The best British short stories of 1922

Chapter 4

Chapter 44,152 wordsPublic domain

Miss Deane straightened her back and toyed with a teaspoon. "I have always taken great care of myself," she said.

Unquestionably she believed it, Rachel decided. This was no pose, but a horrible piece of self-deception. This raddled, repulsive creature had actually persuaded herself into the delusion that she still had the appearance of a young girl. Heaven help her if that delusion were ever shattered!

Yet outside this one obsession Miss Deane, as Rachel soon discovered, had a clear and well-balanced mind. For, now that she had received her desired assurance from this new quarter, she began to talk of other things. Her boasted "modernism," it is true, had a smack of the stiff, broadcloth savour of the eighties, but she had a point of view that coincided far more nearly with Rachel's own than did that of her father. Her aunt, at least, had outlived the worst superstitions and inanities of the mid-Victorians.

Indeed, by the time tea was finished Rachel's spirits were beginning to revive. She would have to be very careful in her treatment of her aunt, but on the whole it would not perhaps be so bad; and presently she would see Adrian again. She would almost certainly get a letter from him by the last post, making some appointment to meet her, and after that she would introduce him to Miss Deane. She had a feeling that Miss Deane would not raise any objection; that she might even welcome the visit of a young man to her house.

The time was passing so easily that Rachel was surprised when she heard the gong sound.

"Does that mean it's time to dress already?" she asked.

Miss Deane nodded. "You've an hour before dinner," she said, "but I'll go up now. I like to be leisurely over my toilet."

She rose as she spoke, but as she crossed the room, she paused with what seemed to be a little jerk of surprise as she caught sight of her own reflection in a tall mirror above one of the gilt-legged console tables against the wall. Then she deliberately stopped, turned and surveyed herself, half contemptuously, under lowered eyelids, with a set of her head and back that belied plainly enough the pout of her critical lips. And having admired that haggard image, she lifted her wasted hand and delicately touched her whitened, hollow cheeks with the tips of her heavily jewelled fingers.

Rachel stared in horror. It seemed to her just then as if the reflection of her aunt in the mirror was indeed that of herself grown instantly and mysteriously old. For now, whether because the reversal of the image by the mirror or because of that perfect duplication of her own characteristic pose and gesture, the likeness had flashed out clear and unmistakable. She saw that her father had been right. Once, incalculable ages ago, this repulsive old woman might have been very like herself.

She slipped quickly out of the room and ran upstairs. She felt that she must instantly put that question to the test; search herself for the signs of coming age as she had so recently searched her aunt's face for the indications of her former youth.

But when, with an effect of challenge, she scrutinised her reflection in the tall cheval glass, the likeness appeared to have vanished. She saw her head thrust a little forward, her arms stiff, and in her whole pose an air of vigorous defiance. She was prepared to admit that she was ugly at that moment, if the ugliness was of another kind than that she had seen downstairs. No! She drew herself up, more than a little relieved by the result of her test. The likeness was all a fancy, the result of suggestions, first by her father and then by Miss Deane herself. And she need at least have no fear that she was ugly. Why....

She paused suddenly, and the light died out of her face. Her image was looking back at her stiffly, superciliously, with, so it seemed to her, the contemptible simper of one who still fatuously admires the thing that has long since lost its charm. She caught her breath and clenched her hands, drawing down her rather heavy eyebrows in an expression of angry scorn. "Oh! never, never, never again, will I look at myself like that," Rachel vowed fiercely.

She was to find, however, before this first evening was over, that the mere avoidance of that one pose before the mirror would not suffice to lay the ghost of the suspicion that was beginning to haunt her.

At the very outset a new version of the likeness was presented to her when, during the first course of dinner, Miss Deane, with a lowering frown of her blackened eyebrows, found occasion to reprimand the elderly parlour-maid. For a moment Rachel was again puzzled by the intriguing sense of the familiar, before she remembered her own scowl at the looking-glass an hour before. "Do I really frown like that?" she thought. And on the instant found herself _feeling_ like her aunt.

