Part 5
Hoby was not only the greatest and most fashionable bootmaker in London, but, in spite of the old adage, _ne sutor ultra crepidam_, he employed his spare time with considerable success as a Methodist preacher at Islington. He was said to have in his employment three hundred workmen; and he was so great a man in his own estimation that he was apt to take rather an insolent tone with his customers. He was, however, tolerated as a sort of privileged person, and his impertinence was not only overlooked but was considered as rather a good joke. He was a pompous fellow, with a considerable vein of sarcastic humour.
I remember Horace Churchill (afterwards killed in India with the rank of major-general), who was then an ensign in the Guards, entering Hoby's shop in a great passion, saying that his boots were so ill made that he should never employ Hoby for the future. Hoby, putting on a pathetic cast of countenance, called to his shopman:
"John, close the shutters. It is all over with us. I must shut up shop; Ensign Churchill withdraws his custom from me."
Churchill's fury can be better imagined than described.
On another occasion the late Sir John Shelley came into Hoby's shop to complain that his top-boots had split in several places. Hoby quietly said:
"How did that happen, Sir John?"
"Why, in walking to my stables."
"Walking to your stables!" said Hoby, with a sneer. "I made the boots for riding, not walking."
Hoby was bootmaker to the Duke of Kent; and, as he was calling on H.R.H. to try on some boots, the news arrived that Lord Wellington had gained a great victory over the French army at Vittoria. The duke was kind enough to mention the glorious news to Hoby, who coolly said:
"If Lord Wellington had had any other bootmaker than myself he never would have had his great and constant successes; for my boots and prayers bring his lordship out of all his difficulties."
One may well say that there is nothing like leather; for Hoby died worth a hundred and twenty thousand pounds.
Hoby was bootmaker to George III., the Prince of Wales, the royal dukes, and many officers in the Army and Navy. His shop was situated at the top of St. James's Street, at the corner of Piccadilly, next to the Old Guards Club. He was bootmaker to the Duke of Wellington from his boyhood, and received innumerable orders in the duke's handwriting, both from the Peninsula and France, which he always religiously preserved. Hoby was the first man who drove about London in a tilbury. It was painted black, and drawn by a beautiful black cob. This vehicle was built by the inventor, Mr. Tilbury, whose manufactory was, fifty years back, in a street leading from South Audley Street into Park Street.
HARRINGTON HOUSE AND LORD PETERSHAM [Sidenote: _Captain Gronow_]
When our army returned to England in 1814 my young friend, Augustus Stanhope, took me one afternoon to Harrington House, in Stable-yard, St. James's, where I was introduced to Lord and Lady Harrington, and all the Stanhopes. On entering a long gallery, I found the whole family engaged in their sempiternal occupation of tea-drinking. Neither in Nankin, Pekin, nor Canton was the teapot more assiduously and constantly replenished than at this hospitable mansion. I was made free of the corporation, if I may use the phrase, by a cup being handed to me; and I must say that I never tasted any tea so good before or since.
As an example of the undeviating tea-table habits of the house of Harrington, General Lincoln Stanhope once told me that, after an absence of several years in India, he made his reappearance at Harrington House, and found the family, as he had left them on his departure, drinking tea in the long gallery. On his presenting himself, his father's only observation and speech of welcome to him was, "Hallo, Linky, my dear boy! delighted to see you. Have a cup of tea?"
LORD ALVANLEY [Sidenote: _Captain Gronow_]
From the time of good Queen Bess, when the English language first began to assume somewhat of its present form, idiom, and mode of expression, to the day of our most gracious sovereign Queen Victoria, every age has had its punsters, humorists, and eloquent conversationalists; but I much doubt whether the year 1789 did not produce the greatest wit of modern times, in the person of William Lord Alvanley.
After receiving a very excellent and careful education, Alvanley entered the Coldstream Guards at an early age, and served with distinction at Copenhagen and in the Peninsula; but, being in possession of a large fortune, he left the Army, gave himself up entirely to the pursuit of pleasure, and became one of the principal dandies of the day. With the brilliant talents which he possessed, he might have attained to the highest eminence in any line of life he had embraced.
Not only was Alvanley considered the wittiest man of his day in England, but, during his residence in France, and tours through Russia and other countries, he was universally admitted to possess, not only great wit and humour, but _l'esprit français_ in its highest perfection; and no greater compliment could be paid him by foreigners than this. He was one of the rare examples (particularly rare in the days of the dandies, who were generally sour and spiteful) of a man combining brilliant wit and repartee with the most perfect good-nature. His manner, above all, was irresistible; and the slight lisp, which might have been considered as a blemish, only added piquancy and zest to his sayings.
