The Best of the World's Classics, Restricted to Prose, Vol. VI (of X)—Great Britain and Ireland IV
Part 2
If we would know what a university is, considered in its most elementary idea, we must betake ourselves to the first and most beautiful home of European civilization, to the bright and beautiful Athens,--Athens, whose schools drew to her bosom, and then sent back to the business of life, the youth of the Western world for a long thousand years. Seated on the verge of the continent, the city seemed hardly suited for the duties of a central metropolis of knowledge; yet what it lost in convenience of approach, it gained in its neighborhood to the traditions of the mysterious East, and in the loveliness of the region in which it lay. Hither, then, as to a sort of ideal land, where all the archetypes of the great and the fair were found in substantial being, and all departments of truth explored, and all diversities of intellectual power exhibited; where taste and philosophy were majestically enthroned as in a royal court; where there was no sovereignty but that of mind, and no nobility but that of genius; where professors were rulers and princes did homage,--hither flocked continually from the very corners of the _orbis terrarum_, the many-tongued generation, just rising or just risen into manhood, in order to gain wisdom.
[Footnote 7: From Volume III of the "Historical Sketches."]
Pisistratus[8] had at an early age discovered and nursed the infant genius of his people, and Cimon,[9] after the Persian war, had given it a home; that war had established the naval supremacy of Athens; she had become an imperial state; and the Ionians, bound to her by the double chain of kindred and of subjection, were importing into her both their merchandise and their civilization. The arts and philosophy of the Asiatic Court were easily carried across the sea, and there was Cimon, as I have said, with his ample fortune, ready to receive them with due honor. Not content with patronizing their profession, he built the first of those noble porticoes, of which we hear so much in Athens, and he formed the groves, which in process of time formed the celebrated academy. Planting is one of the most graceful, as in Athens it was one of the most beneficent, of employments. Cimon took in hand the wild wood, pruned and drest it, and laid it out with handsome walks and welcome fountains. Nor, while hospitable to the authors of the city's civilization, was he ungrateful to the instruments of her prosperity. His trees extended their cool, umbrageous branches over the merchants who assembled in the Agora, for many generations.
[Footnote 8: Pisistratus flourished from 605 B.C. until 527. He was a friend of Solon, but usurped supreme power in 560; was twice expelled and then restored to power. He is usually credited with a notable systematic attempt to preserve the Works of Homer.]
[Footnote 9: Cimon died in 449 B.C. He was a son of Miltiades and defeated the Persians on both sea and land in 466.]
Those merchants certainly had deserved that act of bounty; for all the while their ships had been carrying forth the intellectual fame of Athens to the Western world. Then commenced what may be called her university existence. Pericles, who succeeded Cimon, both in the government and in the patronage of art, is said by Plutarch to have entertained the idea of making Athens the capital of federated Greece; in this he failed; but his encouragement of such men as Phidias and Anaxagoras led the way to her acquiring a far more lasting sovereignty over a far wider empire. Little understanding the sources of her own greatness, Athens would go to war; peace is the interest of a seat of commerce and the arts; but to war she went: yet to her whether peace or war mattered not. The political power of Athens waned and disappeared; kingdoms rose and fell, centuries rolled away;--they did but bring fresh triumphs to the city of the poet and the sage. There at length the swarthy Moor and Spaniard were seen to meet the blue-eyed Gaul; and the Cappadocian, late subject to Mithridates, gazed without alarm at the haughty conquering Roman. Revolution after revolution passed over the face of Europe, as well as of Greece, but still she was there,--Athens, the city of the mind, as radiant, as splendid, as delicate, as young, as ever she had been.
