Chapter 6

"Rather. It's on my mantelpiece----"

"You're sure you haven't eaten it?" and she made a delicious mimicry with her red lips, so that he saw the tip of a small pointed tongue.

"I shall keep it," he swore, "as long as these arms have life in them," and he seized her just as she was crouching to escape, and covered her with kisses.

"I knew you longed to play," she panted, when he released her. "Still, it was sweet of you to pick it up before another got it."

"Another!" he exclaimed.

"The gods decide. It's a lob-sided thing, remember. It can't roll straight." She looked oddly mischievous, elusive.

He stared at her.

"If it had rolled elsewhere--and another had picked it up----?" he began.

"I should be with that other now!" And this time she was off and away before he could prevent her, and the sound of her silvery laughter mocked him among the olive trees beyond. He was up and after her in a second, following her slim whiteness in and out of the old-world grove, as she flitted lightly, her hair flying in the wind, her figure flashing like a ray of sunlight or the race of foaming water--till at last he caught her and drew her down upon his knees, and kissed her wildly, forgetting who and where and what he was.

"Hark!" she whispered breathlessly, one arm close about his neck. "I hear their footsteps. Listen! It is the pipe!"

"The pipe----!" he repeated, conscious of a tiny but delicious shudder.

For a sudden chill ran through him as she said it. He gazed at her. The hair fell loose about her cheeks, flushed and rosy with his hot kisses. Her eyes were bright and wild for all their softness. Her face, turned sideways to him as she listened, wore an extraordinary look that for an instant made his blood run cold. He saw the parted lips, the small white teeth, the slim neck of ivory, the young bosom panting from his tempestuous embrace. Of an unearthly loveliness and brightness she seemed to him, yet with this strange, remote expression that touched his soul with sudden terror.

Her face turned slowly.

"Who _are_ you?" he whispered. He sprang to his feet without waiting for her answer.

He was young and agile; strong, too, with that quick response of muscle they have who keep their bodies well; but he was no match for her. Her speed and agility out-classed his own with ease. She leapt. Before he had moved one leg forward towards escape, she was clinging with soft, supple arms and limbs about him, so that he could not free himself, and as her weight bore him downwards to the ground, her lips found his own and kissed them into silence. She lay buried again in his embrace, her hair across his eyes, her heart against his heart, and he forgot his question, forgot his little fear, forgot the very world he knew....

"They come, they come," she cried gaily. "The Dawn is here. Are you ready?"

"I've been ready for five thousand years," he answered, leaping to his feet beside her.

"Altogether!" came upon a sparkling laugh that was like wind among the olive leaves.

Shaking her last gauzy covering from her, she snatched his hand, and they ran forward together to join the dancing throng now crowding up the slope beneath the trees. Their happy singing filled the sky. Decked with vine and ivy, and trailing silvery green branches, they poured in a flood of radiant life along the mountain side. Slowly they melted away into the blue distance of the breaking dawn, and, as the last figure disappeared, the sun came up slowly out of a purple sea.

They came to the place he knew--the deserted earthquake village--and a faint memory stirred in him. He did not actually recall that he had visited it already, had eaten his sandwiches with "hotel friends" beneath its crumbling walls; but there was a dim troubling sense of familiarity--nothing more. The houses still stood, but pigeons lived in them, and weasels, stoats and snakes had their uncertain homes in ancient bedrooms. Not twenty years ago the peasants thronged its narrow streets, through which the dawn now peered and cool wind breathed among dew-laden brambles.

"I know the house," she cried, "the house where we would live!" and raced, a flying form of air and sunlight, into a tumbled cottage that had no roof, no floor or windows. Wild bees had hung a nest against the broken wall.

He followed her. There was sunlight in the room, and there were flowers. Upon a rude, simple table lay a bowl of cream, with eggs and honey and butter close against a home-made loaf. They sank into each other's arms upon a couch of fragrant grass and boughs against the window where wild roses bloomed ... and the bees flew in and out.

It was Bussana, the so-called earthquake village, because a sudden earthquake had fallen on it one summer morning when all the inhabitants were at church. The crashing roof killed sixty, the tumbling walls another hundred, and the rest had left it where it stood.

