Chapter 15

"Oh, Bill!" she cried, "you've done it now. The game's up."

The old lady and gentleman arose in outraged dignity and started to leave the room, when a diversion was caused by the entrance of a pleasant-faced lady in hat and cloak. I had been semi-conscious for some moments of a motor-engine running at the hotel door.

"Oh, Mr. Gunthorpe, what luck!" cried the newcomer. "I've collected a full staff, and brought them all up from Dolgelly with me, look you."

"Thank heaven!" exclaimed the proprietor. "As soon as your barmaid is on her job we'll drink all their healths. I hope you won't be annoyed, Miss Jones, but I fear, I very greatly fear, you will lose a couple of likely customers at dawn or soon after. Here they are. Perhaps you can still pacify them. I can't."

Miss Jones turned to the old couple, who were waiting for the doorway to clear, with a disarming and conciliatory smile.

"I hope you will make allowances," she said, with a musical Welsh intonation. "I am the manageress, and everything is at sixes and sevens, look you. This morning I had trouble with the staff, and just to annoy me they all cleared off together. I had to leave the hotel to see what I could find in Dolgelly. Mr. Gunthorpe and the other guests in the hotel very kindly offered to see to things while I was away, and I'm sure they have done their best, indeed."

"Done their best to poison us, certainly," growled the old gentleman. "My wife has a duo--"

"That's all right, old chap," interrupted Mr. Gunthorpe. "Miss Jones is an expert in those things. She'll feed it the proper tack, believe me. Give her a chance, and don't blame her for our shortcomings."

By this time the whole mock staff had taken the stage--waitress, boots, chambermaid, and a pleasant-faced lady of matronly appearance who, I learnt, was Mrs. Gunthorpe and the mother of the two children of whom we had been told such a harrowing history.

"And just think, dear," said Tony, smiling at me across the table. "The boots and the chambermaid are on their honeymoon. He is a journalist."

"How do you know all this?" I demanded suspiciously.

"I wormed the whole thing out of the chambermaid at the very beginning," said Tony. "I didn't tell you because I thought it would be more fun."

Miss Jones succeeded in pacifying the old couple somehow--mainly, I think, by promises of a new regime--and we left them in the coffee-room looking almost cheerful.

Tony and I went out to talk in the moonlight, while I smoked an after-dinner cigar. We were gone for some time, and on our return decided to go straight upstairs to bed. I noticed that lights still burned in the coffee-room, and heard the sound of voices from that direction. Thinking that some late guests had arrived during our absence, I had the curiosity to glance round the door. The whole of our late staff sat round a table, on which were arrayed much food and several gilt-topped bottles.

"Come along. Do join us!" cried Mr. Gunthorpe, sighting us at once.

"Come and celebrate the end of this bat in the belfry sort of management," added boots, holding high a sparkling glass.

It ended in _Tony_ and I being dragged into the celebration, and _that_ ended in quite a late sitting.

Tony and I lingered on for over a week at the Bat and Belfry Inn, as we all called it, and so, strange to say, did the duodenal couple, whom, indeed, we left there, special-dieting to their hearts' content.

THE LIE

By HOLLOWAY HORN

(From _The Blue Magazine_ and _Harper's Bazar_)

1922

The hours had passed with the miraculous rapidity which tinctures time when one is on the river, and now overhead the moon was a gorgeous yellow lantern in a greyish purple sky.

The punt was moored at the lower end of Glover's Island on the Middlesex side, and rose and fell gently on the ebbing tide.

A girl was lying back amidst the cushions, her hands behind her head, looking up through the vague tracery of leaves to the soft moonlight. Even in the garish day she was pretty, but in that enchanting dimness she was wildly beautiful. The hint of strength around her mouth was not quite so evident perhaps. Her hair was the colour of oaten straw in autumn and her deep blue eyes were dark in the gathering night.

But despite her beauty, the man's face was averted from her. He was gazing out across the smoothly-flowing water, troubled and thoughtful. A good-looking face, but not so strong as the girl's in spite of her prettiness, and enormously less vital.

Ten minutes before he had proposed to her and had been rejected.

It was not the first time, but he had been very much more hopeful than on the other occasions.