Many a more fruitful coast or isle is washed by the blue Ægean, many a spot is there more beautiful or sublime to see, many a territory more ample; but there was one charm in Attica, which in the same perfection was nowhere else. The deep pastures of Arcadia, the plain of Argos, the Thessalian Vale, these had not the gift; Boeotia, which lay to its immediate north, was notorious for the very want of it. The heavy atmosphere of that Boeotia might be good for vegetation, but it was associated in popular belief with the dulness of the Boeotian intellect; on the contrary, the special purity, elasticity, clearness, and salubrity of the air of Attica, fit concomitant and emblem of its genius, did that for it which earth did not;--it brought out every bright line and tender shade of the landscape over which it was spread, and would have illuminated the face even of a more barren and rugged country.
A confined triangle, perhaps fifty miles its greatest length, and thirty its greatest breadth; two elevated rocky barriers meeting at an angle; three prominent mountains commanding the plain,--Parnes, Pentelicus, and Hymettus; an unsatisfactory soil; some streams, not always full;--such is about the report which the agent of a London company would have made of Attica. He would report that the climate was mild, the hills were limestone; there was plenty of good marble; more pasture than at first survey might have been expected, sufficient certainly for sheep and goats; fisheries productive; silver mines once, but long since worked out; figs, fair; oil, first-rate; olives in profusion. But what he would not think of noting down was, that that olive-tree was so choice in nature and so noble in shape, that it excited a religious veneration, and that it took so kindly to the light soil as to expand into woods upon the open plain, and to climb up and fringe the hills. He would not think of writing word to his employer, how that clear air, of which I have spoken, brought out, yet blended and subdued, the colors on the marble, till they had a softness and harmony, for all their richness, which in a picture looks exaggerated, yet is after all within the truth. He would not tell how that same delicate and brilliant atmosphere freshened up the pale olive, until the olive forgot its monotony, and its cheek glowed like the arbutus or beech of the Umbrian Hills. He would say nothing of the thyme and thousand fragrant herbs which carpeted Hymettus; he would hear nothing of the hum of its bees, nor take much account of the rare flavor of its honey, since Sozo and Minorca were sufficient for the English demand.
He would look over the Ægean from the height he had ascended; he would follow with his eye the chain of islands, which, starting from the Sunian headland, seemed to offer the fabled divinities of Attica, when they would visit their Ionian cousins, a sort of viaduct thereto across the sea; but that fancy would not occur to him, nor any admiration of the dark violet billows with their white edges down below; nor of those graceful, fanlike jets of silver upon the rocks, which slowly rise aloft like water spirits from the deep, then shiver and break, and spread, and shroud themselves, and disappear, in a soft mist of foam; nor of the gentle, incessant heaving and panting of the whole liquid plain; nor of the long waves, keeping steady time, like a line of soldiery, as they resounded upon the hollow shore--he would not deign to notice that restless living element at all, except to bless his stars that he was not upon it. Nor the distinct detail, nor the refined coloring, nor the graceful outline and roseate golden line of the jutting crags, nor the bold shadows east from Otus or Laurium by the declining sun--our agent of a mercantile firm would not value these matters even at a low figure. Rather we must turn for the sympathy we seek to yon pilgrim student, come from a semi-barbarous land to that small corner of the earth, as to a shrine, where he might take his fill gazing on those emblems and coruscations of invisible, unoriginate perfection. It was the stranger from a remote province, from Britain or from Mauritania, who in a scene so different from that of his chilly, woody swamps, or of his fiery, choking sands, learned at once what a real university must be, by coming to understand the sort of country which was its suitable home.
Nor was this all that a university required and found in Athens. No one, not even there, could live on poetry. If the students at that famous place had nothing better than bright hues and soothing sounds, they would not have been able or disposed to turn their residence there to much account. Of course they must have the means of living, nay, in a certain sense, of enjoyment, if Athens was to be an _alma mater_ at the time, or to remain afterward a pleasant thought in their memory. And so they had: be it recollected Athens was a port and a mart of trade, perhaps the first in Greece; and strangers were ever flocking to it, whose combat was to be with intellectual, not physical difficulties, and who claimed to have their bodily wants supplied that they might be at leisure to set about furnishing their minds.