That, indeed, was the horror that, despite every effort of resistance, deepened steadily as the evening wore on. Miss Deane had, without question, lost every trace of her beauty; but her character, her spirit was unchanged, and it was, so Rachel increasingly believed, the very spit and replica of her own.

They had the same characteristic gestures and expressions; the look of kindly tolerance with which her aunt regarded Rachel was precisely the same as that with which Rachel regarded her father. When her aunt's voice dropped in speaking from the rather shrill, strained tone that was obviously not natural to her, Rachel heard the inflexions of her own voice. And as her knowledge of Miss Deane grew, so, also, did that haunting unpleasant feeling of looking and speaking in precisely the same manner. It seemed to her as if she were being invaded by an alien personality; as if the character she had known and cherished all her life were no longer her own, but merely a casual inheritance from some unknown ancestor. Her very integrity was threatened by her consciousness of that likeness, her pride of individuality. She was not, after all, a unique personality, but merely another version--if she were even that?--of a Miss Rachel Deane born in the middle of the previous century.

Moreover, with that growing recognition of likeness in character, there came the thought that she in time might look even as her aunt looked at this present moment. She also would lose her beauty, until no facial resemblance could be traced between the hag she was and the beauty she had once been. For, through all her torment, Rachel proudly clung to the certainty that, physically at least, there was no sort of likeness between her aunt and herself.

Miss Deane's belief in that matter, however, was soon proved to be otherwise; for when they were alone together in the drawing-room after dinner, and the topic so inevitably present to both their minds came to the surface of conversation, she unexpectedly said: "But we're evidently the poles apart in character and manner, my dear."

"Oh! do you think so?" Rachel exclaimed. "I--it's a queer thing to say perhaps--but I curiously feel like you, aunt; when you speak sometimes and--and when I watch the way you do things."

Miss Deane shook her head. "I admit the physical resemblance," she said; "otherwise, my dear, we are utterly different."

Did she too, Rachel wondered, resent the aspersion of her integrity?

By the last post Rachel received her expected letter from Adrian Flemming. Her aunt separated it from the others brought in by her maid and passed it across to her niece with a slight hint of displeasure in her face. "Miss Rachel Deane, _junior_," she said. "Really, it hadn't occurred to me how difficult it will be to distinguish our letters. I hope my friends won't take to addressing me as Miss Deane, _senior_. Properly, of course, I am Miss Deane, and you Miss Rachel, but I'll admit there's sure to be some confusion. Now, my dear, I expect you're tired. You'd better run up to bed."

Rachel was willing enough to go. She was glad to have an opportunity to read her letter in solitude; she was even more glad to get away from the company of this living echo of herself. "I believe I should go mad if I had to live with her," she reflected. "I should get into the way of copying her. I should begin to grow old before my time."

When she reached her bedroom, she put down her letter unopened on the toilet-table and once more stared searchingly at her own reflection in the mirror. Was there any least trace of a physical likeness, she asked herself; and began in imagination to follow the possible stages of the change that time would inevitably work upon her. She shrugged her shoulders. If there were indeed any sort of facial resemblance between herself and her aunt, no one would ever see it except in Miss Deane, and she was obsessed with a senile vanity. Yet was it, after all, Rachel began to wonder, an unnatural obsession? Might she not in time suffer from it herself? The change would be so slow, so infinitely gradual; and always one would be cherishing the old, loved image of youth and beauty, falling in love with it, like a deluded Hyacinth, and coming to be deceived by the fantasy of an unchanging appearance of youth. Looking always for the desired thing, she would suffer from the hallucination that the thing existed in fact, and imagine that the only artifice needed to perfect the illusion was a touch of paint and powder. No doubt her aunt--perhaps searching her own image in the mirror at this moment--saw not herself but a picture of her niece. She was hypnotised by the suggestion of a pose and the desire of her own mind. In time, Rachel herself might also become the victim of a similar illusion!

