Part 5

"And is all that written in the book, my son? It is better than I thought possible, but not so good as when one tells a story.... It is like cloth woven by a machine, nice and straight, but it is not like the kind our women weave on the loom--but it is good; it is better than I thought possible. What are the stories in the book you are reading? Of love or of sorrow?"

"Of neither, Murdo. Only about all the great heroes that have lived in this world of cowards."

"About every one of them?" he asked again. "That's good. It is good to tell the stories of the heroes."

He returned to the fireplace to light his pipe; then he came to me again.

"If it is written in this book about all the great heroes, then there must also be the record of Ghitza--the great Ghitza, our hero. The greatest that ever lived. See, son, what is there said about him?"

I turned the pages one by one to the end of the book and then reported, "Nothing, Murdo. Not even his name is mentioned."

"Then this book is not a good book. The man who wrote it did not know every hero ... because not Alexander of Macedon and not even Napoleon was greater than Ghitza...."

I sat near him at the fireplace and watched his wrinkled face while Murdo told me the story of Ghitza as it should be written in the book of heroes where the first place should be given to the greatest of them all....

* * * * *

About the birth of people, I, Murdo, the chief of the gypsy tribe which was ruled by the forefathers of my great-grandfather (who each ruled close to a hundred years)--about the birth of people, I, Murdo, can say this: That the seed of an oak gives birth to an oak, and that of a pine to a pine. No matter where the seed be carried by the winds, if it is the seed of an oak, an oak will grow; if it is the seed of a pine, a pine. So though it never was known who was the father of Ghitza, we knew him through his son. Ghitza's mother died because she bore him, the son of a white man--she, the daughter of the chief of our tribe. It was Lupu's rule to punish those who bore a child begotten from outside the tribe. But the child was so charming that he was brought up in the tent of one of our people. When Ghitza was ten years old, he worked alongside the men; and there was none better to try a horse before a customer than Ghitza. The oldest and slowest gathered all the strength it had and galloped and ran when it felt the bare boy on its back. Old mares frisked about like yearlings when he approached to mount them.

In his fifteenth summer he was a man, tall, broad, straight and lissom as a locust tree. His face was like rich milk and his eyes as black as the night. When he laughed or sang--and he laughed and sang all the time--his mouth was like a rose in the morning, when the dewdrops hang on its outer petals. And he was strong and good. If it happened that a heavy cart was stuck in the mud of the road and the oxen could not budge it, Ghitza would crawl under the cart, get on all fours, and lift the cart clear of the mud. Never giving time to the driver to thank him, his work done, he walked quickly away, whistling a song through a trembling leaf between his lips. And he was loved by everybody; and the women died just for the looks of him. The whole tribe became younger and happier because of Ghitza. We travelled very much those days. Dobrudja belonged yet to the Turks and was inhabited mostly by Tartars. The villages were far apart and very small, so we could not stay long in any place.

When Ghitza was twenty, our tribe, which was then ruled by my mighty grandfather, Lupu, happened to winter near Cerna Voda, a village on the other side of the Danube. We sold many horses to the peasants that winter. They had had a fine year. So our people had to be about the inn a good deal. Ghitza, who was one of the best traders, was in the inn the whole day. He knew every one. He knew the major and his wife and the two daughters and chummed with his son. And they all loved Ghitza, because he was so strong, so beautiful, and so wise. They never called him "tzigan" because he was fairer than they were. And there was quite a friendship between him and Maria, the smith's daughter. She was glad to talk to him and to listen to his stories when he came to the smithy. She helped her father in his work. She blew the bellows and prepared the shoes for the anvil. Her hair was as red as the fire and her arms round and strong. She was a sweet maid to speak to, and even the old priest liked to pinch her arms when she kissed his hand.

Then came spring and the first Sunday dance in front of the inn. The innkeeper had brought a special band of musicians. They were seated on a large table between two trees, and all around them the village maidens and the young men, locked arm in arm in one long chain of youth, danced the Hora, turning round and round.

Ghitza had been away to town, trading. When he came to the inn, the dance was already on. He was dressed in his best, wearing his new broad, red silken belt with his snow-white pantaloons and new footgear with silver bells on the ankles and tips. His shirt was as white and thin as air. On it the deftest fingers of our tribe had embroidered figures and flowers. On his head Ghitza wore a high black cap made of finest Astrakhan fur. And he had on his large ear-rings of white gold. Ghitza watched the dance for a while. Maria's right arm was locked with the arm of the smith's helper, and her left with the powerful arm of the mayor's son. Twice the long chain of dancing youths had gone around, and twice Ghitza had seen her neck and bare arms, and his blood boiled. When she passed him the third time, he jumped in, broke the hold between Maria and the smith's helper, and locked his arm in hers.

Death could not have stopped the dance more suddenly. The musicians stopped playing. The feet stopped dancing. The arms freed themselves and hung limply.

