Chapter 12

The man in office, finding Wordsworth did not know who he was, said in a spasmodic and half-chuckling anticipation of assured victory, "I have had the honour of some correspondence with you, Mr. Wordsworth." "With me, sir?" said Wordsworth, "not that I remember." "Don't you, sir? I am a comptroller of stamps." There was a dead silence--the comptroller evidently thinking that was enough. While we were waiting for Wordsworth's reply, Lamb sung out:

"Hey diddle fiddle, The cat and the fiddle."

"My dear Charles!" said Wordsworth--

"Diddle, diddle dumpling, my son John"--

chaunted Lamb, and then, rising, exclaimed, "Do let me have another look at that gentleman's organs." Keats and I hurried Lamb into the painting-room, shut the door, and gave way to inextinguishable laughter. Monkhouse followed and tried to get Lamb away. We went back, but the comptroller was irreconcilable. We soothed and smiled and asked him to supper. He stayed, though his dignity was sorely affected. However, being a good-natured man, we parted all in good-humour, and no ill effects followed.

All the while, until Monkhouse succeeded, we could hear Lamb struggling in the painting-room and calling at intervals, "Who is that fellow? Allow me to see his organs once more."

It was indeed an immortal evening. Wordsworth's fine intonation as he quoted Milton and Virgil, Keats's eager, inspired look, Lamb's quaint sparkle of lambent humour, so speeded the stream of conversation that in my life I never passed a more delightful time. All our fun was within bounds. Not a word passed that an apostle might not have listened to. It was a night worthy of the Elizabethan age.

"SIXPENNY JOKES" [Sidenote: _Charles Lamb_]

There is no _virtue_ like _necessity_, says the proverb. If that be true, what a quantity of _virtue_ there must be among the lower orders of people in this country!

* * * * *

A _bench_ of Justices certainly gives us an idea of something _wooden_. Shakespeare, in his Seven Ages, represents a Justice as made up with saws.

* * * * *

Locke compares the mind of a new-born infant to a sheet of white paper not yet written on. It must be confessed that, whoever wrote upon Mr. A----n's mind has left _large margins._

TO HIS BROTHER [Sidenote: _Keats_]

The thought of your little girl puts me in mind of a thing I heard Mr. Lamb say. A child in arms was passing by his chair towards the mother in the nurse's arms. Lamb took hold of the long-clothes, saying, "Where, God bless me, where does it leave off?"

LAMB'S TASK [Sidenote: _Charles Lamb_]

In those days every morning paper, as an essential retainer to its establishment, kept an author, who was bound to furnish daily a quantum of witty paragraphs. Sixpence a joke--and it was thought pretty high too--was Dan Stuart's settled remuneration in these cases. The chat of the day, scandal, but, above all, _dress_, furnished the material. The length of no paragraph was to exceed seven lines. Shorter they might be, but they must be poignant.

A fashion of _flesh_-, or rather _pink_-coloured hose for the ladies, luckily coming in at this juncture, when we were on our probation for the place of Chief Jester to S----'s paper, established our reputation in that line. We were pronounced a "capital hand." Oh the conceits which we varied upon _red_ in all its prismatic differences! from the trite and obvious flower of Cytherea to the flaming costume of the lady that has her sitting upon "many waters." Then there was the collateral topic of ankles. What an occasion to a truly chaste writer, like ourself, of touching that nice brink, and yet never tumbling over it, of a seemingly ever approximating something "not quite proper," while, like a skilful posture-maker, balancing betwixt decorums and their opposites, he keeps the line, from which a hair's-breadth deviation is destruction; hovering in the confines of light and darkness, or where "both seem either"; a hazy uncertain delicacy; Autolycus-like in the play, still putting off his expectant auditory with "Whoop, do me no harm, good man!" But, above all, that conceit arrided us most at that time, and still tickles our midriff to remember, where, allusively to the flight of Astræ--_ultima Coelestum terras reliquit_--we pronounced--in reference to the stockings still--that _Modesty taking her final leave of Mortals, her last blush was visible in her ascent to the Heavens by the tract of the glowing instep._ This might be called the crowning conceit; and was esteemed tolerable writing in those days.

