The Best Of The World S Classics Restricted To Prose Vol Viii O

Chapter 8

Chapter 83,857 wordsPublic domain

The closely-serried battalions of the Swedes were, after a tremendous conflict, again driven across the trenches, and the battery, which had been twice lost, again rescued from their hands. The whole yellow regiment, the finest o£ all that distinguished themselves in this dreadful day, lay dead on the field, covering the ground almost in the same excellent order which, when alive, they maintained with such unyielding courage. The same fate befell another regiment of Blues, which Count Piccolomini attacked with the imperial cavalry and cut down after a desperate contest. Seven times did this intrepid general renew the attack; seven horses were shot under him, and he himself was pierced with six musket-balls; yet he would not leave the field until he was carried along in the general rout of the whole army. Wallenstein himself was seen riding through his ranks with cool intrepidity, amidst a shower of balls, assisting the distrest, encouraging the valiant with praise and the wavering by his fearful glance. Around and close by him his men were falling thick, and his own mantle was perforated by several shots. But avenging destiny this day protected that breast for which another weapon was reserved; on the same field where the noble Gustavus expired, Wallenstein was not allowed to terminate his guilty career.

Less fortunate was Pappenheim, the Telamon of the army, the bravest soldier of Austria and the Church. An ardent desire to encounter the King in person carried this daring leader into the thickest of the fight, where he thought his noble opponent was most surely to be met. Gustavus had also exprest a wish to meet his brave antagonist, but these hostile wishes remained ungratified; death first brought together these two great heroes. Two musket-balls pierced the breast of Pappenheim, and his men forcibly carried him from the field. While they were conveying him to the rear, a murmur reached him that he whom he had sought lay dead upon the plain. When the truth of the report was confirmed to him, his look became brighter, his dying eye sparkled with a last gleam of joy. "Tell the Duke of Friedland," said he, "that I lie without hope of life, but that I die happy, since I know that the implacable enemy of my religion has fallen on the same day."

With Pappenheim the good fortune of the Imperialists departed. The cavalry of the left wing, already beaten, and only rallied by his exertions, no sooner missed their victorious leader than they gave up everything for lost and abandoned the field of battle in spiritless despair. The right field fell into the same confusion, with the exception of a few regiments which the bravery of their colonels, Gotz, Terzky, Colloredo, and Piccolomini, compelled to keep their ground. The Swedish infantry, with prompt determination, profited by the enemy's confusion. To fill up the gaps which death had made in the front line, they formed both lines into one, and with it made the final and decisive charge. A third time they crossed the trenches, and a third time they captured the battery.

The sun was setting when the two lines closed. The strife grew hotter as it drew to an end; the last efforts of strength were mutually exerted, and skill and courage did their utmost to repair in those precious moments the fortune of the day. It was in vain; despair endows every one with superhuman strength; no one can conquer, no one will give way. The art of war seemed to exhaust its powers on one side, only to unfold some new and untried masterpiece of skill on the other. Night and darkness at last put an end to the fight, before the fury of the combatants was exhausted; and the contest only ceased when no one could any longer find an antagonist. Both armies separated, as if by tacit agreement; the trumpets sounded, and each party, claiming the victory, quitted the field....

The Duke of Friedland[19] had retreated thither, and was followed on the morrow by the scattered remains of his army, without artillery, without colors, and almost without arms. The Duke of Weimar, it appears, after the toils of this bloody day, allowed the Swedish army some repose, between Lutzen and Weissenfels, near enough to the field of battle to oppose any attempt the enemy might make to recover it. Of the two armies more than nine thousand men lay dead; a still greater number were wounded, and among the Imperialists scarcely a man escaped from the field uninjured. The entire plain from Lutzen to the Canal was strewed with the wounded, the dying, and the dead. History says nothing of prisoners; a further proof of the animosity of the combatants, who neither gave nor took quarter....

[Footnote 19: Wallenstein.]

Duke Bernard, by keeping possession of the field, and soon after by the capture of Leipsic, maintained indisputably his claim to the title of victor. But it was a dear conquest, a dearer triumph! It was not till the fury of the contest was over that the full weight of the loss sustained was felt, and the shout of triumph died away into a silent gloom of despair. He who had led them to the charge returned not with them: there he lay upon the field which he had won, mingled with the dead bodies of the common crowd. After a long and almost fruitless search, the corpse of the King was discovered not very far from the great stone which, for a hundred years before, had stood between Lutzen and the Canal, and which, from the memorable disaster of that day, still bears the name of the "Stone of the Swede." Covered with blood and wounds, so as scarcely to be recognized, trampled beneath the horses' hoofs, stript by the rude hands of plunderers of its ornaments and clothes, his body was drawn from beneath a heap of dead, conveyed to Weissenfels, and there delivered up to the lamentations of his soldiers and the last embraces of his Queen. The first tribute had been paid to revenge, and blood had atoned for the blood of the monarch; but now affection assumed its rights, and tears of grief must flow for the man. The universal sorrow absorbs all individual woes. The generals, still stupefied by the unexpected blow, stood speechless and motionless around his bier, and no one trusted himself enough to contemplate the full extent of their loss.