The air was softly, embracingly warm that evening. Together they had watched the lengthening shadows creep out across the old river. And it was spring still, which makes a difference. There is something in the year's youth--the sap is rising in the plants--something there is, anyway, beyond the sentimentality of the poets. And overhead was the great yellow lantern gleaming at them through the branches with ironic approval.

But, in spite of everything, she had shaken her head and all he received was the maddening assurance that she "liked" him.

"I shall never marry," she had concluded. "Never. You know why."

"Yes, I know," the man said miserably. "Carruthers."

And so he was looking out moodily, almost savagely, across the water when the temptation came to him.

He would not have minded quite so much if Carruthers had been alive, but he was dead and slept in the now silent Salient where a little cross marked his bed. Alive one could have striven against him, striven desperately, although Carruthers had always been rather a proposition. But now it seemed hopeless--a man cannot strive with a memory. It was not fair--so the man's thoughts were running. He had shared Carruthers' risks, although he had come back. This persistent and exclusive devotion to a man who would never return to her was morbid. Suddenly, his mind was made up.

"Olive," he said.

"Yes," she replied quietly.

"What I am going to tell you I do for both our sakes. You will probably think I'm a cad, but I'm taking the risk." He was sitting up but did not meet her eyes.

"What on earth are you talking about?" she demanded.

"You know that--apart from you--Carruthers and I were pals?"

"Yes," she said wondering. And suddenly she burst out petulantly. "What is it you want to say?"

"He was no better than other men," he replied bluntly. "It is wrong that you should sacrifice your life to a memory, wrong that you should worship an idol with feet of clay."

"I loath parables," she said coldly. "Will you tell me exactly what you mean about feet of clay?" The note in her voice was not lost on the man by her side.

"I don't like telling you--under other conditions I wouldn't. But I do it for both our sakes."

"Then, for goodness sake, do it!"

"I came across it accidentally at the Gordon Hotel at Brighton. He stayed there, whilst he was engaged to you, with a lady whom he described as Mrs. Carruthers. It was on his last leave."

"Why do you tell me this?" she asked after a silence; her voice was low and a little husky.

"Surely, my dear, you must see. He was no better than other men. The ideal you have conjured up is no ideal. He was a brave soldier, a darned brave soldier, and--until we both fell in love with you--my pal. But it is not fair that his memory should absorb you. It's--it's unnatural."

"I suppose you think I should be indignant?" There was no emotion of any kind in her voice.

"I simply want you to see that your idol has feet of clay," he said, with the stubbornness of a man who feels he is losing.

"What has that to do with it? You know I loved him."

"Other girls have loved----" he said bitterly.

"And forgotten? Yes, I know," she interrupted him. "But I do not forget, that is all."

"But after what I have told you. Surely----"

"You see I knew," she said, even more quietly than before.

"You--knew?"

"Yes. It was I who was with him. It was his last leave," she added thoughtfully.

And only the faint noise of the water and the wistful wind in the trees overhead broke the silence.

A GIRL IN IT

By ROWLAND KENNEY

(From _The New Age_)

1922

I was just cooking a couple of two-eyed steaks when Black Mick walked in, and, noting the look in his eyes and being for some reason in an expansive mood, I offered him a sit down. After comparing notes on the various possibilities of the district with regard to job-getting, we turned on to a discussion of the relative moralities of begging and stealing. But in this, I found, Mick was not vitally interested--both were too deeply immoral for him to touch. For Mick was a worker. He liked work. Vagrancy to him made no appeal. To "settle down" was his one definite desire. But jobs refused to hold him, and the road gripped him in spite of himself. So the problem presented itself to him in an abstract way only; to me there was a real--but let that go.

Mick's respectability was uncanny. He could speculate on these things as if they were matters affecting none of us there. In that fourpenny doss-house he remained as aloof as a god, and in some vague way the calmness of the man in face of this infringing realism for a time repelled me.

