The Bath Road: History, Fashion, & Frivolity on an Old Highway
Part 10
It stands, that hoary pile, in a wide and well-wooded park, sheltered beneath the swelling Wiltshire downs and close beside the gentle Kennet, whose stream has been fruitful of trout ever since "trouts" (as our ancestors quaintly called them, in the plural) were angled for. Littlecote, as we now see it, was built by the Darells in the closing years of the fifteenth century, in whose early years it had passed from the Colston family by the marriage of the heiress of the Colstons to William Darell, son of Sir William Darell, of Sesay, in Yorkshire. A descendant of this emigrant from the North Riding, the "Wild Will Darell" of this blood-boltered history was born into an estate comprising an ancestral home and many thousands of acres in the counties of Wilts, Berks, and Hants, and might have been accounted fortunate had it not been for the rather more than trifling circumstances of an unhappy up-bringing which included a shameful treatment of himself and his mother by an unnatural father; the paternal extravagances which had alienated much of the property; the heavy charge made on the estate for the benefit of the mistress of his brother, who preceded him in the estate; and, finally, the crop of lawsuits into which he was plunged immediately upon succeeding to this singularly-encumbered patrimony. At this interval of time it has become quite impossible for serious historians to discriminate between the facts and the--fancies, shall we call them?--of the Wild Darell story. This difficulty does not arise from lack of patient research on the part of Darell commentators, who have ransacked the Record Office to prove that he was _not_ a villain of the most lurid kind, or the industry of others who have searched among musty muniment chests to determine that he _was_. It would, considering the fact of the records in the Littlecote muniment room not having yet been explored for the benefit of these historic doubts, be rash indeed for any one to pronounce definitely for either of the very diverse views held of Darell as Villain, or Darell as Good Young Man.
The story, which first became widely known through a footnote appended to Sir Walter Scott's "Rokeby," is of a midwife summoned from the village of Shefford, seven miles away, on a false pretence of attending Lady Knyvett, of Charlton, near by, and of her being blindfolded and led on horseback in the darkness of the night to quite another house, in one of whose stately rooms lay a mysterious masked lady for whom her services were required. The horrid legend then goes on to say that a tall, slender gentleman, a lowering and ferocious-looking man, "havinge uppon hym a goune of blacke velvett," entered the room with some others, and, without a word, took the child from her arms and threw it upon a blazing fire in an ante-room, crushing it into the flaming logs with his boot-heel, so that it was presently consumed.
A prime horror, this, and rich in ferocity, mystery, and all the incertitude that comes of age and conflicting testimony. Masked lady, blindfolded nurse, burnt baby, taciturn and horrible stranger, what lurid figures are these! and how royally abused for the possession of an over-imaginative mind would be that novelist who should dare conceive incidents so romantic!
[Sidenote: _WILD DARELL_]
Scott gleaned his traditions from the weird legends current in the country-side. They had, when he first printed them, been the fireside gossip of that district for over two hundred years, and of course in that length of time had lost nothing in the repetition. For that reason we are asked nowadays to discredit them altogether. We cannot, however, do that, because there came to light some years ago the actual deposition to the facts made by the midwife, Mrs. Barnes of Shefford, taken down on her deathbed by a Mr. Bridges of Great Shefford, a magistrate, who was also a cousin of Darell, and would not, it may well be supposed, be inclined to spread any baseless gossip to the hurt of a family with which he was connected. This deposition tells the story as already narrated. It does not identify Darell or Littlecote, nor does it even hint the identity of _any_ person or place. But the sinister discovery, some twenty years ago, at Longleat, of an original letter from Sir H. Knyvett, of Charlton, to Sir John Thynne, of Longleat, dated January 2, 1578/9 (about the time of the midwife's confession), brings us to the original rumours pointing to Darell's being the man and Littlecote the place.