II

PHILIP II AND THE NETHERLANDS[20]

Of those important political events which make the sixteenth century to take rank among the brightest of the world's epochs, the foundation of the freedom of the Netherlands appears to me one of the most remarkable. If the glittering exploits of ambition and the pernicious lust of power claim our admiration, how much more so should an event in which opprest humanity struggled for its noblest right, where with the good cause unwonted powers were united, and the resources of resolute despair triumphed in unequal contest over the terrible arts of tyranny.

[Footnote 20: From the introduction to the "History of the Revolt of the Netherlands." Translated by A. J. W. Morrison. This work was translated by J. Horne in 1807, and again by E. B. Eastwick in 1844.]

Great and encouraging is the reflection that there is a resource left us against the arrogant usurpations of despotic power; that its best-contrived plans against the liberty of mankind may be frustrated; that resolute opposition can weaken even the outstretched arm of tyranny; and that heroic perseverance can eventually exhaust its fearful resources.

Never did this truth affect me so sensibly as in tracing the history of that memorable rebellion which forever severed the United Netherlands from the Spanish crown. Therefore I thought it not unworth the while to attempt to exhibit to the world this grand memorial of social union, in the hope that it may awaken in the breast of my reader a spirit-stirring consciousness of his own powers, and give a new and irrefragable example of what in a good cause men may both dare and venture, and what by union they may accomplish. It is not the extraordinary or heroic features of this event that induce me to describe it. The annals of the world record perhaps many similar enterprises, which may have been even bolder in the conception, and more brilliant in the execution. Some states have fallen after a nobler struggle, others have risen with more exalted strides. Nor are we here to look for eminent heroes, colossal talents, or those marvelous exploits which the history of past times presents in such rich abundance. Those times are gone, such men are no more. In the soft lap of refinement, we have suffered the energetic powers to become enervated which those ages called into action and rendered indispensable. With admiring awe, we wonder at these gigantic images of the past, as a feeble old man gazes on the athletic sports of youth.

Not so, however, in the history before us. The people here presented to our notice were the most peaceful in our quarter of the globe, and less capable than their neighbors of that heroic spirit which stamps a lofty character even on the most insignificant actions. The pressure of circumstances with its peculiar influence surprized them and forced a transitory greatness upon them, which they never could have possest, and perhaps will never possess again. It is, indeed, exactly this want of heroic grandeur which renders this event peculiarly instructive; and while others aim at showing the superiority of genius over chance, I shall here paint a scene where necessity creates genius, and accident makes heroes.

If, in any case, it be allowable to recognize the intervention of Providence in human affairs, it is certainly so in the present history, its course appears so contradictory to reason and experience. Philip II, the most powerful sovereign of his time--whose dreaded supremacy menaced the independence of Europe--whose treasures surpassed the collective wealth of all the monarchs of Christendom besides--whose ambitious projects were backed by numerous and well-disciplined armies--whose troops, hardened by long and bloody wars, and confident in past victories and in the irresistible prowess of this nation, were eager for any enterprise that promised glory and spoil, and ready to second with prompt obedience the daring genius of their leaders--this dreaded potentate here appears before us obstinately pursuing one favorite project, devoting to it the untiring efforts of a long reign, and bringing all these terrible resources to bear upon it; but forced, in the evening of his days, to abandon it--here we see the mighty Philip II engaging in combat with a few weak and powerless adversaries, and retiring from it at last with disgrace.