In appearance he was about the middle height, and well and strongly built, though he latterly became somewhat corpulent. He excelled in all manly exercises, was a hard rider to hounds, and was what those who do not belong to the upper ten thousand call "a good-plucked one." His face had somewhat of the rotund form and smiling expression which characterises the jolly friars one meets with in Italy. His hair and eyes were dark, and he had a very small nose, to which, after deep potations, his copious pinches of snuff had some difficulty in finding their way, and were in consequence rather lavishly bestowed upon his florid cheek. He resided in Park Street, St. James's, and his dinners there and at Melton were considered to be the best in England. He never invited more than eight people, and insisted upon having the somewhat expensive luxury of an apricot-tart on the sideboard the whole year round.
Alvanley was a good speaker; and, having made some allusion to O'Connell in rather strong terms in the House of Lords, the latter very coarsely and unjustly denounced him, in a speech he made in the House of Commons, as a bloated buffoon. Alvanley thereupon called out the Liberator, who would not meet him, but excused himself by saying, "There is blood already on this hand"--alluding to his fatal duel with D'Esterre.
Alvanley then threatened O'Connell with personal chastisement. Upon this, Morgan O'Connell, a very agreeable, gentlemanlike man, who had been in the Austrian service, and whom I knew well, said he would take his father's place. A meeting was accordingly agreed upon at Wimbledon Common, Alvanley's second was Colonel George Dawson Damer, and our late consul at Hamburgh, Colonel Hodges, acted for Morgan O'Connell. Several shots were fired without effect, and the seconds then interfered and put a stop to any further hostilities.
On their way home in a hackney-coach, Alvanley said, "What a clumsy fellow O'Connell must be, to miss such a fat fellow as I am! He ought to practise at a haystack to get his hand in." When the carriage drove up to Alvanley's door, he gave the coachman a sovereign. Jarvey was profuse in his thanks and said, "It's a great deal for only having taken your lordship to Wimbledon."
"No, my good man," said Alvanley; "I give it you, not for taking me, but for bringing me back."
Everybody knows the story of Gunter, the pastrycook. He was mounted on a runaway horse with the King's hounds, and excused himself for riding against Alvanley by saying, "Oh my lord, I can't hold him, he's so hot!" "Ice him, Gunter--ice him!" was the consoling rejoinder.
In the hunting-field in a northern county, Sir Charles S----, whose married life was not a very happy one, wore one morning at the meet a wonderful greatcoat, with enormous horn buttons. Alvanley, riding up to him, and apparently looking at the buttons with great admiration, said, "A little attention of Lady S----'s, I presume, Sir Charles?"
Alvanley had a delightful recklessness and _laisser aller_ in everything. His manner of putting out his light at night was not a very pleasant one for his host for the time being. He always read in bed, and when he wanted to go to sleep he either extinguished his candle by throwing it on the floor in the middle of the room, and taking a shot at it with the pillow, or else quietly placed it, when still lighted, under the bolster. At Badminton, and other country houses, his habits in this respect were so well known that a servant was ordered to sit up in the passage to keep watch over him.
Alvanley's recklessness in money matters was almost incredible. His creditors having become at last very clamorous, that able and astute man of the world, Mr. Charles Greville, with the energetic and bustling kindness in mixing himself up in all his friends' affairs which still distinguishes him, had undertaken to settle those of Alvanley. After going through every item of the debts, matters looked more promising than Mr. Greville expected, and he took his leave. In the morning he received a note from Alvanley, to say that he had quite forgotten to take into account a debt of fifty-five thousand pounds.
SALLY LUNN [Sidenote: _Captain Gronow_]
Some fifty years back, or thereabouts, Albinia, Countess of Buckinghamshire, lived in her charming villa in Pimlico, surrounded by a large and beautiful garden. It was here she used to entertain the _élite_ of London society with magnificent _fêtes, bal champêtres_, and public breakfasts. After one of those _fêtes_, I called one morning to pay my respects; and, on ringing the bell, the servant ushered me into the conservatory, where I found Lady Harrington, the celebrated cantatrice Mrs. Billington, and the Duke of Sussex, who was said to be very much _épris_ with the English "Catalani," as she was called.
Mrs. Billington was extremely beautiful, though it was absurd to compare her to Catalani as a singer; but she was the favourite of the Duke of Sussex, which made her many friends. During my visit, chocolate and tea-cakes were served to our party, when Lady Harrington related a curious anecdote about those cakes. She said her friend Madame de Narbonne, during the emigration, determined not to live upon the bounty of foreigners, found means to amass money enough to enable her to open a shop in Chelsea, not far from the then fashionable balls of Ranelagh.
It had been the custom in France, before the Revolution, for young ladies in some noble families to learn the art of making preserves and pastry; accordingly, Madame de Narbonne commenced her operations under the auspices of some of her acquaintances; and all those who went to Ranelagh made a point of stopping and buying some of her cakes. Their fame spread like lightning throughout the West End, and orders were given to have them sent for breakfast and tea in many great houses in the neighbourhood of St. James's. Madame de Narbonne employed a Scotch maid-servant to execute her orders. The name of this woman was "Sally Lunn," and ever since a particular kind of tea-cake has gone by that name.