"The Church," he said, vaguely remembering the story. "They were at prayer----"

The girl laughed carelessly in his ear, setting his blood in a rush and quiver of delicious joy. He felt himself untamed, wild as the wind and animals. "The true God claimed His own," she whispered. "He came back. Ah, they were not ready--the old priests had seen to that. But he came. They heard his music. Then his tread shook the olive groves, the old ground danced, the hills leapt for joy----"

"And the houses crumbled," he laughed as he pressed her closer to his heart--

"And now we've come back!" she cried merrily. "We've come back to worship and be glad!" She nestled into him, while the sun rose higher.

"I hear them--hark!" she cried, and again leapt, dancing from his side. Again he followed her like wind. Through the broken window they saw the naked fauns and nymphs and satyrs rolling, dancing, shaking their soft hoofs amid the ferns and brambles. Towards the appalling, ruptured church they sped with feet of light and air. A roar of happy song and laughter rose.

"Come!" he cried. "We must go too."

Hand in hand they raced to join the tumbling, dancing throng. She was in his arms and on his back and flung across his shoulders, as he ran. They reached the broken building, its whole roof gone sliding years ago, its walls a-tremble still, its shattered shrines alive with nesting birds.

"Hush!" she whispered in a tone of awe, yet pleasure. "He is there!" She pointed, her bare arm outstretched above the bending heads.

There, in the empty space, where once stood sacred Host and Cup, he sat, filling the niche sublimely and with awful power. His shaggy form, benign yet terrible, rose through the broken stone. The great eyes shone and smiled. The feet were lost in brambles.

"God!" cried a wild, frightened voice yet with deep worship in it--and the old familiar panic came with portentous swiftness. The great Figure rose.

The birds flew screaming, the animals sought holes, the worshippers, laughing and glad a moment ago, rushed tumbling over one another for the doors.

"He goes again! Who called? Who called like that? His feet shake the ground!"

"It is the earthquake!" screamed a woman's shrill accents in ghastly terror.

"Kiss me--one kiss before we forget again...!" sighed a laughing, passionate voice against his ear. "Once more your arms, your heart beating on my lips...! You recognised his power. You are now altogether! We shall remember!"

But he woke, with the heavy bed-clothes stuffed against his mouth and the wind of early morning sighing mournfully about the hotel walls.

* * * * *

"Have they left again--those ladies?" he inquired casually of the head waiter, pointing to the table. "They were here last night at dinner."

"Who do you mean?" replied the man, stupidly, gazing at the spot indicated with a face quite blank. "Last night--at dinner?" He tried to think.

"An English lady, elderly, with--her daughter----" at which moment precisely the girl came in alone. Lunch was over, the room empty. There was a second's difficult pause. It seemed ridiculous not to speak. Their eyes met. The girl blushed furiously.

He was very quick for an Englishman. "I was allowing myself to ask after your mother," he began. "I was afraid"--he glanced at the table laid for one--"she was not well, perhaps?"

"Oh, but that's very kind of you, I'm sure." She smiled. He saw the small white even teeth....

And before three days had passed, he was so deeply in love that he simply couldn't help himself.

"I believe," he said lamely, "this is yours. You dropped it, you know. Er--may I keep it? It's only an olive."

They were, of course, in an olive grove when he asked it, and the sun was setting.

She looked at him, looked him up and down, looked at his ears, his eyes. He felt that in another second her little fingers would slip up and tweak the first, or close the second with a soft pressure----

"Tell me," he begged: "did you dream anything--that first night I saw you?"

She took a quick step backwards. "No," she said, as he followed her more quickly still, "I don't think I did. But," she went on breathlessly as he caught her up, "I knew--from the way you picked it up----"

"Knew what?" he demanded, holding her tightly so that she could not get away again.

"That you were already half and half, but would soon be altogether."

And, as he kissed her, he felt her soft little fingers tweak his ears.

ONCE A HERO

By HAROLD BRIGHOUSE

(From _Pan_)

1922

Standing in a sheltered doorway a tramp, with a slouch hat crammed low over a notably unwashed face, watched the outside of the new works canteen of the Sir William Rumbold Ltd., Engineering Company. Perhaps because they were workers while he was a tramp, he had an air of compassionate cynicism as the audience assembled and thronged into the building, which, as prodigally advertised throughout Calderside, was to be opened that night by Sir William in person.

