward of twenty years Mr. James Neal had been a clerk in the offices of Fields, Jones & Houseman on Lower Broadway. Every day of these twenty-odd years, if we except Sundays and holidays, Mr. Neal had spent an hour and a half on subway trains. An hour and a half every day for more than twenty years he had spent in the great underground system of the Interborough. Its ceaseless roar benumbed his senses as he was hurtled from the Bronx, where he had a room, to the Imperial Building, where he worked, and back again. This, as he had often computed, amounted to fifty-eight and a half working days each year, or about two months' time. Such was the fee he paid to Time for the privilege of using other hours for working and living. It had seemed a cruel loss at first--this hour and a half from every working day--but that was in the early days of his experience in the city. Then he had been driven by boundless energy and hope--the same energy and the same hope that had brought him here from his little mid-western community in the first place. Year by year, however, as custom calloused him to the only part in life he seemed fit to play, he forgot about the waste of time in the Interborough cars. Destiny, he said to himself, had hollowed out the subway as the rut in which his life was ordained to travel; destiny had condemned him inescapably to an underground roar.

He never confessed to anyone that he held the subway as the sign and symbol of the rut into which his life had grown. There was, indeed, nobody to whom he might impart such thoughts as he had about the deeper meanings of life. When Mr. Neal first came to Fields, Jones & Houseman's, timid and green from the country, he had been repelled by the lack of interest in his new problems on the part of his fellow clerks, and he had then put on for the first time that armor of indifference which now clung to him with the familiarity of an accustomed garment. Nor did he feel a greater kinship with the family in the Bronx with which he lodged. They were at pains not to annoy him; he kept apart from them.

Perhaps the pallid little clerk with the large grey eyes would have become very lonesome if he had not eventually found a real interest in life. This, then, was the manner and substance of his finding.

As he traveled back and forth on the subway morning and evening, day in and day out, week after week, he wasted the hours much more completely than most of his fellow travelers. The average subway passenger reads his newspaper and forgets the world; he knows by some sixth sense when the train has arrived at his station, and only then does he look up from his reading. Mr. Neal seldom read newspapers. The blatancy, the crassness of the daily prints revolted him. Perhaps there was another reason, too, which Mr. Neal himself did not realize; perhaps the settled selfishness which his manner of life had fixed upon him had destroyed a natural craving for the so-called "human interest" that is spread over the pages of the journals of the metropolis. He despised the little brawls aired in the papers, the bickerings of politics, the fights and strikes and broils of all humanity reflected in daily mirrors.

Self-deprived of the newspapers, it was natural that he should fall to watching the people on the cars. He got to studying faces. At first he did it unconsciously, and he had probably been analyzing features idly for years before he discovered and fully realized how extremely interesting this occupation was becoming. One half holiday he went up to the library and read a book on physiognomy, and after that he laid out his course of study carefully, classifying and laying away in his memory the various types of faces that he saw. He pursued his investigations in the detached, careful spirit of the scientist, but as time passed he was absorbingly interested. Every morning and every evening he worked in his laboratory--the subway trains.

He never had to stand up in the cars, for he boarded them, whether at one end of his trip or the other, before they were crowded; but as soon as crowds began to fill up the aisles he always gave up his seat. This naturally gained him repeated credit for courtesy, but the real reason for his apparent gallantry was that he could not see people's faces when he was sitting while others stood in the aisles. But when he hung to a strap and looked at the window in front of him, the blackness outside combined with the bright light of the car to make the glass of the windows an excellent mirror to reflect the faces of those who stood near him.

To classify faces according to nationality was not easy in the polyglot crowds of this East Side line. But Mr. Neal devised many schemes to help him. He watched the papers they read: everybody read papers! He even ventured when greatly curious, to ask a question of the object of his interest, so that the man might reveal his origin. Usually he was rebuffed, but sometimes he was successful. He read all the books on immigrants he could get his hands on. More than once he even followed a rare specimen--shadowed him to his work and there made guarded inquiries. Such investigations had several times made him late to work, so that his chief had made sarcastic remarks. The chief clerk at Fields, Jones & Houseman's was a tall, gaunt, old-young man with a hawk-like nose that carried eyeglasses perched perilously astride it, and he had a tongue that spit caustic. But the chief clerk's ugly words did not annoy Mr. Neal if his inquiry had been successful.

At length he became so skillful that he could separate the Slavic types into their various nationalities, and he could tell Polish, Lithuanian and Roumanian Jews apart. He could name the provinces from which Italians and Germans came with few errors.

But the most interesting set of categories, according to which he filed away the various faces he saw was that of their ruling passions. There was the scholar, the sport, the miser, the courtesan, the little shopkeeper, the clerk, the housewife, the artist, the brute, the hypocrite, the clergyman, the bar-hound, the gambler. The charm of this classification was that the categories were not mutually exclusive, and permitted infinite variation.

Mr. Neal became as devoted to this fascinating game as ever any enthusiast has been to billiards, golf, baseball or poker. He looked forward all day, while in the midst of the ancient grind of Fields, Jones & Houseman, to the moment when he could establish himself in a position of vantage on a subway car, and get back to his study of faces. All night long he dreamed of faces--faces wise and foolish, good and evil.

Yet more and more the ugliness in the subway faces oppressed Mr. Neal. Sometimes he looked into faces loosened by liquor and saw such an empty foulness looking out at him that he was heartsick. Then he would look at all the faces about him and see sin in manifold guise marking all of them. The sodden eyes of disillusion, the protruding underlip of lust, the flabby wrinkles of dissipation, the vacuous faces of women: it was a heart-breaking picture gallery.

Every face was stamped with the little passion peculiar to it--the mark of its peculiar spirit. The mouths, especially, betrayed the souls within. Somewhere Mr. Neal had once read weird stories of souls seen to escape from the bodies of dying persons, and always they had been seen to issue from the open mouths of the corpses. There was a singular appropriateness in this phenomenon, it seemed to Mr. Neal, for the soul stamped the mouth even before it marked the eyes. Lewd mouths, and cunning mouths, and hateful mouths there were aplenty. Even the mouths of children were old in evil.

"I'm sorry I've learned it," breathed Mr. Neal one day. "Now I must always look into a man's soul when I look into his face."

It was true. Men who could hide secret sins from bosom friends--even from their wives--were defenseless against this little clerk hanging to a strap--this man with the serious pale face and the large grey eyes who had learned by years of systematic observation to pierce every barrier of reserve.

His study and classification went on for several years before it occurred to him that there was one kind of face that he never saw--one type that he never found in all the Manhattan crowds. When he had first discovered that this face was missing he had called it "the good face;" and though he realized the insufficiency of this designation he could not think of a better, and the term stuck. It was not that he never saw faces with good qualities stamped upon them: he sometimes saw faces marked with benevolence, honesty and resolution, for example, and these were all good faces in a way. But they were not what Mr. Neal was looking for--what he searched for more intently with the passing months. He remembered the face of his own mother dimly through the years; it was a little like what he wanted to see here in the subway. He searched for simplicity, for transparent truth, for depth of spirituality, for meek strength and gentle power. But simplicity in the subway? Guileless transparency of any sort? Spirituality? Mockery!