And with what adversaries? Here, a peaceful tribe of fishermen and shepherds, in an almost forgotten corner of Europe, which with difficulty they had rescued from the ocean; the sea their profession, and at once their wealth and their plague; poverty with freedom their highest blessing, their glory, their virtue. There, a harmless, moral commercial people, reveling in the abundant fruits of thriving industry, and jealous of the maintenance of laws which had proved their benefactors. In the happy leisure of affluence, they forsake the narrow circle of immediate wants, and learn to thirst after higher and nobler gratifications. The new views of truth whose benignant dawn now broke over Europe cast a fertilizing beam on this favored clime, and the free burgher admitted with joy the light which opprest and miserable slaves shut out. A spirit of independence, which is the ordinary companion of prosperity and freedom, lured this people on to examine the authority of antiquated opinions and to break an ignominious chain. But the stern rod of despotism was held suspended over them; arbitrary power threatened to tear away the foundation of their happiness; the guardian of their laws became their tyrant. Simple in their statecraft no less than in their manners, they dared to appeal to ancient treaties, and to remind the lord of both Indies of the right of nature. A name decides the whole issue of things. In Madrid that was called rebellion which in Brussels was simply styled a lawful remonstrance. The complaints of Brabant required a prudent mediator, Philip II sent an executioner. The signal for war was given. An unparalleled tyranny assailed both property and life. The despairing citizens, to whom the choice of deaths was all that was left, chose the nobler one on the battle-field. A wealthy and luxurious nation loves peace, but becomes warlike as soon as it becomes poor. Then it ceases to tremble for a life which is deprived of everything that had made it desirable. In an instant, the contagion of rebellion seized at once the most distant provinces; trade and commerce are at a standstill, the ships disappear from the harbors, the artizan abandons his workshop, the rustic his uncultivated fields. Thousands fled to distant lands, a thousand victims fell on the bloody field, and fresh thousands prest on. Divine, indeed, must that doctrine be for which men could die so joyfully. All that was wanting was the last finishing hand, the enlightened, enterprising spirit, to seize on this great political crisis, and to mold the offspring of chance into the ripe creation of wisdom. William the Silent, like a second Brutus, devoted himself to the great cause of liberty. Superior to all selfishness, he resigned honorable offices which entailed on him objectionable duties, and magnanimously divesting himself of all his princely dignities, he descended to a state of voluntary poverty, and became but a citizen of the world. The cause of justice was staked upon the hazardous game of battle; but the newly raised levies of mercenaries and peaceful husbandmen were unable to withstand the terrible onset of an experienced force. Twice did the brave William lead his dispirited troops against the tyrant, twice was he abandoned by them, but not by his courage.

Philip II sent as many reenforcements as the dreadful importunity of his viceroy demanded. Fugitives, whom their country rejected, sought a new home on the ocean, and turned to the ships of their enemy to satisfy the cravings both of vengeance and of want. Naval heroes were now formed out of corsairs, and a marine collected out of piratical vessels: out of morasses arose a republic. Seven provinces threw off the yoke at the same time, to form a new, youthful state, powerful by its waters and its union and despair. A solemn decree of the whole nation deposed the tyrant, and the Spanish name was erased from all its laws.

For such acts no forgiveness remained; the republic became formidable, only because it was impossible for her to retrace her steps. But factions distracted her within; without, her terrible element, the sea itself, leaguing with her oppressors, threatened her very infancy with a premature grave. She felt herself succumb to the superior force of the enemy, and cast herself a suppliant before the most powerful thrones of Europe, begging them to accept a dominion which she herself could no longer protect. At last, but with difficulty--so despised at first was this state, that even the rapacity of foreign monarchs spurned her opening bloom--a stranger deigned to accept their importunate offer of a dangerous crown. New hopes began to revive her sinking courage; but in this new father of his country destiny gave her a traitor, and in the critical emergency, when the implacable foe was in full force before her very gates, Charles of Anjou invaded the liberties which he had been called to protect. In the midst of the tempest, too, the assassin's hand tore the steersman from the helm, and with William of Orange the career of the infant republic was seemingly at an end, and all her guardian angels fled. But the ship continued to scud along before the storm, and the swelling canvas carried her safe without the pilot's help.

Philip II missed the fruits of a deed which cost him his royal honor, and perhaps, also, his self-respect. Liberty struggled on still with despotism, in obstinate and dubious contest; sanguinary battles were fought; a brilliant array of heroes succeeded each other on the field of glory; and Flanders and Brabant were the schools which educated generals for the coming century. A long, devastating war laid waste the open country; victor and vanquished alike waded through blood; while the rising republic of the waters gave a welcome to fugitive industry, and out of the ruins of despotism erected the noble edifice of its own greatness. For forty years lasted the war whose happy termination was not to bless the dying eye of Philip; which destroyed one paradise in Europe, to form a new one out of its shattered fragments; which destroyed the choicest flower of military youth, and while it enriched more than a quarter of the globe, impoverished the possessor of the golden Peru. This monarch, who could expend nine hundred tons of gold without oppressing his subjects, and by tyrannical measure extorted far more, heaped moreover on his exhausted people a debt of one hundred and forty millions of ducats. An implacable hatred of liberty swallowed up all these treasures, and consumed on the fruitless task the labor of a royal life. But the Reformation throve amidst the devastations of the sword, and over the blood of her citizens the banner of the new republic floated victorious.