But the fashion of jokes, with all other things, passes away; as did the transient mode which had so favoured us. The ankles of our fair friends in a few weeks began to reassume their whiteness, and left us scarce a leg to stand upon. Other female whims followed, but none, methought, so pregnant, so invitatory of shrewd conceits, and more than single meanings.

Somebody has said that, to swallow six cross-buns daily consecutively for a fortnight would surfeit the stoutest digestion. But to have to furnish as many jokes daily, and that not for a fortnight, but for a long twelvemonth, as we were constrained to do, was a little harder execution. "Man goeth forth to his work until the evening"--from a reasonable hour in the morning, we presume it was meant. Now, as our main occupation took us up from eight till five every day in the City; and as our evening hours, at that time of life, had generally to do with anything rather than business, it follows that the only time we could spare for this manufactory of jokes--our supplementary livelihood, that supplied us in every want beyond mere bread and cheese--was exactly that part of the day which (as we have heard of No Man's Land) may be fitly denominated No Man's Time; that is, no time in which a man ought to be up, and awake, in. To speak more plainly, it is that time, of an hour, or an hour and a half's duration, in which a man whose occasions call him up so preposterously has to wait for his breakfast.

Oh those headaches at dawn of day, when at five, or half-past five in summer, and not much later in the dark seasons, we were compelled to rise, having been perhaps not above four hours in bed--(for we were no go-to-beds with the lamb, though we anticipated the lark ofttimes in her rising--we liked a parting up at midnight, as all young men did before these effeminate times, and to have our friends about us--we were not constellated under Aquarius, that watery sign, and therefore incapable of Bacchus, cold washy, bloodless--we were none of your Basilian water-sponges, nor had taken our degrees at Mount Ague--we were right toping Capulets, jolly companions, we and they),--but to have to get up, as we said before, curtailed of half our fair sleep, fasting, with only a dim vista of refreshing Bohea in the distance--to be necessitated to rouse ourselves at the detestable rap of an hag of a domestic, who seemed to take a diabolical pleasure in her announcement that it was "time to rise"; and whose chappy knuckles we have often yearned to amputate, and string them up at our chamber-door, to be a terror to all such unreasonable rest-breakers in future--

"Facil" and sweet, as Virgil sings, had been the "descending" of the over-night, balmy the first sinking of the heavy head upon the pillow; but to get up, as he goes on to say--

Revocare gradus, superasque evadere ad auras

--and to get up, moreover, to make jokes with malice prepended--there was the "labour," there the "work."

No Egyptian taskmaster ever devised a slavery like to that, our slavery. No fractious operants ever turned out for half the tyranny which this necessity exercised upon us. Half a dozen jests in a day (bating Sundays too), why, it seems nothing! We make twice the number every day in our lives as a matter of course, and claim no Sabbatical exemptions. But then they come into our head. But when the head has to go out to them--when the mountain must go to Mahomet--

Reader, try it for once, only for one short twelvemonth.

It was not every week that a fashion of pink stockings came up; but mostly, instead of it, some rugged, untractable subject; some topic impossible to be contorted into the risible; some feature, upon which no smile could play; some flint, from which no process of ingenuity could procure a distillation. There they lay; there your appointed tale of brick-making was set before you, which you must finish, with or without straw, as it happened. The craving Dragon--_the Public_--like him in Bel's temple--must be fed; it expected its daily rations; and Daniel, and ourselves, to do us justice, did the best we could on this side bursting him.

MISS PATE [Sidenote: _M.M. Betham_]

A Miss Pate (when he heard of her, he asked if she was any relation to Mr. John _Head_, of Ipswich) was at a party, and he said, on hearing her name, "Miss Pate I hate." "You are the first person who ever told me so, however," said she. "Oh! I mean nothing by it. If it had been Miss Dove, I should have said, Miss Dove I love, or Miss Pike I like." ... Another, who was very much marked with the small-pox, looked as if the devil had ridden roughshod over her face. I saw him talking to her afterwards with great apparent interest, and noticed it, saying, "I thought he had not liked her." His reply was, "I like her internals very well."