Now barren as was the soil of Attica, and bare the face of the country, yet it had only too many resources for an elegant, nay, luxurious abode there. So abundant were the imports of the place, that it was a common saying that the productions which were found singly elsewhere were brought together in Athens. Corn and wine, the staple of existence in such a climate, came from the Islands of the Ægean; fine wool and carpeting from Asia Minor; slaves, as now, from the Euxine; and timber too, and iron and brass, from the coasts of the Mediterranean. The Athenian did not condescend to manufactures himself, but encouraged them in others, and a population of foreigners caught at the lucrative occupation, both for home consumption and for exportation. Their cloth and other textures for dress and furniture, and their hardware--for instance, armor--were in great request. Labor was cheap; stone and marble in plenty; and the taste and skill, which at first were devoted to public buildings, as temples and porticoes, were in course of time applied to the mansions of public men. If nature did much for Athens, it is undeniable that art did much more.
EDWARD BULWER LYTTON
Born in 1803, died in 1873; educated at Cambridge; member of Parliament in 1831-41, and 1852-66; Colonial Secretary in 1858; raised to the peerage in 1866; his first work, "Falkland," published in 1827; "Last Days of Pompeii" in 1834; besides many other novels, wrote volumes of verse, made translations and wrote dramas, including "The Lady of Lyons" (1838), and "Richelieu" (1839).
THE DESCENT OF VESUVIUS ON POMPEII[10]
On the upper tier (but apart from the male spectators) sat the women, their gay dresses resembling some gaudy flower-bed; it is needless to add that they were the most talkative part of the assembly; and many were the looks directed up to them, especially from the benches appropriated to the young and the unmarried men. On the lower seats round the arena sat the more high-born and wealthy visitors--the magistrates and those of senatorial or equestrian dignity: the passages which, by corridors at the right and left, gave access to these seats, at either end of the oval arena, were also the entrances for the combatants. Strong palings at these passages prevented any unwelcome eccentricity in the movements of the beasts, and confined them to their appointed prey. Around the parapet which was raised above the arena, and from which the seats gradually rose, were gladiatorial inscriptions, and paintings wrought in fresco, typical of the entertainments for which the place was designed. Throughout the whole building wound invisible pipes, from which, as the day advanced, cooling and fragrant showers were to be sprinkled over the spectators.
[Footnote 10: From "The Last Days of Pompeii." The great theater at Pompeii, built in the time of Augustus, was semi-circular in form, with a diameter of 322 feet.]
The officers of the amphitheater were still employed in the task of fixing the vast awning (or _velaria_) which covered the whole, and which luxurious invention the Campanians arrogated to themselves: it was woven of the whitest Apulian wool, and variegated with broad stripes of crimson. Owing either to some inexperience on the part of the workmen or to some defect in the machinery, the awning, however, was not arranged that day so happily as usual; indeed, from the immense space of the circumference, the task was always one of great difficulty and art--so much so that it could seldom be adventured in rough or windy weather. But the present day was so remarkably still that there seemed to the spectators no excuse for the awkwardness of the artificers; and when a large gap in the back of the awning was still visible, from the obstinate refusal of one part of the velaria to ally itself with the rest, the murmurs of discontent were loud and general.
The ædile Pansa,[11] at whose expense the exhibition was given, looked particularly annoyed at the defect, and vowed bitter vengeance on the head of the chief officer of the show, who, fretting, puffing, perspiring, busied himself in idle orders and unavailing threats.
[Footnote 11: The house of Pansa in Pompeii, as now uncovered, shows one of the largest and most elaborate dwellings in the city. It measures 120 by 300 feet.]
The hubbub ceased suddenly--the operators desisted--the crowd were stilled--the gap was forgotten--for now, with a loud and warlike flourish of trumpets, the gladiators, marshaled in ceremonious procession, entered the arena. They swept round the oval space very slowly and deliberately, in order to give the spectators full leisure to admire their stern serenity of feature--their brawny limbs and various arms, as well as to form such wagers as the excitement of the moment might suggest.