There being no one to observe him, the tramp could be frank with his cynicism; but inside the building, in the platform ante-room, Mr. Edward Fosdike, who was Sir William's locally resident secretary, had to discipline his private feelings to a suave concurrence in his employer's florid enthusiasm. Fosdike served Sir William well, but no man is a hero to his (male) secretary.

"I hope you will find the arrangements satisfactory," Fosdike was saying, tugging nervously at his maltreated moustache. "You speak at seven and declare the canteen open. Then there's a meal." He hesitated. "Perhaps I should have warned you to dine before you came."

Sir William was aware of being a very gallant gentleman. "Not at all," he said heroically, "not at all. I have not spared my purse over this War Memorial. Why should I spare my feelings? Well, now, you've seen about the Press?"

"Oh, yes. The reporters are coming. There'll be flash-light photographs. Everything quite as usual when you make a public appearance, sir."

Sir William wondered if this resident secretary of his were quite adequate. Busy in London, he had left all arrangements in his local factotum's hands, and he was doubting whether those hands had grasped the situation competently. "Only as usual?" he said sharply. "This War Memorial has cost me ten thousand pounds."

"The amount," Fosdike hastened to assure him, "has been circulated, with appropriate tribute to your generosity."

"Generosity," criticised Rumbold. "I hope you didn't use that word."

Mr. Fosdike referred to his notebook. "We said," he read, "'the cost, though amounting to ten thousand pounds, is entirely beside the point. Sir William felt that no expense was excessive that would result in a fitting and permanent expression of our gratitude to the glorious dead.'"

"Thank you, Fosdike. That is exactly my feeling," said the gratified Sir William, paying Fosdike the unspoken compliment of thinking him less of a fool than he looked. "It is," he went on, "from no egotistic motive that I wish the Press to be strongly represented to-night. I believe that in deciding that Calderside's War Memorial should take the form of a Works Canteen, I am setting an example of enlightenment which other employers would do well to follow. I have erected a monument, not in stone, but in goodwill, a club-house for both sexes to serve as a centre of social activities for the firm's employees, wherein the great spirit of the noble work carried out at the Front by by the Y.M.C.A. will be recaptured and adapted to peace conditions in our local organisation in the Martlow Works Canteen. What are you taking notes for?"

"I thought----" began Fosdike.

"Oh, well, perhaps you are right. Reporters have been known to miss one's point, and a little first aid, eh? By the way, I sent you some notes from town of what I intended to say in my speech. I just sent them ahead in case there was any local point I'd got wrong."

He put it as a question, but actually it was an assertion and a challenge. It asserted that by no possible chance could there be anything injudicious in the proposed speech, and it challenged Fosdike to deny that assertion if he dared.

And Fosdike had to dare; he had to accuse himself of assuming too easily that Rumbold's memory of local Calderside detail was as fresh as the memory of the man on the spot.

"I did want to suggest a modification, sir," he hazarded timidly.

"Really?"--quite below zero--"Really? I felt very contented with the speech."

"Yes, sir, it's masterly. But on the spot here----"

"Oh, agreed. Quite right, Fosdike. I am speaking to-night to the world--no; let me guard against exaggeration. The world includes the Polynesians and Esquimaux--I am speaking to the English-speaking races of the world, but first and foremost to Calderside. My own people. Yes? You have a little something to suggest? Some happy local allusion?"

"It's about Martlow," said Fosdike shortly.

Sir William took him up. "Ah, now you're talking," he approved. "Yes, indeed, anything you can add to my notes about Martlow will be most welcome. I have noted much, but too much is not enough for such an illustrious example of conspicuous gallantry, so noble a life, so great a deed, and so self-sacrificing an end. Any details you can add about Timothy Martlow will indeed----"

Fosdike coughed. "Excuse me, sir, that's just the point. If you talk like that about Martlow down here, they'll laugh at you."

"Laugh?" gasped Rumbold, his sense of propriety outraged. "My dear Fosdike, what's come to you? I celebrate a hero. Our hero. Why, I'm calling the Canteen after Martlow when I might have given it my own name. That speaks volumes." It did.