The smith's helper faced Ghitza with his arm uplifted.

"You cursed tzigan! You low-born gypsy! How dare you break into our dance? Our dance!" Other voices said the same.

Everybody expected blows, then knives and blood. But Ghitza just laughed aloud and they were all calmed. He pinned the smith's helper's arm and laughed. Then he spoke to the people as follows:

"You can see on my face that I am fairer than any of you. I love Maria, but I will not renounce the people I am with. I love them. The smith's helper knows that I could kill him with one blow. But I shall not do it. I could fight a dozen of you together. You know I can. But I shall not do it. Instead I shall outdance all of you. Dance each man and woman of the village until she or he falls tired on the ground. And if I do this I am as you are, and Maria marries me without word of shame from you."

And as he finished speaking he grasped the smith's helper around the waist and called to the musicians:

"Play, play."

For a full hour he danced around and around with the man while the village watched them and called to the white man to hold out. But the smith's helper was no match for Ghitza. He dragged his feet and fell. Ghitza, still fresh and vigorous, grasped another man and called to the musicians to play an even faster dance than before. When that one had fallen exhausted to the ground, Ghitza took on a third and a fourth. Then he began to dance with the maidens. The fiddler's string broke and the guitar player's fingers were numb. The sun went to rest behind the mountains and the moon rose in the sky to watch over her little children, the stars.

But Ghitza was still dancing. There was no trace of fatigue on his face and no signs of weariness in his steps. The more he danced, the fresher he became. When he had danced half of the village tired, and they were all lying on the ground, drinking wine from earthen urns to refresh themselves, the last string of the fiddle snapped and the musician reeled from his chair. Only the flute and the guitar kept on.

"Play on, play on, you children of sweet angels, and I shall give to each of you a young lamb in the morning," Ghitza urged them. But soon the breath of the flutist gave way. His lips swelled and blood spurted from his nose. The guitar player's fingers were so numb he could no longer move them. Then some of the people beat the rhythm of the dance with their open palms. Ghitza was still dancing on. They broke all the glasses of the inn and all the bottles beating time to his dance.

The night wore away. The cock crew. Early dogs arose and the sun woke and started to climb from behind the eastern range of mountains. Ghitza laughed aloud as he saw all the dancers lying on the ground. Even Maria was asleep near her mother. He entered the inn and woke the innkeeper, who had fallen asleep behind the counter.

"Whoa, whoa, you old swindler! Wake up! Day is come and I am thirsty."

After a long drink, he went to his tent to play with the dogs, as he did early every morning.

A little later, toward noon, he walked over to the smith's shop, shook hands with Maria's father and kissed the girl on the mouth even as the helper looked on.

"She shall be your wife, son," the smith said. "She will be waiting for you when your tribe comes to winter here. And no man shall ever say my daughter married an unworthy one."

The fame of our tribe spread rapidly. The tale of Ghitza's feat spread among all the villages and our tribe was respected everywhere. People no longer insulted us, and many another of our tribe now danced on Sundays at the inn--yea, our girls and our boys danced with the other people of the villages. Our trade doubled and tripled. We bartered more horses in a month than we had at other times in a year. Ghitza's word was law everywhere. He was so strong his honesty was not doubted. And he was honest. An honest horse-trader! He travelled far and wide. But if Cerna Voda was within a day's distance, Ghitza was sure to be there on Sunday to see Maria.

To brighten such days, wrestling matches were arranged and bets were made as to how long the strongest of them could stay with Ghitza. And every time Ghitza threw the other man. Once in the vise of his two arms, a man went down like a log.

And so it lasted the whole summer. But in whatever village our tribe happened to be, the women were running after the boy. Lupu, the chief of the tribe, warned him; told him that life is like a burning candle and that one must not burn it from both ends at the same time. But Ghitza only laughed and made merry.

"Lupu, old chief, didst thou not once say that I was an oak? Why dost thou speak of candles now?"

And he carried on as before. And ever so good, and ever so merry, and ever such a good trader.

Our tribe returned to Cerna Voda early that fall. We had many horses and we felt that Cerna was the best place for them. Most of them were of the little Tartar kind, so we thought it well for them to winter in the Danube's valley.

Every Sunday, at the inn, there were wrestling matches. Young men, the strongest, came from far-away villages. And they all, each one of them, hit the ground when Ghitza let go his vise.

One Sunday, when the leaves had fallen from the trees and the harvest was in, there came a Tartar horse-trading tribe to Cerna Voda.

And in their midst they had a big, strong man. Lupu, our chief, met their chief at the inn. They talked and drank and praised each their horses and men. Thus it happened that the Tartar chief spoke about his strong man. The peasants crowded nearer to hear the Tartar's story. Then they talked of Ghitza and his strength. The Tartar chief did not believe it.

