Chapter 8
Even then Veile did not forget her penance. When they bore away the corpse to the "good place," she did utter a cry of anguish which long after echoed in the ears of the people; she did wring her hands in despair, but no one heard a word of complaint. Her lips seemed dumb forever. It was then, when she was seated on the low stool in the seven days of mourning, that the rabbi came to her, to bring to her the usual consolation for the dead. But he did not speak with her. He addressed words only to her husband. She herself dared not look up. Only when he turned to go did she lift her eyes. They, in turn, met the eyes of the rabbi, but he departed without a farewell.
After her daughter's death Veile was completely broken down. Even that which at her time of life is still called beauty had faded away within a few days. Her cheeks had become hollow, her hair gray. Visitors wondered how she could endure such a shock, how body and spirit could hold together. They did not know that that silence was an iron fetter firmly imprisoning the slumbering spirits. She had a son, moreover, to whom, as to something last and dearest, her whole being still clung.
The boy was thirteen years old. His learning in the Holy Scriptures was already celebrated for miles around. He was the pupil of the rabbi, who had treated him with a love and tenderness becoming his own father. He said that he was a remarkable child, endowed with rare talents. The boy was to be sent to Hungary, to one of the most celebrated teachers of the times, in order to lay the foundation for his sacred studies under this instructor's guidance and wisdom. Years might perhaps pass before she would see him again. But Veile let her boy go from her embrace. She did not say a blessing over him when he went; only her lips twitched with the pain of silence.
Long years expired before the boy returned from the strange land, a full-grown, noble youth. When Veile had her son with her again a smile played about her mouth, and for a moment it seemed as if her former beauty had enjoyed a second spring. The extraordinary ability of her son already made him famous. Wheresoever he went people were delighted with his beauty, and admired the modesty of his manner, despite such great scholarship.
The next Sabbath the young disciple of the Talmud, scarcely twenty years of age, was to demonstrate the first marks of this great learning.
The people crowded shoulder to shoulder in this great synagogue. Curious glances were cast through the lattice-work of the women's gallery above upon the dense throng. Veile occupied one of the foremost seats. She could see everything that took place below. Her face was extremely pale. All eyes were turned towards her--the mother, who was permitted to see such a day for her son! But Veile did not appear to notice what was happening before her. A weariness, such as she had never felt before, even in her greatest suffering, crept over her limbs. It was as if she must sleep during her son's address. He had hardly mounted the stairs before the ark of the laws--hardly uttered his first words--when a remarkable change crossed her face. Her cheeks burned. She arose. All her vital energy seemed aroused. Her son meanwhile was speaking down below. She could not have told what he was saying. She did not hear him--she only heard the murmur of approbation, sometimes low, sometimes loud, which came to her ears from the quarters of the men. The people were astonished at the noble bearing of the speaker, his melodious speech, and his powerful energy. When he stopped at certain times to rest it seemed as if one were in a wood swept by a storm. She could now and then hear a few voices declaring that such a one had never before been listened to. The women at her side wept; she alone could not. A choking pain pressed from her breast to her lips. Forces were astir in her heart which struggled for expression. The whole synagogue echoed with buzzing voices, but to her it seemed as if she must speak louder than these. At the very moment her son had ended she cried out unconsciously, violently throwing herself against the lattice-work:
"God! living God! shall I not now speak?" A dead silence followed this outcry. Nearly all had recognized this voice as that of the "silent woman." A miracle had taken place!
"Speak! speak!" resounded the answer of the rabbi from the men's seats below. "You may now speak!"
But no reply came. Veile had fallen back into her seat, pressing both hands against her breast. When the women sitting beside her looked at her they were terrified to find that the "silent woman" had fainted. She was dead! The unsealing of her lips was her last moment.
Long years afterwards the rabbi died. On his death-bed he told those standing about him this wonderful penance of Veile.
Every girl in the _gasse_ knew the story of the "silent woman."
FOOTNOTE:
[D] Copyright, 1890, by Harper Bros.
BANSHEES[E]
Of all Irish ghosts, fairies, or bogles, the Banshee (sometimes called locally the "Boh[=ee]ntha" or "Bank[=ee]ntha") is the best known to the general public: indeed, cross-Channel visitors would class her with pigs, potatoes, and other fauna and flora of Ireland, and would expect her to make manifest her presence to them as being one of the sights of the country. She is a spirit with a lengthy pedigree--how lengthy no man can say, as its roots go back into the dim, mysterious past. The most famous Banshee of ancient times was that attached to the kingly house of O'Brien, Aibhill, who haunted the rock of Craglea above Killaloe, near the old palace of Kincora. In A.D. 1014 was fought the battle of Clontarf, from which the aged king, Brian Boru, knew that he would never come away alive, for the previous night Aibhill had appeared to him to tell him of his impending fate. The Banshee's method of foretelling death in olden times differed from that adopted by her at the present day: now she wails and wrings her hands, as a general rule, but in the old Irish tales she is to be found washing human heads and limbs, or blood-stained clothes, till the water is all dyed with human blood--this would take place before a battle. So it would seem that in the course of centuries her attributes and characteristics have changed somewhat.