Madame de Narbonne, not speaking English, replied to her customers (when they inquired the name of the _brioches_), "bon." Hence the etymology of "bun," according to Lady Harrington; but I confess that I do not feel quite satisfied with her derivation.
"MONK" LEWIS [Sidenote: _Captain Gronow_]
"Monk" Lewis had a black servant, affectionately attached to his master; but so ridiculously did this servant repeat his master's expressions, that he became the laughing-stock of all his master's friends. Brummell used often to raise a hearty laugh at Carlton House by repeating witticisms which he pretended to have heard from Lewis's servant; some of these were very stale; yet they were considered so good as to be repeated at the clubs, and greatly added to the reputation of the Beau as a teller of good things. "On one occasion," said Brummell, "I called to inquire after a young lady who had sprained her ankle. Lewis, on being asked how she was, had said, in the black's presence, 'The doctor has seen her, put her legs straight, and the poor chicken is doing well.' The servant, therefore, told me, with a mysterious and knowing look, 'Oh, sir, the doctor has been here, she has laid eggs, and she and the chickens are doing well.'"
THE CARELESSE NURSE MAYD [Sidenote: _Hood_]
I sawe a Mayd sitte on a Bank, Beguiled by Wooer fayne and fond; And whiles His flatterynge Vowes she drank, Her Nurselynge slipt within a Pond!
All Even Tide they Talkde and Kist, For She was fayre and He was Kinde; The Sunne went down before She wist Another Sonne had sett behinde!
With angrie Hands and frownynge Browe, That deemd Her owne the Urchine's Sinne, She pluckt Him out, but he was nowe Past being Whipt for fallynge in.
She then beginnes to wayle the Ladde With Shrikes that Echo answered round-- O! foolishe Mayd to be soe sadde The Momente that her Care was drownd!
SHY NEIGHBOURHOODS [Sidenote: _Charles Dickens_]
One of the pleasantest things I have lately met with, in a vagabond course of shy metropolitan neighbourhoods and small shops, is the fancy of a humble artist, as exemplified in two portraits representing Mr. Thomas Sayers, of Great Britain, and Mr. John Heenan, of the United States of America. These illustrious men are highly coloured in fighting trim and fighting attitude. To suggest the pastoral and meditative nature of their peaceful calling, Mr. Heenan is represented on emerald sward, with primroses and other modest flowers springing up under the heels of his half-boots; while Mr. Sayers is impelled to the administration of his favourite blow, the Auctioneer, by the silent eloquence of a village church. The humble homes of England, with their domestic virtues and honeysuckle porches, urge both heroes to go in and win; and the lark and other singing birds are observable in the upper air, ecstatically carolling their thanks to Heaven for a fight. On the whole, the associations entwined with the pugilistic art by this artist are much in the manner of Izaak Walton.
But it is with the lower animals of back streets and by-ways that my present purpose rests. For human notes we may return to such neighbourhoods when leisure and opportunity serve.
Nothing in shy neighbourhoods perplexes my mind more than the bad company birds keep. Foreign birds often get into good society, but British birds are inseparable from low associates. There is a whole street of them in St. Giles's; and I always find them in poor and immoral neighbourhoods, convenient to the public-house and the pawnbroker's. They seem to lead people into drinking, and even the man who makes their cages usually gets into a chronic state of black eye. Why is this? Also, they will do things for people in short-skirted velveteen coats with bone buttons, or in sleeved waistcoats and fur caps, which they cannot be persuaded by the respectable orders of society to undertake. In a dirty court in Spitalfields, once, I found a goldfinch drawing his own water, and drawing as much of it as if he were in a consuming fever. That goldfinch lived at a bird-shop, and offered, in writing, to barter himself against old clothes, empty bottles, or even kitchen stuff. Surely a low thing and a depraved taste in any finch! I bought that goldfinch for money. He was sent home, and hung upon a nail over against my table. He lived outside a counterfeit dwelling-house, supposed (as I argued) to be a dyer's; otherwise it would have been impossible to account for his perch sticking out of the garret window. From the time of his appearance in my room, either he left off being thirsty--which was not in the bond--or he could not make up his mind to hear his little bucket drop back into his well when he let it go; a shock which in the best of times had made him tremble. He drew no water but by stealth and under the cloak of night. After an interval of futile and at length hopeless expectation, the merchant who had educated him was appealed to. The merchant was a bow-legged character, with a flat and cushiony nose, like the last new strawberry. He wore a fur cap and shorts, and was of the velveteen race, velveteeny. He sent word that he would "look round." He looked round, appeared in the doorway of the room, and slightly cocked up his evil eye at the goldfinch. Instantly a raging thirst beset that bird; when it was appeased, he still drew several unnecessary buckets of water; and finally, leaped about his perch and sharpened his bill as if he had been to the nearest wine-vaults and got drunk.