But Fosdike knew too well what would be the attitude of a Calderside audience if he allowed his chief to sing in top-notes an unreserved eulogy of Tim Martlow. Calderside knew Tim, the civilian, if it had also heard of Tim, the soldier. "Don't you remember Martlow, sir? Before the war, I mean."

"No. Ought I to?"

"Not on the bench?"

"Martlow? Yes, now I think of the name in connection with the old days, there was a drunken fellow. To be sure, an awful blackguard, continually before the bench. Dear me! Well, well, but a man is not responsible for his undesirable relations, I hope."

"No, sir. But that was Martlow. The same man. You really can't speak to Calderside of his as an ennobling life and a great example. The war changed him, but--well, in peace, Tim was absolutely the local bad man, and they all know it. I thought you did, or----"

Sir William turned a face expressive of awe-struck wonder. "Fosdike," he said with deep sincerity, "this is the most amazing thing I've heard of the war. I never connected Martlow the hero with--well, well _de mortuis_." He quoted:

"'Nothing in his life Became him like the leaving it; he died As one that had been studied in his death To throw away the dearest thing he owed As 'there a careless trifle.'

"Appropriate, I think? I shall use that."

It was, at least, a magnificent recovery from an unexpected blow, administered by the very man whose duty it was to guard Sir William against just that sort of blow. If Fosdike was not the local watch-dog, he was nothing; and here was an occasion when the dog had omitted to bark until the last minute of the eleventh hour.

"Very apt quotation, sir, though there have never been any exact details of Martlow's death."

Sir William meditated. "Do you recall the name of the saint who was a regular rip before he got religion?" he asked.

"I think that applies to most of them," said Fosdike.

"Yes, but the one in particular. Francis. That's it." He filled his chest. "Timothy Martlow," he pronounced impressively, "is the St. Francis of the Great War, and this Canteen is his shrine. Now, I think I will go into the hall. It is early, but I shall chat with the people. Oh, one last thought. When you mentioned Martlow, I thought you were going to tell me of some undesirable connections. There are none?"

"There is his mother. A widow. You remember the Board voted her an addition to her pension."

"Oh, yes. And she?"

"Oh, most grateful. She will be with you on the platform. I have seen myself that she is--fittingly attired."

"I think I can congratulate you, Fosdike," said Sir William magnanimously. "You've managed very well. I look forward to a pleasant evening, a widely reported speech, and--"

Then Dolly Wainwright came into the ante-room.

"If you please, sir," she said, "what's going to be done about me?"

Two gentlemen who had all but reached the smug bathos of a mutual admiration society turned astonished eyes at the intruder.

She wore a tam, and a check blanket coat, which she unbuttoned as they watched her. Beneath it, suitable to the occasion, was a white dress, and Sir William, looking at it, felt a glow of tenderness for this artless child who had blundered into the privacy of the ante-room. Something daintily virginal in Dolly's face appealed to him; he caught himself thinking that her frock was more than a miracle in bleached cotton--it was moonshine shot with alabaster; and the improbability of that combination had hardly struck him when Fosdike's voice forced itself harshly on his ears.

"How did you get in here?"

Sir William moved to defend the girl from the anger of his secretary, but when she said, with a certain challenge, "Through the door," he doubted if she were so defenceless as she seemed.

"But there's a doorkeeper at the bottom," said Fosdike. "I gave him my orders."

"I gave him my smile," said Dolly. "I won."

"Upon my word--" Fosdike began.

"Well, well," interrupted Sir William, "what can I do for you?"

The reply was indirect, but caused Sir William still further to readjust his estimate of her.

"I've got friends in the meeting to-night," she concluded. "They'll speak up for me, too, if I'm not righted. So I'm telling you."

"Don't threaten me, my girl," said Sir William without severity. "I am always ready to pay attention to any legitimate grievance, but----"

"Legitimate?" she interrupted. "Well, mine's not legitimate. So there!"

"I beg your pardon?" She puzzled Sir William. "Come now," he went on in his most patriarchal manner, "don't assume I'm not going to listen to you. I am. To-night there is no thought in my mind except the welfare of Calderside."