[Sidenote: _DEATH OF DARELL_]
There was then residing at Longleat a Mr. Bonham, whose sister was well known to be living with Darell as his mistress, and this letter requests that "Mr. Bonham will inquire of his sister touching her usage at Will. Darell's, the birth of her children, how many there were, and what became of them: for that the report of the murder of one of them was increasing foully, and would touch Will. Darell to the quick." To that letter there is no reply, and it remains uncertain whether Darell was ever arraigned for murder and acquitted (as the story goes), or whether the rumours simply were never crystallized into a definite charge against him. The probability seems to be that he never was called upon to stand his trial. It is quite certain, however, that the legend of his being haunted along the roads by the apparition of a burning infant which startled his horse so that Wild Darell was thrown and killed is a more or less pleasing invention. Darell died quite peacefully in his bed, at Littlecote, eleven years after the midwife's death, and was buried in the Darell Chapel at Ramsbury, where he was laid to rest, October 1st, 1589. Notwithstanding these well-ascertained facts, Darell is now, if we are to credit the stories of the country-side, an apparition himself, and superstitious rustics still fear to face the roads o' nights because of a Burning Babe and a Spectral Horseman, who comes dashing down them at a terror-stricken gallop, mounted on a horse of coal-black hue, with a breath like steam and eyes like burning coals!
As for the elaborate embroideries added to the Wild Darell story from time to time, there are many. According to these ingenious fictions, the midwife counted the stairs of the strange house, and cut a piece out of the bed curtains, which she carried away. By these means; by finding the number of the stairs at Littlecote to tally with her counting, and by fitting her piece of tapestry to a hole in the curtains of a bed at Littlecote, we are told to believe the truth of the story. The singular thing, however, is that Mrs. Barnes made absolutely no mention of these things in her deposition. There remains, it is true, the fact already alluded to, that the magistrate who took down the woman's statement was a connection of Darell's, and might possibly have suppressed facts which could point to his relative being concerned in the affair. Another story is that upon Darell being arraigned (which in itself is uncertain), he made interest with Sir John Popham, the Chief Justice, to procure an acquittal.
Now it is quite certain that Popham did not become Chief Justice until 1592, when Darell had been in his grave nearly three years, and could not therefore have done so. He was, it is true, Attorney-General at the time of Darell's supposed crime, and, _had_ there been a trial, and _had_ he been bribed, could possibly have procured a _nolle prosequi_.
But Darell certainly made over the reversion of Littlecote to Popham in 1586, and Popham took possession upon Darell's decease. The story of this transaction being the bribe in question we owe to Aubrey, the county historian (or rather, the county gossip), who actually gives an account of the trial and says, "Sir John Popham gave sentence according to law, but being a great person and a favourite, he pronounced a _noli prosequi_."
More to the point is the fact that Darell, in 1583, offered Lord Chancellor Bromley the then large sum of £5000 to be "his good friend."
Those who are interested in the Darell story are equally divided as to his general character. One would have us believe that he was a Model Squire, who fished for trout, took an enthralling interest in his flower-garden, and if he did not always come home to tea (because tea not having at that period been introduced, it was impossible to do so), was content with a modest pint of claret at dinner, and spent the rest of the evening in reading what improving literature was to be had in the Elizabethan age; which, I fear, judging from the general character of the time, was of a somewhat meagre nature.
[Sidenote: _THE REAL DARELL_]
The real Darell was not quite like that picture. We already know that he had one mistress at Littlecote, and then there was Lady Anne Hungerford, an elderly charmer, whom by some means Wild Will had seduced from her husband, and whose letters, still preserved, to her "deare Dorrell" are not so improving as the recipient's other reading. One learns from these choice communications that Lady Anne had been accused of murder, adultery, and trying to poison her husband; and, under the circumstances, it seems quite likely that all these charges were well-founded, even though she says that "luker and gaine makes many dissembling and hollow hearts" (which sounds like one of the admirable copy-book maxims of our youth), and that she anticipates being cleared from suspicion of these "vill and abomynabell practiscis." Add to these hot-blooded intrigues the extravagances which, together with his litigious disposition, served to ruin his estate and to bring him into disfavour with his neighbours, and we obtain the genesis of all the ill-favoured legends of this picturesque figure of the Elizabethan era.