"Oh!" cried the widow Fulvia to the wife of Pansa, as they leaned down from their lofty bench, "do you see that gigantic gladiator? how drolly he is drest!"
"Yes," said the ædile's wife with complacent importance, for she knew all the names and qualities of each combatant: "he is a retiarius or netter; he is armed only, you see, with a three-pronged spear like a trident, and a net; he wears no armor, only the fillet and the tunic. He is a mighty man, and is to fight with Sporus, yon thick-set gladiator, with the round shield and drawn sword but without body armor; he has not his helmet on now, in order that you may see his face--how fearless it is! By-and-by he will fight with his visor down."...
While thus conversing, the first formalities of the show were over. To these succeeded a feigned combat with wooden swords between the various gladiators matched against each other. Among these the skill of two Roman gladiators, hired for the occasion, was the most admired; and next to them the most graceful combatant was Lydon. This sham contest did not last above an hour, nor did it attract any very lively interest except among those connoisseurs of the arena to whom art was preferable to more coarse excitement; the body of the spectators were rejoiced when it was over, and when the sympathy rose to terror. The combatants were now arranged in pairs, as agreed beforehand; their weapons examined; and the grave sports of the day commenced amid the deepest silence--broken only by the exciting and preliminary blast of warlike music.
It was often customary to begin the sports by the most cruel of all; and some bestiarius, or gladiator appointed to the beasts, was slain first as an initiatory sacrifice. But in the present instance the experienced Pansa thought better that the sanguinary drama should advance, not decrease, in interest; and accordingly the execution of Olinthus and Glaucus was reserved for the last. It was arranged that the two horsemen should first occupy the arena; that the foot gladiators, paired off, should then be loosed indiscriminately on the stage; that Glaucus and the lion should next perform their part in the bloody spectacle; and the tiger and the Nazarene be the grand finale. And in the spectacles of Pompeii, the reader of Roman history must limit his imagination, nor expect to find those vast and wholesale exhibitions of magnificent slaughter with which a Nero or a Caligula regaled the inhabitants of the Imperial City. The Roman shows, which absorbed the more celebrated gladiators and the chief proportion of foreign beasts, were indeed the very reason why in the lesser towns of the empire the sports of the amphitheater were comparatively humane and rare; and in this as in other respects, Pompeii was the miniature, the microcosm of Rome. Still, it was an awful and imposing spectacle, with which modern times have, happily, nothing to compare; a vast theater, rising row upon row, and swarming with human beings, from fifteen to eighteen thousand in number, intent upon no fictitious representation--no tragedy of the stage--but the actual victory or defeat, the exultant life or the bloody death, of each and all who entered the arena!
The two horsemen were now at either extremity of the lists (if so they might be called), and at a given signal from Pansa the combatants started simultaneously as in full collision, each advancing his round buckler, each posing on high his sturdy javelin; but just when within three paces of his opponent, the steed of Berbix suddenly halted, wheeled round, and as Nobilior was borne rapidly by, his antagonist spurred upon him. The buckler of Nobilior, quickly and skilfully extended, received a blow which otherwise would have been fatal. And the wild murmur, swelled by many a shout, echoed from side to side.
The visors of both the horsemen were completely closed (like those of the knights in after times), but the head was nevertheless the great point of assault; and Nobilior, now wheeling his charger with no less adroitness than his opponent, directed his spear full on the helmet of his foe. Berbix raised his buckler to shield himself, and his quick-eyed antagonist, suddenly lowering his weapon, pierced him through the breast. Berbix reeled and fell.
"Nobilior! Nobilior!" shouted the populace.
"I have lost ten sestertia," said Clodius, between his teeth.
"_Habet!_" (he has it) said Pansa deliberately.
The populace, not yet hardened into cruelty, made the signal of mercy: but as the attendants of the arena approached, they found the kindness came too late; the heart of the Gaul had been pierced, and his eyes were set in death, It was his life's blood that flowed so darkly over the sand and sawdust of the arena.