Very different descriptions are given of her personal appearance. Sometimes she is young and beautiful, sometimes old and of a fearsome appearance. One writer describes her as "a tall, thin woman with uncovered head, and long hair that floated round her shoulders, attired in something which seemed either a loose white cloak, or a sheet thrown hastily around her, uttering piercing cries." Another person, a coachman, saw her one evening sitting on a stile in the yard; she seemed to be a very small woman, with blue eyes, long light hair, and wearing a red cloak. Other descriptions will be found in this chapter. By the way, it does not seem to be true that the Banshee exclusively follows families of Irish descent, for the last incident had reference to the death of a member of a Co. Galway family English by name and origin.
One of the oldest and best-known Banshee stories is that related in the _Memoirs_ of Lady Fanshaw.[F] In 1642 her husband, Sir Richard, and she chanced to visit a friend, the head of an Irish sept, who resided in his ancient baronial castle, surrounded with a moat. At midnight she was awakened by a ghastly and supernatural scream, and looking out of bed, beheld in the moonlight a female face and part of the form hovering at the window. The distance from the ground, as well as the circumstance of the moat, excluded the possibility that what she beheld was of this world. The face was that of a young and rather handsome woman, but pale, and the hair, which was reddish, was loose and disheveled. The dress, which Lady Fanshaw's terror did not prevent her remarking accurately, was that of the ancient Irish. This apparition continued to exhibit itself for some time, and then vanished with two shrieks similar to that which had first excited Lady Fanshaw's attention. In the morning, with infinite terror, she communicated to her host what she had witnessed, and found him prepared not only to credit, but to account for the superstition. "A near relation of my family," said he; "expired last night in this castle. We disguised our certain expectation of the event from you, lest it should throw a cloud over the cheerful reception which was your due. Now, before such an event happens in this family or castle, the female specter whom you have seen is always visible. She is believed to be the spirit of a woman of inferior rank, whom one of my ancestors degraded himself by marrying, and whom afterwards, to expiate the dishonor done to his family, he caused to be drowned in the moat." In strictness this woman could hardly be termed a Banshee. The motive for the haunting is akin to that in the tale of the Scotch "Drummer of Cortachy," where the spirit of the murdered man haunts the family out of revenge, and appears before a death.
Mr. T.J. Westropp, M.A., has furnished the following story: "My maternal grandmother heard the following tradition from her mother, one of the Miss Ross-Lewins, who witnessed the occurrence. Their father, Mr. Harrison Ross-Lewin, was away in Dublin on law business, and in his absence the young people went off to spend the evening with a friend who lived some miles away. The night was fine and lightsome as they were returning, save at one point where the road ran between trees or high hedges not far to the west of the old church of Kilchrist. The latter, like many similar ruins, was a simple oblong building, with long side-walls and high gables, and at that time it and its graveyard were unenclosed, and lay in the open fields. As the party passed down the long dark lane they suddenly heard in the distance loud keening and clapping of hands, as the country-people were accustomed to do when lamenting the dead. The Ross-Lewins hurried on, and came in sight of the church, on the side wall of which a little gray-haired old woman, clad in a dark cloak, was running to and fro, chanting and wailing, and throwing up her arms. The girls were very frightened, but the young men ran forward and surrounded the ruin, and two of them went into the church, the apparition vanishing from the wall as they did so. They searched every nook, and found no one, nor did any one pass out. All were now well scared, and got home as fast as possible. On reaching their home their mother opened the door, and at once told them that she was in terror about their father, for, as she sat looking out the window in the moonlight, a huge raven with fiery eyes lit on the sill, and tapped three times on the glass. They told her their story, which only added to their anxiety, and as they stood talking, taps came to the nearest window, and they saw the bird again. A few days later news reached them that Mr. Ross-Lewin had died suddenly in Dublin. This occurred about 1776."
Mr. Westropp also writes that the sister of a former Roman Catholic Bishop told his sisters that when she was a little girl she went out one evening with some other children for a walk. Going down the road, they passed the gate of the principal demesne near the town. There was a rock, or large stone, beside the road, on which they saw something. Going nearer, they perceived it to be a little dark, old woman, who began crying and clapping her hands. Some of them attempted to speak to her, but got frightened, and all finally ran home as quickly as they could. Next day the news came that the gentleman near whose gate the Banshee had cried, was dead, and it was found on inquiry that he had died at the very hour at which the children had seen the specter.