XXX
[Sidenote: _THE GREAT REBELLION_]
Littlecote had not done with stirring scenes when Darell was dead and the Pophams took possession. The Great Hall, hung round with pikes, leather jerkins, helmets, and cuirasses of Cromwellian times, serves to tell, in its warlike array, of how the place became a rendezvous of the Roundheads of this vicinity. These relics are the arms and accoutrements of the Popham Horse, raised by Colonel Alexander Popham, whose own suit of armour is still suspended here, over one of the doorways. A fitting place this, then, for that gathering of the King's Commissioners who came to Littlecote in December, 1688. The occasion was an historic one. James the Second was tottering upon his throne, and the Prince of Orange, invited to these shores to protect the civil and religious liberties of the nation, had marched up with his Dutchmen from his landing in the West Country. No man knew what would be the course of events, because not one of those concerned in that memorable crisis knew his own mind, from the King and his adherents on the one side, to the Prince and his partisans on the other.
The two parties met at Hungerford on December 8. On the following day, Sunday, the Commissioners dined at Littlecote, and then and there the fate of the kingdom was settled, quite amicably. The old Hall was crowded with Peers and Generals--Halifax, the judicious "trimmer," whose cautious diplomacy guided the crisis through to its solution without bloodshed; Burnet, Nottingham, Shrewsbury, and Oxford, all waiting upon events. Halifax, the partisan of the King, seized the opportunity of extracting from Burnet all he knew and thought. "Do you wish to get the King into your power?" he asked the Bishop. "Not at all," replied Burnet: "we would not do the least harm to his person." "And if he were to go away?" slyly insinuated Halifax. "There is nothing so much to be wished," whispered the Bishop, apprehending his meaning; and so James slunk away, and William of Orange reigned in his stead.
For the rest, Littlecote is a veritable storehouse of art and antiquities. The collection of ancient armour in the Great Hall is one of the finest in England. Here, too, is Chief Justice Popham's chair, and the thumbstocks which he used as a means of extracting confessions from petty offenders with whom persuasion of the merely moral kind had failed. Then there is the painting of Mr. Popham's horse, "Wild Dayrell," which won the Derby in 1855, and many interesting objects besides. First in point of interest, however, is the Haunted Chamber, which is even now said to resound with groans and imprecations; and is still very much in the same condition as in Darell's day, although, to be sure, the fateful ante-room is now divided from it. Darell's Tree, an ancient elm, patched and chained together, is still to be seen on the south side of the house, carefully tended; the legend running that Littlecote will flourish so long as its hoary trunk holds together.
XXXI
But to return to the road, which presently comes to the charming village of Froxfield, with its wide village green and great red-brick barracks of almshouses, founded in 1686 by Sarah, Duchess of Somerset, for fifty clergymen's widows, and perched up on a bank above the right-hand side of the highway.
[Sidenote: _SAVERNAKE FOREST_]
Thence, nearly all the way into Marlborough, seven miles ahead, the road lies through Savernake Forest and its outskirts, passing the loveliest forest scenery in England. Nothing can compare for magnificence with the massed beeches and oaks of Savernake, whose glorious alleys of foliage extend for miles in every direction. These fine full-grown trees are planted for the most part in a well-considered design, and radiate from a central point in eight directions. These "Eight Walks," as they are called, vary in length from four miles downwards, and lie to the south of the road. The highway runs through the northern verge of the Forest, quite open and hedgeless all the way, with two gates across it, about two miles apart. The scenery is like nothing so much as a painting by De Wint or Constable.
The Marquis of Ailesbury, to whom this noble demesne (the only Forest in the possession of a subject) belongs, has his residence near the southern boundary of the Forest, at Tottenham House, which is a singularly plain building externally, and so reminiscent in name of the Tottenham Court Road that it would have been exquisitely appropriate had the late Marquis sold the estate to Sir John Blundell Maple instead of to Lord Iveagh.