There were now on the arena six combatants: Niger and his net, matched against Sporus with his shield and his short broad-sword; Lydon and Tetraides, naked save by a cincture round the waist, each armed only with a heavy Greek cestus; and two gladiators from Rome, clad in complete steel, and evenly matched with immense bucklers and pointed swords.
The initiatory contest between Lydon and Tetraides being less deadly than that between the other combatants, no sooner had they advanced to the middle of the arena than as by common consent the rest held back, to see how that contest should be decided, and wait till fiercer weapons might replace the cestus ere they themselves commenced hostilities. They stood leaning on their arms and apart from each other, gazing on the show, which, if not bloody enough thoroughly to please the populace, they were still inclined to admire because its origin was of their ancestral Greece.
No persons could at first glance have seemed less evenly matched than the two antagonists. Tetraides, tho no taller than Lydon, weighed considerably more; the natural size of his muscles was increased, to the eyes of the vulgar, by masses of solid flesh; for, as it was a notion that the contest of the cestus fared easiest with him who was plumpest, Tetraides had encouraged to the utmost his hereditary predisposition to the portly. His shoulders were vast, and his lower limbs thick-set, double-jointed, and slightly curved outward, in that formation which takes so much from beauty to give so largely to strength. But Lydon, except that he was slender even almost to meagerness, was beautifully and delicately proportioned; and the skilful might have perceived that with much less compass of muscle than his foe, that which he had was more seasoned--iron and compact. In proportion, too, as he wanted flesh, he was likely to possess activity; and a haughty smile on his resolute face, which strongly contrasted with the solid heaviness of his enemy's, gave assurance to those who beheld it and united their hope to their pity; so that despite the disparity of their seeming strength, the cry of the multitude was nearly as loud for Lydon as for Tetraides.
Whoever is acquainted with the modern prize-ring--whoever has witnessed the heavy and disabling strokes which the human fist, skilfully directed, hath the power to bestow--may easily understand how much that happy facility would be increased by a band carried by thongs of leather round the arm as high as the elbow, and terribly strengthened about the knuckles by a plate of iron, and sometimes a plummet of lead. Yet this, which was meant to increase, perhaps rather diminished, the interest of the fray; for it necessarily shortened its duration. A very few blows, successfully and scientifically planted, might suffice to bring the contest to a close; and the battle did not, therefore, often allow full scope for the energy, fortitude, and dogged perseverance that we technically style _pluck_, which not unusually wins the day against superior science, and which heightens to so painful a delight the interest in the battle and the sympathy for the brave.
Tetraides struck--it was as the blow of a smith on a vise; Lydon sank suddenly on one knee--the blow passed over his head. Not so harmless was Lydon's retaliation; he quickly sprang to his feet, and aimed his cestus full on the broad chest of his antagonist. Tetraides reeled--the populace shouted....
The people had been already rendered savage by the exhibition of blood; they thirsted for more; their superstition was aided by their ferocity. Aroused, inflamed by the spectacle of their victims, they forgot the authority of their rulers. It was one of those dread popular convulsions common to crowds wholly ignorant, half free and half servile, and which the peculiar constitution of the Roman provinces so frequently exhibited. The power of the prætor was a reed beneath the whirlwind; still, at his word the guards had drawn themselves along the lower benches, on which the upper classes sat separate from the vulgar. They made but a feeble barrier; the waves of the human sea halted for a moment, to enable Arbaces to count the exact moment of his doom! In despair, and in a terror which beat down even pride, he glanced his eye over the rolling and rushing crowd; when, right above them, through the wide chasm which had been left in the velaria, he beheld a strange and awful apparition; he beheld, and his craft restored his courage!
He stretched his hand on high; over his lofty brow and royal features there came an expression of unutterable solemnity and command.
"Behold!" he roared with a voice of thunder, which stilled the roar of the crowd: "behold how the gods protect the guiltless! The fires of the avenging Orcus burst forth against the false witness of my accusers!"