"Oh, well," she said apologetically, "I'm sorry if I riled you, but it's a bit awkward to speak it out to a man. Only" (the unconscious cruelty of youth--or was it conscious?) "you're both old, so perhaps I can get through. It's about Tim Martlow."

"Ah," said Sir William encouragingly, "our glorious hero."

"Yes," said Dolly. "I'm the mother of his child."

We are all balloons dancing our lives amongst pins. Therefore, be compassionate towards Sir William. He collapsed speechlessly on a hard chair.

Fosdike reacted more alertly. "This is the first I've heard of Martlow's being married," he said aggressively.

Dolly looked up at him indignantly. "You ain't heard it now, have you?" she protested. "I said it wasn't legitimate. I don't say we'd not have got married if there'd been time, but you can't do everything on short leave."

There seemed an obvious retort. Rumbold and Fosdike looked at each other, and neither made the retort. Instead, Fosdike asked: "Are you employed in the works here?"

"I was here, on munitions," she said, "and then on doles."

"And now you're on the make," he sneered.

"Oh, I dunno," she said. "All this fuss about Tim Martlow. I ought to have my bit out of it."

"Deplorable," grieved Sir William. "The crass materialism of it all. This is so sad. How old are you?"

"Twenty," said Dolly. "Twenty, with a child to keep, and his father's name up in gold lettering in that hall there. I say somebody ought to do something."

"I suppose now, Miss----" Fosdike baulked.

"Wainwright, Dolly Wainwright, though it ought to be Martlow."

"I suppose you loved Tim very dearly?"

"I liked him well enough. He was good-looking in his khaki."

"Liked him? I'm sure it was more than that."

"Oh, I dunno. Why?" asked the girl, who said she was the mother of Martlow's child.

"I am sure," said Fosdike gravely, "you would never do anything to bring a stain upon his memory."

Dolly proposed a bargain. "If I'm rightly done by," she said, "I'll do right by him."

"Anything that marred the harmony of to-night's ceremony, Miss Wainwright, would be unthinkable," said Sir William, coming to his lieutenant's support.

"Right," said Dolly cheerfully. "If you'll take steps according, I'm sure I've no desire to make a scene."

"A scene," gasped Sir William.

"Though," she pointed out, "it's a lot to ask of any one, you know. Giving up the certain chance of getting my photograph in the papers. I make a good picture, too. Some do and some don't, but I take well and when you know you've got the looks to carry off a scene, it's asking something of me to give up the idea."

"But you said you'd no desire to make a scene."

"Poor girls have often got to do what they don't wish to. I wouldn't make a scene in the usual way. Hysterics and all that. Hysterics means cold water in your face and your dress messed up and no sympathy. But with scenes, the greater the occasion the greater the reward, and there's no denying this is an occasion, is there? You're making a big to-do about Tim Martlow and the reward would be according. I don't know if you've noticed that if a girl makes a scene and she's got the looks for it, she gets offers of marriage, like they do in the police-court when they've been wronged and the magistrate passes all the men's letters on to the court missionary and the girl and the missionary go through them and choose the likeliest fellow out of the bunch?"

"But my dear young lady----" Fosdike began.

She silenced him. "Oh, it's all right. I don't know that I want to get married."

"Then you ought to," said Sir William virtuously.

"There's better things in life than getting married," Dolly said. "I've weighed up marriage, and I don't see what there is in it for a girl nowadays."

"In your case, I should have thought there was everything."

Dolly sniffed. "There isn't liberty," she said. "And we won the fight for liberty, didn't we? No; if I made that scene it 'ud be to get my photograph in the papers where the film people could see it. I've the right face for the pictures, and my romantic history will do the rest."

"Good heavens, girl," cried the scandalised Sir William, "have you no reverence at all? The pictures! You'd turn all my disinterested efforts to ridicule. You'd--oh, but there! You're not going to make a scene?"

"That's a matter of arrangement, of course," said the cool lady. "I'm only showing you what a big chance I shall miss if I oblige you. Suppose I pipe up my tale of woe just when you're on the platform with the Union Jack behind you and the reporters in front of you, and that tablet in there that says Tim is the greatest glory of Calderside----"