I suppose the eccentricities of the late Marquis of Ailesbury will become the subject of curious legends in the coming by-and-by. He was born out of his time, and was a kind of "throw-back" to earlier types that flourished when the Prince Regent and the Toms and Jerrys disported themselves in the famous Corinthian manner.
The glades of Savernake still remain in the family, but were alienated to Lord Iveagh, the man of Dublin stout, of whom the quaint Biblical conceit was invented by some temperance wag: "He who is not for us is agin us.[3] He brews XX." Lord Iveagh bought the estates and paid for them, but the House of Lords refused to sanction the sale, and so Savernake still belongs to the Brudenell-Bruces.
The late Marquis had a perfect genius for dissipating wealth. A "horsey" man among the "horsey," his favourite companions were sporting men of the more unrefined type, and he was hail-fellow with the cab-men and 'bus-men of London. Radicals found in his career a text for their discourses and a reason for abolishing the House of Lords as an hereditary chamber; and the ballet-girls of the London theatres regarded him as all a Peer should be. One who knew "Lord Stomach-ache," as he was playfully nicknamed before he had succeeded to the Marquisate and was yet Lord Savernake, said--
"The wealth and colour of his lordship's language surprised me. I never knew or heard a costermonger in the Dials with such a repertory. I saw him once with a couple of choice friends on a costermonger's barrow, such as is used for hawking fish or vegetables. One 'pal' had a 'yard of tin' (or coaching horn), on which he tootled melodiously. His lordship wore a very high collar, a blue birds-eye belcher fastened with a nursery-pin for a necktie, a huge drab box-cloth coat with large mother-o'-pearl buttons, a low-crowned, broad-brimmed coachman's hat, and a very tight pair of trousers. It was raining, a pitiless, pelting drizzle, and as they pulled up for drinks, he took off his heavy coat, and, placing it carefully over the patient 'moke,' said to it, as he patted it, 'There y'are, Neddy; that'll keep the bloomin' wet off you, old bloke, won't it?'"
For my own part, I think the latter part of that incident is the most creditable thing on record in the "short and merry" life of poor "Stomach-ache."
[Sidenote: _OLD TIMES ON THE ROAD_]
Savernake Forest left behind, the road descends steeply down Forest Hill in the direction of Marlborough. This hill was one of the worst obstacles met with between London and Bath in the old times, and its steepness was then rendered more difficult by reason of the execrable surface of the road. This is the experience of one travelling to London about 1816: "Twenty times at least the eight horses came to a standstill, and had to be allowed their own time before they would move. For more than half the way up there lay an extensive encampment of gipsies along each side of the road, forming a most picturesque scene with their wild figures, their bright-coloured costumes, and dark bronzed skin; their white tents, and the numerous columns of blue, thin smoke that curled upwards and lost itself in the dense foliage. These stout vagabonds rendered us an essential service; they cheered and lashed the horses, they pushed bodily in the rear, and they climbed the spokes of the revolving wheels, to send them round, with a recklessness and dexterity only acquired by long practice. To compensate them for their labour, the coachman halted at the top of the hill to give them a chance of trading; and then the women came forward and did a little fortune-telling with the ladies, not without joking and bantering on the part of the onlookers; while the younger gipsies brought abundance of sweet wood-strawberries, dished up in dock-leaves, than which nothing at the time could have been more welcome.
"During the first half of the journey to London our pace would not average more than four miles an hour, and sometimes the tramps and wanderers of the road would keep up with us for the hour together, especially the pedlars and packmen, who would display their Brummagem wares, and now and then effect a sale as we rumbled along."
A wide view extends from here, over the valley of the Kennet, with Marlborough lying in its hollow, and the Wiltshire downs, stretching away in bare rolling masses, in the direction of Swindon. Marlborough develops itself slowly as one descends, and becomes lost for a time as the panoramic view sinks out of sight.