THE LOST ORNAMENT [Sidenote: _Washington Allston_]

Lamb was present when a naval officer was giving an account of an action which he had been in, and, to illustrate the carelessness and disregard of life at such times, said that a sailor had both his legs shot off, and as his shipmates were carrying him below, another shot came and took off his arms; they, thinking he was pretty much used up, though life was still in him, threw him out of a port. "Shame, d----d shame," stuttered our Lamb, "he m-m-might have l-lived to have been an a-a-ornament to Society!"

YOUR HAT, SIR [Sidenote: _Crabb Robinson_]

I dined at Lamb's, and then walked with him to Highgate, self-invited. There we found a large party. Mr. and Mrs. Green, the Aderses, Irving, Collins, R.A., a Mr. Taylor, a young man of talents in the Colonial Office, Basil Montagu, a Mr. Chance, and one or two others. It was a _rich_ evening. Coleridge talked his best, and it appeared better because he and Irving supported the same doctrines. His superiority was striking. The idea dwelt on was the higher character of the internal evidence of Christianity, as addressed to our immediate consciousness of our own wants and the necessity of a religion and a revelation. In a style not to me clear or intelligible, Irving and Coleridge both declaimed. The _advocatus diaboli_ for the evening was Mr. Taylor, who, in a way very creditable to his manners as a gentleman, but with little more than verbal cleverness, and an ordinary logic, and the confidence of a young man who has no suspicion of his own deficiencies, affirmed that those evidences which the Christian thinks he finds in his internal convictions, the Mahometan also thinks he has; and he affirmed that Mahomet had improved the condition of mankind. Lamb asked him whether he came in a turban or a hat.

ELIA'S TAIL [Sidenote: _J.B._]

When I first knew Charles Lamb, I ventured, one evening, to say something that I intended should pass for wit. "Ha! very well; very well, indeed!" said he. "Ben Jonson has said worse things" (I brightened up, but he went stammering on to the end of the sentence)--"and--and--and _better_!" A pinch of snuff concluded this compliment, which put a stop to my wit for the evening. I related the thing to Hazlitt, afterwards, who laughed. "Aye," said he, "you are never sure of him till he gets to the end. His jokes would be the sharpest things in the world, but that they are blunted by his good-nature. He wants malice--which is a pity." "But," said I, "his words at first seemed so--" "Oh! as for that," replied Hazlitt, "his sayings are generally like women's letters: all the pith is in the postscript."

CHARLES AND HIS SISTER [Sidenote: _Mrs. Balmanno_]

Miss Lamb, although many years older than her brother, by no means looked so, but presented the pleasant appearance of a mild, rather stout, and comely maiden lady of middle age. Dressed with quaker-like simplicity in dove-coloured silk, with a transparent kerchief of snow-white muslin folded across her bosom, she at once prepossessed the beholder in her favour by an aspect of serenity and peace. Her manners were very quiet and gentle, and her voice low. She smiled frequently, but seldom laughed, partaking of the courtesies and hospitalities of her merry host and hostess with all the cheerfulness and grace of a most mild and kindly nature.

Her behaviour to her brother was like that of an admiring disciple; her eyes seldom absent from his face. Even when apparently engrossed in conversation with others, she would, by supplying some word for which he was at a loss, even when talking in a distant part of the room, show how closely her mind waited upon his. Mr. Lamb was in high spirits, sauntering about the room, with his hands crossed behind his back, conversing by fits and starts with those most familiarly known to him, but evidently mentally acknowledging Miss Kelly to be the _rara avis_ of his thoughts, by the great attention he paid to every word she uttered. Truly pleasant it must have been to her, even though accustomed to see people listen breathless with admiration while she spoke, to find her words have so much charm for such a man as Charles Lamb.