"I bet three of my horses that my man can down him," the Tartar chief called.

"I take the bet against a hundred ducats in gold," the innkeeper answered.

"It's a bet," the Tartar said.

"Any more horses to bet?" others called out.

The Tartar paled but he was a proud chief and soon all his horses and all his ducats were pledged in bets to the peasants. That whole day and the rest of the week to Sunday, nothing else was spoken about. The people of our tribe pledged everything they possessed. The women gave even their ear-rings. The Tartars were rich and proud and took every bet that was offered. The match was to be on Sunday afternoon in front of the inn. Ghitza was not in the village at all the whole week. He was in Constantza, on the shores of the Black Sea, finishing some trade. When he arrived home on Sunday morning he found the people of the village, our people, the Tartars, and a hundred carriages that had brought people from the surrounding villages camped in front of the inn. He jumped down from his horse and looked about wondering from where and why so many people at once! The men and the women were in their best clothes and the horses all decorated as for a fair. The people gave him a rousing welcome. Lupu called Ghitza aside and told him why the people had gathered. Ghitza was taken aback but laughed instantly and slapped the chief on the shoulders.

"It will be as you know, and the Tartars shall depart poor and dishonoured, while we will remain the kings of the horse trade in the Dobrudja honoured and beloved by all."

Oak that he was! Thus he spoke, and he had not even seen the other man, the man he was to wrestle. He only knew he had to maintain the honour of his tribe. At the appointed hour he came to the inn. The whole tribe was about and around. He had stripped to the waist. He was good to look at. On the ground were bundles of rich skins near rolls of cloth that our men and women had bet against the Tartars. Heaps of gold, rings, watches, ear-rings, and ducats were spread on the tables. Tartar horses and oxen of our men and the people of the village were trooped together, the necks tied to one long rope held on one side by one of our men or a villager and at the other end by a Tartar boy. If Ghitza were thrown, one of ours had just to let his end of the rope go and all belonged to the other one. The smithy had pledged all he had, even his daughter, to the winner; and many another daughter, too, was pledged.

Ghitza looked about and saw what was at stake: the wealth and honour of his tribe and the wealth and honour of the village and the surrounding villages.

Then the Tartar came. He was tall and square. His trunk rested on short, stocky legs, and his face was black, ugly, and pock-marked. All shouting ceased. The men formed a wide ring around the two wrestlers. It was so quiet one could hear the slightest noise. Then the mayor spoke to the Tartars and pointed to the Danube; the inn was right on its shore.

"If your man is thrown, this very night you leave our shore, for the other side."

Ghitza kissed Maria and Lupu, the chief. Then the fight began.

A mighty man was Ghitza and powerful were his arms and legs. But it was seen from the very first grip that he had burned the candle at both ends at the same time. He had wasted himself in carouses. The two men closed one another in their vises and each tried to crush the other's ribs. Ghitza broke the Tartar's hold and got a grip on his head and twisted it with all his might. But the neck of the devil was of steel. It did not yield. Maria began to call to her lover:

"Twist his neck, Ghitza. My father has pledged me to him if he wins." And many another girl begged Ghitza to save her from marrying a black devil.

The Tartars, from another side, kept giving advice to their man. Everybody shrieked like mad, and even the dogs howled. From Ghitza's body the sweat flowed as freely as a river. But the Tartar's neck yielded not and his feet were like pillars of steel embedded in rocks.

"Don't let his head go, don't let him go," our people cried, when it was plain that all his strength had gone out of his arms. Achmed's pear-shaped head slipped from between his arms as the Tartar wound his legs about Ghitza's body and began to crush him. Ghitza held on with all his strength. His face was blue black. His nose bled, and from his mouth he spat blood. Our people cried and begged him to hold on. The eyes of the Tartars shot fire, their white teeth showed from under their thick lips and they called on Achmed to crush the Giaour. Oh! it seemed that all was lost. All our wealth, the honour and respect Ghitza had won for us; the village's wealth and all. And all the maidens were to be taken away as slaves to the Tartars. One man said aloud so that Ghitza should hear:

"There will not be a pair of oxen in the whole village to plough with; not a horse to harrow with, and our maidens are pledged to the black sons of the devil."

Ghitza was being downed. But, wait ... what happened! With the last of his strength he broke the hold. A shout rose to rend the skies. Bewildered Achmed lay stupefied and looked on. Tottering on his feet, in three jumps Ghitza was on the high point of the shore--a splash--and there was no more Ghitza. He was swallowed by the Danube. No Tartar had downed him!

And so our people had back their wealth, and the people of the village theirs. No honour was lost and the maidens remained in the village--only Maria did not. She followed her lover even as the people looked on. No one even attempted to stop her. It was her right. Where was she to find one such as he? She, too, was from the seed of an oak.

* * * * *

"And now, son, I ask thee--if the book before thee speaks of all the great heroes, why is it that Ghitza has not been given the place of honour?"