Oh! it was horrible! With a shudder, she picked up her letter and turned away from the looking-glass. She would forget that ghastly warning in the thought of the joys proper to her youth. She would think of Adrian and of her next meeting with him. She opened her letter to find that he had, rather timorously, suggested that she should meet him the next afternoon--at the Marble Arch at three o'clock, if he heard nothing from her in the meantime.

For a few minutes she lost herself in delighted anticipation, and then slowly, insidiously, a new speculation crept into her mind. What would be the effect upon Adrian if he saw her and her aunt together? Would he recognise the likeness and, anticipating the movement of more than half a century, see her in one amazing moment as she would presently become? And, in any case, what a terrible train of suggestion might not be started in his mind by the impression left upon him by the old woman? Once he had seen Miss Deane, Rachel's every gesture would serve to remind him of that repulsive image of raddled, deluded age. It might well be that, in time, he would come to see Rachel as she would presently be rather than as she was. It would be a hideous reversal of the old romance; instead of seeing the girl in the old woman, he would foresee the harridan in the girl!

That picture presented itself to Rachel with a quite appalling effect of conviction. She suddenly remembered a case she had known that had remarkable points of resemblance--the case of a rather pretty girl with an unpleasant younger brother who, so she had heard it said, "put men off his sister" because of the facial likeness between them. She was pretty and he was ugly, but they were unmistakably brother and sister.

Oh! it would be nothing less than folly to let Adrian and her aunt meet, Rachel decided. In imagination, she could follow the process of his growing dismay; she could see his puzzled stare as he watched Miss Deane, and struggled to fix that tantalising suggestion of likeness to some one he knew; his flash of illumination as he solved the puzzle and turned with that gentle, winning smile of his to herself; and then the progress of his disillusionment as, day by day, he realised more plainly the intriguing similarities of expression and gesture, until he felt that he was making love to the spirit of an aged spinster temporarily disguised behind the appearance of beauty.

III

Rachel had believed on the first night of her arrival in Tavistock Square that, so far as her love affair was concerned, she would be able to avoid all danger by keeping her lover and her aunt unknown to each other. She very soon found, however, that the spell Miss Deane seemed to have put upon her was not to be laid by any effect of mere distance.

She and Adrian met rather shyly at their first appointment. Both of them were a little conscious of having been overbold, one for having suggested, and the other for having agreed to so significant an assignation. And for the first few minutes their talk was nothing but a quick, nervous reminiscence of their earlier meetings. They had to recover the lost ground on which they had parted before they could go on to any more intimate knowledge of each other. But for some reason she had not yet realised, Rachel found it very difficult to recover that lost ground. She knew that she was being unnecessarily distant and cold, and though she inwardly accused herself of "putting on absurd airs," her manner, as she was uncomfortably aware, remained at once stilted and detached.

"I suppose it's because I'm self-conscious before all these people," she thought, and, indeed, Hyde Park was very full that afternoon.

And it was Adrian who first, a little desperately, tried to reach across the barrier that was dividing them.

"You're different, rather, in town," he began shyly. "Is it the effect of your aunt's grandeurs?"

"Am I different? I feel exactly the same," Rachel replied mechanically.

"You didn't think it was rather impudent of me to ask you to meet me here, did you?" he went on anxiously.

She shook her head emphatically. "Oh! no, it wasn't that," she said.

"But then you admit that it was--something?" he pleaded.

"The people, perhaps," she admitted. "I--I feel so exposed to the public view."

"We might walk across the Park if you preferred it," he suggested; "and have tea at that place in Kensington Gardens? It would be quieter there."

She agreed to that willingly. She wanted to be alone with him. The crowd made her nervous and self-conscious this afternoon. Always before, she had delighted in moving among a crowd, appreciating and enjoying the casual glances of admiration she received. Today she was afraid of being noticed. She had a queer feeling that these smart, clever people in the Park might see through her, if they stared too closely. Just what they would discover she did not know; but she suffered a disquieting qualm of uneasiness whenever she saw any one observing her with attention.