He appeared to enjoy himself greatly, much to the gratification of Mrs. Hood, who often interchanged happy glances with Miss Lamb, who nodded approvingly. He spoke much--with emphasis and hurry of words, sorely impeded by the stammering utterance which in him was not unattractive. Miss Kelly (charming, natural Miss Kelly, who has drawn from her audiences more heart-felt tears and smiles than perhaps any other English actress), with quiet good-humour listened and laughed at the witty sallies of her host and his gifted friend, seeming as little an actress as it is possible to conceive. Once, however, when some allusion was made to a comic scene in a new play then just brought out, wherein she had performed to the life the character of a low-bred lady's-maid passing herself off as her mistress, Miss Kelly arose, and with a kind of resistless ardour repeated a few sentences so inimitably that everybody laughed as much as if the real lady's-maid, and not the actress, had been before them; while she who had so well personated the part quietly resumed her seat without the least sign of merriment, as grave as possible. Most striking had been the transition from the calm, lady-like person, to the gay, loquacious soubrette; and not less so the sudden extinction of vivacity and resumption of well-bred decorum. This little scene for a few moments charmed everybody out of themselves, and gave a new impetus to conversation....

Mr. Lamb oddly walked all round the table, looking closely at any dish that struck his fancy before he would decide where to sit, telling Mrs. Hood that he should by that means know how to select some dish that was difficult to carve, and take the trouble off her hands; accordingly, having jested in this manner, he placed himself with great deliberation before a lobster-salad, observing _that_ was the thing. On her asking him to take some roast fowl, he assented. "What part shall I help you to, Mr. Lamb?" "Back," said he quickly; "I always prefer the back." My husband laid down his knife and fork, and, looking upwards, exclaimed: "By heavens! I could not have believed it, if anybody else had sworn it." "Believed what?" said kind Mrs. Hood, anxiously, colouring to the temples, and fancying there was something amiss in the piece he had been helped to. "Believe what? why, madam, that Charles Lamb was a backbiter?" Hood gave one of his short, quick laughs, gone almost ere it had come, whilst Lamb went off into a loud fit of mirth, exclaiming: "Now, that's devilish good! I'll sup with you to-morrow night." This eccentric flight made everybody very merry, and amidst a most amusing mixture of wit and humour, sense and nonsense, we feasted merrily, amidst jocose health-drinking, sentiments, speeches, and songs.

Mr. Hood, with inexpressible gravity in the upper part of his face and his mouth twitching with smiles, sang his own comic song, "If you go to France, be sure you learn the lingo," his pensive manner and feeble voice making it doubly ludicrous. Mr. Lamb, on being pressed to sing, excused himself in his own peculiar manner, but offered to pronounce a Latin eulogium instead. This was accepted, and he accordingly stammered forth a string of Latin words; among which, as the name of Mrs. Hood frequently occurred, we ladies thought it was in praise of her. The delivery of his speech occupied about five minutes. On inquiring of a gentleman who sat next to me whether Mr. Lamb was praising Mrs. Hood, he informed me that it was by no means the case, the eulogium being on the lobster-salad!

IN A COACH [Sidenote: _Charles Lamb_]

The incidents of our journey were trifling, but you bade me tell them. We had, then, in the coach a rather talkative gentleman, but very civil, all the way, and took up a servant-maid at Stamford, going to a sick mistress.... The _former_ engaged me in a discourse for full twenty miles on the probable advantages of Steam Carriages, which, being merely problematical, I bore my part in with some credit, in spite of my totally un-engineer-like faculties. But when, somewhere about Stanstead, he put an unfortunate question tome as to the "probability of its turning out a good turnip season," and when I, who am still less of an agriculturist than a steam-philosopher, not knowing a turnip from a potato-ground, innocently made answer that I believed it depended very much upon boiled legs of mutton, my unlucky reply set Miss Isola a-laughing to a degree that disturbed her tranquillity for the only moment in our journey. I am afraid my credit sank very low with my other fellow-traveller, who had thought he had met with a _well-informed passenger_, which is an accident so desirable in a stage coach. We were rather less communicative, but still friendly, the rest of the way.

KING DAVID AND THE GARDENER [Sidenote: _Anon._]

Vrom readin' Scripture well Oi knows Pzalmist 'e had na rest vrom voes; Vor po-or ole Dave gre-at pits they'd delve, An' then, dam loons, vail in theirselve. This iz ma readin' ov the Book, An' to ma self do mak' me look; Wi' dew respeck, Oi veel loike him, Tho' later born, and deal more slim.

