Category: Poetry
The Beginnings of Poetry
Definitions of poetry. The line between poetry and prose. Summary of the dispute. Rhythm fundamental and essential in poetry. Proofs from ethnology, psychology, and the history of poetry itself 30
Category: Poetry
Definitions of poetry. The line between poetry and prose. Summary of the dispute. Rhythm fundamental and essential in poetry. Proofs from ethnology, psychology, and the history of poetry itself 30
Survival of primitive and communal poetry as it can be detected in the ballads and the popular rimes of Europe, in the songs of those savage tribes which seem to come nearest to...
17. CHAPTER VIIIFrom this brief raid upon the territory of poetic style, we return to the fortunes of improvisation and its defeat at the hands of a more deliberate art.[1142] Among the countle...
10. CHAPTER IIFor the purposes of this book, poetry is rhythmic utterance, rhythmic speech, with mainly emotional origin. One must not write a book on poetry without essaying that _iter teneb...
16. CHAPTER VIIThat primitive horde with its uncouth but rhythmic dance, its well timed but seemingly futile song, has now, let us hope, found its justification as the source of poetry. Not li...
18. Act V.In carrying loads, in cutting, and the like tasks, the Lhoosai in southeast India “clear the lungs with a continuous _hau! hau!_ _uttered in measured time by all_; without makin...
9. CHAPTER IIt is the object of the following pages neither to defend poetry nor to account for it, but simply to study it as a social institution. Questions of its importance, of the place...
11. CHAPTER IIIThe study of rhythm threw one fact of primitive life into very strong relief,—the predominance of masses of men over individual effort,[250] and the almost exclusive reign of co...
12. CHAPTER IVNobody will deny that the modern man does more thinking and less singing than the man, say, of Shakspere’s time; and nobody will deny that thinking needs solitude, while singing...
19. clxxxvi. The Afghans have got to a Browning level in poetry, if we mayF. Michel, _Le Pays Basque_, Paris, 1857, pp. 214 f. The same is true of the Poles. See Talvj (here spelled Talvi) _Historical View of the Languages and Literatures of the Slavi...
15. book one sees how completely he leaves the choral and communal case outof account. He recognizes in the first column of this table the representation of self, the personal impulse, but not as a social expression by social consent; these forms of pl...
14. CHAPTER VIWe have Dr. Johnson’s word for it that one does well “to see great works in their seminal state, pregnant with latent possibilities of excellence; nor could there be any more de...
5. CHAPTER VThe making of communal poetry a closed account. Elements of the European ballad. Who made it. The “I” of ballads. Style of ballads. Incremental repetition. Variation. Siberian s...
6. CHAPTER VIScience and theories of poetic origins. Invention and imitation. Comparative literature and the art of borrowing. The war against instinct. Instinct not set aside. The dualism i...
2. CHAPTER IIDefinitions of poetry. The line between poetry and prose. Summary of the dispute. Rhythm fundamental and essential in poetry. Proofs from ethnology, psychology, and the history...
1. CHAPTER I7. CHAPTER VII3. CHAPTER III4. CHAPTER IV8. CHAPTER VIII