The log was burning in the fireplace, but I said good night to Murdo. I wanted to dream of the mighty Ghitza and his Maria. And ever since I have been dreaming of ... her.

FOOTNOTE:

[4] Copyright, 1920, by The Dial Publishing Company, Inc. Copyright, 1921, by Konrad Bercovici.

THE LIFE OF FIVE POINTS[5]

#By# EDNA CLARE BRYNER

From _The Dial_

A life went on in the town of Five Points. Five Points, the town was called, because it was laid out in the form of a star with five points and these points picked it out and circumscribed it. The Life that was lived there was in this wise. Over the centre of the town it hung thick and heavy, a great mass of tangled strands of all the colours that were ever seen, but stained and murky-looking from something that oozed out no one could tell from which of the entangling cords. In five directions heavy strands came in to the great knot in the centre and from it there floated out, now this way, now that, loose threads like tentacles, seeking to fasten themselves on whatever came within their grasp. All over the town thin threads criss-crossed back and forth in and out among the heavy strands making little snarls wherever several souls lived or were gathered together. One could see, by looking intently, that the tangling knotted strands and threads were woven into the rough pattern of a star.

Life, trembling through the mass in the centre, streamed back and forth over the incoming strands, irregularly and in ever-changing volume, pulling at the smaller knots here and there in constant disturbance. It swayed the loosely woven mass above the schoolhouse, shaking out glints of colour from the thin bright cords, golden yellows and deep blues, vivid reds and greens. It twisted and untwisted the small black knot above the town hotel. It arose in murky vapour from the large knots above each of the churches. All over the town it quivered through the fine entangling threads, making the pattern change in colour, loosening and tightening the weaving. In this fashion Life came forth from the body which it inhabited.

This is the way the town lay underneath it. From a large round of foot-tramped earth five wide streets radiated out in as many directions for a length of eight or ten houses and yards. Then the wide dirt street became a narrow road, the narrow board walks flanking it on either side stopped suddenly and faintly worn paths carried out their line for a space of three minutes' walk when all at once up rose the wall of the forest, the road plunged through and was immediately swallowed up. This is the way it was in all five directions from Five Points.

Round about the town forests lay thick and dark like the dark heavens around the cities of the sky, and held it off secure from every other life-containing place. The roads that pierced the wall of the forest led in deeper and deeper, cutting their way around shaggy foothills down to swift streams and on and up again to heights, in and out of obscure notches. They must finally have sprung out again through another wall of forest to other towns. But as far as Five Points was concerned, they led simply to lumber mills sitting like chained ravening creatures at safe distances from one another eating slowly away at the thick woods as if trying to remove the screen that held the town off to itself.

In the beginning there was no town at all, but miles and miles of virgin forest clothing the earth that humped itself into rough-bosomed hills and hummocks. Then the forest was its own. Birds nested in its dense leafage, fish multiplied in the clear running streams, wild creatures ranged its fastnesses in security. The trees, touched by no harsher hand than that which turns the rhythmically changing seasons, added year by year ring upon ring to their girths.

Suddenly human masters appeared. They looked at the girth of the trees, appraised the wealth that lay hidden there, marked the plan of its taking out. They brought in workers, cleared a space for head-quarters in the midst of their great tracts, cut roads out through the forest, and wherever swift streams crossed they set mills. The cleared space they laid out symmetrically in a tree-fringed centre of common ground encircled by a main street for stores and offices, with streets for houses leading out to the edge of the clearing. In the south-east corner of the town they set aside a large square of land against the forest for a school-house.

Thus Five Points was made as nearly in the centre of the great uncut region as it could well be and still be on the narrow-gauge railroad already passing through to make junction with larger roads. In short order there was a regular town with a station halfway down the street where the railroad cut through and near it a town hotel with a bar; a post office, several stores, a candy shop and a dentist's office fronting the round of earth in the centre; five churches set each on its own street and as far from the centre of the town as possible; and a six-room school-house with a flagpole. One mile, two miles, five and six miles distant in the forest, saw-mills buzzed away, strangely noisy amid their silent clumsy lumbermen and mill folk.

One after another, all those diverse persons necessary for carrying on the work of a small community drifted in. They cut themselves loose from other communities and hastened hither to help make this new one, each moved by his own particular reason, each bringing to the making of a Life the threads of his own deep desire. The threads interlaced with other threads, twisted into strands, knotted with other strands and the Life formed itself and hung trembling, thick and powerful, over the town.

The mill owners and managers came first, bringing strong warp threads for the Life. They had to have the town to take out their products and bring in supplies. They wanted to make money as fast as possible. "Let the town go to hell!" they said. They cared little how the Life went so that it did go. Most of them lived alternately as heads of families at home two hundred miles away and as bachelors at their mills and extract works.