AUGUST WILHELM VON SCHLEGEL

Born in 1767, died in 1845; educated at Göttingen; a tutor for three years in Amsterdam; made professor of literature and esthetics at Jena in 1798; founded a critical journal to represent the Romantic school; lectured in Berlin in 1803-04; traveled with Madame de Staël, a tutor to her children afterward at Coppet; became secretary to the Crown Prince Bernadotte and ennobled; professor at Bonn in 1818; visited England in 1823; wrote romances, sonnets, odes and criticisms, and translated Shakespeare.

SHAKESPEARE'S MACBETH[21]

Of "Macbeth" I have already spoken once in passing; and who could exhaust the praises of this sublime work? Since the "Eumenides" of Æschylus nothing so grand and terrible has ever been written. The witches are not, it is true, divine Eumenides, and are not intended to be; they are ignoble and vulgar instruments of hell. A German poet, therefore, very ill understood their meaning when he transformed them into mongrel beings, a mixture of fates, furies, and enchantresses, and clothed them with tragic dignity. Let no man venture to lay hand on Shakespeare's works thinking to improve anything essential: he will be sure to punish himself. The bad is radically odious, and to endeavor in any manner to ennoble it, is to violate the laws of propriety. Hence, in my opinion, Dante, and even Tasso, have been much more successful in their portraiture of demons than Milton.

[Footnote 21: From the "Lectures on Dramatic Art and Literature." Translated by John Black, the translation being revised by A. J. W. Morrison. Madame de Staël heard these lectures delivered in Vienna, and in her work on Germany says she was "astonished to hear a critic as eloquent as an orator."]

Whether the age of Shakespeare still believed in ghosts and witches is a matter of perfect indifference for the justification of the use which in "Hamlet" and "Macbeth" he has made of preexisting traditions. No superstition can be widely diffused without having a foundation in human nature: on this the poet builds; he calls up from their hidden abysses that dread of the unknown, and presage of a dark side of nature, and a world of spirits, which philosophy now imagines it has altogether exploded. In this manner he is in some degree both the portrayer and the philosopher of superstition; that is, not the philosopher who denies and turns it into ridicule, but, what is still more difficult, who distinctly exhibits its origin in apparently irrational and yet natural opinions. But when he ventures to make arbitrary changes in these popular traditions he altogether forfeits his right to them, and merely holds up his idle fancies to our ridicule. Shakespeare's picture of the witches is truly magical: in the short scenes where they enter he has created for them a peculiar language, which, altho composed of the usual elements, still seems to be a collection of formulæ of incantation. The sound of the words, the accumulation of rimes, and the rhythm of the verse form, as it were, the hollow music of a dreary witch-dance. He has been abused for using the names of disgusting objects; but he who fancies the kettle of the witches can be made effective with agreeable aromatics is as wise as those who desire that hell should sincerely and honestly give good advice. These repulsive things, from which the imagination shrinks, are here emblems of the hostile powers which operate in nature; and the repugnance of our senses is outweighed by the mental horror. With one another the witches discourse like women of the very lowest class; for this was the class to which witches were ordinarily supposed to belong: when, however, they address Macbeth they assume a loftier tone: their predictions, which they either themselves pronounce, or allow their apparitions to deliver, have all the obscure brevity, the majestic solemnity, of oracles.

We here see that the witches are merely instruments; they are governed by an invisible spirit, or the operation of such great and dreadful events would be above their sphere. With what intent did Shakespeare assign the same place to them in his play which they occupy in the history of Macbeth as related in the old chronicles? A monstrous crime is committed: Duncan, a venerable old man, and the best of kings, is, in defenseless sleep, under the hospitable roof, murdered by his subject, whom he has loaded with honors and rewards. Natural motives alone seem inadequate, or the perpetrator must have been portrayed as a hardened villain. Shakespeare wished to exhibit a more sublime picture--an ambitious but noble hero yielding to a deep-laid hellish temptation, and in whom all the crimes to which, in order to secure the fruits of his first crime, he is impelled by necessity, can not altogether eradicate the stamp of native heroism. He has, therefore, given a threefold division to the guilt of that crime. The first idea comes from that being whose whole activity is guided by a lust of wickedness.

The weird sisters surprize Macbeth in the moment of intoxication of victory, when his love of glory has been gratified; they cheat his eyes by exhibiting to him as the work of fate what in reality can be accomplished only by his own deed, and gain credence for all their words by the immediate fulfilment of the first prediction. The opportunity of murdering the King immediately offers; the wife of Macbeth conjures him not to let it slip; she urges him on with a fiery eloquence which has at command all those sophisms that serve to throw a false splendor over crime.