We cleaned up my packet to the last shred and crumb, and I found a couple of fag ends in my pocket. We smoked silently. Mick's manner gradually affected me. We became somehow mentally detached from the place in which we sat. We were in a corner of the room, at the end of the longest table, and so incurious about the rest of the company that neither of us knew whether there were two or twenty men there. For a while Mick was absorbed in his smoke, and then I saw him slowly turn his head to the door. It was a languid movement. His dark eyes were half veiled as he watched for the entrance of someone who fumbled at the latch. Then, in an instant, as the face of the newcomer thrust forward, Black Mick's whole personality seemed to change. His eyelids lifted, showing great, glowing eyes staring from a cold set face. His back squared, and the table, clamped to the floor, creaked protestingly as his sprawled legs were drawn up and the knees pressed against the under part. A second only he stared, then slung himself full forward.

The newcomer was a live man, quicker than Mick. The recognition between the two was apparently mutual; for as Mick vaulted the table the other rushed forward, grabbed the poker from the grate, and got home on Mick's head with it. Before I could get near enough to grip, the door again banged and our visitor had disappeared.

"There was a girl in it," said Mick to me when we took the road together a fortnight later, and that was as far as he got in explanation. It was enough. I could read men a little. To Mick women--all women--were sacred creatures. In the scheme of nature woman was good and man was evil. Passion was a male attribute, an evil fire that scorched and burned and rendered impotent the protesting innocence of hapless femininity....

So we tramped. One public works after the other we made, always with the same result--no chance of a take-on. Often we got a lift in food, ale, or even cash from some gang where one of us was known, but that was all. Everywhere the reply to our request for a job was the same: Full Up. And then we made Liverpool.

My favourite kip in Liverpool was Bevington House in the Scotland Road district, but on this occasion I had news that Twinetoes, an old mate of mine, had taken in that night at a private doss-house, and the probability was that he would not only give us a lift but would be able to tell us pretty accurately what was the state of the labour market.

It was a rotten kip. Four men were squabbling over the frying pan when we entered, and over against the far wall sat an old crone, crooning an Irish song. The men were of the ordinary dock rat type, scraggily built, unshaven, with cunning, shifty eyes. The woman had an old browned-green kerchief round her head, and a ragged shawl drawn tightly round her breasts. One side of her face had evidently been burned some time, and the eye on that side ran continually.

"Got any money, dearie?" she said to Mick.

"No, mother," Mick replied, gently taking her hand. "Is there a fellow here called Twinetoes?"

"No blurry use t'me if no money," and she went on with her damnable singing, like a lost soul wailing for its natural hell.

The Boss came in from the kitchen. "Twinetoes? Damned funny moniker! Never 'eerd it," he said. "But there's a bloke asleep upstairs as calls 'isself Brum. Mebbe it's 'im."

It was. Twinetoes lay in his navvy clobber on a dirty bed, drunk, dead to the world. We could not rouse him.

"What a kennel!" said Mick. "There's a smell about it I don't like." There was a smell; not the common musty smell of cheap doss-houses, something much worse than that....

"You pay your fourpence and takes your choice," I said, with an intended grandiloquent sweep of my hand towards the dozen derelict beds. We selected two that lay in an alcove at the end of the room farthest from the door, and turned in. In a few minutes we were both asleep.

Suddenly I awoke. A clock outside struck one. There was no sound in the room but the now subdued snoring of Twinetoes. I was at once wide awake, but I lay quite still, breathing as naturally as possible, keeping my eyes more than half closed, for I felt some sinister presence in the room. A new pollution affected the atmosphere. Bending over me was the old crone. Downstairs she had seemed aimless, shapeless, almost helpless, an object of disgusting pitifulness. Now, dark as it was, and unexpected as was the visit, I could at once see that she was as active and alert as a monkey.

On going to bed I had put my boots under my pillow, and thrown my coat over me, keeping the cuff of one sleeve in my hand. A practised claw slipped under my head and deftly fingered the insides of my boots: Blank. The coat pockets were next examined: Blank. Still I dog-slept. The wrinkled lips were now working angrily, churning up two specks of foam that shone white in the corners of the mouth. The running eye rained tears of rage down her left cheek; and the other one glowed and dulled, a winking red spark in the gloom, as she looked quickly up and down the bed. Her left hand hung down by her side, the arm tense. Then, as she slipped her right hand under the clothes in an effort to go over the rest of me, I gave a half turn and a low sleep moan to warn her off. At once the left hand shot up over my head, the lean fingers clutching a foot of lead pipe. Again I tried to appear sound asleep. With eyes tight shut I lay still. I dared not move. One glimpse of that tortured face had shown me that I could hope for nothing; the utter folly of mercy or half measures was fully understood. Yet, effort was impossible. I was simply and completely afraid.