A lady who is a relation of one of the compilers, and a member of a Co. Cork family of English descent, sends the two following experiences of a Banshee in her family. "My mother, when a young girl, was standing looking out of the window in their house at Blackrock, near Cork. She suddenly saw a white figure standing on a bridge which was easily visible from the house. The figure waved her arms towards the house, and my mother heard the bitter wailing of the Banshee. It lasted some seconds, and then the figure disappeared. Next morning my grandfather was walking as usual into the city of Cork. He accidentally fell, hit his head against the curbstone, and never recovered consciousness.
"In March, 1900, my mother was very ill, and one evening the nurse and I were with her arranging her bed. We suddenly heard the most extraordinary wailing, which seemed to come in waves round and under her bed. We naturally looked everywhere to try and find the cause, but in vain. The nurse and I looked at one another, but made no remark, as my mother did not seem to hear it. My sister was downstairs sitting with my father. She heard it, and thought some terrible thing had happened to her little boy, who was in bed upstairs. She rushed up, and found him sleeping quietly. My father did not hear it. In the house next door they heard it, and ran downstairs, thinking something had happened to the servant; but the latter at once said to them, 'Did you hear the Banshee? Mrs. P---- must be dying.'"
A few years ago (_i.e._ before 1894) a curious incident occurred in a public school in connection with the belief in the Banshee. One of the boys, happening to become ill, was at once placed in a room by himself, where he used to sit all day. On one occasion, as he was being visited by the doctor, he suddenly started up from his seat, and affirmed that he heard somebody crying. The doctor, of course, who could hear or see nothing, came to the conclusion that the illness had slightly affected his brain. However, the boy, who appeared quite sensible, still persisted that he heard some one crying, and furthermore said, "It is the Banshee, as I have heard it before." The following morning the head-master received a telegram saying that the boy's brother had been accidentally shot dead.[G]
That the Banshee is not confined within the geographical limits of Ireland, but that she can follow the fortunes of a family abroad, and there foretell their death, is clearly shown by the following story. A party of visitors were gathered together on the deck of a private yacht on one of the Italian lakes, and during a lull in the conversation one of them, a Colonel, said to the owner, "Count, who's that queer-looking woman you have on board?" The Count replied that there was nobody except the ladies present, and the stewardess, but the speaker protested that he was correct, and suddenly, with a scream of horror, he placed his hands before his eyes, and exclaimed, "Oh, my God, what a face!" For some time he was overcome with terror, and at length reluctantly looked up, and cried:
"Thank Heavens, it's gone!"
"What was it?" asked the Count.
"Nothing human," replied the Colonel--"nothing belonging to this world. It was a woman of no earthly type, with a queer-shaped, gleaming face, a mass of red hair, and eyes that would have been beautiful but for their expression, which was hellish. She had on a green hood, after the fashion of an Irish peasant."
An American lady present suggested that the description tallied with that of the Banshee, upon which the Count said:
"I am an O'Neill--at least I am descended from one. My family name is, as you know, Neilsini, which, little more than a century ago, was O'Neill. My great-grandfather served in the Irish Brigade, and on its dissolution at the time of the French Revolution had the good fortune to escape the general massacre of officers, and in company with an O'Brien and a Maguire fled across the frontier and settled in Italy. On his death his son, who had been born in Italy, and was far more Italian than Irish, changed his name to Neilsini, by which name the family has been known ever since. But for all that we are Irish."
"The Banshee was yours, then!" ejaculated the Colonel. "What exactly does it mean?"
"It means," the Count replied solemnly, "the death of some one very nearly associated with me. Pray Heaven it is not my wife or daughter."
On that score, however, his anxiety was speedily removed, for within two hours he was seized with a violent attack of angina pectoris, and died before morning.[H]
Mr. Elliott O'Donnell, to whose article on "Banshees" we are indebted for the above, adds: "The Banshee never manifests itself to the person whose death it is prognosticating. Other people may see or hear it, but the fated one never, so that when every one present is aware of it but one, the fate of that one may be regarded as pretty well certain."
FOOTNOTES:
[E] From "True Irish Ghost Stories."
[F] Scott's _Lady of the Lake_, notes to Canto III (edition of 1811).
[G] A.G. Bradley, _Notes on some Irish Superstitions_, p. 9.
[H] _Occult Review_ for September, 1913.