Vor ev'ry day, wi' buzz an' hum, Into ma garden voes do come; The waspies starm ma gabled wall An' into t' trenches t' grub do crawl. The blackbird, sparrer, tit, an' thrush Do commandeer each curran' bush, While slugs off lettuce take their smack, And maggots turn the celery black.

Wi' greenfly zlimin' roun' ma roses, An' earwigs pokin' be-astly noses In dahlias vit vor virst at Show, Oi ha' ma troubles, as yew may know; But Dave did circumwent the Devil, An' wi' ma insecks Oi get level, Lard! wi' what piety Oi tend 'em, An' wi' ma boot rejoicin' end 'em!

Zo, maister gets his dish o' peas, An' mum her roses, if yew please, But, lawks, they little knaw, Oi 'speck, What Oi've laid out in intelleck; But Dave got little praise vrom man, An' as Oi ta-ake ma wat'rin'-can, Oi zays, zays Oi, next world wull show Who wuz tip-tappers here below.

THE CALAIS NIGHT-BOAT [Sidenote: _Charles Dickens_]

It is an unsettled question with me whether I shall leave Calais something handsome in my will, or whether I shall leave it my malediction. I hate it so much, and yet I am always so very glad to see it, that I am in a state of constant indecision on this subject. When I first made acquaintance with Calais it was as a maundering young wretch in a clammy perspiration and dripping saline particles, who was conscious of no extremities but the one great extremity, sea-sickness--who was a mere bilious torso, with a mislaid headache somewhere in its stomach--who had been put into a horrible swing in Dover Harbour, and had tumbled giddily out of it on the French coast, or the Isle of Man, or anywhere. Times have changed, and now I enter Calais self-reliant and rational. I know where it is beforehand, I keep a look-out for it, I recognise its landmarks when I see any of them, I am acquainted with its ways, and I know--and I can bear--its worst behaviour.

Malignant Calais! Low-lying alligator, evading the eye-sight and discouraging hope! Dodging flat streak, now on this bow, now on that, now anywhere, now everywhere, now nowhere! In vain Cape Grinez, coming frankly forth into the sea, exhorts the failing to be stout of heart and stomach; sneaking Calais, prone behind its bar, invites emetically to despair. Even when it can no longer quite conceal itself in its muddy dock, it has an evil way of falling off, has Calais, which is more hopeless than its invisibility. The pier is all but on the bowsprit and you think you are there--roll, roar, wash!--Calais has retired miles inland, and Dover has burst out to look for it. It has a last dip and slide in its character, has Calais, to be specially commended to the infernal gods. Thrice accursed be that garrison-town, when it dives under the boat's keel, and comes up a league or two to the right, with the packet shivering and spluttering and staring about for it!

Not but what I have my animosities towards Dover. I particularly detest Dover for the self-complacency with which it goes to bed. It always goes to bed (when I am going to Calais) with a more brilliant display of lamp and candle than any other town. Mr. and Mrs. Birmingham, host and hostess of the Lord Warden Hotel, are my much-esteemed friends, but they are too conceited about the comforts of that establishment when the Night Mail is starting. I know it is a good house to stay at, and I don't want the fact insisted upon in all its warm bright windows at such an hour. I know the Warden is a stationary edifice that never rolls or pitches, and I object to its big outline seeming to insist upon that circumstance, and, as it were, to come over me with it, when I am reeling on the deck of the boat. Beshrew the Warden likewise for obstructing that corner, and making the wind so angry as it rushes round. Shall I not know that it blows quite soon enough, without the officious Warden's interference?

As I wait here on board the night-packet, for the South-Eastern train to come down with the mail, Dover appears to me to be illuminated for some intensely aggravating festivity in my personal dishonour. All its noises smack of taunting praises of the land, and dispraises of the gloomy sea, and of me for going on it. The drums upon the heights have gone to bed, or I know they would rattle taunts against me for having my unsteady footing on this slippery deck. The many gas-eyes of the Marine Parade twinkle in an offensive manner, as if with derision. The distant dogs of Dover bark at me in my misshapen wrappers, as if I were Richard the Third.