They cut across the grass and, leaving the Serpentine on their left, found two chairs in a quiet spot under the trees. Here, at least, they were quite unwatched, but still Rachel found it impossible to regain the relations that had existed between her and Adrian when they had parted a month earlier. And Adrian, too, it seemed, was staring at her with a new, inquisitive scrutiny.

"Why do you look at me like that?" she broke out at last. "Do you notice any difference in me, or what? You--you've been staring so!"

"Difference!" he repeated. "Well, I told you just now, didn't I, that you were different this afternoon?"

"Yes, but in what way?" she asked. "Do I--do I look different?"

He paused a little judiciously over his answer. "N--no," he hesitated. "There's something, though. Don't be offended, will you, if I say that you don't seem to be quite yourself to-day; not quite natural. I miss a rather characteristic expression of yours. You've never once looked at me with that rather tolerating air you used to put on."

"It was a horrid air," she said sharply. "I've made up my mind to cure myself of it."

"Oh! no, don't," he protested. "It wasn't at all horrid. It was--don't think I'm trying to pay you a compliment--it was, well, charming. I've missed it dreadfully."

She turned and looked at him, determined to try an experiment. "This sort of air, do you mean?" she asked, and with a sickening sensation of presenting the very gestures and appearance of her aunt, she regarded him under lowered eyelids with an expression of faintly supercilious approval.

His smile at once thanked and answered her.

"But it's an abominable look," she exclaimed. "The look of an old, old, painted woman, vain, ridiculous."

He stared at her in amazement. "How absurd!" he protested. "Why, it's _you_; and you're certainly not old or painted nor unduly vain, and no one could say you were ridiculous."

"And you want me to look like that?" she asked.

"It's--it's so _you_," he said shyly.

"But, just suppose," she cried, "that I went on looking like that after I'd grown old and ugly. Think how hateful it would be to see a hideous old woman posturing and pretending and making eyes. And, you see, if one gets a habit, it's so hard to get rid of it. Think of me at seventy, all painted and powdered, trying to seem as if I hadn't altered and really believing that I hadn't."

He laughed that pleasant, kind laugh of his which had been one of the first things in him that had so attracted her.

"Oh! I'll chance the future," he said. "Besides if--if it could ever happen that--that your growing old came to me gradually, that I should be seeing you every day, I mean, I shouldn't notice it. I should be old too; and _I_ should think you hadn't altered either." He was afraid, as yet, to be too plain spoken, but his tone made it quite clear that he asked for no greater happiness than that of seeing her grow old beside him.

She did not pretend to misunderstand him. "Would you? Perhaps you would," she said. "But, all the same, I don't think you need insist on that particular--pose."

He passed that by, too eager at the moment to claim the concession she had offered him. "Is there any hope that I may be allowed to--to watch you growing old?" he asked.

"Perhaps--if you'll let me do it in my own way," Rachel said.

Adrian shyly took her hand. "You mean that you will--that you don't mind?" He put the question as if he had no doubt of its intelligibility--to her.

She nodded.

"When did you begin to know?" he asked, awed by the wonder of this stupendous thing that had happened to him.

"From the beginning, I think," Rachel murmured.

"So did I, from the very beginning--" he agreed, and from that they dropped into sacred reminiscences and comparisons concerning the innumerable things they had adoringly seen in each other and had had as yet no opportunity to glory in.

And in the midst of all these new and bewildering, embarrassing, delightful revelations and discoveries, Rachel completely forgot the shadow that was haunting her, forgot how she looked or felt or acted, forgot that there was or had ever been a terrible old woman who lived in Tavistock Square and whose hold on life was maintained by her horrible mimicry of youth. And then, in a moment, she was lifted out of her dream and cruelly set down on the hard, unsympathetic earth by the sound of her lover's voice.