THE MAN WHO WENT TOO FAR
BY E.F. BENSON
The little village of St. Faith's nestles in a hollow of wooded hill up on the north bank of the river Fawn in the county of Hampshire, huddling close round its gray Norman church as if for spiritual protection against the fays and fairies, the trolls and "little people," who might be supposed still to linger in the vast empty spaces of the New Forest, and to come after dusk and do their doubtful businesses. Once outside the hamlet you may walk in any direction (so long as you avoid the high road which leads to Brockenhurst) for the length of a summer afternoon without seeing sign of human habitation, or possibly even catching sight of another human being. Shaggy wild ponies may stop their feeding for a moment as you pass, the white scuts of rabbits will vanish into their burrows, a brown viper perhaps will glide from your path into a clump of heather, and unseen birds will chuckle in the bushes, but it may easily happen that for a long day you will see nothing human. But you will not feel in the least lonely; in summer, at any rate, the sunlight will be gay with butterflies, and the air thick with all those woodland sounds which like instruments in an orchestra combine to play the great symphony of the yearly festival of June. Winds whisper in the birches, and sigh among the firs; bees are busy with their redolent labor among the heather, a myriad birds chirp in the green temples of the forest trees, and the voice of the river prattling over stony places, bubbling into pools, chuckling and gulping round corners, gives you the sense that many presences and companions are near at hand.
Yet, oddly enough, though one would have thought that these benign and cheerful influences of wholesome air and spaciousness of forest were very healthful comrades for a man, in so far as nature can really influence this wonderful human genus which has in these centuries learned to defy her most violent storms in its well-established houses, to bridle her torrents and make them light its streets, to tunnel her mountains and plow her seas, the inhabitants of St. Faith's will not willingly venture into the forest after dark. For in spite of the silence and loneliness of the hooded night it seems that a man is not sure in what company he may suddenly find himself, and though it is difficult to get from these villagers any very clear story of occult appearances, the feeling is widespread. One story indeed I have heard with some definiteness, the tale of a monstrous goat that has been seen to skip with hellish glee about the woods and shady places, and this perhaps is connected with the story which I have here attempted to piece together. It too is well-known to them; for all remember the young artist who died here not long ago, a young man, or so he struck the beholder, of great personal beauty, with something about him that made men's faces to smile and brighten when they looked on him. His ghost they will tell you "walks" constantly by the stream and through the woods which he loved so, and in especial it haunts a certain house, the last of the village, where he lived, and its garden in which he was done to death. For my part I am inclined to think that the terror of the Forest dates chiefly from that day. So, such as the story is, I have set it forth in connected form. It is based partly on the accounts of the villagers, but mainly on that of Darcy, a friend of mine and a friend of the man with whom these events were chiefly concerned.
* * * * *
The day had been one of untarnished midsummer splendor, and as the sun drew near to its setting, the glory of the evening grew every moment more crystalline, more miraculous. Westward from St. Faith's the beechwood which stretched for some miles toward the heathery upland beyond already cast its veil of clear shadow over the red roofs of the village, but the spire of the gray church, over-topping all, still pointed a flaming orange finger into the sky. The river Fawn, which runs below, lay in sheets of sky-reflected blue, and wound its dreamy devious course round the edge of this wood, where a rough two-planked bridge crossed from the bottom of the garden of the last house in the village, and communicated by means of a little wicker gate with the wood itself. Then once out of the shadow of the wood the stream lay in flaming pools of the molten crimson of the sunset, and lost itself in the haze of woodland distances.
This house at the end of the village stood outside the shadow, and the lawn which sloped down to the river was still flecked with sunlight. Garden-beds of dazzling color lined its gravel walks, and down the middle of it ran a brick pergola, half-hidden in clusters of rambler-rose and purple with starry clematis. At the bottom end of it, between two of its pillars, was slung a hammock containing a shirt-sleeved figure.
The house itself lay somewhat remote from the rest of the village, and a footpath leading across two fields, now tall and fragrant with hay, was its only communication with the high road. It was low-built, only two stories in height, and like the garden, its walls were a mass of flowering roses. A narrow stone terrace ran along the garden front, over which was stretched an awning, and on the terrace a young silent-footed man-servant was busied with the laying of the table for dinner. He was neat-handed and quick with his job, and having finished it he went back into the house, and reappeared again with a large rough bath-towel on his arm. With this he went to the hammock in the pergola.
"Nearly eight, sir," he said.
"Has Mr. Darcy come yet?" asked a voice from the hammock.
"No, sir."
"If I'm not back when he comes, tell him that I'm just having a bathe before dinner."
The servant went back to the house, and after a moment or two Frank Halton struggled to a sitting posture, and slipped out on to the grass. He was of medium height and rather slender in build, but the supple ease and grace of his movements gave the impression of great physical strength: even his descent from the hammock was not an awkward performance. His face and hands were of very dark complexion, either from constant exposure to wind and sun, or, as his black hair and dark eyes tended to show, from some strain of southern blood. His head was small, his face of an exquisite beauty of modeling, while the smoothness of its contour would have led you to believe that he was a beardless lad still in his teens. But something, some look which living and experience alone can give, seemed to contradict that, and finding yourself completely puzzled as to his age, you would next moment probably cease to think about that, and only look at this glorious specimen of young manhood with wondering satisfaction.