XXXII
[Sidenote: _MARLBOROUGH_]
There are fine old inns at Marlborough; coaching inns, fallen from the high estate that was theirs in the days when Pepys and Sheridan, my Lord Chatham with his gout and his innumerable train of servants, and Horace Walpole with his gimcrackery and his caustic comments upon the kind of society in which he found himself upon the Bath Road, stayed here. No one comes here nowadays with vast retinues of lackeys, and the man does not exist, be he Peer or Commoner, who could dare be so offensive as that haughty and insufferable personage, the aforesaid Earl of Chatham, who, nursing his gout at the "Castle" Hotel in 1762, practically converted the place to his own exclusive use, regardless of the comfort or convenience of any one else. He would not stay at the "Castle," he said, storming at the terrified landlord, unless all the servants of the establishment were forthwith clothed in the Chatham livery. And so clothed they were, and the "Castle" became for some weeks what it had been before the strange workings of fate had converted it into the finest of all the inns along the road to Bath--the private residence of a nobleman.
There are breakneck streets in Marlborough, for the town, although built in the valley, has the entrance to its principal street carried round the spur of a foothill so that one side of the thoroughfare is considerably lower than the other, and the humorous among Marlborough's neighbours declare that bicycles are the only vehicles that can be driven round by the Town Hall without upsetting. But, in spite of what Cobbett says in his "Rural Rides," that "Marlborough is an ill-looking place enough," this street is the finest, broadest, neatest, and most picturesque of any along these hundred odd miles of highway. Think of all the adjectives that make for admiration, and you have scarce employed one that overrates the dignified and stately air of the High Street of Marlborough. The width of the road is accounted for by its having been used as a market-place; the architectural character of the houses lining it is due to the fires that devastated the town in 1653, 1679, and 1690, burning down the older houses, and causing the town to be almost wholly rebuilt. Those were the days of the Renaissance, and before the dwelling-house became frankly unornamental and merely a brick or stone box for people to live in, with window and door holes from which they could look or issue forth.
Thanks, then, to these fires, Marlborough is to-day a town of architectural delights, while the older portion of the College is fully as interesting, having been built on the site of the old Castle from designs by Inigo Jones or his son-in-law, Webb. It is thus a noble view along the High Street: the shops, which are interspersed among the private houses, being here and there fronted with covered ways, forming dry walks in wet weather; an arcaded Market House and Town Hall at the eastern end, and a church closing the view in each direction.
[Sidenote: _ARCADIAN HUMBUG_]
Marlborough College is at the western end of this street, occupying the fine mansion built by Francis, Lord Seymour, in time to entertain Charles the Second, who with his Queen, his brother, and a crowded suite halted here on his way to the West, in one of his Royal progresses. It became the residence of that Earl of Hertford whose Countess had a gushing affection for those tame poets of the eighteenth century whose blank verse was so soothing to the senses and so absolutely restful to the mind--requiring little mental exercise to write, and none at all to read. My Lady held quite a poetic court, of which Pope, Dr. Watts, and Thomson were the shining lights, and squirted amiable piffle about Chloes and Strephons while her fine London guests strutted about the emerald lawns pretending to be Wiltshire peasantry; the ladies wielding shepherds' crooks, and leading lambs made presentable with much expenditure of soap and water, in leashes of sky-blue silk; while the gallant gentlemen, more used, we may be sure, to dining and drinking, learned to play upon oaten reeds, and were quite idyllic and Arcadian. What an astounding time! and how disgusted these fine folks would have been, had they been forced to fare on the fat bacon and small beer of the real shepherds, instead of the kickshaws and the port which helped them to sustain their affectations! The spectacle of that vicious era, pretending to rural simplicity is, perhaps, the most notable example of vice paying homage to virtue that may be given. The folly of the age is almost inconceivable, but it is all preserved for us and duly certified in its literature and in the pictures of the school of Watteau; while this particular instance of it may be voluminously read of in the records of the time, or be conjured up by a sight of the winding walks and grottoes in the Castle gardens, where, perhaps, Dr. Watts may have seen the original busy bee that gave him the first notion of--