The lead pipe did not, however, meet my skull. Hearing a slight scuffle, I peeped out to find that there were now two figures in the gloom. The Boss had crept up, seized the hag's left arm, and was pointing to the door. She held back, and in silent pantomime showed that Mick had not been gone over yet. With her free hand she gathered her one skirt over her dirty, skinny knees and danced with rage by the side of my bed. She looked like the parody of some carrion creature seen in the nightmare of a starving man. The most terrible thing about her was her amazing silence; the mad dance of her stockinged feet on the bare boards made no sound.

The Boss loosened his hold on her wrist, but took away the lead pipe from her, and she slipped over to Mick. Again those skinny claws went through their evolutions with uncanny silence and effect, whilst I lay, every muscle taut, ready to spring up if occasion required. My nerve had returned, and now that the piece of lead pipe was in the hands of the less fiendish partner of this strange concern, I was ready to wade in. But she found nothing, and Mick slept on. We were too poor to rob; but this only enraged her the more. Her fingers twisted themselves into the shawl at her breast, and she silently but vehemently spat at Mick's head as she moved away.

For half an hour I tried in vain to sleep, and then the Boss again appeared. This time he bore a huge bulk of patched and soiled canvas, part of an old sail, which he hung from the ceiling across the middle of the room, thus shutting off Twinetoes, Mick and myself from that part where was the door on to the stairs. He was not noisy, but he made no attempt to keep the previous death stillness of the house.

As the Boss descended the stairs, a surprising thing happened--and Mick awoke. Girlish laughter rippled up the stairs! "God Almighty," said Mick, "what's that?"

Again it came, and with it the gurgling of the old woman. It was impossible and incredible, that mingling in the fetid air of those two sounds, as if the babble of clear spring water had suddenly broken into and merged with the turgid roll of a city sewer. Mick sat up. "But this is bloody!" he said.

"Wait," was all I replied.

We waited. Mick slipped out of bed, carefully opened his knife and made a few judicious slits in the veiling canvas. My senses had become abnormally acute. I seemed to hear every shade of sound within and without the house. I could sense, I imagined, the very positions in which sat the persons in the kitchen below. Even Twinetoes was affected by the tense atmosphere. He murmured in his sleep and seemed somewhat sobered, for his limbs took more natural positions on the bed. The darkness was no longer a bar to vision. By now I could see quite clearly; and so, I believe, could Mick.

The old woman was mumbling to the girl. "'S aw ri', mi dear. 'Av' a drink o' this. W'll fix y'up aw ri'."

She had again dropped into the low uncertain voice of aimless senility. The girl remained silent. Glasses clinked. The Boss, I could hear, walked up and down the kitchen, busy with some final work of the night. A confused murmur came from another corner; but I could not distinguish the words: The dock rats were apparently discussing something.

Again that ripple of sound ascended the stairs, but this time there was an added note of apprehension. It broke very faintly but pitifully, before dying away to the sound of light footsteps. Half a dozen stairs were pressed, then came a stumble and a girlish "A-ah." She recovered herself as the hateful voice from behind said, "Aw ri', m'dear," and older, surer feet felt the stairs and pushed on behind the girl. Through the veiling canvas and the old walls I seemed to see the pair ascending. A few seconds more, and a slight farm rounded the jamb of the door. The girl's eyes blinked in the walled twilight of the room. She hesitated on the threshold, but only for a second. The touch of a following frame impelled her forward. Her uncertain foot caught against a bed leg and a white hand gripped the steadying rail. Long-nailed claws laced themselves in the fingers of her other hand and the old woman half drew, half twisted her into sitting down on the edge of the bed. They began to talk quietly. I examined them more closely....