"I suppose I'll have to meet your aunt?" he was saying. "Shall we go back there now, and tell her?"

Rachel flushed, as if he had suggested some startling invasion of her secret life. "Oh! no," she ejaculated impulsively.

Adrian looked his surprise. "But why not?" he asked. "I'm--I'm a perfectly respectable, eligible party."

"I wasn't thinking of that," Rachel said.

"Is she a terrible dragon?" he inquired with a smile.

Rachel shook her head, rejecting the excuse offered in favour of a more probable modification. "She's odd rather. She might prefer my giving her some kind of notice," she said.

He accepted that without hesitation. "Will you warn her then?" he replied. "And I'll come and do my duty to-morrow. I understand she's a lady to be propitiated."

"Not to-morrow," Rachel said.

The irk and disgust of it all had returned to her with renewed force at the first mention of her aunt's name. The thought of Miss Deane had revived the repulsive sense of acting, speaking, looking like that aged caricature of herself. Yet she wanted strangely enough, to get back to Tavistock Square; for only there, it seemed to her, was she safe from the examination of an inquisitive stare that might at any moment penetrate her secret and reveal her as a posturing hag masquerading in the alluring freshness of a young girl.

"I ought to be going back to her now," she said.

"But you promised that we should have tea together," Adrian remonstrated.

"Yes, I know; but please don't pester me. I'll see you again to-morrow," Rachel returned with a touch of elderly hauteur. And, despite all his entreaties, she would not be persuaded to change her mind. Already he was looking at her with a touch of suspicion, she thought; and as she checked his remonstrances, she was aware of doing it with the air, the tone, the very look that were her inheritance from endless generations of precisely similar ancestors.

IV

If she could but have lived a double life, Rachel thought, her present position might have been endurable, and then, in a few months or even weeks, the problem would be solved for ever by her marriage with Adrian and the final obliteration of Miss Deane from her memory. But she could not live a double life. Day by day, as her intimacy with her aunt increased, Rachel found it more difficult to forget her when she was away from Tavistock Square. In the deepest and most beautiful moments of her intercourse with Adrian, she was aware now of practising upon him a subtle deception, of pretending that she was other than she was in reality--an awareness that was constantly pricked and stimulated by the continually growing consciousness of her likeness to Miss Deane.

Miss Deane on her part evidently took a great pleasure in her niece's society. The fortnight of her original invitation had already been exceeded, but she would not hear of Rachel's return to Devonshire.

"Why should you go back?" she demanded scornfully. "Your father doesn't want you--Richard is one of those slip-shod people who prefer to live alone. I used to try to stir him up, and he ran away from me. He'll run away from you, my dear, in a few years' time. He hasn't the courage to stand up to women like us."

Miss Deane unquestionably wanted her niece to stay with her. She was even beginning to hint at the desirability of making the present arrangement a permanent one.

Rachel, however, was not flattered by this display of pleasure in her society. She knew that it was due to no individual charm of her own, but to the fact that she had become her aunt's mirror. For Miss Deane no longer, in Rachel's presence at least, gazed at herself in the looking-glass; she gazed at her niece instead. And as Rachel endured the posings and simperings, the alternate adoration and fond contempt with which her aunt regarded her, she was unable to resist the impulse to reflect them. Every day she fell a little lower in that weakness, and however slight the likeness had once been, she knew that now it must be patent to every observer. She copied her aunt, mimicked, duplicated her. It was easier to do that than fight the resemblance, against her aunt's determination; and so, by unnoticed degrees, she had permitted herself to become a lay figure upon which was dressed the image of Miss Deane's youth. She had even come to desire the look of almost sensual gratification on her aunt's face when she saw her niece so perfectly reflecting her own well-remembered airs.

And Rachel, too, had come to avoid the looking-glass, dreading to see there the poses and gesticulations of the old, repulsive woman whose every feature and expression had become so sickeningly familiar.