Donkeys, again. I know shy neighbourhoods where the donkey goes in at the street-door, and appears to live upstairs, for I have examined the back-yard from over the palings, and have been unable to make him out. Gentility, nobility, royalty, would appeal to that donkey in vain to do what he does for a costermonger. Feed him with oats at the highest price, put an infant prince and princess in a pair of panniers on his back, adjust his delicate trappings to a nicety, take him to the softest slopes at Windsor, and try what pace you can get out of him. Then starve him, harness him anyhow to a truck with a flat tray on it, and see him bowl from Whitechapel to Bayswater. There appears to be no particular private understanding between birds and donkeys, in a state of nature; but in the shy neighbourhood state you shall see them always in the same hands and always developing their very best energies for the very worst company. I have known a donkey--by sight; we were not on speaking terms--who lived over on the Surrey side of London Bridge, among the fastnesses of Jacob's Island and Dockhead. It was the habit of that animal, when his services were not in immediate requisition, to go out alone idling. I have met him a mile from his place of residence, loitering about the streets; and the expression of his countenance at such times was most degraded. He was attached to the establishment of an elderly lady who sold periwinkles, and he used to stand on Saturday nights with a cartful of those delicacies outside a gin-shop, pricking up his ears when a customer came to the cart, and too evidently deriving satisfaction from the knowledge that they got bad measure. His mistress was sometimes overtaken by inebriety. The last time I ever saw him (about five years ago) he was in circumstances of difficulty, caused by this failing. Having been left alone with the cart of periwinkles, and forgotten, he went off idling. He prowled among his usual low haunts for some time, gratifying his depraved tastes, until, not taking the cart into his calculations, he endeavoured to turn up a narrow alley, and became greatly involved. He was taken into custody by the police, and, the Green Yard of the district being near at hand, was backed into that place of durance. At that crisis I encountered him; the stubborn sense he evinced of being--not to compromise the expression--a blackguard, I never saw exceeded in the human subject. A flaring candle in a paper shade, stuck in among his periwinkles, showed him, with his ragged harness broken and his cart extensively shattered, twitching his mouth and shaking his hanging head, a picture of disgrace and obduracy. I have seen boys being taken to station-houses, who were as like him as his own brother.
The dogs of shy neighbourhoods I observe to avoid play, and to be conscious of poverty. They avoid work, too, if they can, of course; that is in the nature of all animals. I have the pleasure to know a dog in a back street in the neighbourhood of Walworth who has greatly distinguished himself in the minor drama, and who takes his portrait with him when he makes an engagement, for the illustration of the playbill. His portrait (which is not at all like him) represents him in the act of dragging to the earth a recreant Indian, who is supposed to have tomahawked, or essayed to tomahawk, a British officer. The design is pure poetry, for there is no such Indian in the piece, and no such incident. He is a dog of the Newfoundland breed, for whose honesty I would be bail to any amount; but whose intellectual qualities in association with dramatic fiction I cannot rate high. Indeed, he is too honest for the profession he has entered. Being at a town in Yorkshire last summer, and seeing him posted in the bill of the night, I attended the performance. His first scene was eminently successful; but, as it occupied a second in its representation (and five lines in the bill), it scarcely afforded ground for a cool and deliberate judgment of his powers. He had merely to bark, run on, and jump through an inn window, after a comic fugitive. The next scene of importance to the fable was a little marred in its interest by his over-anxiety; forasmuch as while his master (a belated soldier in a den of robbers on a tempestuous night) was feelingly lamenting the absence of his faithful dog, and laying great stress on the fact that he was thirty leagues away, the faithful dog was barking furiously in the prompter's box, and clearly choking himself against his collar. But it was in his greatest scene of all that his honesty got the better of him. He had to enter a dense and trackless forest, on the trail of the murderer, and there to fly at the murderer when he found him resting at the foot of a tree, with his victim bound ready for slaughter. It was a hot night, and he came into the forest from an altogether unexpected direction, in the sweetest temper, at a very deliberate trot, not in the least excited; trotted to the foot-lights with his tongue out; and there sat down, panting, and amiably surveying the audience, with his tail beating the boards, like a Dutch clock. Meanwhile the murderer, impatient to receive his doom, was audibly calling to him "Co-o-ome here!" while the victim, struggling with his bonds, assailed him with the most injurious expressions. It happened, through these means, that when he was in course of time persuaded to trot up and rend the murderer limb from limb, he made it (for dramatic purposes) a little too obvious that he worked out that awful retribution by licking butter off his blood-stained hands.