The old crone still played the part of ancient childhood, mumbling words of little import and obscenely fingering the girl's arms, head, and waist. Some instinct led her to veil her eyes from the girl, for from those differing orbs gleamed all the wickedness of her mangled and distorted soul. Fountains rained from her left eye, whilst the right again held that sinister glow. The girl was half drunk, and, I fancied, drugged. She swayed slightly where she sat.

She wore a small hat of a dark velvety material; a white, loose blouse, and what seemed a dark blue skirt. Round her neck hung an old-fashioned link of coral beads. Her brow was low but broad, and her hair, brushed back from the forehead, was bunched large behind, but not below, the head. Her roving eyes, gradually overcoming the clinging gloom of the place, were dark brown and unnaturally bright. Half open in an empty smile, her lips disclosed white but somewhat irregular teeth. Seen plainly in such surroundings, she was--to me--a pitiable and undesirable creature. I did not like the looks of her now. The mental image formed on the sound of her laughter was infinitely preferable to the sight of her. She was, I fancied, some servant girl of a romantic nature. I was right. "I don't care," she was saying, "I'll never go back. Trust me. Had enough. Slavey for four bob a week. 'Taint good enough. They said if I couldn't be in by arf past nine I'd find the door locked. And I did! They c'n keep it locked."

"'S aw 'ri'. You go t'sleep 'ere wi' me. W'll put yo' t' ri's. Y'll 'av' a luvly dress t'morro', an' a go' time. Wait t'l y'see the young man we'll find y' t'morro'. Now go t'bed." Those twining fingers ceased toying with the girl's hair and deftly slipped a protecting hook from an all-too-easy eye in the back of the girl's blouse.

"Three years I've been a slavey for those stuck-up pigs," said the girl in a subdued mutter, and then she went on to recount, quaintly and in a half incoherent jumble, the salient facts of her life. I glanced at Mick. He was leaning forward, peering through another slit. His face had its old set look; stern, condemnatory. Twice I had had to reach out and grip his wrist. He wanted to interfere; I was waiting--I knew not for what.

As the muttering proceeded, the busy fingers of the old woman loosened the clothes of the indifferent girl, who soon stood swaying by the side of the bed in her chemise. Deftly the dirty quilt was slipped back and the girlish form rolled into the creaking bed. The muttering went on for a few minutes whilst the old woman sat watching the flushed face and the tumbled hair on the pillow. The girl's right arm was thrown carelessly abroad over the quilt, the shoulder gleaming white in the deeper shadow thrown by the old woman who sat with her back to us, looking down intently at this waiting morsel of humanity. If we had not seen her before, we could have imagined her to be praying.

Mick, for the first time since their entry into the room, suddenly looked over at me. The same thoughts must have flashed through both our brains. What was wrong? Was anything wrong? Surely the affair was quite simple; and the canvas screen, violated by Mick's knife, had expressed the needed attempt at decency.

The muttering died down and the room was hushed to strained silence--to be broken soon by a furtive pad on the stairs. Mick and I were again alert, staring through the canvas slits. The Boss now appeared, followed by one of the dock rats. They glanced at the bed and then looked enquiringly at the old woman.

"Ol' Soloman sh'd fork out a termer for this," she said in low but clear tones. "But it's got to be a proper job." Then, to the Boss, and pointing to the screen, indicating the position of our beds: "You lamming idiot! Didn't I tell yo'? Yo' sh'd a took their bits an' outed 'm."

The dock rat was tip-toeing about the bed, like a starved rodent outside a wire-screened piece of food. His glance shifted from that gleaming shoulder hunched up over the slim neck to the heavy face of the Boss and then to the old woman, returning quickly to the form on the bed.

"Oo's goin' t'do it?" asked the old crone of the Boss. "You or Bill?" and she drew down the clothes, exposing the limp sprawled limbs of the sleeping girl. The Boss did not reply. He simply took a half-stride back, away from the bed. The dock rat's eyes gleamed: he had noted the movement. He ceased his tip-toeing about and looked at the Boss. "What's my share?"

"Blimy! Your share?" returned the Boss in a hoarse whisper. Then, pointing to the waiting, half-naked form: "That!"